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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time Passages
Sheetmusicplus
Non classifié
111
Piano & claviers
Piano seul
115
Piano Facile
16
Piano, Voix
5
Piano, Voix et Guitare
4
1 Piano, 4 mains
4
Orgue
4
Instruments en Do
3
2 Pianos, 4 mains
1
Ensemble d'Accordéons
1
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
17
2 Guitares (duo)
3
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
Voix
Chorale SATB
46
Voix Soprano, Piano
8
Chorale 3 parties
7
Chorale SSAA
3
Voix Alto, Piano
2
Chorale SSAB, Piano
2
Chorale Unison
2
Chorale TTBB
2
Voix haute
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix duo, Piano
1
+ 7 instrumentations
Retracter
Vents
2 Saxophones (duo)
34
Saxophone, Clarinette (duo)
19
2 Clarinettes (duo)
15
2 Flûtes traversières (duo)
14
Clarinette, Violon (duo)
13
Flûte traversière et Piano
12
Clarinette
11
Clarinette, Trompette (duo)
11
2 Hautbois (duo)
8
Flûte, Violon
8
Flûte traversière
8
Hautbois, Clarinette (duo)
8
Flûte, Alto (duo)
7
Saxophone Alto
7
Saxophone Tenor
7
Hautbois, Basson (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Hautbois, Flûte
7
Quatuor de Saxophones: 4 saxophones
7
Hautbois, Piano (duo)
6
Flûte, Saxophone (duo)
6
Quintette de Saxophone: 5 saxophones
6
Saxophone Alto et Piano
5
Ensemble de Clarinettes
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette et Alto
5
Clarinette et Piano
5
Flûte, Clarinette (duo)
4
Flûte, Trompette (duo)
4
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble à vent
1
Ensemble de saxophones
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Flûtes
1
Clarinette, Basson (duo)
1
+ 38 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
14
2 Trompettes (duo)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone
8
Trompette, Trombone (duo)
7
Trombone et Piano
7
2 Trombones (duo)
7
Trompette
7
Cor
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
4
Tuba
4
Cor et Piano
4
Tuba et Piano
2
Trompette (partie séparée)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Tuba (duo)
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
19
Harpe
17
Violon
15
Violoncelle, Piano
11
Trio à Cordes: violon, alto, violoncelle
10
Violon, Violoncelle (duo)
10
2 Violons (duo)
8
Alto, Piano
7
Violon, Alto (duo)
6
2 Altos (duo)
6
Alto seul
5
2 Violoncelles (duo)
5
Violoncelle
4
Contre Basse
4
Contrebasse, Piano (duo)
2
4 Violoncelles
1
Harpe, Flûte (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
89
Orchestre à Cordes
35
Orchestre
11
Cloches
7
Ensemble Jazz
7
Ensemble de cuivres
5
Orchestre de chambre
5
Ensemble de Percussions
4
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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Vous avez sélectionné:
Time Passages
SheetMusicPlus
Partitions à imprimer
111 partitions trouvées
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101
Lyric Passages
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Contemporain
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Jay Vosk
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Lyric Passages
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Jay Vosk
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 4 - SKU: A0.837000 Composed by Jay Vosk. Contemporary. Score and parts. 5 pages. Jay Vosk #2025045. Publi...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 4 - SKU: A0.837000 Composed by Jay Vosk. Contemporary. Score and parts. 5 pages. Jay Vosk #2025045. Published by Jay Vosk (A0.837000). Lyric Passages is a work in four brief movements. The movements alternate in mood between introspective and playful. A common thread throughout the piece is a lyric section in whole or part of each movement. The first movement was conceived as an ‘aria’ for the oboe. At times the melody is shared by the other instruments in the ensemble. The second movement is more of a showpiece to display the technical prowess of the oboist. In the third movement, I intended to create music which is more atmospheric and coloristic in nature, while in the final movement, a playful scherzo concludes with a bit of bravura on the part of the oboist. Lyric Passages was composed in 2010 and premiered in 2011 at an IDRS conference at Arizona State University.
$19.99
Walking-Time
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Krysztof Zgraja
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Walking-Time
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
4 flutes - intermediate - SKU: S9.Q47036 Suite. Composed by Krysztof Zgraja. This edition: score and parts. Downloadable, Score and parts. Durati...
