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213
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173
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120
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47
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32
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21
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10
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3
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18
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508
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93
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5
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4
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4
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3
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1
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1
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VENTS
Saxophone (partie séparée)
90
2 Flûtes traversières (duo)
84
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75
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74
Clarinette
69
Quatuor de Saxophones: 4 saxophones
65
2 Clarinettes (duo)
60
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Flûte traversière
55
Hautbois, Piano (duo)
53
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53
Flûte, Hautbois, Clarinette, Basson
50
Clarinette et Piano
49
2 Saxophones (duo)
43
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41
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40
2 Flûte à bec (duo)
38
Quatuor de Flûtes : 4 flûtes
35
Saxophone Alto
30
Saxophone Tenor et Piano
29
Ensemble de Clarinettes
26
Hautbois (partie séparée)
22
Ensemble de saxophones
20
3 Clarinettes (trio)
19
3 Saxophones (trio)
19
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19
Ensemble de Flûtes
19
Flûte et Guitare
19
Flûte à bec Soprano
19
Clarinette, Basson (duo)
11
2 Hautbois (duo)
11
Flûte à Bec
11
Flûte, Violon et Violoncelle
11
Clarinette (partie séparée)
10
Flûte, Violon
10
Saxophone, Clarinette (duo)
9
Saxophone Soprano et Piano
9
Quintette de Clarinettes: 5 clarinettes
9
Hautbois, Basson (duo)
9
Quatuor de Flûtes à bec
8
Flûte, Violoncelle
8
Harmonica
7
Flute (partie séparée)
7
Hautbois, Flûte
6
Clarinette, Violoncelle (duo)
6
Clarinette, Violon (duo)
6
Flûte à bec Alto
6
Flûte, Trombone (duo)
6
Quintette de Flûte : 5 flûtes
6
Clarinette, Trompette (duo)
5
Cor anglais, Piano
5
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5
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5
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5
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4
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4
Clarinette et Alto
3
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3
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3
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3
Clarinette, Guitare (duo)
3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
5 Flûtes à bec
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Cor Anglais
1
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1
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1
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1
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1
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1
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1
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1
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1
Saxophone
1
Saxophone Tenor
1
Flûte à bec Soprano, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
134
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Trompette
60
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44
Trombone (partie séparée)
42
Quatuor de Cuivres
38
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37
Cor et Piano
37
Trombone et Piano
36
2 Trombones (duo)
32
Trombone
31
Cor
20
Cor (partie séparée)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Cors (duo)
14
2 Trompettes (duo)
13
Tuba (partie séparée)
12
Trompette, Trombone (duo)
9
Ensemble de Trombones
8
Trompette, Saxophone (duo)
8
Quatuor de cuivres: 4 cors
8
Tuba et Piano
8
2 Euphoniums (duo)
6
Quatuor de cuivres: 4 trombones
6
Tuba
6
Ensemble de Trompettes
5
2 Tubas (duo)
5
Cor anglais, Piano
5
2 Euphoniums et 2 Tubas
5
3 Trompettes (trio)
3
4 Tubas
3
Trompette, violon (duo)
3
Euphonium, Piano (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trompette, Violoncelle (duo)
2
Trompette, Tuba (duo)
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Orgue
2
Ensemble de Tubas
1
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1
Clarinette, Cor (duo)
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
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1
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1
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1
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Tuba et Orgue
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Trompette, Euphonium (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
227
Violon et Piano
140
Harpe
127
Violon
117
Violon, Violoncelle (duo)
52
2 Violons (duo)
50
Alto, Piano
46
Violoncelle, Piano
43
Trio à Cordes: violon, alto, violoncelle
35
Violoncelle (partie séparée)
34
Trio à Cordes: 2 violons, violoncelle
28
Violon (partie séparée)
24
Violon, Alto (duo)
22
2 Violoncelles (duo)
21
Violoncelle
17
Contrebasse (partie séparée)
16
Alto seul
15
2 Altos (duo)
13
