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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Through The Years
Non classifié
242
Piano & claviers
Piano seul
136
Piano, Voix
115
Piano Facile
44
Accordéon
34
Piano, Voix et Guitare
32
Instruments en Do
11
Orgue
5
1 Piano, 4 mains
5
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
2
Piano grosses notes
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon, Voix
1
Clavier
1
+ 11 instrumentations
Retracter
Guitares
Guitare
21
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
8
Guitare notes et tablatures
7
Basse electrique
3
Paroles et Accords
2
Banjo
2
Dobro
1
Guitare, Orchestre
1
Piano, Guitare (duo)
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
70
Chorale Unison
27
Chorale 3 parties
16
Chorale TTBB
9
Voix Alto, Piano
9
Chorale 2 parties
6
Voix duo, Piano
4
Chorale SSAA
4
Voix Tenor, Piano
2
Chorale
1
Voix haute
1
Voix duo
1
Voix Tenor
1
Voix basse
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Flûte, Hautbois, Clarinette, Basson
13
Quatuor de Saxophones: 4 saxophones
9
Flûte traversière
9
Clarinette
7
Clarinette (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor
6
Saxophone (partie séparée)
5
Clarinette et Piano
5
Quatuor de Flûtes : 4 flûtes
5
Flûte à bec Soprano
4
Flute (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
2 Saxophones (duo)
3
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
2
Saxophone Soprano
2
Flûte, Alto et Piano
2
Hautbois, Piano (duo)
2
Flûte traversière et Piano
2
Saxophone Tenor et Piano
1
Flûte, Violon, Piano
1
Ensemble de Clarinettes
1
Flûte et Trio à cordes
1
3 Saxophones (trio)
1
Saxophone Alto et Piano
1
Saxophone et Orgue
1
Saxophone Baryton, Piano
1
+ 24 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Ensemble de Trompettes
33
Trompette
15
Trombone (partie séparée)
13
Trompette (partie séparée)
13
Cor (partie séparée)
8
Trombone
7
Cor
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
2
Trompette, Trombone (duo)
2
Tuba et Piano
2
3 Trompettes (trio)
2
Tuba
2
Trombone basse et Piano
1
Trombone et Piano
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor et Piano
1
Tuba (partie séparée)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon
19
Violon et Piano
14
Violoncelle
11
Alto seul
7
Harpe
6
Violon (partie séparée)
5
Alto, Piano
5
Violon, Alto (duo)
4
Violoncelle, Piano
4
Contrebasse (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
Violon, Violoncelle (duo)
3
4 Violoncelles
3
Contre Basse
3
Violon, Guitare (duo)
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
2
2 Violons (duo)
2
Alto (partie séparée)
2
Violoncelle (partie séparée)
2
Harpe (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
Violoncelle, Orgue
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
71
Orchestre d'harmonie
46
Orchestre
32
Ensemble Jazz
25
Ensemble de cuivres
15
Orchestre de chambre
13
Percussion (partie séparée)
5
Cloches
5
Batterie
2
Caisse Claire
1
Fanfare
1
Jazz combo
1
Timbales (partie séparée)
1
Marimba
1
Piano et Orchestre
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Through The Years
Partitions à imprimer
242 partitions trouvées
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
My Father's Love, a Father's Day Tribute
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Musique Sacrée
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Kevin G
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he gave me wings to fly
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My Father's Love, a Father's D
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Kevin G. Pace
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.824259 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.824259 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #431091. Published by Kevin G. Pace (A0.824259). A beautiful vocal solo paying tribute to all fathers. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: My father’s love was manifest when in his arms I laid. His strength would ever hold me tight, a bond securely made. My father’s love was shown to me each day when I’d confide. My father’s love still radiates. To him I’m ever tied. We’ve been together through the years; he gave me wings to fly. He taught me how to live my life and gave me reasons why. He often said to be my best, keep promises I heard, to show great kindness when I spoke, and of our God to learn. My father’s love extends beyond to all posterity, to ev’ry single grandchild now, plus new births yet to be. He wants each one to feel his love and know he deeply cares. My father’s love still multiplies and is so very rare. My father’s love is manifest up to this very day. His strength still holds me carefully in his respectful way. His special love is shown to me each time I hear his voice. My father’s love still radiates; he’ll always be my choice.
