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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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DEEJAY
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TROMPETTE
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Those Who Are Wise
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3
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
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FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
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MANDOLINE
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OCARINA
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Those Who Are Wise
Partitions à imprimer
15 partitions trouvées
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1
Frustration
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Frustration
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J. Randolph Hall
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SheetMusicPlus
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1134580 By ... By J.Randolph Hall. This edition: Interactive Download. Classical,...
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Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1134580 By ... By J.Randolph Hall. This edition: Interactive Download. Classical,Pop,World. Score. 6 pages. Duration 68. J. Randolph Hall #5Jc6VGy5z8Ep5QUwAQ9QLw. Published by J. Randolph Hall (A0.1134580). Key: C major.Parker was a 20th Century American writer from New Jersey. This is one of her many poems full of her famous wit and critical wisecracks. One of my highschool English teachers, Mr. Jeff Mallory, challenged me to set this poem to music, that he shared on Facebook. After the introduction, which uses augmented sixth chords, Section A is the poet'sfantasy of what she wants to do with those who are on her bad side. Section B changes mood as she enters a realitic aspect that she has no such capabilities but her trolls and demons are still around. At the end, the pianist should allow the dissonant chrod to remain as long as possible.
$5.00
If Not Now, When?
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Contemporain
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pa...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Treasured Tresses (6 Duos)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Dorothy van Joolen Barth
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Treasured Tresses
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.784990 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicu...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.784990 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicultural,Wedding,World. Score and parts. 11 pages. Dorothy van Joolen Barth #6215. Published by Dorothy van Joolen Barth (A0.784990). Irish music cast its spell early on in the many years I have performed as part of a duo of violin and recorder, so it was inevitable that I would be drawn to create new arrangements for this intimate combination of instruments. Treasured Tresses contains six traditional tunes selected from O’Neill’s Music of Ireland and arranged as duos by Dorothy van Joolen Barth. These tunes are part of a larger anthology titled Maidens of Melody, available separately as a download for those who would prefer to have the complete book. As an audio sample, The Red Haired Girl is provided here. These arrangements can be played on recorder and violin (which is how we play them), flute and violin, or two violins. If the upper part is played on recorder, the recorder player may switch between soprano, alto, and tenor recorders in accordance with the range and mood of each piece. We generally prefer the soprano recorder on the faster reels, jigs, and hornpipes and the tenor recorder (or sometimes the alto recorder) on the more lyrical pieces. In performing this music, I often devise new decorations, in keeping with Celtic tradition where no two performances of a piece are ever identical. You will likewise add your own meaning to this evocative music. Violinists can add authenticity by applying Irish bowing techniques, which includes various slurring patterns. Such bowings have been kept to a minimum in this collection for recorder and violin, but the techniques are well worth exploring and developing. These pieces are delightful to perform for Celtic festivals, St. Patrick's Day celebrations, weddings, birthdays, and other theme events. May this music provide both player and listener with much enjoyment.
$7.99
Peggy (4 Duos)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Dorothy van Joolen Barth
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Peggy
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785005 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicu...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785005 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicultural,Standards,Wedding,World. Score and parts. 7 pages. Dorothy van Joolen Barth #25741. Published by Dorothy van Joolen Barth (A0.785005). Irish music cast its spell early on in the many years I have performed as part of a duo of violin and recorder, so it was inevitable that I would be drawn to create new arrangements for this intimate combination of instruments. Peggy contains four traditional tunes selected from O’Neill’s Music of Ireland and arranged as duos by Dorothy van Joolen Barth. These tunes are part of a larger anthology titled Maidens of Melody Volume Two, available separately as a download for those who would prefer to have the complete book. As an audio sample, Pretty Peggy Reel is provided here. These arrangements can be played on recorder and violin (which is how we play them), flute and violin, or two violins. If the upper part is played on recorder, the recorder player may switch between soprano, alto, and tenor recorders in accordance with the range and mood of each piece. We generally prefer the soprano recorder on the faster reels, jigs, and hornpipes and the tenor recorder (or sometimes the alto recorder) on the more lyrical pieces. In performing this music, we often devise new ornaments, in keeping with Celtic tradition where no two performances of a piece are ever identical. You will likewise add your own meaning to this evocative music. These pieces are delightful perform for Celtic festivals, St. Patrick's Day celebration, weddings, birthdays, and other theme events. May this music provide both player and listener with much enjoyment. Manuscript revised August 2015.
