Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Vision
Non classifié
604
Piano & claviers
Piano seul
441
Piano Facile
114
Piano, Voix
96
Orgue
63
Piano, Voix et Guitare
52
Accompagnement Piano
48
Instruments en Do
26
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
4
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavier
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
19
Ligne De Mélodie, (Paroles) et Accords
12
Basse electrique
9
2 Guitares (duo)
5
Paroles et Accords
4
Ukulele
3
Banjo
2
2 Mandolines (duo)
2
Ukulele Baryton
2
Mandoline
1
Guitare, Orchestre
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
344
Chorale 2 parties
47
Chorale 3 parties
36
Chorale TTBB
21
Voix duo, Piano
18
Chorale Unison
14
Chorale SSAA
10
Voix Soprano, Piano
6
Chorale SSATB
4
Chorale
3
Voix haute
3
Voix duo
3
Chorale SSAATTBB
2
Voix Alto, Piano
2
Voix Baryton, Piano
2
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Voix basse
1
Pack Instrumental pour Chorale
1
Soli, choeur mixte et accompagnement
1
Voix seule
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
54
Hautbois, Piano (duo)
40
Clarinette et Piano
34
2 Saxophones (duo)
31
Saxophone Alto et Piano
30
Saxophone Tenor et Piano
22
Saxophone Soprano et Piano
21
2 Clarinettes (duo)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quatuor de Saxophones: 4 saxophones
18
Clarinette
16
2 Flûtes traversières (duo)
15
Flûte traversière
14
Flûte, Hautbois, Clarinette, Basson
14
3 Saxophones (trio)
14
Quatuor de Clarinettes: 4 clarinettes
13
Cor anglais, Piano
12
3 Clarinettes (trio)
12
Saxophone Baryton, Piano
12
Flûte, Clarinette (duo)
11
Saxophone Alto
10
Flûte et Guitare
9
Quatuor de Flûtes : 4 flûtes
8
Trio de Flûtes: 3 flûtes
7
Clarinette Basse, Piano
7
Saxophone (partie séparée)
6
Ensemble de Clarinettes
6
Saxophone Tenor
6
Hautbois
6
Ensemble de saxophones
6
Clarinette, Violon (duo)
6
Hautbois (partie séparée)
6
Saxophone et Guitare
6
Saxophone, Clarinette (duo)
5
Clarinette, Guitare (duo)
5
Ensemble de Flûtes
5
Flûte à bec Soprano
5
Cor anglais, Guitare (duo)
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Basson (duo)
4
2 Flûte à bec (duo)
4
2 Hautbois (duo)
4
Hautbois, Clarinette (duo)
4
2 Clarinettes, Piano
4
Flûte, Violon, Piano
3
Flûte, Violon
3
Saxophone Soprano
3
Flûte, Clarinette, Violon (trio)
3
Flûte, Clarinette et Basson
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Violoncelle (duo)
3
Saxophone et Piano
2
3 Hautbois
2
Flûte, Saxophone (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Violoncelle
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois (duo)
2
Flûte à bec Alto
2
Flûte, Trompette (duo)
2
Flute (partie séparée)
2
Hautbois, Flûte
2
Clarinette et Alto
2
Flûte, Violon et Violoncelle
2
Flûte, Violoncelle, Piano (trio)
2
Quatuor de Flûtes à bec
2
Cor Anglais
2
Quintette de Saxophone: 5 saxophones
1
Clarinette, Basson (duo)
1
Harmonica
1
Cor anglais et Harpe (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Violoncelle
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flute, Cor (duo)
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano, Piano
1
Flûte à bec, Harpe
1
Saxophone Baryton
1
Clarinette, Violoncelle, Piano (trio)
1
+ 77 instrumentations
Retracter
Cuivres
Trombone et Piano
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette, Piano
25
Cor et Piano
20
Trompette
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor anglais, Piano
12
Euphonium, Piano (duo)
11
Trombone
8
Tuba et Piano
7
2 Trombones (duo)
7
Cor
6
2 Trompettes (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de Cuivres
5
Cor anglais, Guitare (duo)
5
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
4
3 Trombones (trio)
4
Quatuor de cuivres: 4 cors
4
2 Cors (duo)
3
Tuba
3
Trompette, Cor (duo)
3
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Tuba et Orgue
2
Cor Anglais
2
Trompette, violon (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Trombones
1
Cor, Tuba (duo)
1
3 Trompettes (trio)
1
Clarinette, Cor (duo)
1
Trio de Cuivres
1
2 Tubas (duo)
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Violoncelle (duo)
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon et Piano
72
Violoncelle, Piano
49
Violon
43
