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Vous avez sélectionné:
Times Five Piano Solo
Partitions à imprimer
13 partitions trouvées
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Times Five Inst. Solo Score
Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.877820 Composed by Deborah J…
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Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.877820 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. 23 pages. Deborah Johnson #33177. Published by Deborah Johnson (A0.877820). Times Five instrumental solo score, written for a C instrument, violin, flute or other, offers a captivating and melodious solo skillfully arranged at a medium intermediate level. Featured in the Wayfarer’s Journey album by Deborah Johnson, this composition introduces new classically-inspired piano and instrumental solos. Reminiscent of a Bartók composition, Times Five evokes a similar musical ambiance, showcasing an intricate and dynamic melody. Tailored for special occasions and events, Times Five instrumental solo score includes a total of 23 pages, including score, separate parts and cover. Parts include: Instrumental (flute) solo; Instrumental (flute) bkg; Vocal bks (1-3 part male); Piano accompaniment. Piano accompaniment includes guitar chords. It’s characterized by its unique 5/4 time signature, belonging to the quintuple meter—rare in European concert music before the 20th century but more prevalent in various world cultures. The 5/4 time signature of Times Five embodies a division of beats as 3+2, creating a distinctive rhythmic pattern (1-2-3,1-2, with accents on the 1), characteristic of compound meters. Understanding and identifying this metrical pattern within the bars enriches the appreciation of the piece's rhythmic complexity. This unique time signature adds depth and richness to the composition, offering a captivating musical experience ideal for diverse special occasions. Spotify link for MP3 download with flute solo: https://open.spotify.com/track/4zZYeTb7O5ir5jm7ZkAC3Y Also available is the instrumental solo score version with parts, the piano solo version and full book of piano solos from Wayfarer’s Journey. Album released June 1, signed copies at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99
6.36 €
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Deborah Johnson
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Instrumental (flute) bkg
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Times Five Inst. Solo Score
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Deborah Johnson
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SheetMusicPlus
Sonata in D minor for piano (without structure)
Piano Solo (4-Part) - Level 3 - Digital Download SKU: A0.516276 Composed by Santino…
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Piano Solo (4-Part) - Level 3 - Digital Download SKU: A0.516276 Composed by Santino Cara. Romantic Period. Score. 65 pages. Santino Cara #2007865. Published by Santino Cara (A0.516276). There are five pieces not included in other works, and I have gathered to five times to form a sonata.
$8.50
7.74 €
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Santino Cara
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Sonata in D minor for piano
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Santino Cara
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SheetMusicPlus
Times Five Piano Solo Score
Composed by Deborah Johnson. Contemporary Classical, Movies, World, Recital, New Age. Scor…
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Composed by Deborah Johnson. Contemporary Classical, Movies, World, Recital, New Age. Score, Set of Parts. 23 pages. Published by DJWorks Music (S0.58733). - Score,Set of Parts - Contemporary Classical,Movies,World,Recital,New Age - DJWorks Music
$6.99
6.36 €
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Deborah Johnson
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Times Five Piano Solo Score
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DJWorks Music
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SheetMusicPlus
Piano Quartet (2019) for violin, viola, cello and piano
String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.869600
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String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.869600 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 34 pages. Thomas Oboe Lee #4639473. Published by Thomas Oboe Lee (A0.869600). Sally Pinkas and I go way back!!! She has performed my music on many occasions, both as soloist and in chamber music settings. She and her husband Evan Hirsch recorded my Visconti-Sforza Tarot Cards, opus 66 (1996) on the Arsis label. I wrote Twenty-nine Fireflies Book V ... Four Pieces [xxvi-xxix] (2002) for them.Last year Sally as a member of the Schumann Ensemble asked me to write a trio for oboe, viola and piano. I gave them Parodia Schumanniana (2016) which they have performed quite a few times and then recorded it for my bandcamp page. This year Sally asked me to write a piano quartet for her and the Adaskin Trio. So I started it on April 11 and competed it on May 28th, 2019.Piano Quartet (2019) is in five movements. 1. Moderato2. Vivace3. Adagio4. Allegro vivace5. LargoAudio link: https://thomasoboelee.bandcamp.com/album/piano-quartet-2019YouTube link: https://youtu.be/3Uw7rJUj_rA
