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Theory Notes
Partitions à imprimer
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1
The Fundamentals of Music Theory - Booklet 1
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. …
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
10.12 €
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theory - Booklet 1
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Circlesquare Music
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SheetMusicPlus
Let's Toot Bass Clef Theory Workbook
Bass Clef Instrument,Instrumental Solo - Level 1 - Digital Download SKU: A0.1040275…
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Bass Clef Instrument,Instrumental Solo - Level 1 - Digital Download SKU: A0.1040275 Composed by Evelyn Talbot. Instructional. Individual part. 58 pages. Let's Toot Studios #645056. Published by Let's Toot Studios (A0.1040275). Based off worldwide selling trumpet theory book, the Let’s Toot Bass Clef Theory Book provides bass clef musicians the same fun, silly, and interactive experience. Reading notes and understanding basic music theory to intermediate concepts is a blast and simplified for players with this book. For hard copy options visit https://evelyntalbot.com/shop/.
$19.99
18.41 €
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Evelyn Talbot
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Let's Toot Bass Clef Theory Workbook
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Let's Toot Studios
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SheetMusicPlus
Let's Toot Treble Clef Theory Workbook
Instrumental Solo,Treble Clef Instrument - Level 1 - Digital Download SKU: A0.1040274
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Instrumental Solo,Treble Clef Instrument - Level 1 - Digital Download SKU: A0.1040274 Composed by Evelyn Talbot. Instructional. Individual part. 58 pages. Let's Toot Studios #645055. Published by Let's Toot Studios (A0.1040274). Based off worldwide selling trumpet theory book, the Let’s Toot Treble Clef Theory Book provides treble clef musicians the same fun, silly, and interactive experience. Reading notes and understanding basic music theory to intermediate concepts is a blast and simplified for players with this book. For hard copy options visit https://evelyntalbot.com/shop/.
$19.99
18.41 €
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Evelyn Talbot
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Let's Toot Treble Clef Theory Workbook
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Let's Toot Studios
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SheetMusicPlus
Let's Toot Baritone/Euphonium Bass Clef Theory Workbook
Baritone Horn BC Solo - Level 1 - Digital Download SKU: A0.1040277 Composed by Evel…
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Baritone Horn BC Solo - Level 1 - Digital Download SKU: A0.1040277 Composed by Evelyn Talbot. Instructional. Individual part. 60 pages. Let's Toot Studios #645058. Published by Let's Toot Studios (A0.1040277). Based off worldwide selling trumpet theory book, the Let’s Toot Baritone/Euphonium BC Theory Book provides baritone and euphonium players the same fun, silly, and interactive experience. Reading notes and understanding basic music theory to intermediate concepts is a blast and simplified for players with this book. For hard copy options visit https://evelyntalbot.com/shop/.
$19.99
18.41 €
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Evelyn Talbot
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Let's Toot Baritone/Euphonium Bass Clef Theory Workbook
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Let's Toot Studios
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SheetMusicPlus
Let's Toot Baritone/Euphonium Treble Clef Theory Workbook
Baritone Horn TC/Euphonium Solo - Level 1 - Digital Download SKU: A0.1040278 Compos…
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Baritone Horn TC/Euphonium Solo - Level 1 - Digital Download SKU: A0.1040278 Composed by Evelyn Talbot. Instructional. Individual part. 58 pages. Let's Toot Studios #645059. Published by Let's Toot Studios (A0.1040278). Based off worldwide selling trumpet theory book, the Let’s Toot Baritone/Euphonium TC Theory Book provides baritone and euphonium players the same fun, silly, and interactive experience. Reading notes and understanding basic music theory to intermediate concepts is a blast and simplified for players with this book. For hard copy options visit https://evelyntalbot.com/shop/.