Alto, Piano
35
Harpe
27
2 Violons (duo)
16
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle
14
Violon, Violoncelle (duo)
13
Violon, Alto (duo)
12
Violon (partie séparée)
10
Alto seul
9
2 Violoncelles (duo)
8
2 Altos (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Violoncelle , Guitare (duo)
5
Piano Trio: Violon, Alto, Piano
4
Violon, Guitare (duo)
4
Violoncelle (partie séparée)
4
Trio à cordes: 3 violins
4
Contre Basse
4
Harpe, Flûte (duo)
3
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Violoncelle, Orgue
3
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto, Guitare (duo)
3
Contrebasse (partie séparée)
2
Violon, Orgue
2
Violon, Clarinette, Piano (trio)
2
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
2
Harpe, Voix
1
Violon, Basson (duo)
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Trio à cordes: 3 altos
1
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
2 Violons, Piano
1
2 Contrebasses (duo)
1
Harpe, Violoncelle (duo)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
295
Orchestre
66
Orchestre à Cordes
55
Ensemble Jazz
36
Cloches
29
Ensemble de cuivres
26
Orchestre de chambre
20
Batterie
8
Jazz combo
6
Fanfare
4
Ensemble de Percussions
3
Piano et Orchestre
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion (partie séparée)
1
Xylophone, Piano
1
Orchestre, Violon
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
604
Librairie Musicale
3 365
Matériel de Musique
621
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Vision
Partitions à imprimer
604 partitions trouvées
<
1
26
51
....
601
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
#
Christian contemporain
#
Musique Sacrée
#
Carson Cooman
#
Carson Cooman: The Revelations
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #30254...
(+)
Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
The First Vision Guitar Minus Vocal
#
Steven H
#
The First Vision Guitar Minus
#
Boothe Publishing
#
SheetMusicPlus
Guitar - SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe...
(+)
Guitar - SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe Publishing (A0.1069964). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
What do they matter? (for medium-high voice and harp)
#
Contemporain
#
Nicole Elyse DiPaolo
#
What do they matter?
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
(+)
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
Polka from "The Bartered Bride" (Smetana) - Brass Band
#
Classique
#
Bedrich Smetana
#
Rob Bushnell
#
Polka from "The Bartered
#
RBMusic
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1372035 Composed by Bedrich Smetana. Arranged by Rob Bushnell. 19th Century,Classical,Folk,Opera,Traditional. Brass Band. 121 pages. RBMusic #956255. Published by RBMusic (A0.1372035). Considered a major contribution to the develop of Czech music, The Bartered Bride by BedÅ™ich Smetana is a comic opera in three acts that premiered, in its final version, in 1870; having not been a great success when the original two-act version premiered at the Provisional Theatre, Prague on 30 May 1866. The opera was part of Smetana’s aim to create a native Czech music after the conductor Johann von Herbeck commented that Czechs were incapable of making music of their own. Whilst he avoided the direct use of folksongs, Smetana did use numerous traditional Bohemian dance forms, such as the furiant and the polka, leading to music that was Czech in spirit.“Sold Brideâ€, a more accurate translation of the original Czech title (Prodaná nevÄ›sta), tells the story of two lovers (MaÅ™enka and Jenik) who want to marry despite MaÅ™enka’s father’s obligations for his daughter to marry the son of a wealthy landowner, Micha. Scheming, condition proposals and secret identities leads to a happy ending.The polka was not in the original 1866 version. A revision in October 1866 saw the addition of a gypsy dance near the start of act 2. But by the next performance in January 1869, this had been replaced by a polka. In June 1869, a new polka replaced the January version’s (as well as being moved to the end of act 1) and this is the one that we know and love today.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=UE8B93XD8NM.