$9.99
9.1 €
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Thomas Oboe Lee
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Piano Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Allegories for Flute, Euphonium, and Piano
Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy B…
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Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.65 €
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Sy Brandon
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Allegories for Flute, Euphonium, and Piano
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Sy Brandon
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.17 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.17 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
It's Not Gonna Be That Easy
Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 2 - Digital Download SKU: A0.80944…
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Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 2 - Digital Download SKU: A0.809448 By Dan Seals. By Deborah Allen, Edward H. Ii Struzick, and Rafe G. Van Hoy. Arranged by Dan Seals. Contemporary. Score and parts. 12 pages. Unimusic Academy (Academia Unimusica) #6639253. Published by Unimusic Academy (Academia Unimusica) (A0.809448). Danny Wayland Seals (February 8, 1948 – March 25, 2009) was an American musician. The younger brother of Seals and Crofts member Jim Seals, he first gained fame as England Dan, one half of the soft rock duo England Dan & John Ford Coley, who charted nine pop singles between 1976 and 1980, including the No. 2 Billboard Hot 100 hit I'd Really Love to See You Tonight. After the duo disbanded, Seals began a solo career in country music. Throughout the 1980s and into the early 1990s, he released 16 studio albums and charted more than 20 singles on the country charts. Eleven of his singles reached number one: It's Not Gonna Be That Easy, Meet Me in Montana (with Marie Osmond), Bop (also a No. 42 pop hit), Everything That Glitters (Is Not Gold), You Still Move Me, I Will Be There, Three Time Loser, One Friend, Addicted, Big Wheels in the Moonlight, Love on Arrival, and Good Times. Five more of his singles also reached top ten on the same chart.
$8.00
7.28 €
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Dan Seals
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Dan Seals
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It's Not Gonna Be That Easy
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Unimusic Academy
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SheetMusicPlus
Comin' Home Baby
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download …
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1098659 By Michael Buble. By Benjamin Tucker and Robert Dorough. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Film/TV,Jazz,Pop,Standards. Score and parts. 12 pages. Uwe Roessler #702525. Published by Uwe Roessler (A0.1098659). Very effective arrangement for piano trio (violin, cello, piano) with optional violin2, and bass. The arrangement follows the „straight eights“ versions of Mel Tormé (hence the video link) and Michael Bublé. It is more in a groovy, souly, and funky R&B style, and can thus be played also by classical musicians who are not necessarily experienced in swing jazz. Theme appears first in the violin (two times), goes then to the cello. Then, there is a chorus with room for optional solos with ad lib repeats, but you can skip this part and go right back to the theme (unisono violin and cello). This arrangement works either way. Comes with full score, as well as individual parts for all five instruments. Minimal instrumentation: Violin1, Cello, piano. Have fun with my arrangements! And browse through my arrangements with other cover versions for piano trio, quartet, and quintet.
$20.00
18.21 €
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Michael Buble
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Comin' Home Baby
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Uwe Roessler
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SheetMusicPlus
On The Sunny Side Of The Street
Double Bass,Drums,Guitar,Piano,Trumpet - Level 5 - Digital Download SKU: A0.973272 …
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Double Bass,Drums,Guitar,Piano,Trumpet - Level 5 - Digital Download SKU: A0.973272 Composed by Jimmy McHugh. Arranged by David Leech. Contemporary. 67 pages. David Leech #4747745. Published by David Leech (A0.973272). This song, long a part of the Great American Songbook, was composed by McHugh and Fields in 1930 and has since become a jazz standard. Recorded numerous times by everybody from Louis Armstrong to Dave Brubeck, it was a big hit for Tommy Dorsey in 1945. This arrangement was inspired by the 1957 Dizzy Gillispie version from his album Sonny Side Up, featuring tenor giants Sonny Rollins and Sonny Stitt.Instrumentation is the standard big band: five saxes (a,a,t,t,b), five trumpets, four trombones, guitar, piano, bass & drums.The first tenor has a 32 bar ad lib solo on the second chorus.Brass parts are pretty high, particularly in the last 16 bars, where the first trumpet stays above the staff, going up to a high F#.