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4 flutes - intermediate - SKU: S9.Q47036 Suite. Composed by Krysztof Zgraja. This edition: score and parts. Downloadable, Score and parts. Duration 14' 30. Musikverlag Zimmermann - Digital #Q47036. Published by Musikverlag Zimmermann - Digital (S9.Q47036). German • English • French.Johann Sebastian Bach's Suite in B minor for flute, strings and basso continuo is a very popular work, not only among flutists. The composer's main aim when composing this suite was to link the historic roots of the suite with current trends, movements and shapes. Walking time deliberately contains obvious musical associations with Bach's work and therefore borrows passages from it. The suite is an excellent opportunity for any flute ensemble to reveal new facets within the framework of a contemporary, individual interpretation.
$16.99
[Suskind] Passages (Chamber)
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Contemporain
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Joyce Suskind
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[Suskind] Passages
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American Composers Alliance Inc.
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SheetMusicPlus
Small Ensemble Cello,Clarinet,High Voice,Piano Accompaniment - SKU: A0.952700 Composed by Joyce Suskind. Contemporary. Score and parts. 82 pages. Americ...
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Small Ensemble Cello,Clarinet,High Voice,Piano Accompaniment - SKU: A0.952700 Composed by Joyce Suskind. Contemporary. Score and parts. 82 pages. American Composers Alliance Inc. #4614257. Published by American Composers Alliance Inc. (A0.952700). An arrangement of seven-song cycle for high voice, piano, clarinet, and cello. Includes: To a Child Dancing in The Wind (William Butler Yeats), Forgetfulness (Hart Crane), Brown Penny (William Butler Yeats), A Prayer for Old Age (William Butler Yeats), Men Improve with the Years (William Butler Yeats), Time Does Not Bring Relief (Edna St. Vincent Millay), Hurrahing in Harvest )Gerard Manley Hopkins). PDF download includes score and parts.
$24.95
Latino Lunchtime!
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Colin G Dance
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Latino Lunchtime!
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Dance is With Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1108429 Composed by Colin G Dance. 20th Century,Contemporary,Latin. Brass Band. 62 pages. Dance is With Music #711071. Published by Dance is With Music (A0.1108429). This a Latin Amercian-style piece written after inspiration from Gloria Estefan’s band the Miami Sound Machine – who are brilliant! It has some tricky rhythms which will sit nicely once bands get used to it, and there are solo passages for different sections of the band in a ‘fugue like’ section in the centre of the piece. I've completely reworked this piece here in 2022.
$50.00
Asiago
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Bertold Hummel
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Asiago
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Schott Music - Digital
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SheetMusicPlus
Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraph...
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Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraphon percussion and cello - difficult - SKU: S9.Q6118 For Percussion and Violoncello. Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 107 b. Duration 16 minutes. Schott Music - Digital #Q6118. Published by Schott Music - Digital (S9.Q6118). In summer 2001, Bertold Hummel composed the present work as a commission for the Asiago Festival and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works.Asiago is an effective examination of the wide range of possible tonal combinations between percussion instruments and the mystic and sensuous colouring of the violoncello, in which the string instrument is at times treated percussively and the percussion instruments in the manner of a string instrument. Furious rhythms alternate with meditative passages and choral fragments culminate in a large-scale cadenza in which the instrumentalists have the opportunity of free improvisation on the basis of specified models.
$19.99
Glorious Hill
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Gavin Bryars
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Glorious Hill
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Schott Music - Digital
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SheetMusicPlus
4 male voices (CtenTTBar) - SKU: S9.Q19219 For four male voices. Composed by Gavin Bryars. This edition: score. Downloadable, Score. Duration 15 ...
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4 male voices (CtenTTBar) - SKU: S9.Q19219 For four male voices. Composed by Gavin Bryars. This edition: score. Downloadable, Score. Duration 15 minutes. Schott Music - Digital #Q19219. Published by Schott Music - Digital (S9.Q19219). Latin.Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. Gavin Bryars.
$6.99
Stabat Mater - string ensemble parts
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Contemporain
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. ...
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Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
Für Elise, for Descant or Soprano Recorder and Piano
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Classique
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Descant or
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 3 - SKU: A0.587568 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical...
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Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 3 - SKU: A0.587568 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Instructional,Romantic Period,Standards. Individual part. 8 pages. David McKeown #4361587. Published by David McKeown (A0.587568). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Descant or Soprano Recorder with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
For I Am the Bread of Life [Tubular Bells]
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Cher & Gene Klosner
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Gene Klosner
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For I Am the Bread of Life [Tu
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Cher & Gene Klosner
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SheetMusicPlus
Instrumental Solo,Tubular Bells - Level 1 - SKU: A0.1315696 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Pra...