$44.99
BE THOU MY VISION, Intermediate Level for String Trio, Woodwind Trio, any combination of two treble
#
Traditional Irish Hymn
#
Sherry Lewis
#
https://www
#
BE THOU MY VISION, Intermediat
#
Sherry Lewis Publishing
#
SheetMusicPlus
Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - SKU: A0.521397 Composed by Traditional Irish Hymn. Arranged by Sherry Lewis. 20th Century,Contempora...
(+)
Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - SKU: A0.521397 Composed by Traditional Irish Hymn. Arranged by Sherry Lewis. 20th Century,Contemporary,Sacred,Spiritual. 11 pages. Sherry Lewis Publishing #6022527. Published by Sherry Lewis Publishing (A0.521397). BE THOU MY VISION Trio for 2 Treble and 1 Bass InstrumentIntermediate LevelScore: 2 pagesParts: 3 pages Time: 1'10MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$10.99
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
The European Anthem
#
Classique
#
Ludwig van Beethoven
#
Herbert von Karajan
#
The European Anthem
#
Schott Music - Digital
#
SheetMusicPlus
Symphonic Orchestra - SKU: S9.Q2743 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von...
(+)
Symphonic Orchestra - SKU: S9.Q2743 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: wind parts. Parts. Duration 2' 15. Schott Music - Digital #Q2743. Published by Schott Music - Digital (S9.Q2743). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$22.99
The European Anthem
#
Classique
#
Ludwig van Beethoven
#
Herbert von Karajan
#
The European Anthem
#
Schott Music - Digital
#
SheetMusicPlus
Double Bass - SKU: S9.Q2748 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan...
(+)
Double Bass - SKU: S9.Q2748 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: separate part. Downloadable, Individual part. Duration 2' 15. Schott Music - Digital #Q2748. Published by Schott Music - Digital (S9.Q2748). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$4.99
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
#
Classique
#
Felix Bartholdy Mendelssohn
#
Catriona Melville-Mason
#
The Hebrides Overture
#
C Melville-Mason
#
SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts...
(+)
Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
#
Classique
#
Felix Bartholdy Mendelssohn
#
Catriona Melville-Mason
#
The Hebrides Overture
#
C Melville-Mason
#
SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C ...
(+)
Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
Still of the Evening
#
Musique Sacrée
#
John Parker III and Thomas Fet
#
Choral Octavo
#
Still of the Evening
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-23670 Composed by John Parker III and Thomas Fettke. This edition: InstruPax. Choral (Sacred); Choral Oc...
(+)
Choir Sacred Instrumental Ensemble - SKU: JX.00-23670 Composed by John Parker III and Thomas Fettke. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Christmas; Sacred. Part(s). 92 pages. Jubilate Music Group - Digital #00-23670. Published by Jubilate Music Group - Digital (JX.00-23670). English. Isaiah 9:2-7, Luke 2:1-14, Titus 2:11-14.This is, quite simply, one of the most beautiful Christmas octavos of all time! Imagine famed lyricist John Parker's poetic vision of light shining upon the infant Savior's slumbering face. Then, listen as the musical artistry of internationally acclaimed Tom Fettke illuminates the vision with shimmering harmonies and a radiant, grace-full melody. Mike Lawrence's transcendent orchestration crowns a Christmas anthem for the ages. Available in 2 voicings.
$50.00
A Whitman Triptych: II. What Is the Grass? (Downloadable)
#
David Conte
#
A Whitman Triptych: II. What I
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
(+)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
Springs in the Forest
#
Xiaogang Ye
#
Springs in the Forest
#
Schott Music - Digital
#
SheetMusicPlus
Zheng - SKU: S9.Q6451 Composed by Xiaogang Ye. This edition: Sheet music. Downloadable. Op. 6. Duration 9 minutes. Schott Music - Digital #Q6451. Publis...
