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Vous avez sélectionné:
Three Children Pieces for Piano
Partitions à imprimer
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Suite for Saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407778 Composed by Igor Stravinsky. Arranged by Robert Stevens. 20th Century,Chamber,Classical. 36 pages. SAXpress.com #990402. Published by SAXpress.com (A0.1407778). Suite for Saxophones Igor Stravinsky (1882 – 1971) Saxophone Quintet SAATB Suite for Saxophones based on piano music of Igor Stravinsky, arranged for saxophone quintet SAATB. Between 1915 and 1917, as an amusement for his two children, Stravinsky wrote a series of eight easy piano duets based on a variety of dance forms. Later, he orchestrated the pieces for small orchestra and arranged them into suites of four movements each. The results are outrageous, witty, and utterly charming. As always, Stravinsky outdoes himself in the inventiveness of his orchestrations, which are filled with unusual instrumental juxtapositions and surprising changes in rhythm and texture. Some of those surprising changes and textures are evident in the arrangement for saxophone quintet.The Suite for Saxophones includes the following movements:March, from Three Easy Pieces, 1915Andante, from Five Easy Pieces, 1917Balalaika, from Five Easy Pieces, 1917Galop, from Five Easy Pieces, 1917.
$22.95
20.81 €
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Igor Stravinsky
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Robert Stevens
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Suite for Saxophones
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SAXpress.com
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SheetMusicPlus
Six Pieces from First Term at the Piano, - instruments in four parts
Small Ensemble - Level 2 - Digital Download SKU: A0.835850 Composed by Bela Bartok.…
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Small Ensemble - Level 2 - Digital Download SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul Burnell #5724505. Published by Paul Burnell (A0.835850). Six Pieces from First Term at the Piano by Béla Bartók arranged by Paul Burnell for instruments in four parts.Duration 4:45I Allegro Deciso (No. 17)II Andante (No. 14)III Waltz (No. 18, Keringo)IV Folk Song: Moderato (No. 7, Népdal)V Where Have You Been, My Lamb? - Folksong (No. 13, Hol jártál, báránykám? - Népdal)VI Folksong: Allegro (No. 10, Népdal)The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Performers may wish to consider playing each movement through more than once and, in an ensemble with more than four players, varying the instrumentation for each iteration.The arrangements maintain the keys of the original piano pieces, but many sections have been transposed at the octave.The original metronome indication in Folksong: Allegro has been maintained, but performers may prefer a faster speed.Programme note:‘First Term at the Piano’ (‘Kezdök zongoramuzsikája’ – piano music for beginners) is a collection of pieces for first-year piano students. The collection was collaboration with Sándor Reschofsky with Béla Bartók writing eighteen of the short pieces. The volume was published in 1913 and was intended as the first of a five-volume piano instructional series. This arrangement features six of Bartók’s contributions: Allegro Deciso, Andante, Waltz, and three Folksongs.
$3.99
3.62 €
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Bela Bartok
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Paul Burnell
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Six Pieces from First Term at the Piano, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Last drops of brandy - Irish music for Flute, Piano and Double Bass
Instrumental Duet,Piano Double Bass,Flute,Instrumental Duet,Piano - Level 3 - Digital Down…
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Instrumental Duet,Piano Double Bass,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.969805 Composed by J. E. Cuevas. Celtic,Children,Folk,Holiday,World. Score and parts. 15 pages. Caesar Juvié #3603779. Published by Caesar Juvié (A0.969805). Three classical irish pieces mixed-up into one great trio for piano, flute and doublebass.
$5.99
5.43 €
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J
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Last drops of brandy - Irish music for Flute, Piano and Double Bass
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Caesar Juvié
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SheetMusicPlus
. . . and fall (Downloadable Piano/Vocal Score)
High voice, violoncello, and piano or full orchestra (Orch: 1111 – 2100 – 1 perc – s…
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High voice, violoncello, and piano or full orchestra (Orch: 1111 – 2100 – 1 perc – str – High Voice) - Medium - Digital Download SKU: MQ.8766-E Composed by Eric Choate. Score & instrument part. 54 pages. E. C. Schirmer Music Company - Digital #8766-E. Published by E. C. Schirmer Music Company - Digital (MQ.8766-E). English.Five musical settings of poems about autumn by 20th- and 21st-century American poets. Each poem draws upon different aspects of the season: the summer drawing to a close; the busy preparations for a cold winter to come; the transparency between the worlds of the living and the dead on All Hallows; children celebrating Halloween by dancing around jack-o'-lanterns; and finally, the falling of leaves. An evocative set of pieces for three accomplished musicians.
$14.50
13.15 €
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Eric Choate
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. . . and fall
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Wir bauen eine Stadt
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. …
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99
14.5 €
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
Max and Millie's Undersea Adventure
String Ensemble Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1386374
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String Ensemble Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1386374 Composed by Samantha Jellett. Children,Instructional. 50 pages. Samantha Jellett #970286. Published by Samantha Jellett (A0.1386374). Max and Millie's Undersea Adventure is an innovative work for flexible beginner string ensemble, soloist and piano.  It  features three contrasting pieces of music along with narration to tell an exciting story full of dolphins, mermaids and a terrifying sea monster!  The earliest beginners will be introduced to a wealth of different bowing techniques, harmonics, glissandi and more, plus the slightly more advanced are invited to explore the whole tone scale and position playing.  The cello, viola or violin soloist could be a guest professional, teacher or older student.  The teachers' pack provides everything needed for an inspirational and successful workshop day or longer-term project: all scores and parts, narration with pre-divided lines ready to cut out, and a guide to rehearsal and performance which includes additional workshop ideas.
$19.99
18.12 €
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Samantha Jellett
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Max and Millie's Undersea Adventure
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Samantha Jellett
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.58 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.4 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ode to Joy
Level 1 - Digital Download SKU: A0.1304970 Composed by Ludwig van Beethoven. Arrang…
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Level 1 - Digital Download SKU: A0.1304970 Composed by Ludwig van Beethoven. Arranged by Lionel Horncastle. 19th Century,Chamber,Children,Classical,Historic. 48 pages. FleXmusic for school #894396. Published by fleXmusic for school (A0.1304970). Ode to Joy, the famous theme from Beethoven's ninth symphony, is presented in this Flex 2 + 3 versione (flexible format). In which there are two main lines (instrument 1 and 2) and three background lines (first, tenor and bass). Piano Lines guide + 2 Percussion lines allows you to play the piece with all school orchestra or small ensemble. The pieces is very easy to play and good for beginners. Into we find all possible parts of all the instruments.
$35.00
31.73 €
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Ludwig van Beethoven
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Lionel Horncastle
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Ode to Joy
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fleXmusic for school
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SheetMusicPlus
Under the Willow She's Sleeping. Song
Piano and voice (solo and 3-voice chorus) - Digital Download SKU: LV.20099 Composed…
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Piano and voice (solo and 3-voice chorus) - Digital Download SKU: LV.20099 Composed by Stephen Foster. Tombs & sepulchral monuments, Weeping, Bodies of water, Hills, Distress, Death, Mothers & children, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20099). Under the Willow She's Sleeping. Song. Written and Composed by Stephen C. Foster. Published 1863 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and three-voice chorus) instrumentation. Subject headings for this piece include Tombs & sepulchral monuments, Weeping, Bodies of water, Hills, Distress, Death, Mothers & children, Religion. First line reads Under the willow she's laid with care.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Stephen Foster
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Under the Willow She's Sleeping. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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