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ACCORDEON
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AUTRES INST…
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CITHARE
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COR ANGLAIS
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CORNET
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FANFARE - B…
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HARPE
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LUTH, THEOR…
MANDOLINE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
Tomplay
Virtualsheetmusic
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Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1250
PIANO & CLAVIERS
Piano seul
851
Piano Facile
677
Piano, Voix
317
1 Piano, 4 mains
212
Instruments en Do
110
Piano, Voix et Guitare
102
Accompagnement Piano
68
Piano Trio: piano, violon, violoncelle
34
Orgue
17
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
4
1 Piano, 6 mains
3
2 Pianos, 8 mains
1
2 Accordéons
1
Piano grosses notes
1
Instrumentations suivantes
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GUITARES
Guitare
76
Guitare notes et tablatures
67
Ligne De Mélodie, (Paroles) et Accords
32
Basse electrique
19
Guitare (partie séparée)
19
Ukulele
10
Basse électrique (partie séparée)
7
2 Guitares (duo)
7
4 Guitares (Quatuor)
5
Dulcimer
3
Paroles et Accords
3
Ensemble de guitares
3
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Mandoline
1
Instrumentations suivantes
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VOIX
Chorale SATB
163
Chorale 2 parties
116
Voix Soprano, Piano
69
Voix Tenor, Piano
67
Voix Baryton, Piano
65
Voix Alto, Piano
63
Chorale Unison
57
Chorale 3 parties
55
Chorale SSAA
23
Chorale TTBB
19
Voix duo, Piano
9
Voix haute
5
Voix duo
3
Voix Tenor
2
Chorale SSAB, Piano
2
Chorale SSATB
1
Voix seule
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
Clarinette
142
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Flûte traversière et Piano
117
Flûte traversière
106
Clarinette et Piano
101
Quintette de Saxophone: 5 saxophones
93
Hautbois, Piano (duo)
87
Saxophone (partie séparée)
86
2 Saxophones (duo)
81
Saxophone Alto
81
Quatuor de Saxophones: 4 saxophones
76
Flûte, Hautbois, Clarinette, Basson
74
Saxophone Alto et Piano
73
Quatuor de Clarinettes: 4 clarinettes
64
Hautbois (partie séparée)
57
Saxophone Tenor
55
2 Flûtes traversières (duo)
50
Hautbois
43
Saxophone Tenor et Piano
43
2 Clarinettes (duo)
42
Saxophone Soprano et Piano
30
Flûte, Clarinette (duo)
26
Saxophone Baryton, Piano
24
Ensemble de Clarinettes
23
2 Hautbois (duo)
22
2 Flûte à bec (duo)
22
Quatuor de Flûtes : 4 flûtes
22
Quintette de Clarinettes: 5 clarinettes
19
Saxophone, Clarinette (duo)
18
Clarinette Basse, Piano
17
Cor Anglais
15
Flûte, Clarinette et Basson
15
Saxophone Soprano
15
Cor anglais, Piano
15
Flute (partie séparée)
14
Hautbois, Clarinette (duo)
14
3 Clarinettes (trio)
13
Saxophone Baryton
13
Clarinette, Trompette (duo)
12
Clarinette, Violon (duo)
11
Flûte à bec Soprano
11
Ensemble de Flûtes
11
3 Saxophones (trio)
11
Ensemble de saxophones
10
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
8
Flûte, Alto (duo)
7
Hautbois, Basson (duo)
7
Flûte à Bec
7
Clarinette (partie séparée)
7
Flûte, Violon, Piano
6
Clarinette et Alto
6
Clarinette Basse
6
Clarinette, Basson (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violon
4
Flûte, Violoncelle
4
Hautbois, Violoncelle
4
Flûte, Hautbois, Basson
4
Clarinette, Violoncelle (duo)
4
Hautbois, Flûte
3
Ensemble De Flûte à bec
3
2 Clarinettes, Piano
3
5 Flûtes à bec
3
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Flûte, Hautbois (duo)
2
Flûte à bec Alto
2
Flûte à bec Alto, Piano
2
Saxophone
2
Flûte, Violon et Violoncelle
2
Flûte à bec Soprano, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Trompette (duo)
2
Hautbois, Basson et Piano
2
2 Flûtes traversières, Piano
2
Clarinette, Harpe (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec, Piano
1
Flûte et Guitare
1
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Hautbois, Piano
1
4 Hautbois
1
Ensemble à vent
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Saxophones, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
128
Trompette
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Trompette, Piano
88
Cor
84
Trombone
81
Cor et Piano
76
Tuba
72
Trombone et Piano
59
Tuba et Piano
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trompette (partie séparée)
32
Trompette, Trombone (duo)
28
Trombone (partie séparée)
25
2 Trompettes (duo)
22
2 Trombones (duo)
20
Cor (partie séparée)