(+)
Zheng - SKU: S9.Q6451 Composed by Xiaogang Ye. This edition: Sheet music. Downloadable. Op. 6. Duration 9 minutes. Schott Music - Digital #Q6451. Published by Schott Music - Digital (S9.Q6451). Springs in the Forest is considered a milestone in contemporary Chinese composition for zheng. It carries the beauty and inner nature of Chinese classical music while blending the techniques and aesthetics of contemporary music, and is one of the most outstanding solo zheng pieces since Fight to Typhoon (a popular piece from the seventies). The work combines a challenging technique with a fresh melodic line, rich and varied rhythmic patterns, and layered timbres, while maintaining a fresh aesthetic vision at same time. This piece has been well-received and praised by the public, and is suited for both refined and popular audiences. It won the Golden (first) Prize in China's Fifth Golden Bell Competition for composition in 2005.
$11.99
The Vision
#
Charles-Valentin Alkan
#
Jermaine Harris
#
The Vision
#
Jermaine Harris
#
SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.954029 Composed by Charles-Valentin Alkan. Arranged by Jermaine Harris. 20th Century,Instructional. 11 pages. Jerm...
(+)
Woodwind Ensemble - Level 2 - SKU: A0.954029 Composed by Charles-Valentin Alkan. Arranged by Jermaine Harris. 20th Century,Instructional. 11 pages. Jermaine Harris #5741965. Published by Jermaine Harris (A0.954029). The Vision is an arrangement of the first entry in Charles-Valentin Alkan's Esquisses, Opus 63. The original piece is written for piano. This arrangement is made for woodwind ensemble and features a beautiful flute solo. Like most other slow paced pieces, use this work as an opportunity to develop phrasing and intonation for your woodwind section. Instrumentation: 1 C Flute, 2 B-flat Clarinet, 1 Tenor Saxophone, * 2 Bass Clarinet, * 2 Bassoon, 1 B-flat Contrabass Clarinet* only 1 player is required if the other voice has two players© 2020 Breve Music LLC .
$3.00
The Tranquility Of Order
#
Nicholas White
#
The Tranquility Of Order
#
Nicholas White Music
#
SheetMusicPlus
Cello,Medium Voice,Piano - Level 5 - SKU: A0.1258631 Composed by Nicholas White. 21st Century,Classical,Contemporary. 48 pages. Nicholas White Music #85...
(+)
Cello,Medium Voice,Piano - Level 5 - SKU: A0.1258631 Composed by Nicholas White. 21st Century,Classical,Contemporary. 48 pages. Nicholas White Music #851889. Published by Nicholas White Music (A0.1258631). These twenty short pieces were composed between March 15 – 25, 2020, during the first days of self-isolation and social distancing brought about by the COVID 19 global pandemic. They were conceived as a set of dances and meditations, with the intention of providing music for a dance performance. The individual movements themselves are free form in construction. The countertenor (or mezzo-soprano) part is wordless, with the exception of the penultimate song “The Color Fades to Greyâ€, which serves as a poignant moment of heart-on-sleeve passion before the recapitulation of the first movement. The title of the piece, a play on the concept of 20/20 vision, written in the year 20/20, containing 20 movements, and 20 measures in each, was a gift to the tranquility of order. Having 20/20 vision does not necessarily mean you have perfect vision. 20/20 vision only indicates the sharpness or clarity of vision at a distance. Other important vision skills, including peripheral awareness or side vision, eye coordination, depth perception, focusing ability, and color vision, contribute to your overall visual ability. There is always more than one way to look at things!Â
$20.00
The Perfect Pairing
#
Valerie Eve Gregg
#
The Perfect Pairing
#
Valerie Eve Gregg
#
SheetMusicPlus
SKU: A0.1380692 By Valerie Eve Gregg. By Valerie Eve Gregg. Historic,Instructional,Multicultural,Singer/Songwriter,Traditional,World. Educational Exerci...
(+)
SKU: A0.1380692 By Valerie Eve Gregg. By Valerie Eve Gregg. Historic,Instructional,Multicultural,Singer/Songwriter,Traditional,World. Educational Exercises. 40 pages. Valerie Eve Gregg #965473. Published by Valerie Eve Gregg (A0.1380692). The Perfect Pairing occurs when music students study an instrument and are encouraged to compose their own music regularly. They can apply the theory and technique they have been learning in their music lessons to composing. The Perfect Pairing is the perfect tool for teachers to easily integrate simple and short music composition assignments into their students’ lessons. This workbook contains listening sheets and composition exercises. The listening sheets contain a brief introduction to a musical element, an overview of a composer, and a suggested composition to listen to. The composition sheets contain a project for students where they write 4-8 measures of music from a focused story, thought, vision, or idea. They use the musical elements they have been learning to write their composition. When your student composes music, the teaching opportunities will open up as they ask questions regarding music theory, notation, and methodology. You will also gain insight into your student’s level of music comprehension when they show you their composition. Remember that anyone can be a composer! The journey does not need to start with a masterpiece, just a start!
