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Three Compositions for Two Guitars
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Desert Sea - Accompaniment Mp3
Level 3 - Digital Download SKU: A0.1378539 Composed by Deborah Johnson. Christian,J…
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Level 3 - Digital Download SKU: A0.1378539 Composed by Deborah Johnson. Christian,Jazz,Praise & Worship,Religious,Spiritual. Accompaniment. Duration 240. Deborah Johnson #963228. Published by Deborah Johnson (A0.1378539). Deborah Johnson's Desert Sea is an exceptional new spiritual composition inspired by Jeremiah 17:7-8. With its captivating blend of unison verses transitioning between 3/4 and 4/4 rhythms and powerful choral SATB choruses, this song is ideal for special occasions. Its profound messaging resonates strongly, making it suitable for both large and small choirs, as well as solo performances. Whether for church services or inspirational events, Desert Sea is a valuable addition to any repertoire. Download available on Spotify and Amazon (https://amzn.to/3SuQ2Hc) The sheet music is also available, which is 12 pages, including cover. Video at: http://youtu.be/3Yj-cBS2Ets Background: Originally written as a solo, Desert Sea was performed at many events, then arranged it for choir when Deborah attended graduate school at Long Beach State University, studying under Frank Pooler who worked with the legendary music group, The Carpenters. The University Choir and band performed Desert Sea, along with other arrangements by Deborah. She then included her choral arrangement in her Master’s Thesis, which traced the history of Spirituals and Gospel songs and their influence on modern jazz. Deborah’s original arrangement of Desert Sea was modeled after a popular Christian artist at the time, Keith Green, with driving eighth notes throughout. (you can find it in the LBSU Archives!) The current updated arrangement has been re-worked, as it alternates between 3-4 and 4-4 time, feeling like 7-4. Deborah and her son, David, perform all the vocals on this recording. Deborah Johnson is not only a headliner artist, but speaker, author, composer and educator with a Master of Arts degree in composition and arranging. In the past years, she has been up for multiple Grammy Awards for her original songs, arrangements and albums. With over two dozen albums, hundreds of songs, three full-length original musicals with National Distribution and multiple books under her belt, these all make Deborah a part of a unique group of women entertainers and composers in the world. She has also been one of the first-call pianists for Disney for a number of years.  For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com Music and Lyrics by Deborah Johnson. (ASCAP) Basic production and piano tracking by Deborah. All vocals by Deborah and David Johnson. Additional production, guitars and bass by Michael Ferenci. Recorded at Ferenci Studios, Silverlake, CA.
$8.99
8.3 €
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Deborah Johnson
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Desert Sea - Accompaniment Mp3
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Deborah Johnson
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
69.26 €
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
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