16
Quatuor de Cuivres
15
Cor Anglais
15
2 Cors (duo)
15
Cor anglais, Piano
15
Tuba et Orgue
12
2 Tubas (duo)
11
Tuba (partie séparée)
10
Trompette, Saxophone (duo)
10
Euphonium, Piano (duo)
9
Ensemble de Trombones
7
Euphonium
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 cors
6
Ensemble de Trompettes
5
Trombone, Cor (duo)
4
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Trombone basse et Piano
2
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
4 Tubas
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
167
Violon
156
Violoncelle
144
Violon et Piano
132
Alto, Piano
110
Violoncelle, Piano
97
Alto seul
93
Contre Basse
61
Trio à Cordes: violon, alto, violoncelle
55
Violon, Violoncelle (duo)
54
2 Violons (duo)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
41
Contrebasse, Piano (duo)
36
Trio à Cordes: 2 violons, violoncelle
30
Violon, Alto (duo)
29
2 Violoncelles (duo)
26
2 Altos (duo)
25
Harpe
18
Alto (partie séparée)
13
2 Contrebasses (duo)
12
Contrebasse (partie séparée)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble d'Altos
4
Ensemble de Violons
4
Piano Trio: Violon, Alto, Piano
4
Violon (partie séparée)
4
Alto, Violoncelle (duo)
4
2 Harpes (duo)
3
Trio à Cordes: 3 violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle, Contrebasse (duo)
2
Violon, Guitare (duo)
2
2 Altos, Piano
2
2 Violoncelles, Piano
2
Violoncelle, Orchestre
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Harpe, Voix
1
4 Violoncelles
1
Violon, Violoncelle, Clarinette
1
Violon, Basson (duo)
1
Alto et Basson
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
311
Orchestre à Cordes
114
Orchestre
69
Fanfare
66
Ensemble Jazz
47
Ensemble de cuivres
47
Batterie (partie séparée)
37
Orchestre de chambre
33
Marimba
17
Jazz combo
14
Ensemble de Percussions
14
Xylophone
14
Xylophone, Piano
12
Batterie
12
Cloches
11
Percussion (partie séparée)
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
3
Percussion
1
2 Marimbas
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Time Out 1
SheetMusicPlus
Partitions à imprimer
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Time Out 3
Chamber Music, Trio, Duet 2 Bb Clarinets Piano (optional) - Grade 5 - Digital Download …
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Chamber Music, Trio, Duet 2 Bb Clarinets Piano (optional) - Grade 5 - Digital Download SKU: FX.FX073511 Composed by Jean-Michel Maury. Original Composition. Classical, Educational. Score and Set of Parts. Duration 1 minute, 10 seconds. FLEX Editions - Digital Sheet Music #FX073511. Published by FLEX Editions - Digital Sheet Music (FX.FX073511). The third opus of our Time Out, and this one is still quite virtuoso... Please note that this piece can be played without piano (2 clarinets only). ; Instruments: 2 Bb Clarinets 1 Piano (optional).
$8.95
8.06 €
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Jean-Michel Maury
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Time Out 3
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
In Time of War: Prayers and Meditations (Piano/Vocal Score)
Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU:…
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Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU: MQ.6446-E Composed by Henry Mollicone. 21st century, prayer. 19 pages. Duration 24 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #6446-E. Published by E. C. Schirmer Music Company - Digital (MQ.6446-E). Latin.In Time of War: Prayers and Meditations was completed in June, 2004. The work was written in response to the wartime events of our time, and juxtaposes vocal movements based upon Latin prayers with purely orchestral sections (meditations on wartime subjects). The Latin prayers in this work consist of the Agnus Dei from the Roman Catholic Mass, a prayer which asks God for forgiveness of the 'sins of the world,' and two hymns to the Virgin Mary: Ave Maria and Ave Maris Stella. The concept of the Blessed Mother as the spiritual mother of all humanity is a powerful one which I believe touches us on a deep level. As children, our mothers give us guidance, tenderness, unconditional love and protection in a world where evil exists. In our time, horrific wartime events daily take their toll on innocent civilians, while motherhood is revered in all cultures. This work is about the coexistence of these two disparate but ever present realities, representing the best (unconditional love) and worst (war) aspects of the human condition. -Henry Mollicone Duration: 24' 50 Contents:1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope.