$3.99
Through The Years
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Blaze Scheuerman
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Through The Years
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Blaze Scheuerman
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SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 2...
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Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 43 pages. Blaze Scheuerman #651904. Published by Blaze Scheuerman (A0.1047346). Through The Years is meant to be a reflection back onto one’s childhood. Inspired by my own upbringing, it is a recollection of past events that came and mindsets experienced. It opens up with a loud and active sound to show the start of the journey. The character begins happy and energetic, going head first with no fear. The dotted quarter note theme at measure 11 then shows the young child’s state of mind. While beginning to understand concepts of anxiety and fear, he is still full of vigor and confidence. Then at measure 26, the main character begins his adolescence. Still fresh and happy, he sees the world in a simple way and that it is actively watching out for him. He is enjoying this passive time of leisure until measure 40, where he decides to actively try to seek out something. He gets carried away however, and tries to return back to his roots, seen in measure 59. Unfortunately he finds himself tainted and unable to return to his go-getting former self. He then does something peculiar in measure 77. Instead of being angered or saddened by this fact, he accepts it and takes a step back to rebuild himself, seen in the fugato section. After a long and detailed remapping, he finds himself back at his desired happy self. However at measure 127, he feels himself changing once again. So through active awareness and will, he prevents himself from changing into something he doesn’t want to be and instead stays as his desired self.
$5.99
6 Simple Songs To Sing & Play On The Guitar including House Of The Rising Sun, Sloop John B
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Contemporain
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Traditional
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Simon James
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6 Simple Songs To Sing & P
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DML
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SheetMusicPlus
Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.1281240 Composed by Traditional. Arranged by Simon James. Classical,Contemporary,Folk,Historic,Tradit...
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Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.1281240 Composed by Traditional. Arranged by Simon James. Classical,Contemporary,Folk,Historic,Traditional. 36 pages. DML #872584. Published by DML (A0.1281240). Songs are about storytelling, sometimes the emotions of a moment, happy or sad, sometimes an entire life in three verses and a chorus. These songs I chose because I like them, some I learnt from my first real guitar teacher, Dylan Todd, at the Guitar Centre in Palma de Mallorca in the late sixties when my family lived there; some from my father who was my other first guitar teacher; some down the years from other musicians. I have kept the accompaniments as simple as possible to go with my book The Art Of Accompaniment On The Guitar, most guitarists could handle them. I have also annotated everything, knowing the history of a song is important and as we increasingly lose the oral tradition I was brought up with the reason I chose certain verses and not others becomes relevant to that understanding. This is a simpler publication than the printed one available from Amazon. All of these songs are out of copyright, those that are in copyright that I would include and have arranged can be found individually through Sheet Music Plus or Sheet Music Direct.
$11.99
A Thousand Years
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Christina Perri
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Kirstie Smith
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A Thousand Years
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Kirstie Smith
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SheetMusicPlus
Cello,Electric Bass Guitar,Piano Accompaniment - Level 2 - SKU: A0.1465981 By Christina Perri. By Christina Perri and David Hodges. Arranged by Kirstie ...
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Cello,Electric Bass Guitar,Piano Accompaniment - Level 2 - SKU: A0.1465981 By Christina Perri. By Christina Perri and David Hodges. Arranged by Kirstie Smith. 21st Century,Contemporary,Contest,Festival,Film/TV,Pop. 10 pages. Kirstie Smith #1044581. Published by Kirstie Smith (A0.1465981). Parts for piano, cello and bass from a wonderfully unique and emotive choir and ensemble arrangement of 'A Thousand Years' by Christina Perry for SATB divisi. This bespoke score, commissioned by the Wiltshire High Sheriff for the Massed Choir Finale of Uncelebrated Journey, was performed at Swindon's Wyvern Theatre, October 2018 - a wonderful collaboration of local performing arts groups, musicians, dancers and choirs, to celebrate local poet Alfred Williams, also known as 'The Railway Poet'. His story and works were brought to life through drama, dance and music, with an uplifting choral finale combining the voices and talents of Wessex Male Voice Choir, Janice Thompson Performance Trust Choir, Commonweal School Choir and vocal harmony group, 'Ten in a Bar'.Kirstie Smith has sensitively re-crafted this beautiful song to reflect the deep love shared between Alfred and his wife Mary, and their enduring love for each other is further painted through the second verse's country style duet. The mp3 audio sample is of 'Ten in a Bar' performing this arrangement live at a wedding reception, with the arranger providing piano accompaniment.Please refer to ArrangeMe ID 1044562 for the SATB vocal score.
