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--INSTRUMENTS--
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Those Were The Days
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16
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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MANDOLINE
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Crtitères actifs :
Those Were The Days
Partitions à imprimer
16 partitions trouvées
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1
Those Were The Days
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Comédie Musicale
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Charles Strouse
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Fishel Pustilnik
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Piano (Jazz/Pop Version)
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Those Were The Days
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F & N Enterprise
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SheetMusicPlus
Small Ensemble Guitar,Piano,Violin - Level 4 - SKU: A0.632371 Composed by Charles Strouse. Arranged by Fishel Pustilnik. Broadway. Score and parts. 8 pa...
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Small Ensemble Guitar,Piano,Violin - Level 4 - SKU: A0.632371 Composed by Charles Strouse. Arranged by Fishel Pustilnik. Broadway. Score and parts. 8 pages. F & N Enterprise #2884637. Published by F & N Enterprise (A0.632371). An excellent arrangement of famous Song Those Were The Days for Guitar & Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Those Were The Days
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Comédie Musicale
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Charles Strouse
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Fishel Pustilnik
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Those Were The Days
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F & N Enterprise
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SheetMusicPlus
Small Ensemble Organ,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.632166 Composed by Charles Strouse. Arranged by Fishel Pustilni...
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Small Ensemble Organ,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.632166 Composed by Charles Strouse. Arranged by Fishel Pustilnik. Broadway. Score and parts. 8 pages. F & N Enterprise #2098275. Published by F & N Enterprise (A0.632166). 2016 Arranging Contest Entry An excellent arrangement of famous Song Those Were the Days for Tenor Sax and Piano. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications..
$4.99
Those Were The Days
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Comédie Musicale
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Charles Strouse
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Jonathan Allentoff
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Those Were The Days
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Allentoff Music
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SheetMusicPlus
Small Ensemble Bass Voice,Cello,Viola,Violin - SKU: A0.837379 Composed by Charles Strouse. Arranged by Jonathan Allentoff. Broadway. Score and parts. 12...
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Small Ensemble Bass Voice,Cello,Viola,Violin - SKU: A0.837379 Composed by Charles Strouse. Arranged by Jonathan Allentoff. Broadway. Score and parts. 12 pages. Allentoff Music #5354977. Published by Allentoff Music (A0.837379). Those Were The Days (Theme from All in the Family) by Charles Strouse and Lee Adams, arranged for string ensemble by ASCAP/ASMAC composer Jonathan Allentoff.
$49.99
Finnish National Anthem for String Orchestra
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Fredrik Pacius
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Keith Terrett
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Finnish National Anthem for St
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Pra...
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String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [ˈmɑːmːe]) or Vårt land (Finland Swedish: [ˈvoːrt ˈlɑnːd]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min izāmō (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.
$8.99
Those Were The Days
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Mary Rice Hopkins
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Zoran Radanovic
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Those Were The Days
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Zoran Radanovic
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SheetMusicPlus
Accordion - Level 4 - SKU: A0.1499992 By Mary Rice Hopkins. By Gene Raskin. Arranged by Zoran Radanovic. Contemporary,Contest,Festival,Folk,Standards,Tr...
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Accordion - Level 4 - SKU: A0.1499992 By Mary Rice Hopkins. By Gene Raskin. Arranged by Zoran Radanovic. Contemporary,Contest,Festival,Folk,Standards,Traditional. Score. 6 pages. Zoran Radanovic #1076063. Published by Zoran Radanovic (A0.1499992). This arrangement is for accordion with bigger fingering and chords for easy playing.Diese Arrangement ist für Akkordeon mit grössere Fingersatz und Akkorde für leichtere Abspielen.Those were the days
$6.59
Those Were The Days
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Mary Rice Hopkins
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Richard Giszczak
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Those Were The Days
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.997606 By Mary Rice Hopkins. By Gene Raskin. Arranged by Richard Giszczak. 20th Century,Contemporary,Pop....
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Carillon,Instrumental Solo - Level 3 - SKU: A0.997606 By Mary Rice Hopkins. By Gene Raskin. Arranged by Richard Giszczak. 20th Century,Contemporary,Pop. Individual part. 2 pages. Singing Winds Music Company #603251. Published by Singing Winds Music Company (A0.997606). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments.
$4.99
Those Were The Days
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Contemporain
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Mary Rice Hopkins
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R G Roth
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Those Were The Days
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Rainer's Rainbow
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SheetMusicPlus
Small Ensemble Cello,Clarinet,English Horn,Flute,Oboe,Viola,Violin - Level 2 - SKU: A0.902166 By Mary Rice Hopkins. By Gene Raskin. Arranged by R G Roth...
