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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Them Changes - Aux Percussion
Non classifié
7
Piano & claviers
Piano, Voix et Guitare
5
Accompagnement Piano
2
Piano (partie séparée)
1
Guitares
4 Guitares (Quatuor)
2
Guitare (partie séparée)
2
Voix
Chorale SATB
2
Chorale Unison
2
Vents
Saxophone (partie séparée)
5
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Basson et Piano
1
Cuivres
Trombone (partie séparée)
5
Trompette (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1
Contrebasse (partie séparée)
1
Orchestre & Percussions
Orchestre d'harmonie
26
Ensemble de Percussions
4
Orchestre
3
Ensemble Jazz
2
Percussion (partie séparée)
1
Batterie (partie séparée)
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1
Orchestre à Cordes
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Vous avez sélectionné:
Them Changes - Aux Percussion
Partitions à imprimer
7 partitions trouvées
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Rhapsody for Brass and Percussion
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Kyle Skrivanek
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Rhapsody for Brass and Percuss
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Kyle Skrivanek
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SheetMusicPlus
Level 4 - SKU: A0.980062 Composed by Kyle Skrivanek. 20th Century,Chamber,Contemporary,Contest,Festival. 54 pages. Kyle Skrivanek #3563419. Published by...
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Level 4 - SKU: A0.980062 Composed by Kyle Skrivanek. 20th Century,Chamber,Contemporary,Contest,Festival. 54 pages. Kyle Skrivanek #3563419. Published by Kyle Skrivanek (A0.980062). Rhapsody for Brass and Percussion is a short work in two sections. The opening slow theme is built around the minor 6th interval. The fast theme plays with time changes, changing frequently. It is a challenging but fun piece that I hope you enjoy! .
$40.00
Up There Cazaly
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Rock
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Mike Brady
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Daryl McKenzie
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Up There Cazaly
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.1501227 By Mike Brady. By Michael Brady. Arranged by Daryl McKenzie. Pop,Rock. 23 pages. Daryl McKenzie #1077184. Pub...
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Large Ensemble - Level 4 - SKU: A0.1501227 By Mike Brady. By Michael Brady. Arranged by Daryl McKenzie. Pop,Rock. 23 pages. Daryl McKenzie #1077184. Published by Daryl McKenzie (A0.1501227). Capture the spirit of Aussie sports pride with this energetic Small Band arrangement of Up There Cazaly, originally performed by Mike Brady. Arranged in the lively style of the original, this version is perfect for Vocal with a compact yet powerful ensemble. Set in the key of D, with exciting key changes to F and G, this arrangement delivers all the anthemic power of the classic song.Instrumentation includes Voice, Sax 1 (Tenor), Sax 2 (Alto), Trumpet 1, optional Trumpet 2, Trombone, Piano, Guitar, Bass Guitar, Drums, and PercussionWhether you're performing at a sports event, concert, or special occasion, this arrangement brings the electrifying atmosphere of a stadium crowd to life.A full audio demo using Sibelius sounds is available—simply click the link to listen here.Full Big Band arrangement is also available. To find this version, just search here.Up There Cazaly is more than just a song—it's an anthem that unites and inspires. Bring that excitement to your performance with this powerful arrangement!More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkHPlease share any audio or video performances of this work.Instagram tag: @darylmckenziejazzorchestraFacebook tag: @McKenzieMusicProductionsYoutube tag: @mckenziemusicproductions144.
$59.99
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and pa...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05
Silent Night Prelude for five marimbas
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Noël
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Pharaoh Publications
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Silent Night Prelude for five
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Pharaoh Publications
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SheetMusicPlus
Small Ensemble Marimba - Level 2 - SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications...
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Small Ensemble Marimba - Level 2 - SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications #5363017. Published by Pharaoh Publications (A0.935384). Silent Night Prelude for five marimbas arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and keyboard parts require only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At letter D, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 2:20. A recording of this arrangement scored for percussion octet is available under the listing for Silent Night Prelude for Percussion Octet. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Brass Band - March -So Fly the Eagles
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Contemporain
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Mike Lyons
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Brass Band - March -So Fly the
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767302 Composed by Mike Lyons. Contemporary. Brass Band. 58 pages. Lyons Music Services #3409907. Published by Lyons Music Services (A0.767302). An original march dedicated to The Eagley Band, with whom I have a very long associationThe opening section is quite chaotic, as the eagles flap their wings and get ready for take-off. Then they are off with a run and a leap and we hear the first theme, a martial tune in the solo euphonium, with fanfare-like interjections on the cornets. At letter B, the tune is expanded to encompass the other sections of the band. Then at letter C, a new idea is introduced which has little obbligato tweets from the soprano and repieno on the repeat.The bass solo continues the military idea with aggressive fanfare interjections over the bass melody.The trio changes style completely and should be played as lightly and delicately as possible. The leaps on baritone and trombones should be clear and well articulated but should fit into the general texture rather than stick out abruptly.At letter G, the grace notes should be played by only one player in each section to avoid sounding like clucking chickens. The grace notes should be extremely light.
$25.00
Now Proclaim Messiah's Birth - Reproducible Inst Parts
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Noël
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arr
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Andrea Handley
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Now Proclaim Messiah's Birth -
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Chorister's Guild - Digital
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SheetMusicPlus
Includes parts for Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a sti...
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Includes parts for Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in a - SKU: C7.CGRP53 Composed by arr. Andrea Handley. Arranged by Andrea Handley. With Includes parts for “Now Proclaim Messiah’s Birth combines two favorite carols, “Angels from the Realms of Glory and “Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in. Set of parts. 20 pages. Chorister's Guild - Digital #CGRP53. Published by Chorister's Guild - Digital (C7.CGRP53). Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in a variety of other options using various combinations of the optional organ, brass quintet, and percussion parts. The refrains from both of the carols are combined creatively as the piece moves through exciting key changes. The final triumphant stanza features a descant from the refrain of Angels We Have Heard on High superimposed over the tune of Angels from the Realms of Glory. This is a versatile and exciting work that can be used in many arenas throughout the Christmas season.
$17.95
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 page...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95
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Them Changes - Aux Percussion