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Instrumental Solo,Tubular Bells - Level 1 - SKU: A0.1315696 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Easter,Lent,Praise & Worship,Rock. Individual part. 2 pages. Cher & Gene Klosner #904440. Published by Cher & Gene Klosner (A0.1315696). As featured on Cher & Gene Klosner's Whatever Is True (Whatever Is Lovely) NPM (National Association of Pastoral Ministers) Lunchtime Concert, which can be found at the attached YouTube link (about 26 minutes in).Use for any opening/closing or Communion, especially for:Lent 3A, 4B, 5AEaster 2ABC, 4C, 5AB, 6B, 7ACPentecost VigilTrinity ABody & Blood ABCOrdinary Time 15C, 17-21B, 21C, 31C, 32C, 33ASeptember 14: Exaltation of the Holy CrossNovember 2: All Souls’ DayThemes:Communion/Eucharist/Bread of Life/Raising Us Up/Eternal Life/Hunger & Thirst/Living Water/I am the Resurrection and the Life/The Way, the Truth, the Life/God's Voice/Calling/Word of God/Belief/Spirit and Life/Remain in GodScriptural Passages:Jn 4:14; Jn 5:24-29; Jn 6:29-63; Jn 7:37-38; Jn 11:25-26; Jn 14:6, 19-21; Jn 15:4.This PDF contains the following versions: - Tubular Bells part w/Tenor Lead...with descriptions and tips for the director and musiciansFull song available separately in Lead Sheet and PGV formats and Full Octavo Package.Parts also available for clarinets (or similar instruments).Also available as Reprise version (slow/meditative).www.facebook.com/ltfmusicwww.LTFMusic.comhttps://www.youtube.com/LighttheFireMusicKlosner.
$1.99
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 1 in C
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Thomas Graf
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Instrumentation:
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Small Ensemble Flute,Trumpet,Violin - Level 3 - SKU: A0.568665 Arranged by Thomas Graf. Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-fac...
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Small Ensemble Flute,Trumpet,Violin - Level 3 - SKU: A0.568665 Arranged by Thomas Graf. Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038941. Published by Thomas Graf - the-hit-factory.com (A0.568665). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part 1 Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 1 in C High
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Classique
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Thomas Graf
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Instrumentation:
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Large Ensemble Flute,Violin - Level 3 - SKU: A0.568666 Arranged by Thomas Graf. Classical. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com ...
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Large Ensemble Flute,Violin - Level 3 - SKU: A0.568666 Arranged by Thomas Graf. Classical. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038943. Published by Thomas Graf - the-hit-factory.com (A0.568666). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw.
$3.99
German Spring Song Collection - 5 Concert Pieces - Flute Quintet
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Traditional
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Thomas Graf
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Instrumentation:
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.568803 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,Romantic Period,...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.568803 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,Romantic Period,World. 93 pages. Thomas Graf - the-hit-factory.com #3360469. Published by Thomas Graf - the-hit-factory.com (A0.568803). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - 10 pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Flute 1/2/3 - Flute 3/4 ( Alto ) - Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/oa9BZk9-RnI .
$29.99
O Christmas Tree, (O Tannenbaum), Jazz style, for Trumpet and Tenor Horn Duet
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Musique Sacrée
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trumpet - Level 3 - SKU: A0.594322 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise &...
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Instrumental Duet Instrumental Duet,Trumpet - Level 3 - SKU: A0.594322 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6574689. Published by David McKeown (A0.594322). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
O Christmas Tree, (O Tannenbaum), Jazz style, for Oboe and Violin Duet
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Musique Sacrée
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.594312 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Prai...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.594312 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6574665. Published by David McKeown (A0.594312). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
O Christmas Tree, (O Tannenbaum), Jazz style, for Oboe and Cor Anglais Duet
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Musique Sacrée
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.594311 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jaz...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.594311 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6574663. Published by David McKeown (A0.594311). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Debussy: Children's Corner No.2 "Jimbo's Lullaby" - symphonic wind
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Children's Corner No.
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.553924 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Children,Instructional,Romantic Period. Sco...
