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--INSTRUMENTS--
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ALTO
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The first Noël
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23
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3
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11
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11
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10
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9
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8
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8
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6
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6
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9
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--INSTRUMENTS--
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BANJO
BASSE
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The first Noël
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51
Finnish National Anthem for String Orchestra
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Fredrik Pacius
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Keith Terrett
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Finnish National Anthem for St
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Pra...
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String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [ˈmɑːmːe]) or Vårt land (Finland Swedish: [ˈvoːrt ˈlɑnːd]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min izāmō (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.
$8.99
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Bass Flute & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549824 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christ...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549824 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 48 pages. Jmsgu3 #3547907. Published by jmsgu3 (A0.549824). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549825 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549825 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 48 pages. Jmsgu3 #3547921. Published by jmsgu3 (A0.549825). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549807 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549807 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 16 pages. Jmsgu3 #3541697. Published by jmsgu3 (A0.549807). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo parts: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Bass Flute & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549687 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christ...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549687 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520299. Published by jmsgu3 (A0.549687). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549688 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549688 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520331. Published by jmsgu3 (A0.549688). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
The First Noël - Traditional; Arranged for Voice and Ukulele
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Noël
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Traditional
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John M
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Arranged by John M
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The First Noël - Traditio
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Music Preparation Services
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - SKU: A0.908390 Composed by Traditional. Arranged by John M. Licari. Christmas,Instructiona...
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Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - SKU: A0.908390 Composed by Traditional. Arranged by John M. Licari. Christmas,Instructional,Sacred,Standards. Score and parts. 4 pages. Music Preparation Services #4993493. Published by Music Preparation Services (A0.908390). The First Noël Traditional; Arranged by John M. Licari (Voice & Ukulele) Music Preparation Services www.musicprepsevices.com The First Noel (also written The First Noël and The First Nowell) is a traditional classical English Christmas carol, most likely from the early modern period, although possibly earlier. Noel is an Early Modern English synonym of Christmas. This arrangement is for voice and ukulele (melody and chords).
$1.99
Heroic Music - No. 5. L'Armement (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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Heroic Music - No. 5. L'Armeme
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Regis Bookshar
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SheetMusicPlus
Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1173857 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,...
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Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1173857 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 13 pages. Regis Bookshar #774009. Published by Regis Bookshar (A0.1173857). Heroic Music - No.  5. L'Armement - Georg Philipp Telemann - Brass Quintet, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, Heroic Music - No.  5. L'Armement, is arranged for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Tuba and a Timpani, and is associated with the heroic quality of Rearmament. There is also a version without a Timpani, if you would prefer. Included are a score and a complete set of parts (13 pages).These selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences for years to come.
$16.00
Heroic Music - No. 5. L'Armement (Bb) (Trumpet Quintet, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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Heroic Music - No. 5. L'Armeme
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Regis Bookshar
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SheetMusicPlus
Timpani,Trumpet - Level 3 - SKU: A0.1170650 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March...
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Timpani,Trumpet - Level 3 - SKU: A0.1170650 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 13 pages. Regis Bookshar #771001. Published by Regis Bookshar (A0.1170650). Heroic Music - No.  5. L'Armement - Georg Philipp Telemann - Trumpet Quintet, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchase individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Booksh Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a solist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, Heroic Music - No. 5. L'Armement, is arranged for a Trumpet Quintet and Timpani and is associated with the heroic quality of Rearmament. Included are a score and a complete set of parts (13 pages)These selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshat, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$16.00
