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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
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MANDOLINE
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OCARINA
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Times of Change
Sheetmusicplus
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146
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78
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20
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20
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11
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6
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2
1 Piano, 4 mains
2
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1
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Instruments en Do
1
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12
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10
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7
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Ukulele
1
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1
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34
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13
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5
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2
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2
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1
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1
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1
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25
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13
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12
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10
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10
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10
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9
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9
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8
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7
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6
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6
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5
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5
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5
Saxophone Soprano et Piano
5
Hautbois, Basson (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
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4
Clarinette, Guitare (duo)
4
Saxophone Alto et Piano
4
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3
Saxophone Baryton, Piano
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Ensemble de saxophones
2
Flûte traversière
2
Ensemble de Clarinettes
2
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2
Cor anglais, Piano
2
5 Flûtes à bec
1
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1
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1
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1
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1
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1
Flûte, Alto et Piano
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Saxophone et Orgue
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2 Flûte à bec (duo)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
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10
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8
2 Trompettes (duo)
6
2 Trombones (duo)
5
Trompette, Trombone (duo)
5
Trompette
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium, Piano (duo)
3
Trombone
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Cor et Piano
2
Tuba
1
Tuba (partie séparée)
1
Tuba et Piano
1
Quatuor de cuivres: 4 cors
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2 Euphoniums (duo)
1
Trompette (partie séparée)
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Trombone basse
1
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Harpe
23
Quatuor à cordes: 2 violons, alto, violoncelle
20
Alto, Piano
8
Violon et Piano
8
Violon, Violoncelle (duo)
7
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Violoncelle, Piano
4
2 Violons (duo)
4
2 Altos (duo)
4
Violon
2
Trio à Cordes: violon, alto, violoncelle
2
Piano Trio: Violon, Alto, Piano
1
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4 Violoncelles
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Violoncelle
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7
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Cloches
5
Jazz combo
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Piano et Orchestre
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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GUITARE LAP ST…
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Vous avez sélectionné:
Times of Change
SheetMusicPlus
Partitions à imprimer
146 partitions trouvées
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126
End of an Era
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Susan Brown
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End of an Era
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Susan Brown
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Br...
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String Ensemble - Level 2 - SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Brown (A0.1101781). 3 pieces for strings - a reflection of an unexpectedly fast changing world as witnessed since the beginning of this decade. Can be played as separate movements or flowing into each other. Passing opens with shock, disbelief and realisation that change has begun, followed by questioning why, and anger at at the loss of what was once a world understood to a feeling of being left behind. A feeling of the passing of time and lost youth gives way to self-pity and sadness. Anger follows, then resistance, then reflection on the speed of such change. Ultimately resignation. Looking back through the rose-tinted glasses of Reminiscing brings forth varied memories of times past and what hindsight deems to be 'those halcyon days'. Apprehensively Emerging into the new territory of change. Initially accepting the opportunities of it, then cautious and worried about the unknown to finally the knowledge that change will happen anyway - so just get on with it!
$15.00
A time of change for clarinet and classical guitar (mp3)
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András Csáki
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A time of change for clarinet
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506749 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506749 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 221. David Warin Solomons #1082120. Published by David Warin Solomons (A0.1506749). This is the first movement of the suite Times of ChangeIt is based on my setting for voice and guitar of the poem A time of change by Mark Haviland:Survivors of some strange social shipwreck we swim seperately to shore There to sit with heads in hands not speaking to each other any more We were a group a single body united in our purpose Now isolated helpless communication contact lost the fragments of some past mosaic whole now each a single coloured splinter without guidance or control The kaleidoscope is shaken the pattern disappears the fragments rearranging A new design appears we take on new identities abandonning the past Memories of our former ties are all that's left at last.