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Large Ensemble - Level 3 - SKU: A0.553924 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Children,Instructional,Romantic Period. Score and parts. 18 pages. RayThompsonMusic #6167431. Published by RayThompsonMusic (A0.553924). Children's Corner, L. 113, is a six-movement suite for solo piano by Claude Debussy. It was published by Durand in 1908, and was first performed by Harold Bauer in Paris on 18 December that year. In 1911, an orchestration by André Caplet was premiered and subsequently published.This is the 2nd piece in Debussy's Children's Corner.- Jimbo's Lullaby. This work describes an elephant, Jumbo, who came from the French Sudan and lived briefly in the Jardin des Plantes in Paris around the time of Debussy's birth. Debussy quotes the French lullaby Do, do, l'enfant do, several times in the course of the piece.It is a beautiful lullaby with some dark moments and whole-tone passages in the middle.Called Jumbo's Lullaby on Caplet's Orchestration.Arranged double wind quintet/bass.This piece features the double bass
$14.95
Good King Wenceslas, Jazz Style, for Trumpet and Tenor Horn Duet
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Musique Sacrée
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Styl
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.594081 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Pra...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.594081 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537273. Published by David McKeown (A0.594081). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Paganini Jazz
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Fazil Say
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Andreas N
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Paganini Jazz
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Schott Music - Digital
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SheetMusicPlus
Violin, piano, E-bass or double bass and percussion - SKU: S9.Q50392 Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fa...
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Violin, piano, E-bass or double bass and percussion - SKU: S9.Q50392 Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fazil Say. Arranged by Andreas N. Tarkmann. This edition: score and parts. Jazz - piano - contemporary music. Downloadable, Score and parts. Op. 5c. Duration 8 minutes. Schott Music - Digital #Q50392. Published by Schott Music - Digital (S9.Q50392). Key: A minor.The concert piece Paganini Jazz by Fazıl Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio, transforming it into variations on jazz requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say.
$24.99
Good King Wenceslas, Jazz Style, for Oboe and Violin Duet
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Musique Sacrée
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Styl
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.594071 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & W...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.594071 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537253. Published by David McKeown (A0.594071). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Good King Wenceslas, Jazz Style, for Oboe and Cor Anglais (or English Horn) Duet
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Musique Sacrée
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Styl
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.594070 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Prai...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.594070 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537251. Published by David McKeown (A0.594070). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Silent Durations XLa (a Zen experience)
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Contemporain
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Drake Mabry
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Silent Durations XLa
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Drake Mabry
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Viola - Level 3 - SKU: A0.799503 Composed by Drake Mabry. Contemporary. Score and parts. 9 pages. Drake Mabry #3531327. Pu...
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Small Ensemble Cello,Clarinet,Viola - Level 3 - SKU: A0.799503 Composed by Drake Mabry. Contemporary. Score and parts. 9 pages. Drake Mabry #3531327. Published by Drake Mabry (A0.799503). Silent Durations XLa (a Zen experience) features the warm and friendly tone colors of the clarinet, viola and cello. The work celebrates the intimacy of a kind of chamber music that draws its expression on virtually equal amounts of silence and sound. Sometimes as a trio, other times as a duet and there are several solo passages. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. This one-movement work explores the various combination of tone colors and musical expressions available with this ensemble. The duration is 8'20.
$5.99
Ubi caritas
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Enjott Schneider
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Ubi caritas
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSAATB) a cappella - advanced - SKU: S9.Q46312 Composed by Enjott Schneider. This edition: choral score. Schott Choral Music. Downloadable,...
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Mixed choir (SSAATB) a cappella - advanced - SKU: S9.Q46312 Composed by Enjott Schneider. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 4:30. Schott Music - Digital #Q46312. Published by Schott Music - Digital (S9.Q46312). Latin.The extremely compositional versatility of Enjott Schneider is evident even in the small(est) form of choral music. In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixed a cappella choir (SSAATB), the award-winning composer combines various musical elements like freely created Gregorian near-quotations, unison passages, sounds of fifths and colourful harmonies, frequent changes of time, as well as meticulously graded dynamic levels into a harmonious whole. Imbued with calmness and sensuality, the church music composition is based on the text of a Latin antiphon from the Maundy Thursday liturgy. According to the composer, these anonymous verses represent for him the central statement of Christian faith: Ubi Caritas – Where there is love, there is God!In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixed a cappella choir (SSAATB), Enjott Schneider combines various musical elements like freely created Gregorian near-quotations, unison passages, sounds of fifths and colourful harmonies, frequent changes of time, as well as meticulously graded dynamic levels into a harmonious whole. According to the composer, the text represents for him the central statement of Christian faith: Ubi Caritas – Where there is love, there is God!