Alto (partie séparée)
13
Alto, Violoncelle (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Contre Basse
7
2 Harpes (duo)
7
Trio à cordes
6
Violon, Guitare (duo)
6
Contrebasse, Piano (duo)
5
Harpe, Voix
5
2 Contrebasses (duo)
5
Violoncelle, Contrebasse (duo)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Autoharp
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
3
4 Violoncelles
3
Trio à cordes: 3 violins
2
Violon, Orgue
2
Alto, Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Flûte, Contrebasse (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violon, Basson (duo)
2
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
3 Harpes
1
2 Violoncelles, Piano
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
526
Cloches
253
Orchestre à Cordes
158
Ensemble Jazz
103
Orchestre
88
Ensemble de cuivres
71
Jazz combo
57
Orchestre de chambre
38
Fanfare
35
Ensemble de Percussions
26
Batterie (partie séparée)
22
Batterie
12
Percussion (partie séparée)
11
Ensemble d'École
5
Marimba
3
3 Marimbas
2
Vibraphone
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
2 Xylophones
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Instrumentation Flexible
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1751
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
(+)
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.05 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
(+)
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.05 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
(+)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
32.24 €
#
Lon W
#
Colores
#
LCS Productions
#
SheetMusicPlus
Bell Tree Descants-Digital Download
45 Selections to Enhance Hymn Singing For each of these 45 descants to familiar hymns ther…
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45 Selections to Enhance Hymn Singing For each of these 45 descants to familiar hymns there is an intermediate and a more advanced setting for bell tree ringers. Many of the tunes are offered in more than one key to make this collection compatible with most hymnals. Common title and tune indexes are provided for easy reference. Adding the sparkle of bells is sure to enhance and enliven your congregational hymn singing
Song List: O Come, All Ye Faithful Joy to the World Let All Things Now Living Blessed Assurance The Church's One Foundation (D & Eb) Glorious Things of Thee Are Spoken Come and Find the Quiet Center Love Divine, All Loves Excelling (A & Bb) All Hail the Power of Jesus' Name Lift High the Cross Fairest Lord Jesus God of Grace and God of Glory Rejoice, the Lord is King! (C & D) For the Beauty of the Earth Jesus Shall Reign (D & Eb) Christ the Lord Is Risen Today A Mighty Fortress Is Our God Hosanna, Loud Hosanna (A, Ab & Bb) Great Is Thy Faithfulness Be Still My Soul (Eb & F) I Sing the Mighty Power of God My Jesus, I Love Thee When I Survey the Wondrous Cross He Leadeth Me (C & D) God, Who Stretched the Spangled Heavens Joyful, Joyful, We Adore Thee Come, Thou Almighty King (F & G) To Mock Your Reign We Gather Together (C & D) Lead On, O King Eternal (C & Db) Praise to the Lord, the Almighty O Worship the King Come, Christians, Join to Sing (A & G) Eternal Father, Strong to Save Come, Thou Fount of Every Blessing (D & Eb) Holy, Holy, Holy Praise God from Whom All Blessings Flow Be Thou My Vision All Glory, Laud and Honor My Hope Is Built on Nothing Less To God Be the Glory (Ab & G) Lift Up Your Heads, O Mighty Gates (C & D) It Is Well with My Soul (C & Db) What Wondrous Love Is This Just As I Am (D & Db)
$46.95
43.25 €
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Bell Tree Descants-Digital Download
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SheetMusicPlus
Four Canadian Sketches (Brass Band)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767031 Composed by Mike Lyons. 20th Century,Contemporary,Multicultural,Patriotic,World. Brass Band. 185 pages. Lyons Music Services #46377. Published by Lyons Music Services (A0.767031). This is an arrangement for Brass Band of my Flute Octet of the same name. It will need at least a 1st section band to handle the last movement. This might be a good piece to use in an entertainments contest. There is quite a bit for the percussion to do which took some doing as the original had none. The four movements represent my thoughts about Canada and its people. 1. March for the Frontiersmen: Canada has a lot of wilderness that has not been spoiled by man. This movement represents the rugged frontiersmen pushing through the Canadian forests. 2. The Great White Cold: I imagined the bitter freezing cold and icy beauty of Canadian winters (not that I have ever experienced such) and I used some slightly unusual techniques to create the impression of a cold wind blowing across the arctic scenery. 3. Campfire Songs: I had this vision of the great outdoors with Canadian families going camping in the mountainous regions sitting round their campfire at night and singing songs. I had no idea at the time whether Canadians were campfire songsters or what kinds of songs they might choose, so I selected a number of ’folk’ songs from the Great Canadian Tune Book and incorporated them into this movement. 4. The New Found Land: This movement moves to Canada’s eastern seaboard and I imagined new emigrants to the country arriving at a busy harbour and seeing all the hustle and bustle of a lively community and sea port. With some difficulty the debarkees find their land legs but then become absorbed in the lively new world to which they have moved.