$12.99
The Daedalus and Icarus Journey
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Apostolos Paraskevas
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The Daedalus and Icarus Journe
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Sco...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99
Through The Years
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Kenny Rogers
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archecollamusic
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Through The Years
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Arche Colla
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SheetMusicPlus
Small Ensemble Flute,High Voice,Violin - Level 2 - SKU: A0.906125 By Kenny Rogers. By Marty Panzer and Steve Dorff. Arranged by archecollamusic. Contemp...
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Small Ensemble Flute,High Voice,Violin - Level 2 - SKU: A0.906125 By Kenny Rogers. By Marty Panzer and Steve Dorff. Arranged by archecollamusic. Contemporary,Country,Rock. Score and parts. 2 pages. Arche Colla #6211929. Published by Arche Colla (A0.906125). Through the years - Violin or Flute.
$6.00
The Peebles Beltane Festival Suite (Opus 1)
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Graham Hamilton
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The Peebles Beltane Festival S
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1444584 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 215 pages. Hambone Music #1024482. Published by Hambone Music (A0.1444584). An epic 4 piece suite based on the Peebles Beltane Festival and its traditions which have been going on for almost 200 years. The first movement follows a day in the life of a novice monk and the arduous trek they make to and from one of their religious sites and features and encounter with some knights on the way ro reinforce a local castle which is under siege.The second movement sees us introduced to some young 'lassies' who are dancing their way through the beautiful rolling hills and valleys of the Scottish Borders to join in the festivities.The third movement joins us on the Thursday evening in front of the Crown Hotel, where the local 'cornet' and his lass perform a type of dance called a reel which grows in intensity and tempo until the dancers collapse in an exhausted heap.The fourth, and final movement is based on the local festal song theme which is played during ythe parade and at the crowning ceremony at the Old Parish Church steps on the 'red letter day' of Beltane Saturday and culminates in an excerpt of 'God Save the Queen' and the Beltane Fanfare.
$149.99
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
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Contemporain
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David Warin Solomons
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Bagpipe music - instrumental i
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David Warin Solomons
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SheetMusicPlus
Sampler - Level 4 - SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons...
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Sampler - Level 4 - SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is: It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crêpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.
$5.50
Eric Whitacre's The Beautiful Mess (Individual License)
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Eric Whitacre
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Eric Whitacre's The Beautiful
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Hal Leonard - Special Digital Access
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SheetMusicPlus
SKU: H3.392943 Masterclass in Composition and Creativity. Composed by Eric Whitacre. Eric Whitacre's Virtual School. This comprehensive course of...
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SKU: H3.392943 Masterclass in Composition and Creativity. Composed by Eric Whitacre. Eric Whitacre's Virtual School. This comprehensive course offers deep insight into the creative process, providing both video and PDF materials that are ideal for both individual and classroom instruction. Virtual masterclass license. 3 pages. Hal Leonard - Special Digital Access #392943. Published by Hal Leonard - Special Digital Access (H3.392943). The Beautiful Mess takes a deep dive into the practical and artistic elements of composition and creativity, drawing on Eric Whitacre's thirty years of experience writing music and lyrics. This comprehensive course provides online access to video content, lesson plans, reference sheets, perusal scores and a personalized certificate upon completion. Materials are customized at three levels so they can be used from middle school through college and are ideal for both individual and classroom instruction. The strategies and creative solutions discovered in this course can also be applied to many aspects of life, so are suitable for general music education, composers, performing ensembles, or individual music-lovers.Instructions for online access will be sent within one business day to the email address provided when you place your order.
The Beautiful Mess takes a deep dive into the practical and artistic elements of composition and creativity, drawing on Eric Whitacre's thirty years of experience writing music and lyrics. This comprehensive course provides online access to video content, lesson plans, reference sheets, perusal scores and a personalized certificate upon completion. Materials are customized at three levels so they can be used from middle school through college and are ideal for both individual and classroom instruction. The strategies and creative solutions discovered in this course can also be applied to many aspects of life, so are suitable for general music education, composers, performing ensembles, or individual music-lovers. Instructions for online access will be sent within one business day to the email address provided when you place your order.