$19.99
18.41 €
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Evelyn Talbot
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Let's Toot Baritone/Euphonium Treble Clef Theory Workbook
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Let's Toot Studios
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SheetMusicPlus
Basic Music Theory and Notation
Guitar,Percussion,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.1403307 B…
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Guitar,Percussion,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.1403307 By The Music Teacher. By Dennis McCorkle. Christian,Instructional,Jazz. Educational Method. 96 pages. DF McCorkle Music and eBook Publications #986499. Published by DF McCorkle Music and eBook Publications (A0.1403307). The perfect method for understanding the Basics of Music Theory and Notation by Dennis McCorkle (DennisMcCorkle.com). Chapters include: Sound Music Notation Basics Staff and Staves Bar Lines and Measures Musical Alphabet Clefs Types of Notes and Rests Time Signatures Counting out Measures Accidentals Scales Key Signatures Major and Minor Key Signatures Sheet Music Notation Miscellaneous Terms
$14.99
13.8 €
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The Music Teacher
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Basic Music Theory and Notation
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Beginner Vocal Lesson Book: Learn to Sing (Level 1)
Medium Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1456569 By Kathryn Car…
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Medium Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1456569 By Kathryn Carpenter. By Kathryn Carpenter, Hale, Roulstone, James Lord Pierpont. Arranged by Kathryn Carpenter. Classical,Instructional,Standards,Traditional. 71 pages. Kathryn Carpenter #1035645. Published by Kathryn Carpenter (A0.1456569). The Beginner Vocal Lesson Book: Learn to Sing (Level 1):Music theory, sight singing, vocal exercises, and harmony exercisesPart 1: Learning notes, Music Theory, and Sight SingingLesson 1: Beginner music theoryLesson 2: Learn C, D, E, F, and G (do, re, mi, fa, sol)Lesson 3: Sing by stepLesson 4: Sing by skipLesson 5: Solfege Mary Had a Little LambLesson 6: Solfege Jingle BellsLesson 7: Singing ScalesLesson 8: Sing by IntervalsLesson 9: Sing by ChordsLesson 10: Sing with ScalesPart 2: Vocal ExercisesPart 3: Harmony ExercisesPart 4: A Place for NotesYouTube Link: Learn to Sing Audio
$7.50
6.91 €
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Kathryn Carpenter
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Kathryn Carpenter
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The Beginner Vocal Lesson Book: Learn to Sing
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Kathryn Carpenter
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Monster Music Journal by Pearl and Eddie Lewis
Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis,…
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Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by Tiger Music (A0.750321). The MONSTER MUSIC JOURNAL is a wild and whacky, monster-infested space for you to fill with music compositions, transcriptions of your favorite songs, music theory exercises, and other monstrous things that mean something to you (or your music instructor). The MONSTER MUSIC JOURNAL is a musical playground. The generously spaced staff lines make writing musical notes easy for beginners (or for those who like to live life BIG - and let's be honest: who doesn't like to live life really BIG). Plus, there is plenty of boxed-off writing space for non-musical notes, so you can include song lyrics, love letters, homework assignments, thoughts, poems, or questions to ask your teacher. Hey, there is even space for you to scribble or to doodle your own family of monsters. The MONSTER MUSIC JOURNAL is heavily illustrated with line art monster characters that will tickle the imagination of kids and adults. Every turn of the page presents you with new monsters. Naturally, they are all trying to look grim, but rest assured - they are all very docile. And because the illustrations in the book are simple line art, you are free to add color to the manuscript or note pages. This is a music journal and not a coloring book, but there is no shortage of things (well, creatures actually) that you can color, if you so wish. Created by the musician and illustrator husband-and-wife team, Eddie Lewis and Pearl Lewis, this music journal has many uses. Let it turn dull, repetitive music theory exercises into an adventure at every turn of the page. Suggest the illustrations as prompts for improvised music. Gift it to your teacher or your student or your musician buddy. Or use the journal to introduce young musicians to composition and transcription. Music homework just got a MAJOR upgrade on the fun scale.
$9.99
9.2 €
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Pearl Lewis, Eddie Lewis
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Monster Music Journal by Pearl and Eddie Lewis
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Tiger Music
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SheetMusicPlus
Chorale no. 8 ("Freuet euch, ihr Christen alle")
Guitar Ensemble - Level 2 - Digital Download SKU: A0.1465166 Composed by Johann Seb…
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Guitar Ensemble - Level 2 - Digital Download SKU: A0.1465166 Composed by Johann Sebastian Bach. Arranged by Matthew Nishimoto. Baroque,Chamber,Classical,Historic,Instructional. Score and Parts. 35 pages. Matthew Nishimoto #1043860. Published by Matthew Nishimoto (A0.1465166). Score and Parts for Guitar Quartet / Guitar Ensemble Including over 25 pages supplemental instructional materials for educators SCORE DETAILS Key & Time Signature: E minor, Common TimeTotal Measures: 20LENGTHOriginal Form & Tempo: 1m 30s (approx.)Adapted Tempo with Repeats: 3 mins (approx.) Score and Parts: 6 pagesInstructional Supplements: 25+ pagesSTYLEEra: Late BaroquePicking: Classical or PickstyleMonophonic staves on individual partsLEVELMiddle School: Intermediate - AdvancedHigh School: IntermediateCollege/Community Ensemble: IntroductoryPREQUISITE SKILLSTechnique: 2nd, 5th, 7th and 9th positions in Guitar 1 & 2Theory: Key of Em, slight chromaticism, basic accidentalsTempo/Speed: single subdivision at Andante (eighth notes)INSTRUCTIONAL SUPPLEMENTS- Position Refresh worksheets- Vocabulary acquisition activities (specific to piece)- Music Theory worksheet (specific to piece)- Interdisciplinary activities (specific to piece).