$40.00
36.85 €
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Mike Lyons
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Four Canadian Sketches
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Lyons Music Services
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SheetMusicPlus
Canberra Bourrée - Composed by Na-Mara
Large Ensemble Flute,Guitar,Mandolin,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Downloa…
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Large Ensemble Flute,Guitar,Mandolin,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013008 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778603. Published by Na-Mara (A0.1013008). Canberra Bourrée: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a French Bourrée. Written in the key of Dm, Canberra Bourrée can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a moderate speed. It’s quite nice to make a long pause on the second time bar before going back to the A section, and to make a feature of this, and also to slow it down towards the very end. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this tune live we play it as the middle tune of a three-part set, starting with our arrangement of the An Dro, and finishing the set with our arrangement of the Galician Muiñeira, Muiñeira de Boal. Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocalsWeb site: http://www.na-mara.com/
$1.99
1.83 €
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Na-Mara
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Canberra Bourrée - Composed by Na-Mara
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Na-Mara
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SheetMusicPlus
Little Book of Klezmer Fiddle Tunes
Small Ensemble Flute,Recorder,Violin - Level 2 - Digital Download SKU: A0.932483 Ar…
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Small Ensemble Flute,Recorder,Violin - Level 2 - Digital Download SKU: A0.932483 Arranged by JM Bolton. Jewish. Score and parts. 46 pages. JM Bolton #6658393. Published by JM Bolton (A0.932483). You don’t have to be Jewish to appreciate klezmer, a Yiddish word that means music.There is something about these tunes that awakens an almost uncontrollable desire to dance! Klezmer does that. The whole point of The Little Books of Fiddle Music series is to make available interesting and fun pieces of music that the beginning and intermediate musician can enjoy. There are a lot of other collections available, but most of them are too demanding for the casual fiddler ... and there are many more people who play recreational music then you might suspect! The pieces in this book were selected because they are melodious and not overly complicated. In some cases, I simplified the notation even further to make the music accessible to a beginning fiddler. My goal is to allow more people to appreciate this music. The book is smaller than usual so it will fit into your fiddle case. You can use it on a music stand or leave it open on the floor as a quick reference when you are playing in a group. If you enjoy this book, you might try the other titles from the Little Books of the Irish and Scottish collection.
$12.99
11.97 €
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JM Bolton
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Little Book of Klezmer Fiddle Tunes
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JM Bolton
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SheetMusicPlus
The Monk's Turned Topsy-Turvy
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Con…
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Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
1.83 €
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Barnacle Bill the Sailor (for German Band)
Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Dow…
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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
$11.99
11.05 €
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Traditional
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Joseph Hasper
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Barnacle Bill the Sailor
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Joseph Hasper
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SheetMusicPlus
We Gather Together - trombone, flute, piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Digital Download SKU: …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Digital Download SKU: A0.726101 Arranged by Traditional, Johann Cruger. Christian,Holiday,Sacred. Score and parts. 12 pages. Con Spirito Music #6077249. Published by Con Spirito Music (A0.726101). This arrangement for trombone, flute, and piano brings together two hymn tunes that are especially popular at the American holiday of Thanksgiving, but appropriate at any time of year. We gather together are the opening words to a poem written by the Dutch poet and composer Adrianus Valerius in 1597 to celebrate the Dutch victory in a long-standing dispute with Spain. 1878, the Austrian composer/conductor Edward Kremser arranged six Dutch folk songs for men's voices, including Prayer of Thanksgiving: Old Dutch Melody, with texts in German. In 1894, Theodore Baker (editor of Baker's Biographical Dictionary of Musicians) translated the German text of Prayer of Thanksgiving into the familiar English version, We gather together to ask the Lord's blessing, that is sung today. Now Thank We All Our God is Catherine Winkworth's (1827-1878) translation of the German Nun Danket Alle Gott, written by Lutheran clergyman and hymn-writer Martin Rinckart (1586-1649). Rinckart's text, based on a passage from Ecclesiasticus, was set to a chorale tune by Johann Cruger (1598-1662) in his 1647 collection, Praxis pietatis melica (The Practice of Piety in Song), a hymnal for use in public worship and private devotions. Like We Gather Together, it is strongly associated the Thanksgiving holiday and other services of thanksgiving. Copyright 2015 Todd Marchand / www.ConSpiritoMusic.com