$195.00
The Triton
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John Philip Sousa
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Matthew Nunes
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The Triton
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1181915 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1181915 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic,March,Patriotic. 13 pages. Matthew Nunes Music #781674. Published by Matthew Nunes Music (A0.1181915). Originally an arrangement of J. Molloy’s march of the same name, the march grew in material and confusion through multiple years, versions, and titles. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Triton was composed in 1892, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 46.
$1.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
THE CHOIR OF THE BIRDS
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Lars Ek
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THE CHOIR OF THE BIRDS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Instrumental Duet Accordion,Instrumental Duet,Voice - Level 1 - SKU: A0.904261 Composed by Lars Ek. Folk,World. Score and parts. 2 pages. Lars Ek Cosmos...
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Instrumental Duet Accordion,Instrumental Duet,Voice - Level 1 - SKU: A0.904261 Composed by Lars Ek. Folk,World. Score and parts. 2 pages. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1910875. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.904261). Lars Ek is one of Sweden's best accordionists, and include known for its fine interpretation of Pietro Frosini, Nisse Lind and even his own more than 100 compositions! Lars Ek is from Stockholm and started playing the accordion as a 5 year old and a year later - in 1953 he made radio debut! TV debut in 1958! Lars is working as an accordionist in different contexts, including has he worked as a teacher, accompanist for numerous artists and toured a lot in Sweden and abroad. He has also toured with his popular Hot-trio and as a solo accordionist in Europe, Asia and North America! Lars has over the years recorded several records, which he actually managed to reflect the old accordion masters' compositions! Lars Ek is the initiator of Frosinisociety founded in 1985, which is to preserve the old accordion music. Lars is now as chairman of the International Frosinisociety and is one of the founders of The World Accordion Music Expo in Ransäter Sweden! The International Frosinisociety he makes through the site www.frosinisociety.org a huge fine job of promote the accordions development and popularity both in Sweden and abroad. Lars works alongside music by an artist agency Music & Underhållningsskrädderiet AB, which he runs together with the family since inception in 1980.
$3.99
Grandfathers Clock
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Danny Marsden S
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Geo
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Grandfathers Clock
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1403965 Composed by Danny Marsden S. Widdicombe. Arranged by Geo. Doughty (arran...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1403965 Composed by Danny Marsden S. Widdicombe. Arranged by Geo. Doughty (arranger) & Peet du Toit (orchestrator). Folk,Pop. 73 pages. Peet du Toit #987145. Published by Peet du Toit (A0.1403965). Grandfather's Clock (popularly known as My Grandfather's Clock) is a song written in 1876 by Henry Clay Work, the author of Marching Through Georgia. It is a standard of British brass bands and colliery bands, and is also popular in bluegrass music. The Oxford English Dictionary says the song was the origin of the term grandfather clock for a longcase clock. In 1905, the earliest known recording of this song was performed by Harry Macdonough and the Haydn Quartet (known then as the Edison Quartet).The song, told from a grandchild's point of view, is about his grandfather's clock.The clock is purchased on the morning of the grandfather's birth and works perfectly for 90 years, requiring only that it be wound at the end of each week.The clock seems to know the good and bad events in the grandfather's life; it rings 24 chimes when the grandfather brings his new wife into his home, and near his death it rings an alarm, which the family recognizes to mean that the elderly gentleman is near death and gathers by his bed. After the grandpa dies, the clock suddenly stops, and never works again.This famous Euphonium solo, with brass quintet, but also with Sam Harrill's percussive magic. Enjoy!
$25.00
For Children, Volume 1: 42. The Swineherd's Dance (duet)
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Béla Bartók
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Richard Giszczak
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For Children, Volume 1: 42. Th
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1302179 Composed by Béla Bartók (1881–1945). Arranged by Richard Giszczak. Children,Classica...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1302179 Composed by Béla Bartók (1881–1945). Arranged by Richard Giszczak. Children,Classical,Folk,Multicultural,World. Individual part. 5 pages. Singing Winds Music Company #891782. Published by Singing Winds Music Company (A0.1302179). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is a transcription of piano music by Béla Bartók adapted to the range and tonalities of a carillon. The pieces in Volume 1 are based on Hungarian Folk Songs. This piece is scored for one carillon with two performers.I use the following story to explain how this piece is written:Imagine yourself traveling through the Hungarian countryside about 100 years ago. You are in an open carriage or on horseback. As you travel, you begin to hear broken strains of music from somewhere up ahead. As you get closer, more of the melody is heard. You reach the location of the music performance and pause to watch and listen to The Swineherd's Dance. After a few minutes you realize you must be on your way. As you continue your travels, the music fades out in the distance behind you..