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Small Ensemble Cello,Clarinet,English Horn,Flute,Oboe,Viola,Violin - Level 2 - SKU: A0.902166 By Mary Rice Hopkins. By Gene Raskin. Arranged by R G Roth. Contemporary. Score and parts. 8 pages. Rainer's Rainbow #6439391. Published by Rainer's Rainbow (A0.902166). The arrangement here is for a mixed trio of woodwinds or strings. Parts and instrument types can be combined as desired and needed.
$12.99
Better Days
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedd...
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Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$24.99
THOSER WERE THE DAYS(dalida)
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Folklorique/Traditionel
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Dalida
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YASHAR
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THOSER WERE THE DAYS(dalida)
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YASHAR-KHOSHKHABAR
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SheetMusicPlus
Instrumental Duet Guitar,Harmonica,Instrumental Duet - Level 3 - SKU: A0.1031813 Composed by Dalida. Arranged by YASHAR.KHOSHKHABAR. Folk. Score and par...
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Instrumental Duet Guitar,Harmonica,Instrumental Duet - Level 3 - SKU: A0.1031813 Composed by Dalida. Arranged by YASHAR.KHOSHKHABAR. Folk. Score and parts. 2 pages. YASHAR-KHOSHKHABAR #3574283. Published by YASHAR-KHOSHKHABAR (A0.1031813).
$2.99
Those Were The Days
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Contemporain
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Mary Rice Hopkins
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Jim Bosse
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Those Were The Days
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Jim Bosse
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Violin - Level 4 - SKU: A0.955048 By Mary Rice Hopkins. By Gene Raskin. Arranged by Jim Bosse. Contemporary. Score and ...
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Small Ensemble Flute,Guitar,Oboe,Violin - Level 4 - SKU: A0.955048 By Mary Rice Hopkins. By Gene Raskin. Arranged by Jim Bosse. Contemporary. Score and parts. 16 pages. Jim Bosse #4602481. Published by Jim Bosse (A0.955048). This arrangement is a duet for classical guitar with flute, oboe or violin. Performance time of 4 minutes and 15 seconds. Each verse is presented with a different style of accompaniment, some challenging. Performance demand is advanced intermediate. This download contains score and all parts. Jim's web site is www.facebook.com/jimbosseguitar .
$4.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
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Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
I Heard the Voice of Jesus Say (Lent) vocal trio, violin and piano
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801775 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacre...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801775 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718235. Published by Connie Boss (A0.801775). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional violin accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
I Heard the Voice of Jesus Say (Lent) Women's trio A Cappella
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Horatius Bonar, John B
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Connie Boss
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Lyrics Below
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801781 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. A Cappella,Celtic,Easter,...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801781 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. A Cappella,Celtic,Easter,Irish,Sacred. Score. 2 pages. Connie Boss #6719735. Published by Connie Boss (A0.801781). This wonderful song is for a vocal trio with lyrics for Lent. It is an A Cappella piece for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
I Heard the Voice of Jesus Say (Lent) vocal trio, flute and piano
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801774 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacre...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801774 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718233. Published by Connie Boss (A0.801774). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional flute accent instrument that can be played or not and has piano accompaniment. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
How Can You Mend A Broken Heart
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Bee Gees
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Peet du Toit
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How Can You Mend A Broken Hear
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802643 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance...
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802643 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 19 pages. Peet du Toit #6169575. Published by Peet du Toit (A0.802643). How Can You Mend a Broken Heart is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.Barry and Robin Gibb wrote the song in August 1970 with Lonely Days when the Gibb brothers had reconvened following a period of break-up and alienation. Robin came to my place, says Barry, and that afternoon we wrote 'How Can You Mend a Broken Heart' and that obviously was a link to us coming back together. We called Maurice, finished the song, went to the studio and once again, with only 'Broken Heart' as a basic structure, we went in to the studio with that and an idea for 'Lonely Days', and those two songs were recorded that night.Here is a brass quintet version for you - a flügelhorn solo, with percussion. Enjoy this golden oldie!
$21.00
Quartet G minor
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Georg Philipp Telemann
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Quartet G minor
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute, violin, viola da gamba (cello/viola) and basso continuo - SKU: S9.Q772026 Composed by Georg Philipp Telemann. Downloadable, Score and parts. Musi...
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Flute, violin, viola da gamba (cello/viola) and basso continuo - SKU: S9.Q772026 Composed by Georg Philipp Telemann. Downloadable, Score and parts. Musikverlag Zimmermann - Digital #Q772026. Published by Musikverlag Zimmermann - Digital (S9.Q772026). Key: G minor. German • English • French.ZM 31880 is a revised new edition of the old number 1117. This quartet belongs to the series of the so-called Parisian Quartets which were composed between 1730 and 1740. Werner Richter complemented this edition by numbering the basso continuo and adding new parts for the viola da gamba and the violoncello. In doing so, he followed the unaltered score and its instrumentation. The parts of the flute and the violin can be replaced by other instruments as it was common practice in those days. For this edition, the typing of notes has been completely redone.
$15.99
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Those Were The Days