$4.50
Bridget (3 Duos)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Dorothy van Joolen Barth
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Bridget
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785004 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicu...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785004 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicultural,Standards,Wedding,World. Score and parts. 5 pages. Dorothy van Joolen Barth #25731. Published by Dorothy van Joolen Barth (A0.785004). Irish music cast its spell early on in the many years I have performed as part of a duo of violin and recorder, so it was inevitable that I would be drawn to create new arrangements for this intimate combination of instruments. Bridget contains three traditional tunes selected from O’Neill’s Music of Ireland and arranged as duos by Dorothy van Joolen Barth. These three tunes are part of a larger anthology titled Maidens of Melody Volume Two, available separately as a download for those who would prefer to have the complete book. As an audio sample, Bridget McRory is provided here. These arrangements can be played on recorder and violin (which is how we play them), flute and violin, or two violins. If the upper part is played on recorder, the recorder player may switch between soprano, alto, and tenor recorders in accordance with the range and mood of each piece. We generally prefer the soprano recorder on the faster reels, jigs, and hornpipes and the tenor recorder (or sometimes the alto recorder) on the more lyrical pieces. In performing this music, we often devise new ornaments, in keeping with Celtic tradition where no two performances of a piece are ever identical. You will likewise add your own meaning to this evocative music. These pieces are delightful perform for Celtic festivals, St. Patrick's Day celebration, weddings, birthdays, and other theme events. May this music provide both player and listener with much enjoyment. Manuscript revised August 2015.
$3.50
Kathleen (3 Duos)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Dorothy van Joolen Barth
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Kathleen
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785007 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicu...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785007 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicultural,Standards,Wedding,World. Score and parts. 7 pages. Dorothy van Joolen Barth #25747. Published by Dorothy van Joolen Barth (A0.785007). Irish music cast its spell early on in the many years I have performed as part of a duo of violin and recorder, so it was inevitable that I would be drawn to create new arrangements for this intimate combination of instruments. Kathleen contains four traditional tunes selected from O’Neill’s Music of Ireland and arranged as three duos (two of the tunes combine as a medley) by Dorothy van Joolen Barth. These tunes are part of a larger anthology titled Maidens of Melody Volume Two, available separately as a download for those who would prefer to have the complete book. As an audio sample, the medley Sweet Kathleen Machree/Kathleen O'Moore is provided here. These arrangements can be played on recorder and violin (which is how we play them), flute and violin, or two violins. If the upper part is played on recorder, the recorder player may switch between soprano, alto, and tenor recorders in accordance with the range and mood of each piece. We generally prefer the soprano recorder on the faster reels, jigs, and hornpipes and the tenor recorder (or sometimes the alto recorder) on the more lyrical pieces. In performing this music, we often devise new ornaments, in keeping with Celtic tradition where no two performances of a piece are ever identical. You will likewise add your own meaning to this evocative music. These pieces are delightful perform for Celtic festivals, St. Patrick's Day celebration, weddings, birthdays, and other theme events. May this music provide both player and listener with much enjoyment. Manuscript revised August 2015.
$4.50
It's Christmas Time - an original hymn for SATB voices
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Musique Sacrée
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Kevin G
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It's Christmas Time - an origi
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701519 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Praise & Worship,Sacred. 3 pages. Kevin G....
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Vocal Solo,Voice - Level 4 - SKU: A0.701519 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3218181. Published by Kevin G. Pace (A0.701519). An original Christmas hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/_QTtS_iOFKQIt's Christmas time now, and the lights are a glow. We sit and we ponder of times long ago. Dear Joseph and Mary, the babe who didst lay All wrapped in those swaddling clothes on the nice, soft hay. Could shepherds or wise men, or worldly king Relate the great blessings this Christ Child would bring? Eternal the joy of our Father's great plan To offer His own son, the Savior of man. How grateful we feel as we look at the year, And ponder the blessings amidst Christmas cheer. As the lights glow with beauty so bright in the snow, we will always remember the birth long ago. Could shepherds or wise men, or worldly king Relate the great blessings this Christ Child would bring? Eternal the joy of our Father's great plan To offer His own son, the Savior of man.
$1.99
Chording to Consort Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to Consort Full Score
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig ...
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Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Better Days
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedd...
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Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$24.99
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