$47.50
43.25 €
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Jimmy McHugh
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David Leech
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drums
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On The Sunny Side Of The Street
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David Leech
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SheetMusicPlus
Bucolics
Ob. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM469 Composed by Charl…
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Ob. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM469 Composed by Charles Gaskell. Oboe and Piano. Score and part. 12 pages. Forton Music - Digital #FM469. Published by Forton Music - Digital (F2.FM469). ISBN 9790570483686.In classical times, Bucolics were a collection of pastoral poems, particularly those by Virgil. This piece attempts to show off the rustic and plaintive character of the oboe and evoke a pastoral arcadia. The piece is in ternary form, with a sprightly middle section in 12/8 in F major contrasting with a slower more wistful outer section in 3/4 in five flats. The piece starts with a long sinewy solo phrase for oboe alone, improvisatory in nature, which eventually settles on a high Ab, which the piano then supports with a single chord. Two more long solo oboe phrases follow, each gravitating to the same high Ab, each answered by a single piano chord that gradually becomes more dissonant, until the piece dissolves into the dance-like middle section, filled with wicked cross rhythms.
$7.95
7.24 €
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Charles Gaskell
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Bucolics
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Forton Music - Digital
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SheetMusicPlus
My Call
Small Ensemble Hand Percussion,Piano Accompaniment,Soprano Saxophone,Voice - Level 4 - Dig…
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Small Ensemble Hand Percussion,Piano Accompaniment,Soprano Saxophone,Voice - Level 4 - Digital Download SKU: A0.1006867 Composed by George Brandon. 20th Century,New Age,Spiritual. Score and parts. 5 pages. Blue Unity Music #2849771. Published by Blue Unity Music (A0.1006867). My Call is a chant for a variable ensemble which should include a reed instrument, voice, piano and metal percussion instruments. It is focused on a solo melody, - which is much like a Hindu mantra, - to which the other instruments respond with improvisations as they are brought in in sequence. The melody is played five times. The tempo is slow but free and the effect is meditative and hypnotic. Transposed melody parts have been provided for Bb and Eb instruments. .
$1.99
1.81 €
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George Brandon
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My Call
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Blue Unity Music
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SheetMusicPlus
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
Small Ensemble Violin - Digital Download SKU: A0.859957 Arranged by String Play for…
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Small Ensemble Violin - Digital Download SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #6096717. Published by String Play for All (A0.859957).  The five spirituals and dances are arrangements for multi-level violin ensemble of five movements from Samuel Coleridge-Taylor’s 24 Negro Melodies for solo piano. The five movements included are Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each movement contains a brief description as well as illustration. The violin parts include Advanced Violin, Violin I, Violin II, Violin Book 1, and Twinkle Violin. Since note reading and ensemble playing pose additional challenges, I have made the Twinkle Violin part quite basic, with an emphasis on open strings and basic rhythmic patterns. The Violin Book 1 part is more challenging, designed for players who have finished or about to finish Suzuki Violin School, Book 1. The Advanced Violin part occasionally extends to fifth position, while the Violin I part remains mainly in first Position, with only and occasional use of third position. Violin II remains in first position. The Advanced Violin part is optional. It may be omitted, replace the Violin I part, or both Advanced Violin and Violin I parts may be used, depending on the needs and level of your group. 6 of each part have been included. The entire suite totals 12 ½ minutes.
$16.50
15.02 €
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String Play for All
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5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
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String Play for All
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SheetMusicPlus
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