$2.00
O Little Town of Bethlehem traditional SSAA and Piano
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem tra
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Piano Accompaniment,Soprano voice - Level 2 - SKU: A0.1513097 Composed by Phillips Brooks and Lewis H Redner. Arranged by Conn...
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Small Ensemble Alto Voice,Piano Accompaniment,Soprano voice - Level 2 - SKU: A0.1513097 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas. 9 pages. Connie Boss #1087980. Published by Connie Boss (A0.1513097). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. You can hear on the mp3 how it sounds being a cappella until then. It is for SSAA voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonightShepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peace O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99
32 Years
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Musique Sacrée
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Jerry Westerman
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Jerry Westerman
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32 Years
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Passing Lane Music
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.1004532 Composed by Jerry Westerman. Arranged by Jerry Westerman. Christian,Praise ...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.1004532 Composed by Jerry Westerman. Arranged by Jerry Westerman. Christian,Praise & Worship,Rock,Sacred,Spiritual. Score and parts. 7 pages. Passing Lane Music #3585401. Published by Passing Lane Music (A0.1004532). 32 Years is the first track on the album Open the Doors by Through the Glass, songs by J. Westerman. An Mp3 is also available for this title here on Sheet Music Plus!
$5.99
The Higher The Mountain
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Musique Sacrée
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George Wells
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The Higher The Mountain
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F T H Music
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SheetMusicPlus
Bass Guitar,Drums,Piano,Voice - SKU: A0.1072351 Composed by George Wells. Christian,Gospel,Praise & Worship. Accompaniment. Duration 235. F T H Music #5...
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Bass Guitar,Drums,Piano,Voice - SKU: A0.1072351 Composed by George Wells. Christian,Gospel,Praise & Worship. Accompaniment. Duration 235. F T H Music #552481. Published by F T H Music (A0.1072351). In 2009, my wife was sitting in the doctors office waiting to hear the results of my scan. It was a nice September day, the sun was shinning. The doctor came in shared those awful three words with us: You have cancer My mind went back about 25 years ago to a song I had written entitled: The higher the Mountain the better the view. The lines kept running through my mind. And my view was getting better all the time as by 2014 I had two cancers plus a return of the first cancer. Because of my troubles and the fact that God had lead me through the Valley of Cancer, I asked my friend, Randy Duck to record the song. We used the famous quartet, The Singing Ambassadors to do the back up vocals. Realizing that everyone has a mountain, it is our prayer that encouragement and hope be found in this message.
$1.99
O Little Town of Bethlehem traditional SSAA A Cappella
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem tra
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Soprano voice - Level 2 - SKU: A0.1513101 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,C...
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Small Ensemble Alto Voice,Soprano voice - Level 2 - SKU: A0.1513101 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas. 6 pages. Connie Boss #1087984. Published by Connie Boss (A0.1513101). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. . It is for SSAA voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonightShepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord EmmanuelIn a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99
In The Steppes Of Central Asia
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Alexander Borodin
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George Willson
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In The Steppes Of Central Asia
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George Willson
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.927177 Composed by Alexander Borodin. Arranged by George Willson. Concert,Romantic Period. Score and parts. ...
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Brass Ensemble Trombone - Level 3 - SKU: A0.927177 Composed by Alexander Borodin. Arranged by George Willson. Concert,Romantic Period. Score and parts. 16 pages. George Willson #4608717. Published by George Willson (A0.927177). The composer wrote the following about the piece: In the silence of the monotonous steppes of Central Asia is heard the unfamiliar sound of a peaceful Russian song. From the distance we hear the approach of horses and camels and the bizarre and melancholy notes of an oriental melody. A caravan approaches, escorted by Russian soldiers, and continues safely on its way through the immense desert. It disappears slowly. The notes of the Russian and Asiatic melodies join in a common harmony, which dies away as the caravan disappears in the distance.George Willson is a trombone player and has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$9.99
The Small but Great (Military March - Brass Band)
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Raymond Fenech
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The Small but Great
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Raymond Fenech
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.759825 Composed by Raymond Fenech. 20th Century,Contemporary,Contest,Easter,Festival,Multicultural,World. Brass Band. 35 pages. Raymond Fenech #3245155. Published by Raymond Fenech (A0.759825). This is an original Military March for Brass Band. The title is derived from the small Island of Malta but through out the years showed that it is a great Island in the Mediterranean. This lively military march is a must for any concert. It is graded as an Intermediate level and the duration is approximately 3.5 minutes.