$6.00
5.53 €
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Traditional, Johann Cruger
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We Gather Together - trombone, flute, piano
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Con Spirito Music
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SheetMusicPlus
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.12…
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
23.03 €
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Felix Mendelssohn / W
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Todd Marchand
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Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
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Con Spirito Music
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SheetMusicPlus
The River
Large Ensemble Cello,Flute,Gong,Guitar,Multi-Percussion,Oboe,Violin,Zither - Level 3 - Dig…
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Large Ensemble Cello,Flute,Gong,Guitar,Multi-Percussion,Oboe,Violin,Zither - Level 3 - Digital Download SKU: A0.982015 Composed by Yap Voon Yee. Folk,World. Score and parts. 32 pages. Yap Voon Yee #5792505. Published by Yap Voon Yee (A0.982015). The River is an instrumental pentatonic Chinese piece with traditional instruments such as the erhu, dizi and guzheng zither. The music is about the flow of a river from its source to its destination.You can substitute western instruments for the Chinese ones if the Chinese ones are not available.The tune is based on the Hakka Hill Song traditional Mother Tune, called Baban.This is a good introduction to Chinese folk music for intermediate to higher-level players.The tune when played at the indicated tempo is about 2:30 long. The MP3 version is produced from the music using Muse score. Muse score does not have all the Chinese instruments and therefore some are just approximations.This PRO is APRA and the ISRC is AURRZ2000023.You can read more about Yap Voon Yee’s music, and purchase some tracks at the following places.Blog - https://yewenyi.net/wp/yapvoonyee/You Tube - https://www.youtube.com/channel/UCK49y6ed3NHl8OLWvQ721IgBandcamp - https://yapvoonyee.bandcamp.com
$12.99
11.97 €
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Yap Voon Yee
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The River
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Yap Voon Yee
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
42.37 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
The Angel Gabriel from Enchanted Carols (Downloadable Choral Score)
Soprano voice solo, SS chorus and organ or piano, with optional cello - Moderately Easy - …
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Soprano voice solo, SS chorus and organ or piano, with optional cello - Moderately Easy - Digital Download SKU: MQ.56-0092-E Composed by Howard Goodall. Advent, Annunciation, Advent Candlelighting, Lessons and Carols. 6 pages. Duration 3 minutes, 48 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0092-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0092-E). English.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 3:48.
$2.75
2.53 €
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Howard Goodall
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The Angel Gabriel from Enchanted Carols
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Journey (Downloadable Piano/Vocal Score)
6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0  
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6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0 — 1 perc — hp, pf — str —Solo Voices — SATB Chorus) - Digital Download SKU: MQ.5969-E Composed by David Conte. Instrument part. 47 pages. E. C. Schirmer Music Company - Digital #5969-E. Published by E. C. Schirmer Music Company - Digital (MQ.5969-E). The Journey is a twenty-minute cantata extracted from the opera The Dreamers. The opera was commissioned and produced by the Sonoma City Opera in 1996; Antoinette Kuhry, producer; musical direction by John Miner; stage direction by Sanrda Bernhard. The Dreamers captures a formative moment in American history where characters are separated by their cultural and racial differences, and brought together by their dreams and their longing for a new home. The Journey was commissioned by the Oakland East Bay Symphony, Michael Morgan, conductor, and was premiered at the Paramount Theater in Oakland, CA on May 18th, 2001. To set the scene for the excerpt here entitled The Journey: The entire town of Sonoma is gathered at The Collonade Theater to watch an amateur production of Shakespeare's Othello. An unpleasant racial incident occurs which brings the performance to a halt. To smooth thingsover, a sing-a-long is proposed. The song chosen is My Old Kentucky Home by Stephen Foster. After a brief statement of that tune in the orchestra, the entire company enters a dream-state, as six characters from the opera, with commentary by the chorus, sing arias about home. Johnny Rowe, an American soldier stationed in Sonoma, serves as a kind of master-of-ceremonies. Black Sam is a freed slave working as a gambler in Sonoma to earn money to buy his wife out of slavery. Indian Princess Isadora is the last of her tribe. Jim and Mary Eastin have migrated to California from Kentucky. Lizzy Fine is a widow who sings a farewell to her departed husband. The finale of this sequence is an Octet, where all six characters and the men and women of the chorus sing their various texts together, ending with the words from Stephen Foster: Weep no more.