$4.99
Lyric variances for Horn ans String Trio
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Contemporain
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Jay Vosk
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Lyric variances for Horn ans S
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Jay Vosk
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SheetMusicPlus
Small Ensemble Cello,Horn,Viola,Violin - Level 4 - SKU: A0.837017 Composed by Jay Vosk. Contemporary. Score and parts. 23 pages. Jay Vosk #33383. Publis...
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Small Ensemble Cello,Horn,Viola,Violin - Level 4 - SKU: A0.837017 Composed by Jay Vosk. Contemporary. Score and parts. 23 pages. Jay Vosk #33383. Published by Jay Vosk (A0.837017). Lyric Variances is an effective work written in such a way as to not require a great deal of preparation time. Its a perfect for a student, graduate or evan faculty recital. Formally,the work is a series of musical segments for horn and string trio. Each of the segments have some relationship to the opening ‘theme’. In some instances traditional variations appear. At other points, the music isn’t a variation in the true sense but a section of music that seems to compliment the theme. Lyric Variances is a companion piece to my Lyric Passages for Oboe and String Trio which was performed at an International Double Reed Society Conference in 2010. Lyric Passages and Lyric Variances are both works which are tonal and accessible.
$15.99
Eve’s Diary
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David Leisner
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Eve’s Diary
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and voice - Intermediate - SKU: ZY.DO-1538 Composed by David Leisner. Score. 23 pages. Les Editions Doberman-Yppan (digital) #DO 1538. Published ...
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Guitar and voice - Intermediate - SKU: ZY.DO-1538 Composed by David Leisner. Score. 23 pages. Les Editions Doberman-Yppan (digital) #DO 1538. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1538). When guitarist John Olson and soprano Gioia De Cari commissioned me to write a piece for them, I envi- sioned writing something theatrical that might especially suit Gioia, who is both a singer and an actress. Eventually, I thought of Mark Twain. The great American writer and humorist of substance wrote a short, little-known book called The Diary of Adam and Eve, which is, of course, about the first days of human life on this earth, in Twain’s witty, but touching take on the Bible story. Adam and Eve each write diary entries. I chose several passages from Eve’s diary that convey the sense of constant wonder that she felt because absolutely everything in her world was new.Setting prose, rather than poetry, is a challenge for a composer because it has neither the innate rhythm nor the lyricism of poetry. On some intuitive level, this challenge led me to a process that allowed the music to evolve mostly from the guitar part. Whereas normally the vocal melody might emerge first, motivated by the text and with the accompaniment then added for support, here the guitar part was the prime mover. An example of this is the last song, which is a passacaglia played by the guitar, providing the ground over which the vocal line can soar. Eve’s Diary was composed in 2015.Lorsque le guitariste John Olson et la soprano Gioia De Cari m'ont commandé une pièce pour eux, j'ai imaginé écrire quelque chose de théâtral qui pourrait particulièrement convenir à Gioia, qui est à la fois chanteuse et actrice. Finalement, j'ai pensé à Mark Twain. Le grand écrivain et humoriste américain a écrit un petit livre peu connu intitulé Le Journal d'Adam et Ève, qui raconte les premiers jours de la vie humaine sur terre selon l'interprétation spirituelle et espiègle de Twain de l'histoire biblique. Adam et Ève tiennent chacun un journal. J'ai choisi plusieurs passages du journal d'Ève qui expriment ce sentiment d'émerveillement constant qu'elle ressentait, car absolument tout dans son monde était nouveau.Mettre en musique de la prose, plutôt que de la poésie, est un défi pour un compositeur car elle n'a ni le rythme inné ni le lyrisme de la poésie. Intuitivement, ce défi m'a conduit à un processus qui a permis à la musique d'évoluer principalement à partir de la partie de guitare. Alors que normalement la mélodie vocale pourrait émerger en premier, motivée par le texte et avec l'accompagnement ajouté ensuite pour le soutien, ici la partie de guitare était le moteur principal. Un exemple en est la dernière chanson, qui est une passacaille jouée à la guitare, fournissant le fond sur lequel la ligne vocale peut s'élever. Le Journal d'Ève a été composé en 2015.
$10.95
Tristan und Isolde
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Classique
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
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