$13.99
12.88 €
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Johann Sebastian Bach
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Matthew Nishimoto
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Chorale no. 8
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Matthew Nishimoto
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.21 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.21 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Color Treble and Bass Cleft Note
Level 1 - Digital Download SKU: A0.1439113 By Jwatts. By Jennifer Watts. Arranged b…
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Level 1 - Digital Download SKU: A0.1439113 By Jwatts. By Jennifer Watts. Arranged by Jennifer Watts. Children,Instructional. Educational Exercises. 14 pages. Jwatts #1019134. Published by Jwatts (A0.1439113). I have created colorful pages designed to help children of all ages in tracing the Treble Clef and Bass Clef Notes. These fun and engaging activities serve as an excellent tool for learning and practicing notes on the music staff. By providing a visual and interactive way to familiarize themselves with musical symbols, kids can enhance their understanding of music theory and improve their note-reading skills. For the beginners, these color pages offer a valuable resource for mastering the fundamentals of reading music. Encouraging creativity and music appreciation, these activities make learning the language of music enjoyable and accessible for young learners.
$5.00
4.6 €
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Jwatts
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Jennifer Watts
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Color Treble and Bass Cleft Note
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Jwatts
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SheetMusicPlus
60 Hot Licks for Harmonica
Harmonica (diatonic) - Intermediate - Digital Download SKU: M0.95097BCDEB Composed …
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Harmonica (diatonic) - Intermediate - Digital Download SKU: M0.95097BCDEB Composed by Lonnie Joe Howell. Technique, Theory and Reference. Texas Music and Video. All styles. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95097BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95097BCDEB). ISBN 9781610654982. 8.75x11.75 inches.An exciting collection of some of the best-known and most interesting harmonica licks and effects. The first few pages of this book offer reference and review material. Harmonica notation is explained, defining the special symbols for blow notes, draw notes, bends, and other techniques. Includes a useful Reference Guide for Harmonica Notation. Although rarely more than 4 measures in length these licks range from the very easy to the extremely challenging. At times, the author combines 4 licks to form a complete tune. Includes access to online audio of each of the 60 licks on solo harmonica.
$9.99
9.2 €
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Lonnie Joe Howell
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60 Hot Licks for Harmonica
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Melody Guitar Book 3: Beyond the 6th String
Guitar - Level 3 - Digital Download SKU: A0.977916 Composed by Tom Godfrey. Instruc…
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Guitar - Level 3 - Digital Download SKU: A0.977916 Composed by Tom Godfrey. Instructional. Educational Exercises. 98 pages. Tom Godfrey #4822767. Published by Tom Godfrey (A0.977916). The Godfrey Guitar System series includes four Melody Guitar books that focus on melody playing and music reading and three Rhythm Guitar books that focus on chords and accompaniment patterns. After completing Melody Guitar Book 2, Melody Guitar Book 3 takes your playing even further with 200+ melodies and exercises. As you progress, you will learn to play major and minor scales, and you will learn new ways to play the minor pentatonic, blues, and chromatic scales you learned in Melody Guitar Book 2. Other topics in this book include 3/8, 6/8, 9/8, and cut time, swing 8th notes, and an introduction to basic music theory, including relative major and minor keys. Melody Guitar Book 3 also includes several duets you can play with a friend or a teacher. The Melody Guitar and Rhythm Guitar books together will help you build a solid foundation for any style of music. Visit www.godfreyguitarlessons.com for free supplementary downloads and online lesson information.