$5.00
Les Temps Changent (Times are changing) for rock guitar, big band and street percussions
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Jazz
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Rock
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Terry Carpenter
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Les Temps Changent
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Terry Carpenter
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Electric Guitar,Flute,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - SKU: A0.916210 Com...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Electric Guitar,Flute,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - SKU: A0.916210 Composed by Terry Carpenter. Jazz,Rock. Score and parts. 59 pages. Terry Carpenter #5792275. Published by Terry Carpenter (A0.916210). This instrumental was originally written for the B.O. of an action movie, the first sequence beginning in the french Champs Elysées. The movie was nevergot made but the music is here for you, in the style of Lalo Schiffrin. Rock it!
$14.99
Match Of The Day
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Barry Stoller
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Derek Hasted
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Match Of The Day
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.799274 Composed by Barry Stoller. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. ...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.799274 Composed by Barry Stoller. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5224117. Published by Derek Hasted (A0.799274). MATCH OF THE DAY THEME - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Both my adult ensemble groups have played this in concert and it’s a lot of fun! It's known to UK audiences as the theme music to the TV program Match Of The Day.This version includes the uplifting key-change in the middle of the piece and if the upper three parts play outside of first position, then it’s a simple two-fret shift and no change to the left hand fingering at all!The X-headed notes are golpé strokes - but on a Classical Guitar with no scratch-protection to the front, it’s best to tap the side-panel of the bridge with the side of the thumb - it gives a great drum sound and the wood is hard and won’t mark.The metronome mark ties in with the speed of the original, but if the fast sections are a little too cumbersome for Guitar One, simply drop the pace a little. Since most of the notes are the same length, it works at almost any speed.I hope you enjoy performing this!
$4.99
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
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Friedrich Silcher, Hill/Hill,
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Des McNutty
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A Pulchritudinous Posy of Plea
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Des Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNut...
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Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise. The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$5.99
Donauwellen Walzer (waves of the Danube) - tenor horn treble clef and piano
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Classique
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Joseph Ivanovici
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JCBmusic
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Donauwellen Walzer
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Rachel Brown
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SheetMusicPlus
Small Ensemble Piano,Tenor Horn - Level 1 - SKU: A0.954374 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Score and parts. 15 page...
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Small Ensemble Piano,Tenor Horn - Level 1 - SKU: A0.954374 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Score and parts. 15 pages. Rachel Brown #4320629. Published by Rachel Brown (A0.954374). This lovely waltz by Ivanovici makes an uplifting concert piece or addition to your music for weddings collection. A relatively easy piece and so can be enjoyed by a range of players. The piece is 7mins 30s with all repeats included and not too rushed. It is a tempo di valse and so should be held back especially on the last beat of each bar. Other instrument arrangements are available - please see my main SMP page by clicking the link in the following paragraph.A matching backing track is available here on SMP - please ensure you buy the backing track for your instrument as sometimes I have to change the key to fit the solo instrument. Find them on my SMP page here - https://www.sheetmusicplus.com/publishers/jcbmusic/5705Please inform me of public performances or any score issues at jayceebrownmusic@outlook.comEnjoy!
$5.15
The Twelve Days of Christmas - symphonic wind dectet/bass
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Noël
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Ray Thompson
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Ray Thompson
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The Twelve Days of Christmas -
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1322286 Composed by Ray Thompson. Arranged by Ray Thompson. 21st Century,Christmas. 25 ...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1322286 Composed by Ray Thompson. Arranged by Ray Thompson. 21st Century,Christmas. 25 pages. RayThompsonMusic #910631. Published by RayThompsonMusic (A0.1322286). An original composition based on the 12 Days of Christmas, for double wind quintet/bass.The Twelve Days of Christmas is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given to the speaker by their true love on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day).This is NOT a standard play through of all 12 verses.It could be a challenge for your audience to sing along to, I suggest you tell them not to try!I have added/removed/inserted bars of different length, changed the timing of entry for each new day, and generally had fun.I started the piece in the key of Bb, modulating through C, Db, D and ending in Eb!I have also added syncopation in parts. This gives the piece more interest both for the player and the listener!!The melody is carried by varying members of the dectet at different times.