$49.00
Look at the Light-Digital Version
#
Gospel Spirituel
#
Musique Sacrée
#
Look at the Light-Digital Vers
#
Hope Publishing - Digital
#
SheetMusicPlus
SKU: H1.9159DP Collection. 123 pages. Hope Publishing - Digital #9159DP. Published by Hope Publishing - Digital (H1.9159DP). Daniel Charles Damon.
(+)
SKU: H1.9159DP Collection. 123 pages. Hope Publishing - Digital #9159DP. Published by Hope Publishing - Digital (H1.9159DP). Daniel Charles Damon.Hymns and Songs for Worship I continue to explore the edges of our spoken and sung faith. Some of the theological edges I have been working on in my hymnwriting are anti-racism, gender identity, and radical hospitality. In addition to new hymn texts and tunes, this collection includes short songs, arrangements, and hymn revisions. My work with Paul Vasille, Donald Schell, and Music that Makes Community has strengthened my interest in short songs that are designed for repetition and may be taught without printed music. Traditional tunes from various cultures continue to inspire my creativity. I have arranged a number of African-American spirituals using jazz harmonies. These may be used as written or serve as springboards for your own ideas. You may also use them as alternate stanzas to give variety to the familiar songs. Because my craft is improving, I also included a few updates to hymns previously published. Hymns often grow and change with use.
$11.95
Introduction, Theme and Variations
#
Gioachino Rossini
#
Sean Brennan
#
#
Introduction, Theme and Variat
#
bl_music
#
SheetMusicPlus
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Br...
(+)
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
$18.99
The Wounded Angel
#
James d'Angelo
#
The Wounded Angel
#
Forton Music - Digital
#
SheetMusicPlus
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Scor...
(+)
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
$12.95
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
#
Noël
#
Felix Mendelssohn / W
#
Todd Marchand
#
Hark! The Herald Angels Sing &
#
Con Spirito Music
#
SheetMusicPlus
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Ch...
(+)
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
Catch the Vision! Share the Glory! (Downloadable Hymn Accompaniment)
#
Carl Schalk
#
Catch the Vision! Share the Gl
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Choir and various instruments - Moderately Easy to Medium - SKU: MQ.50-6006B-E Composed by Carl Schalk. Hymn accompaniment. MorningStar Music Publishers...
(+)
Choir and various instruments - Moderately Easy to Medium - SKU: MQ.50-6006B-E Composed by Carl Schalk. Hymn accompaniment. MorningStar Music Publishers - Digital Sheet Music #50-6006B-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6006B-E). Optional Hymn Accompaniment for Choral arrangement MN.50-6006.Jaroslav Vajda text focusing on Evangelism/Witness/Mission. Recent tune VISION by composer. 3 stanzas Unison (1 with descant), 1 stanza SATB.
$2.00
Celebrate the Vision
#
Allen Pote
#
Celebrate the Vision
#
Hope Publishing - Digital
#
SheetMusicPlus
Brass Parts - SKU: H1.984BDP Composed by Allen Pote. General Worship. Instrumental Parts. 68 pages. Hope Publishing - Digital #984BDP. Published by Hope...
(+)
Brass Parts - SKU: H1.984BDP Composed by Allen Pote. General Worship. Instrumental Parts. 68 pages. Hope Publishing - Digital #984BDP. Published by Hope Publishing - Digital (H1.984BDP). Words by Carole McCann.Musical for High School Choir with words by Carole McCann Here is an up-tempo presentation for high school choirs that should appeal to young people of all ages. Performance time approx. 50 minutes. The video is in DVD format.
$49.95
<
1
26
51
....
601
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Vision