The First Noel - For Recorders
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Noël
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Traditional
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Javier MartÃnez Maya
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The First Noel - For Recorders
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Arte Nova Music Lab
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.742374 Composed by Traditional. Arranged by Jav...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.742374 Composed by Traditional. Arranged by Javier MartÃnez Maya. Children,Christmas,Romantic Period. Score and parts. 3 pages. Arte Nova Music Lab #2930385. Published by Arte Nova Music Lab (A0.742374). The First Noel (also written The First Noël and The First Nowell) is a traditional classical English Christmas carol, most likely from the early modern period, although possibly earlier.[2][3] Noel is an Early Modern English synonym of Christmas.[4]In its current form, it is of Cornish origin, and it was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both of which were edited by William Sandys and arranged, edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God. Today, it is usually performed in a four-part hymn arrangement by the English composer John Stainer, first published in hisCarols, New and Old in 1871.[2] Variations of its theme are included in Victor Hely-Hutchinson's Carol Symphony.The melody is unusual among English folk melodies in that it consists of one musical phrase repeated twice, followed by a refrain which is a variation on that phrase. All three phrases end on the third of the scale. It is thought to be a version of an earlier melody sung in a church gallery setting; a conjectural reconstruction of this earlier version can be found in the New Oxford Book of Carols.[5]The Annunciation to the shepherds and the Adoration of the shepherds are episodes in the Nativity of Jesus described in the second chapter of the Gospel of Luke (Luke 2). The Star of Bethlehem appears in the story of the Magi (the Wise Men) in the Gospel of Matthew; it does not appear in the story of the shepherds. Taken from https://en.wikipedia.org/wiki/The_First_Noel
$10.00
BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
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Joseph Bodin De Boismortier
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BOISMORTIER SONATA IN D MINOR
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & ...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 22 pages. Piper Publications #5213745. Published by Piper Publications (A0.811719). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music.The fourth sonata has been arranged for flute or oboe, clarinet & bassoon or cello. The four movements are Doucement, Courante, Allemande and a pair of minuets. Players of intermediate standard and above will enjoy the independent part writing. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. The only dynamics included in the original are Doucement (softly) at the beginning of the first movement and Doux , an indication to play softly from bar/measure 49 to the end of the first movement, and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments.The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
$12.00
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Sonatina No. 1
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Mark Anthony Cruz
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Sonatina No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4272. Published by Les Productions d'OZ - Di...
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Guitar - SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4272. Published by Les Productions d'OZ - Digital (ZZ.DZ-4272). En septembre 2018, le guitariste Toby McWilliams a commandé à Cruz l’écriture d’une pièce solo en trois mouvements après avoir entendu ses Five Pieces in C dans l’émission de radio internationale Classical Guitar Alive. McWilliams a demandé que le premier mouvement soit en forme sonate-allegro, suivi de deux autres pièces reflétant les choix de tempo d’une sonatine en trois mouvements typique. Comme c’est le cas pour la plupart des œuvres de Cruz, cette Sonatine a été achevée en tant que musique pure, sans programme sous-jacent. Cependant, dans sa quête de trouver des titres autres que des indications de tempo, Cruz a extrait trois mots de la correspondance entre lui-même et McWilliams qui, ensemble, ajoutent une touche personnelle à la collection tout en suggérant une progression des événements d’une journée imaginaire.Un point d’intérêt dans le premier mouvement, le thème A : Cruz commence sur l’accord IV et évite intentionnellement d’utiliser un accord I tout au long de la pièce. Bien que la section B commence dans la tonalité de dominante, elle se dirige rapidement vers un centre tonal de ré majeur.Festival (3ème mouvement) utilise un thème d’ouverture bitonal : mi majeur dans la voix supérieure tandis que la ligne de basse utilise mi mineur.In September of 2018, guitarist, Toby McWilliams commissioned Cruz to write a three-movement guitar solo after hearing his Five Pieces in C on the internationally syndicated radio show, Classical Guitar Alive. McWilliams requested the first movement to be in sonata-allegro form followed by two other pieces that reflect the tempo choices of a typical three-movement sonatina. As is the case with most of Cruz’s music, this Sonatina was completed as music written for music’s sake. However, in his quest to find titles other than tempo markings, Cruz plucked three words from the correspondence between himself and McWilliams that together, add a personal touch to the collection while suggesting a progression of an imaginary day’s events.A point of interest in the first movement, A theme: Cruz begins on the IV chord and intentionally avoids using a proper I chord throughout. While the B section does begin in the dominant key, it moves quickly towards a D major tonal center.Festival (3rd movement) uses a bitonal opening theme: E major in the top voice while the bass line uses E minor.
$9.95
Concertos for Five Beethoven Piano Concerto in G maj. First mvnt Arr. for String Quartet, String par
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Beethoven, L van
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Michael Bomier
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Concertos for Five Beethoven P
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 4 - SKU: A0.862630 Composed by Beethoven, L van. Arranged by Michael Bomier. Concert,Romantic Period,Standar...