$24.95
The Emotional Lives of Colors (for trumpet, piano, and percussion)
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
B-Flat Trumpet,Percussion,Piano - Level 5 - SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37...
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B-Flat Trumpet,Percussion,Piano - Level 5 - SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99
Faith of Our Fathers
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Musique Sacrée
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Frederick William Faber
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John Wernega
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Faith of Our Fathers
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John Wernega
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - SKU: A0.961479 Composed by Frederick William Faber. Arranged by John Wernega. Christian,Praise & Worship,Sacred. Scor...
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Brass Ensemble Trumpet - Level 3 - SKU: A0.961479 Composed by Frederick William Faber. Arranged by John Wernega. Christian,Praise & Worship,Sacred. Score and parts. 4 pages. John Wernega #6676943. Published by John Wernega (A0.961479). Audiences and congregations will love the tight harmonies in this arrangement. The first chorus is arranged in barbershop style, having the melody in the second voice. It has a classic barbershop-style introduction, building up tension as it progresses. There are fun key changes throughout, keeping it interesting. All four parts get to play the melody at times throughout the piece. This was arranged for four B flat or C trumpets, so there is no need for a bass trumpet to be able to play this beautiful arrangement. Make sure you check out the live premiere performance on YouTube.
$4.99
Coltrane Changes
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Jazz
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Corey Christiansen
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Coltrane Changes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate-Advanced - SKU: M0.20407MEB Applications of Advanced Jazz Harmony for Guitar. Composed by Corey Christiansen. Improvising, ...
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Guitar - Intermediate-Advanced - SKU: M0.20407MEB Applications of Advanced Jazz Harmony for Guitar. Composed by Corey Christiansen. Improvising, Lines & Phrases. Mel Bay's Private Lessons. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20407MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20407MEB). ISBN 9781619116429. 8.75x11.75 inches.John Coltrane's recording Giant Steps introduced a system of chord progressions and chord substitutions that has challenged even the best jazz musicians. The tri-tonic systems (sometimes referred to as Coltrane Changes) found in the tunes Giant Steps and Countdown is taught in a digestible way thoughout this method. Etudes show how to reharmonize standard ii-V-I changes with Coltrane Changes. The play-along audio will help students practice and master single-note lines over these chords in all 12 keys. Guitarists will appreciate the chord voicing suggestions. A must have for the serious jazz guitarist. Includes access to online audio.
$14.99
Presto (Mozart K522 - theme from The Horse Of The Year Show) - 3 guitars/large ensemble
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Classique
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Wolfgang Amadeus Mozart
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Derek Hasted
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Presto
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18 pages. Derek Hasted #678951. Published by Derek Hasted (A0.1074681). PRESTO (Mozart K522) The Horse Of The Year Show TV Theme - 3 GUITARS OR LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is part of the fourth movement - Presto - of Mozart’s K522 for string quartet and two horns. It’s commonly known as “A Musical Jokeâ€, though the correct translation is “Some Musical Funâ€. In the UK, a sanitised version with added drumbeat and electric bass was used as the TV theme music to “The Horse Of The Year Showâ€. My arrangement has just some of the thematic material of the original, yet still fills a music stand. An optional repeat extends the piece to a little over 3 minutes. Mozart intended the piece as a showcase of how NOT to write, and the Presto contains some extraordinary and modern-sounding key changes as well as some rather odd counterpoint. The original Presto finishes with an unexpected burst into 4 different keys, all sounding together after one of the longest build-ups to an ending you’ll ever hear. My setting for 3 guitars ends in 3 of the 4 keys that Mozart burst into. Most audiences would probably associate this with a catastrophic disaster, so I’ve included a second ending that stays in key for a nice happy ending! Rather than the isolated quavers (eighth notes) and rests, I’ve used staccato marks to make a version that is much easier to read yet has exactly the same articulation. I hope you enjoy this piece!