Song List: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
$9.50
8.56 €
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Henry Mollicone
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In Time of War: Prayers and Meditations
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.81 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Boy Scout March
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1109971 By Colin G Dance. By Harry J Stafford. Arranged by Colin G Dance. March. Brass Band. 32 pages. Dance is With Music #712316. Published by Dance is With Music (A0.1109971). Arranged as a commission from the British Scouting movement several years ago, this march by Harry Stafford is dedicated to my Godfather Pete Johnson who sadly died a few years ago. He was a very senior figure in the scouting movement, and dedicated his later life to the movement. The Mortimer Scout Hut where he was based has gone from a ramshakle old shed to a purpose-built building commensurate with his commitment. Pete was a World War 2 Royal Marine veteran having being involved with the D-Day landings – of which he rarely spoke, and was a well-known figure in his home village – often maintaining the church grounds. He was presented with an award by Her Majesty the Queen for his work with the scouting movement. He was also one of those presented with the ‘Legion D’Honeur’ medal when they were issued.
$75.00
67.55 €
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Colin G Dance
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Colin G Dance
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Boy Scout March
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Dance is With Music
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SheetMusicPlus
Far Out - Le View
Small Ensemble Guitar - Level 2 - Digital Download SKU: A0.955033 Composed by Jim B…
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Small Ensemble Guitar - Level 2 - Digital Download SKU: A0.955033 Composed by Jim Bosse. Concert,Contemporary,Folk. Score and parts. 5 pages. Jim Bosse #4598547. Published by Jim Bosse (A0.955033). This is the seventh movement of Royal Gorge Trails, a set of ten short pieces inspired by the hiking trails and their interesting names, at the Royal Gorge Park near Cañon City Colorado. All pieces were intended to also be relatively easy. This one is scored for classical guitar trio, with a performance time of 1 minute and 34 seconds. The piece is written in an avant-garde style for the Far Out Trail, with a beautiful bell middle section representing Le View Trail. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.79 €
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Jim Bosse
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Jim's web site is
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Far Out - Le View
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Jim Bosse
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.26 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.51 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.51 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.86 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Times Five Inst. Solo Score
Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.877820 Composed by Deborah J…
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Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.877820 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. 23 pages. Deborah Johnson #33177. Published by Deborah Johnson (A0.877820). Times Five instrumental solo score, written for a C instrument, violin, flute or other, offers a captivating and melodious solo skillfully arranged at a medium intermediate level. Featured in the Wayfarer’s Journey album by Deborah Johnson, this composition introduces new classically-inspired piano and instrumental solos. Reminiscent of a Bartók composition, Times Five evokes a similar musical ambiance, showcasing an intricate and dynamic melody. Tailored for special occasions and events, Times Five instrumental solo score includes a total of 23 pages, including score, separate parts and cover. Parts include: Instrumental (flute) solo; Instrumental (flute) bkg; Vocal bks (1-3 part male); Piano accompaniment. Piano accompaniment includes guitar chords. It’s characterized by its unique 5/4 time signature, belonging to the quintuple meter—rare in European concert music before the 20th century but more prevalent in various world cultures. The 5/4 time signature of Times Five embodies a division of beats as 3+2, creating a distinctive rhythmic pattern (1-2-3,1-2, with accents on the 1), characteristic of compound meters. Understanding and identifying this metrical pattern within the bars enriches the appreciation of the piece's rhythmic complexity. This unique time signature adds depth and richness to the composition, offering a captivating musical experience ideal for diverse special occasions. Spotify link for MP3 download with flute solo: https://open.spotify.com/track/4zZYeTb7O5ir5jm7ZkAC3Y Also available is the instrumental solo score version with parts, the piano solo version and full book of piano solos from Wayfarer’s Journey. Album released June 1, signed copies at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99
6.3 €
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Deborah Johnson
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Instrumental (flute) bkg
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Times Five Inst. Solo Score
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Deborah Johnson
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 1 in C
Small Ensemble Flute,Trumpet,Violin - Level 3 - Digital Download SKU: A0.568665 Arr…
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Small Ensemble Flute,Trumpet,Violin - Level 3 - Digital Download SKU: A0.568665 Arranged by Thomas Graf. Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038941. Published by Thomas Graf - the-hit-factory.com (A0.568665). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part 1 Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
3.59 €
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Thomas Graf
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 1 in C
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 1 in C High
Large Ensemble Flute,Violin - Level 3 - Digital Download SKU: A0.568666 Arranged by…
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Large Ensemble Flute,Violin - Level 3 - Digital Download SKU: A0.568666 Arranged by Thomas Graf. Classical. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038943. Published by Thomas Graf - the-hit-factory.com (A0.568666). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw.