$25.00
The call of ancestors ( Misty Highland Shores )
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Eve Mctelenn
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Eve McTelenn
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The call of ancestors
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Eve Rodolfi-McTelenn
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SheetMusicPlus
Folk Harp,Oboe,Violin - Level 4 - SKU: A0.1487245 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arranged by Eve McTelenn. Celtic,Folk,Irish,Medieval. F...
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Folk Harp,Oboe,Violin - Level 4 - SKU: A0.1487245 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arranged by Eve McTelenn. Celtic,Folk,Irish,Medieval. Full Performance. Duration 231. Eve Rodolfi-McTelenn #1064219. Published by Eve Rodolfi-McTelenn (A0.1487245). The call of ancestors ( Misty Highland Shores ) [Verse]Upon the misty highland shoreWith tales of yore, the pipers soarThe ancient spirits, whispers driftThrough emerald hills, my heart they lift[Chorus]Sing of ancient lore and songEchoes where they once belonged[Verse 2]Through glens and valleys, travelers roamIn the twilight's hush, they find their homeThe call of ancestors, in the breezeGuides every step, through time's deep seas[Chorus]Sing of ancient lore and songEchoes where they once belongedFeel the heartbeat of the pastIn shadows where the legends last[Bridge][Verse 3]In each stone and river's flowThe stories ancient farmers sowCastles stand, though years have flownGuardians of the myths they've known[Chorus]Sing of ancient lore and songEchoes where they once belongedFeel the heartbeat of the pastIn shadows where the legends last
$1.99
The Sandy Path That Leads Me Down (Piano Quartet)
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David Perkins
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The Sandy Path That Leads Me D
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David Perkins
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.905620 Composed by David Perkins. Concert,Contemporary,Wedding. Score and parts. 31 pages. David Perki...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.905620 Composed by David Perkins. Concert,Contemporary,Wedding. Score and parts. 31 pages. David Perkins #4631781. Published by David Perkins (A0.905620). The Sandy Path That Leads Me Down is an arrangement for Piano Quartet - Piano, Violin, Viola and Cello. Originally a setting of a poem by John Betjemen, this piece re-arranged for Piano Quartet, has become a wordless song in its own right. The somewhat cryptic title is a line taken from the original poem.This and seven other pieces (yet to be arranged) will eventually form a suite of pieces entitled As Wordless as the Windy Sky. Together they will create a broadly biographical sequence from the boundless imagination of childhood, through holidays, religion, love, the pleasures of the middle years to the inevitability of old age.
$7.99
Ding-dong! The Witch Is Dead
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Contemporain
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perpetuating creativity and mu
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Harold Arlen
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Pamela Grant
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Ding-dong! The Witch Is Dead
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Pamela Grant
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 2 - SKU: A0.963913 Composed by Harold Arlen. Arranged by Pamela Grant. Contemporary. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 2 - SKU: A0.963913 Composed by Harold Arlen. Arranged by Pamela Grant. Contemporary. Score and parts. 7 pages. Pamela Grant #6311215. Published by Pamela Grant (A0.963913). With an unconditionally giving and cheerful personality, classical pianist Pam Grant has given inspiration to a wide audience, ...with a soaring lyrical tone backed with a fine reserve of power, her performance was a guaranteed success and was, both aesthetically and technically satisfying. Her career consists of everything from performance to instruction and has led her to succeed in an entrepreneurial lifestyle for over forty fifty years. Since 1967, Pam Grant has maintained a successful career as a teacher, performer, arranger and composer. She has not only shared her artistic talents with the world, but has also given back to the community by instilling the importance of musical education.Her dedication to musical growth is illustrated in the countless hours she has spent writing method books, music theory series, chording methods, teaching aids, original solos, and arrangements for duets and duos. Her creative and precise instruction has helped launch many of her students into the music industry and who have become professional musicians. By perpetuating creativity and musical expression, Pam Grant ensures that communication through music will help foster a better tomorrow.
$6.99
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