$2.99
Anew
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Jonathan P
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Anew
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Jonathan Kochik Music, LLC
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SheetMusicPlus
Euphonium,Low Brass Quartet,Tuba - Level 3 - SKU: A0.1451869 Composed by Jonathan P. Kochik (ASCAP). Chamber. 29 pages. Jonathan Kochik Music, LLC #1031...
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Euphonium,Low Brass Quartet,Tuba - Level 3 - SKU: A0.1451869 Composed by Jonathan P. Kochik (ASCAP). Chamber. 29 pages. Jonathan Kochik Music, LLC #1031179. Published by Jonathan Kochik Music, LLC (A0.1451869). Times of change are not always easy to go through in life. Maybe you have become comfortable with the way things are or, perhaps, you are so scared of change that just thinking about it gives you anxiety, but not all change is bad change. If we take a moment to observe the natural occurrences that take place around us every day – sunrises and sunsets, tides coming in and going out, the transformation of winter to spring – we can begin to see that change is a necessary part of growing and developing into who we. However, these moments in your life are not always easy ones. Anew explores the journey of someone experiencing a moment of great change in their life. What sort of emotions are they feeling? What thoughts are going through their head? As someone who has gone through a big shift in my career path, I wanted to compose a piece to help me process my emotions and organize the thoughts in my head on why I felt this change needed to happen. Having the motto “words fail music speaks,” I was inspired as a composer by way of ostinato rhythms, melodic extension, and juxtaposed musical styles to help unpack what words simply could not quantify.
$50.00
April, the grace and smile for clarinet and classical guitar (mp3)
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András Csáki
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April, the grace and smile for
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506753 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506753 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 102. David Warin Solomons #1082124. Published by David Warin Solomons (A0.1506753). This is the fifth movement of the suite Times of Change. It is based on my setting of my father's translation of a poem about the month of April by Rémi BelleauApril, the grace and smileThat all beguile,The tang and the sweet breath:Perfume of Gods on high,Who from the skyRelish the scent of earth.April, courteous and gentleWho from exileSummons the wanderers,The forkèd swifts that skimTheir way and seemOf Spring the messengers.May-flower and eglantine,And verdant thyme,Lilies and roses redAt this so beauteous tide,Growing in prideWith lovely raiment spread.(c) S N Solomons.
$5.00
An echo from the past for clarinet and classical guitar (mp3)
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András Csáki
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An echo from the past for clar
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506750 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506750 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 146. David Warin Solomons #1082121. Published by David Warin Solomons (A0.1506750). This is the third movement of the suite Times of Change - a longing for nostalgia or a nostalgic longing, that is the question!?
$5.00
Nuevo cielo (New Heaven), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Nuevo cielo
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.900406 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 4 pages. Gusta...
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Woodwind Ensemble - Level 3 - SKU: A0.900406 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 4 pages. Gustavo Fuentes #3637535. Published by Gustavo Fuentes (A0.900406). New Heaven. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Some things in this universe always remain the same while others are constantly changing. We are at the mercy of time and the changing seasons. Time is precisely what gives us perspective and helps us realize our reality is always evolving.Some changes are inevitable and we cannot do anything about them. They can be beautiful and fill our souls with joy and excitement or they can fill us with sorrow.But there are other types of changes which are fully up to us and that is what this song is about.There are times when we decide to make personal changes in order to go on a new journey and reimagine our heaven. A new heaven which will give us the strength and the courage to fight our fears and our demons. When we change our destiny and fight despite all setbacks, we become the warriors of our own battles. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Asà como en el universo existen cosas constantes y cosas en perpetuo cambio, nosotros también vivimos a merced del tiempo y sus estaciones. Es justamente el tiempo el que nos da la perspectiva de que nuestra realidad evoluciona.Algunos de esos cambios pueden ser externos a nuestra voluntad, inevitables. Pueden ser hermosos y llenarnos el alma de alegrÃa y emoción o envolvernos en tristeza y melancolÃa. Pero hay otros cambios que dependen de nosotros, y sobre ellos gira esta melodÃa.Hay momentos en que decidimos mudar nuestro ser y nuestra realidad para transitar un camino diferente, tiempos en los que queremos transformar nuestro cielo. Ese nuevo cielo por venir es el que nos da la fuerza y la valentÃa para luchar contra nuestros temores y fantasmas. Se trata de esas ocasiones en las que decidimos transformar nuestro destino y luchamos contra todas las adversidades. El tiempo en que somos guerreros de nuestras propias batallas.