$13.00
11.97 €
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Tom Godfrey
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Melody Guitar Book 3: Beyond the 6th String
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Tom Godfrey
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SheetMusicPlus
Jazz Guitar Lines
Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Co…
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Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
21.17 €
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
L'Atmosphère #3
Small Ensemble Bass Clarinet,Cello,Viola,Violin - Interactive Download SKU: A0.482490
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Small Ensemble Bass Clarinet,Cello,Viola,Violin - Interactive Download SKU: A0.482490 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score and parts. 7 pages. Duration 93. Published by J. Randolph Hall (A0.482490). The notes marked in red are Augmented sixth chords (Italian 6th, French 6th, German 6th, & Randolph 6th). However, these 6th chords don't resolve the the dominant (V) as music theory classes would expect. Surprise!
$5.00
4.6 €
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J
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L'Atmosphère #3
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J. Randolph Hall
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SheetMusicPlus
Maestro Guitar Method (for Teachers and Students)
Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.1351515 By Daniel Charl…
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Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.1351515 By Daniel Charles Kotval. By Daniel Charles Kotval. Arranged by Daniel Charles Kotval. Blues,Classical,Folk,Rock,Traditional. Educational Method. 208 pages. Daniel Charles Kotval #936362. Published by Daniel Charles Kotval (A0.1351515). The Maestro Guitar Method is an essential learning resource for all students and teachers. Each of the six chapters introduce one string at a time with ample review to instill a viable memory of the notes before moving on. The chapters can be studied sequentially or concurrently. Fully illustrated with many intriguing original compositions and exercises. This text can be used in myriad applications including self-study, private lesson, or classroom instruction. Also includes music theory and standard notation, tablature, plectrum and finger picking, duets and compostional elements. Teachers will enjoy the large library of materials all in one file. 208 pages. Individual chapters are available and can be previewed.
$50.00
46.04 €
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Daniel Charles Kotval
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Daniel Charles Kotval
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Maestro Guitar Method
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Daniel Charles Kotval
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SheetMusicPlus
Maestro Guitar Method - Chapter One
Guitar Ensemble - Level 1 - Digital Download SKU: A0.1351533 By Daniel Charles Kotv…
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Guitar Ensemble - Level 1 - Digital Download SKU: A0.1351533 By Daniel Charles Kotval. By Daniel Charles Kotval. Arranged by Daniel Charles Kotval. Blues,Classical,Folk,Rock,Traditional. Educational Method. 22 pages. Daniel Charles Kotval #936383. Published by Daniel Charles Kotval (A0.1351533). Maestro Guitar Method Chapter One of six chapters. Learn to play guitar and read music with this effective and innovative approach that uses step-by-step instruction in a smooth and thorough progression. A journey from the beginning for all ages and levels suitable for students and teachers. This first chapter includes a cover page, full list of contents, music theory fundamentals and lessons for notes on the first string. The complete method (208 pages) is available, but cannot be previewed due to the large file size. 22 pages.
$20.00
18.42 €
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Daniel Charles Kotval
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Daniel Charles Kotval
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Maestro Guitar Method - Chapter One
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Daniel Charles Kotval
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SheetMusicPlus
Jins and arabic modes(Maqams)
B-Flat instrument,Instrumental Solo,Ney Flute,Piccolo,Saxophone,Treble Clef Instrument - L…
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B-Flat instrument,Instrumental Solo,Ney Flute,Piccolo,Saxophone,Treble Clef Instrument - Level 3 - Digital Download SKU: A0.1291439 Composed by Alexander Bosrup. Arranged by Alexander Bosrup. Bollywood,Hindi,Instructional,Jazz,Multicultural,World. Individual part. 3 pages. Alexander Bosrup Karlsen #882089. Published by Alexander Bosrup Karlsen (A0.1291439). This is a compilation of the most common Jins and Maqams used in arab music. Personally I rehearse them as I rehearse other scales and modes, and then I try to incorporate them into my saxophone playing. The ones with the quarter notes I just make an extra thrill. It's possible to use this as a start to dive into some really interresting stuff totally different from our western theory. Good luckAlexander Bosrup, Oslo.
$2.50
2.3 €
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Alexander Bosrup
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Alexander Bosrup
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Jins and arabic modes(Maqams)
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Alexander Bosrup Karlsen
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SheetMusicPlus
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