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Piano Quintet,String Ensemble Piano - Level 4 - SKU: A0.862630 Composed by Beethoven, L van. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score and parts. 22 pages. Michael Butkus-Bomier #3000649. Published by Michael Butkus-Bomier (A0.862630). Concertos for Five, is a new series from GateWay Editions. This listing is for the string parts to the first movement only. No Score, no piano. Those items are listed separately. The reason is download printing. These parts should ALL be set to print single-sided, so the end-user can decide where to place the page turns. Scores and piano parts are all double-sided downloads, and are listed separately. One could buy these parts, and utilize any Beethoven piano score, with the composer's original cadenzas, which are integrated into the fabric of all three movements, and study, rehearse and perform them with seamless ease. Look for the scores and parts for the other two movements, and play the entire concerto, with five players, not the entire orchestra. Ideal for chamber musicians, students in college, summer clinics, and any concert setting of limited scope and space. MBB.
$8.00
L'Arlésienne Suite No.1: Minuetto, Adagietto, Carillon
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Classique
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Georges Bizet
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Paul Burnell
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L'Arlésienne Suite No.1
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Paul Burnell
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SheetMusicPlus
Recorder - Level 4 - SKU: A0.835793 Composed by Georges Bizet. Arranged by Paul Burnell. Romantic Period. Recorder Ensemble. 73 pages. Paul Burnell #344...
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Recorder - Level 4 - SKU: A0.835793 Composed by Georges Bizet. Arranged by Paul Burnell. Romantic Period. Recorder Ensemble. 73 pages. Paul Burnell #3447697. Published by Paul Burnell (A0.835793). L'Arlésienne Suite No.1 : II Minuetto, III Adagietto, IV CarillonComposed by Georges Bizet (1838 - 1875) and arranged in 2011 by Paul Burnell for recorder orchestra:Two Soprano Recorders (1 doubling Sopranino), two Alto Recorders, two Tenor Recorders, two Bass Recorders, Great Bass Recorder, Contrabass Recorder. Approximate durations: Minuetto - 2:40Adagietto - 2:30Carillon - 5:30 The keys in these recorder orchestra arrangements of the Minuetto, Adagietto and Carillon from the first orchestral suite have been transposed from the originals.The arrangements were first played at the Northern Recorder Course on 17 April 2011, at Bawtry Hall, Bawtry, UK.Programme note:The French composer Georges Bizet (1838 - 1875) composed incidental music to Alphonse Daudet's play L'Arlésienne in 1872. The music is not performed very much in its original form, but the two orchestral suites are still very popular.
$7.95
Chopin: Étude No.3 in E "Tristesse" Op.10 No.3 - wind quintet
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Classique
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Frederic Chopin
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Ray Thompson
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Chopin: Étude No.3 in E
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet,English Horn,Flute,Oboe - Level 3 - SKU: A0.1473315 Composed by Frederic Chopin. Arranged by Ray Thompson. 1...
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Woodwind Ensemble,Woodwind Quintet Clarinet,English Horn,Flute,Oboe - Level 3 - SKU: A0.1473315 Composed by Frederic Chopin. Arranged by Ray Thompson. 19th Century,Romantic Period,Wedding. 10 pages. RayThompsonMusic #1051126. Published by RayThompsonMusic (A0.1473315). Étude Op. 10, No. 3, in E major, is a study for solo piano composed by Frédéric Chopin in 1832. It was first published in 1833 in France,Germany,and England as the third piece of his Études Op. 10. This is a slow cantabile study for polyphonic and expressive legato playing. In fact, Chopin himself believed the melody of the piece to be the most beautiful one he ever composed. It became famous through numerous popular arrangements.Although this étude is sometimes identified by the names Tristesse (Sadness) or Farewell (L'Adieu), neither is a name given by Chopin, but rather his critics.Arranged wind quintet.I have transposed it from E major to F major to aid the players.It is NOT the complete study, rather it is of the opening theme, a small selection from the development and the reprise of the theme.The melody is taken mainly the the oboe and flute, the clarinet takes the broken arpeggios, the bassoon the bass line, and the horn adds sustaining notes.Check out my other Chopin arrangements of some of his Preludes (including Raindrop) and of Nocturne No.2.
$17.95
Six Pieces from First Term at the Piano, - instruments in four parts
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Bela Bartok
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Paul Burnell
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Six Pieces from First Term at
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul...