$16.00
14.74 €
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David Conte
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Antoinette Kuhry, producer
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The Journey
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Christ the Lord Is Risen Today
(Brass, Handbells, Organ, Timpani) - Digital Download SKU: H1.C5321BDP Arranged by …
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(Brass, Handbells, Organ, Timpani) - Digital Download SKU: H1.C5321BDP Arranged by Hal H. Hopson. Organ and Congregation with Optional Trumpet(s), Brass Quartet or Quintet, Timpani, and 6 Handbells. Hymntune, Easter Sunday. Brass Parts. 35 pages. Hope Publishing - Digital #C5321BDP. Published by Hope Publishing - Digital (H1.C5321BDP). Matthew 28:1 - Matthew 28:2 - Matthew 28:3 - Matthew 28:4 - Matthew 28:5 - Matthew 28:6 - Matthew 28:7 - Matthew 28:8 - Matthew 28:9 - Matthew 28:10 - Mark 16:1 - Mark 16:2 - Mark 16:3 - Mark 16:4 - Mark 16:5 - Mark 16:6 - Mark 16:7 .Hymn tune Perfect for Easter morning, this new setting of Christ the Lord Is Risen Today, with the alternate text, Jesus Christ Is Risen Today, features phrases from Handel's Hallelujah Chorus throughout. Arranger Hal Hopson has provided a variety of options including optional parts for congregation, brass, timpani and 6 handbells. The congregation can sing along from the hymnal. The brass parts can be for either 1 or 2 trumpets, brass quartet, or quintet, and there is a handbell part that can be played by two ringers. For SATB choir and organ, with any combination of the available enhancements, this is sure to be a rousing addition to your Easter celebration.
$34.95
32.2 €
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Hal H
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Christ the Lord Is Risen Today
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Hope Publishing - Digital
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SheetMusicPlus
Seven Canadian Folk Songs in Chinese Style - Septet for Fl., Cl., Vi., Va, Cello, Bass and Piano
Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Down…
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Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1009217 Composed by An-lun Huang. 20th Century,Classical,Folk. Score and parts. 85 pages. DoReMi Edition #614863. Published by DoReMi Edition (A0.1009217). SEVEN CANADIAN FOLK SONGS IN CHINESE STYLE Septet for Flute, Clarinet, Violin, Viola, Cello, Bass and Piano An-lun Huang, op.36 (1986) James Campbell, the famous Canadian clarinets, commissioned a septet from Huang for the China tour of the Canadian Chamber Group in 1984. Campbell suggested that An-lun combine the folk music of Canada and China in this new work. The result was the septet,†Seven Canadian Folk Songs in Chinese style, became the most exciting hit piece of the tour. The world premiere was taken place at the Festival of the Sound at Parry Sound, Ontario, before the China tour. It was performed by seven leading Canadian musicians, Moshe Hammer(violin), Steven Dann(viola), Sophie Rolland(cello), Joel Quarrington(bass), Anton Kuerti(piano), Robert Aitken(flute) and James Campbell(clarinet). The piece was so warmly received both in Canada and China that a record has been released. It was also the most successful piece for the Canada-Hong Kong Festival, Hong Kong, 91. In addition, in 2002, successfully, the Canadian Symphoniatta performed its orchestral version, conducted by Tak-ng Lai, in Paris, France. However, Huang found the musical similarity of the two nations--the pentatonic mode. Written in Chinese idea, the septet gives the opportunity both to the Chinese and Canadian audiences to find themselves in each other through the Seven Canadian folk songs. The septet is divided into seven attacca parts. No.1 begins the music into a very quiet British Columbia Indian folk tune, performed by flute and clarinet, and occasionally, the piano gives few chords to support them. No.2 comes a Alberta Indian lyric song with all instruments. The folk songs of No.3 and 4 are Ontario Forest man’s old tunes which bring the music to the exciting part. The No.5 is a Saskatchewan Indian traditional tune, the war song. Its heavy dynamic shows the typical native Canadian rhythmic patterns. Wooden spoon is a Canadian folk instrument. The clarinet player plays it in No.6 of a vivacious Quebec folk dance. And in a Newfoundland lyric song, No.7, the septet goes to its brilliant ending. The attached mp3 was recorded a Russian master and Fei-ping Hsu, one of the greatest Chinese pianist. Duration: 18 min.