$3.99
3.59 €
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Thomas Graf
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 1 in C High
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Do That To Me One More Time
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797814
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797814 By Captain & Tennille. By Toni Tennille. Arranged by Derek Hasted. Pop,Rock. Score and parts. 13 pages. Derek Hasted #6306437. Published by Derek Hasted (A0.797814). DO THAT TO ME ONE MORE TIME - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic melody deserves more fame than it gets, though when it first came out it was Captain and Tennille’s second No 1 hit on the Billboard Hot 100 chart.My arrangement captures the three verses that feature in this piece, and also contains the instrumental break (originally on the lyricon), with most of the ornamentation (except for the big bends that the lyricon can do electronically).This arrangement is set in the same keys as the original, and modulates from C to G (for the instrumental) and then to D.The accompaniment fits nicely on guitar, and it’s ideal for an intermediate duo. With the exception of the instrumental break, which is taken by Guitar 1, neither guitar part comes out of first position all that much, and both parts use familiar chord shapes, whichever key the piece is in at that moment...The roles of tune and accompaniment change over at each verse, so there’s plenty of variety for the players and audience alike.This is one of those pieces that a concert audience will be humming all the way home...I hope you enjoy playing this piece!
$4.99
4.49 €
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Captain & Tennille
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Derek Hasted
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Do That To Me One More Time
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Derek Hasted
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SheetMusicPlus
Luther: Out of the Depths for Piano Trio
Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by …
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Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
38.68 €
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Trio
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jmsgu3
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SheetMusicPlus
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - Digital Download SKU: A…
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Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise. The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$5.99
5.39 €
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Friedrich Silcher, Hill/Hill, and Trad
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Des McNutty
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A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
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Des Press
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SheetMusicPlus
Luther: Out of the Depths for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.47 €
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Contrabassoon & Piano
Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 C…
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Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.47 €
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Martin Luther
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James M
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Luther: Out of the Depths for Contrabassoon & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.47 €
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.47 €
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Martin Luther
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James M
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Luther: Out of the Depths for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bandkraft 1
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.887517 Composed by Giuseppe Verdi, Gordon Jacob, John Golland, and Michael Ball. Arranged by Gordon Jacob, Harry Mortimer (editor), John Golland, Michael Ball, and Roy Newsome. Standards. Brass Band. 154 pages. Forsyth Brothers Ltd #3486125. Published by Forsyth Brothers Ltd (A0.887517). A great value set of FIVE original compositions/arrangements by prominent 20th Century British big band arrangers John Golland, Gordon Jacob, Roy Newsome and Michael Ball, and edited by Harry Mortimer.The Bandkraft series is a collection of superb arrangements and original compositions (actually gems) for brass band that is challenging and enjoyable for polished performers, while within the grasp of players of more limited technique. The flexible nature of the arrangements means that the pieces can also be played successfully when not every part is present.Includes:1. Bandkraft – John GollandA substantial piece with an exciting syncopated rhythm introduced in the opening bars and referred to throughout in a fanfare-like manner, to which a hint of dissonance adds extra thrill to the sound.2. Saraband – Gordon JacobA stately Elizabethan dance of great beauty that utilises modal harmony in Jacob’s characteristic style. Constant speed, full note values and careful playing will achieve a beautiful, delicate effect.3. La Donna E Mobile – Verdi, arr. Roy NewsomeAn amusing arrangement of a popular favourite by a conductor and adjudicator of international acclaim. Easy and enjoyable to play and to listen to.4. Spike’s Rag – Michael BallA skilfully written piece in the true tradition of Scott Joplin, with the ragtime rhythms the backdrop to an unfolding conversation between the sections of the band. Really persuasive entertainment.5. National Anthem (British) – arr. John GollandA simple first verse setting the scene for the colourful and majestic second, utilising chromatic harmonies and an optional tenor counter melody for added splendour.Instrumentation:Soprano CornetCornet 1Cornet 2/FlugelCornet 3Horn 1Horn 2Horn 3Baritone 1/Trombone 1Baritone 2/Trombone 2Bass TromboneEuphoniumE Flat BassB Flat BassPercussionFull score (including two stave reduction)All BandKraft titles assume a reasonable level of competence on each instrument (approx. Grade 3 - 4), and are a suitable challenge for the more advanced youth band.