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Small Ensemble - Level 2 - SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul Burnell #5724505. Published by Paul Burnell (A0.835850). Six Pieces from First Term at the Piano by Béla Bartók arranged by Paul Burnell for instruments in four parts.Duration 4:45I Allegro Deciso (No. 17)II Andante (No. 14)III Waltz (No. 18, Keringo)IV Folk Song: Moderato (No. 7, Népdal)V Where Have You Been, My Lamb? - Folksong (No. 13, Hol jártál, báránykám? - Népdal)VI Folksong: Allegro (No. 10, Népdal)The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Performers may wish to consider playing each movement through more than once and, in an ensemble with more than four players, varying the instrumentation for each iteration.The arrangements maintain the keys of the original piano pieces, but many sections have been transposed at the octave.The original metronome indication in Folksong: Allegro has been maintained, but performers may prefer a faster speed.Programme note:‘First Term at the Piano’ (‘Kezdök zongoramuzsikája’ – piano music for beginners) is a collection of pieces for first-year piano students. The collection was collaboration with Sándor Reschofsky with Béla Bartók writing eighteen of the short pieces. The volume was published in 1913 and was intended as the first of a five-volume piano instructional series. This arrangement features six of Bartók’s contributions: Allegro Deciso, Andante, Waltz, and three Folksongs.
$3.99
The First Noel for Solo Voice / Solo Instrument in C
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Musique Sacrée
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Traditional
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Gordon P
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The First Noel for Solo Voice
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Gordon Reynolds Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Voice - Level 1 - SKU: A0.917479 Composed by Traditional. Arranged by Gordon P. Reynolds. Christian,Christmas,Praise...
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Instrumental Duet Instrumental Duet,Voice - Level 1 - SKU: A0.917479 Composed by Traditional. Arranged by Gordon P. Reynolds. Christian,Christmas,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. Gordon Reynolds Music #6617949. Published by Gordon Reynolds Music (A0.917479). The First Noel (also known as The First Nowell or The First Nöel) is a popular Christmas carol and is of Cornish origin. Its current form was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both of which were edited by William Sandysand with extra lyrics written by Davies Gilbert for Hymns and Carols of God.Nowell is an Early Modern English synonym of Christmas from French Noël the Christmas season, ultimately from Latin natalis [day] of birth.This arrangement is in the key of C for Voice or Solo Instrument with lyrics and chordsA variety of accompaniment backing tracks are available for download which are suitable for this arrangement. These backing tracks may be used for performance and rehearsal purposes.
$2.99
Dawn in the Room for alto and guitar (words by S N Solomons) (mp3)
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Contemporain
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David Warin Solomons
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Dawn in the Room for alto and
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Publi...
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Alto Voice,Guitar - SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Published by David Warin Solomons (A0.1059328). Score:https://www.sheetmusicplus.com/title/19984192?aff_id=175705Setting of the poem by S N Solomons based on Supervielle's L'Aube dans la chambre for alto and classical guitar. Performed by the composer ... The first light comes, touching the sleeping mind, stroking the head, confirming who it is. Colours prick through the window pane, with silent customary tread. Pale light from Palestine and Java leans over the bed and spreads. Grey light reluctant to leave China powders the glass deepens its image as you come close. Yellow light strokes the window pane, sombre light stains the human comedy sprawled on the bed. And then the watching soul immanent, anxious says All is still well. The substance of our days is whole. No greater pain exists than to feel pain no more, with the soul helpless before locked doors. Alas Time will arrive, and death deprive. Meanwhile take I delight flattering his form guessing his contour beneath the sheets; sensing his blood seeking complexity, feeling his hands fleeting, stirred by some dream; leaving no trace in Time or Space. Let me think no more thoughts for fear he may wake. Let me be quieter than the leaf that grows. Or the rose..
$2.00
Concerto No. 6 "con violino solo obligato" A minor
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Classique
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Antonio Vivaldi
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Concerto No. 6 "con violi
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Schott Music - Digital
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SheetMusicPlus
Violin, string orchestra and organ - intermediate - SKU: S9.Q20940 From L'Estro Armonico. Composed by Antonio Vivaldi. This edition: piano reduct...
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Violin, string orchestra and organ - intermediate - SKU: S9.Q20940 From L'Estro Armonico. Composed by Antonio Vivaldi. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Op. 3/6. Schott Music - Digital #Q20940. Published by Schott Music - Digital (S9.Q20940). Key: A minor.The publication of a collection of 12 concertos for one to four solo violins by Antonio Vivaldi in Amsterdam in 1711 laid the foundations for the fame of the Italian composer in the whole of Europe. This opus 3, 'L'Estro Armonico', brought the musical world the first of more than 500 solo concertos altogether. Apart from 'The Four Seasons', these works are among the most popular works by Vivaldi even today. Concerto No. 6 in A minor for one solo violin can be regarded as one of the best liked for it is suitable for both beginner's and advanced lessons because of its technical demands. Its mixture of cantability and delight in playing, its passionate concertising in the outer movements and its soulful singing out in the Largo provide everything the heart of a – young – violinist desires.