$39.99
36.84 €
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An-lun Huang
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Seven Canadian Folk Songs in Chinese Style - Septet for Fl., Cl., Vi., Va, Cello, Bass and Piano
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DoReMi Edition
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SheetMusicPlus
Two English Tunes at a German Court (Packington's Pound),(Wilson's or Wolsey's Wilde)
Level 2 - Digital Download SKU: A0.1456368 Composed by Michael Praetorius. Arranged…
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Level 2 - Digital Download SKU: A0.1456368 Composed by Michael Praetorius. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 12 pages. Wold Meridian #1035448. Published by Wold Meridian (A0.1456368). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=oq5VMhNHhJEAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=0kDO3BCPd_ILine 3 is featured at https://www.youtube.com/watch?v=OAVg0dhvmi4Line 4 is featured at https://www.youtube.com/watch?v=H0DsSVonKYs
$2.50
2.3 €
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Michael Praetorius
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Alastair Lodge
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Two English Tunes at a German Court
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Wold Meridian
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SheetMusicPlus
The River
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.56 €
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
The John Dunbar Theme
Guitar - Level 3 - Digital Download SKU: A0.1311836 Composed by John Barry. Arrange…
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Guitar - Level 3 - Digital Download SKU: A0.1311836 Composed by John Barry. Arranged by Derek Hasted. Film/TV. 21 pages. Derek Hasted #900771. Published by Derek Hasted (A0.1311836). JOHN DUNBAR'S THEME (Dances With Wolves) - 4 GUITARS/LARGE ENSEMBLEPrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This theme, from the film 'Dances With Wolves' is widely admired as a charming and powerful melody.It will make a wonderful item for a concert.My arrangement is based on track 4 of the official Soundtrack CD. It’s very slow, and lasts just over three and a half minutes - be sure not to rush this lovely piece and its haunting descant in the final Verse.The key is just a semitone lower than the original, and two guitars are tuned to 6=D to give a rich deep bass that maximises the sustain that guitars can achieve.Guitar 1 plays the part of the high descant in the original.Guitar 2 is the tune, and if you have more than 4 players, there is an optional divisi part (Guitar 2a) that helps reinforce the beautiful melody.Guitar 3 is arpeggio based, to help the sustain and to ease the counting of the beats.Guitar 4 has thick chords which should be rolled (but not strummed) to add to the majesty of the music.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
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John Barry
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Derek Hasted
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The John Dunbar Theme
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Derek Hasted
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SheetMusicPlus
The Maple Leaf Forever (for brass quartet)
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1048949 Composed by Alex…
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Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1048949 Composed by Alexander Muir. Arranged by Aaron Lee. Chamber,Classical,Folk,Patriotic,Traditional. 14 pages. J. Aaron Lee #653342. Published by J. Aaron Lee (A0.1048949). This classic Canadian song was written in 1867 (the year Canada became a nation!) as is sometimes regarded as Canada's second national anthem. This arrangement for brass quartet is moderate in difficulty and is approximately 3 minutes in duration. The arrangement heavily embellishes the familiar tune at times, but the source is very clear at all times, and would be a great moment of Canadiana in any musical program. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$14.99
13.81 €
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Alexander Muir
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Aaron Lee
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The Maple Leaf Forever
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J. Aaron Lee
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SheetMusicPlus
A Mother's Child (El Noi De La Mare)
Acoustic Guitar,Medium-High Voice,Medium-Low Voice - Level 3 - Digital Download SKU: A0…
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Acoustic Guitar,Medium-High Voice,Medium-Low Voice - Level 3 - Digital Download SKU: A0.1111418 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Full Performance. Duration 179. DML #713705. Published by DML (A0.1111418). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period. El Noi De La Mare, in English A Mother's Child, is really a lullaby but is so strongly associated with Christmas that it can be considered a carol. It has a great many verses but I have chosen three that I both like and felt I could translate. The tune is lovely and this arrangement for two voices and guitar takes advantage of that both in the guitar part and the harmonised vocal part. The score is also available on Sheet Music Plus and Sheet Music Direct.
$1.99
1.83 €
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Simon James, Daniel Thomas, Matthew Thomas
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Simon James
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A Mother's Child
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DML
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SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99
27.63 €
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An-lun Huang
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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
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DoReMi Edition
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SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99
18.42 €
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An-lun Huang
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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
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DoReMi Edition
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SheetMusicPlus
My Country, 'Tis of Thee (America) (Flexible Ensemble)
Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxo…
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Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.722604 Composed by Traditional. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 30 pages. Custom Chamber Music #4327101. Published by Custom Chamber Music (A0.722604). My Country, 'Tis of Thee, also known as America (or God Save the King/Queen in England), is a classic American patriotic tune. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet, with optional percussion.Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.
$8.00
7.37 €
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Traditional
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Randy Calistri-Yeh
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My Country, 'Tis of Thee
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Custom Chamber Music
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SheetMusicPlus
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