$19.99
18 €
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Giuseppe Verdi, Gordon Jacob, John Golland, and Michael Ball
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Bandkraft 1
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Forsyth Brothers Ltd
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SheetMusicPlus
TIME 1
Guitar - Digital Download SKU: A0.1066704 Composed by THEMIS KOUTRAS. Christian,Gos…
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Guitar - Digital Download SKU: A0.1066704 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 181. THEMIS KOUTRAS #5032333. Published by THEMIS KOUTRAS (A0.1066704). THIS song is called time and it is about time and space
$3.99
3.59 €
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THEMIS KOUTRAS
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TIME 1
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THEMIS KOUTRAS
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SheetMusicPlus
Kosmos Place 1
Guitar - Digital Download SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gos…
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Guitar - Digital Download SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 324. THEMIS KOUTRAS #5196707. Published by THEMIS KOUTRAS (A0.1066774). This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declaring these new worlds will then be part of planet earth the space mission today has the ability power to do this and I believe one day they will do this it has a final meaning that the space ships will mean we will travel without technology it is that the nick name space ship is given by me for the name of the holy spirit because his beyond all-powerful I know in parable because he will ascend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back here the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always
$3.99
3.59 €
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THEMIS KOUTRAS
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Kosmos Place 1
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THEMIS KOUTRAS
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SheetMusicPlus
1. Symphonie
3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 …
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3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 · 3 · 3 · 1 – P. S. (Trgl. · 2 Gongs· Gl. · Beck. · Tomt. · Rührtr. · kl. Tr. · gr. Tr. · Vibr.) (4 Spieler) – Cel. · Klav. · Hfe. – Str. altovoice and orchestra - Digital Download SKU: S9.Q2283 Versuch eines Requiems. Composed by Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 35 minutes. Schott Music - Digital #Q2283. Published by Schott Music - Digital (S9.Q2283). English.Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. - Hans Werner Henze, in: Hartmann: Kleine Schriften.
$33.99
30.61 €
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Karl Amadeus Hartmann
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1. Symphonie
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Schott Music - Digital
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SheetMusicPlus
Christmas Time Is Here
Bells Solo,Glockenspiel - Level 1 - Digital Download SKU: A0.1315980 Composed by Le…
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Bells Solo,Glockenspiel - Level 1 - Digital Download SKU: A0.1315980 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904516. Published by Rodrigo Faleiros (A0.1315980). Embrace the enchantment of the holiday season with our special glockenspiel solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for glockenspiel players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Immerse yourself in the warmth and nostalgia of this classic melody with your glockenspiel. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.49 €
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Christmas Time Is Here
Bells Solo,Glockenspiel - Level 1 - Digital Download SKU: A0.1315737 Composed by Le…
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Bells Solo,Glockenspiel - Level 1 - Digital Download SKU: A0.1315737 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904480. Published by Rodrigo Faleiros (A0.1315737). Embrace the enchantment of the holiday season with our special glockenspiel solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for glockenspiel players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Chord symbols: The sheet music includes chord symbols, allowing for harmonic creativity and festive musicality by another musician. Immerse yourself in the warmth and nostalgia of this classic melody with your glockenspiel. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.49 €
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
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