$15.99
No. 6. of the Euterpeiad. I Ne'er Will Love You Less. Batelier dit Lisette
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L
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No. 6. of the Euterpeiad. I Ne
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Guitar and voice - SKU: LV.10839 Arranged by L. Meignen. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (L...
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Guitar and voice - SKU: LV.10839 Arranged by L. Meignen. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10839). No. 6. of the Euterpeiad. I Ne'er Will Love You Less. Batelier dit Lisette. Barcarolle from Herold's opera of Marie. [English and French. arranged for the Guitar by L. Meignen. Published [n.d.] by Fiot, Meignen & Co., 264 Market St. in Philadelphia. Composition of strophic with chorus with guitar and voice instrumentation. First line reads I ne'er will love you less, but I can not love you more.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Gaillarde l'Esmerillonne, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
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Pierre Phalèse
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Gaillarde l'Esmerillonne, Firs
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.522264 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. ...
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Small Ensemble - Level 2 - SKU: A0.522264 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 26 pages. Colin Kirkpatrick Publications #6350391. Published by Colin Kirkpatrick Publications (A0.522264). GAILLARDE l’ESMERILLONNEGaillarde No 6, Premier Livre de Danseries (Pierre Phalèse, Leuven 1571) for Wind Instruments Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. During the sixteenth and seventeenth centuries, the gaillarde (or galliard) was a popular dance and a favorite of Queen Elizabeth I of England. This is the 6th dance in a set of 20 gaillardes in the original publication. This arrangement is scored for virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The flexible arrangement enables them to be played by non-standard ensembles. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The score and set of parts come in a single PDF file. Some small modifications have been made to the inner parts in the original to facilitate performance.The percussion instruments used are similar to those found in elementary school music rooms and two players are required. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Vivaldi - Violin Concerto No.1 in D major RV 549 Op.3 for 4 Violins, Cello, Strings and Cembalo
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.1
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Santino Cara
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - Level 4 - SKU: A0.516972 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 89 p...
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Small Ensemble Cello,Harpsichord,Violin - Level 4 - SKU: A0.516972 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 89 pages. Santino Cara #3087537. Published by Santino Cara (A0.516972). Complete score and parts of the Violin Concerto No.1 in D major RV 549 for 4 violins, cello solo in the first movement, strings and cembalo, composed in about 1710 by Antonio Vivaldi and published in 1711 in L'estro armonico Op.3 Reconstructed and elaborated by Santino Cara in 2017. With the full score of the concerto are inserted separately all the instrumental parts including the part for harpsichord. Movements: 1. Allegro, 2. Largo e spiccato, 3. Allegro
$16.20
Bizet: L'Arlésienne 2nd Suite IV. Farandole - symphonic wind
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Classique
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Georges Bizet
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Ray Thompson
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Bizet: L'Arlésienne 2nd
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.553766 Composed by Georges Bizet. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 38 pa...
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Large Ensemble - Level 4 - SKU: A0.553766 Composed by Georges Bizet. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 38 pages. RayThompsonMusic #4278707. Published by RayThompsonMusic (A0.553766). Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. It was first performed on 1 October 1872 at the Vaudeville Theatre (now a cinema known as the Gaumont Opéra).The incidental music has survived and flourished, however. It is most often heard in the form of two suites for orchestra.The finale of Suite No.2 the farandole, incorporates the theme of the March of the Kings once again. This is an expanded combination of numbers 21 and 23-24 of the original incidental music, in which the farandole appears first on its own. It is afterwards briefly combined with the march.It is arranged here for wind dectet and double bass.Alt Cls. in Bb are provided
$14.95
The first Noël
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Alwin Michael Schronen
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The first Noël
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Schott Music - Digital
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SheetMusicPlus
Choirs (SATB/SAB/SSA/TTBB) a cappella or with piano accompaniment - easy to intermediate - SKU: S9.Q52417 Arranged by Alwin Michael Schronen. This editi...
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Choirs (SATB/SAB/SSA/TTBB) a cappella or with piano accompaniment - easy to intermediate - SKU: S9.Q52417 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott Music - Digital #Q52417. Published by Schott Music - Digital (S9.Q52417). English.
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