$4.99
A Fresh Start
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Various
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Ajlan Akyüz
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A Fresh Start
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AjlanA
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SheetMusicPlus
Bassoon,Cello,Clarinet,Cymbals,Double Bass,Flute,Harp,Horn,Piano,Timpani,Trombone,Tuba,Vibraphone,Viola,Violin - Level 4 - SKU: A0.1419260 By Various. B...
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Bassoon,Cello,Clarinet,Cymbals,Double Bass,Flute,Harp,Horn,Piano,Timpani,Trombone,Tuba,Vibraphone,Viola,Violin - Level 4 - SKU: A0.1419260 By Various. By Christian Paul Bacon. Arranged by Ajlan Akyüz. 21st Century,Film/TV,Thriller. 25 pages. AjlanA #1000696. Published by AjlanA (A0.1419260). Inspired by the emotional and impactful atmosphere of the Bates Motel series, my arrangement of A Fresh Start offers listeners a memorable musical experience. This arrangement stays true to the original series' atmosphere and emotion.The flowing melodies and emotional depth of the piece aim to both relive unforgettable moments from the series and provide listeners with a new experience. In the current times, it may serve as an inspiring choice for anyone seeking new beginnings and hopeful times.I am delighted to share this arrangement of A Fresh Start with you and the music enthusiasts. I hope this music reminds listeners of the power of change and new beginnings, inspiring them along the way.
$24.99
Brightest and Best
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STAR IN THE EAST
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Dillon Ekle
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Brightest and Best
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Dillon Ekle
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.966751 Composed by STAR IN THE EAST (from The Southern Harmony). Arranged by Dillon Ekle. ...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.966751 Composed by STAR IN THE EAST (from The Southern Harmony). Arranged by Dillon Ekle. 20th Century,Christian,Christmas,Sacred. Score and parts. 9 pages. Dillon Ekle #3068529. Published by Dillon Ekle (A0.966751). Brightest and Best is an original piece based on the hymn tune STAR IN THE EAST (from The Southern Harmony), most commonly used with the text Brightest and Best of the Sons of the Morning. As such, the arrangement is well suited to use in the Christmas and Epiphany seasons. However, the tune's general appeal make it a great addition to worship in any season, as well as use in concert or recital settings.In addition to the main hymn melody, this piece is woven through with original counter melodies and rich harmonies. Through much of the piece, flowing, running 8th notes and rhythmic bass lines maintain motion beneath the soaring melody. The second verse slows down with a quarter note motif reminiscent of change-ringing bells, keeping an open and ethereal sound with building anticipation before the interlude melodies return in full force for the conclusion.Most of these features and ideas appear in both the secondo and primo parts in this 1-piano, 4-hands piece. Both parts are of similar difficulty, and because the melodies are found anywhere from the middle voices to the top voices, care is needed to keep the ensemble balanced at all times for a musical performance.A preview performance can be found here: https://www.youtube.com/watch?v=DnIo4rnHizUThe PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
I Wonder As I Wander
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Folklorique/Traditionel
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John Jacob Niles
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Donald A
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I Wonder As I Wander
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Donald A Mills
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Don...
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String Ensemble,String Quintet - Level 5 - SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Donald A Mills #3400179. Published by Donald A Mills (A0.928964). 2017 CHAMBER MUSIC CONTEST ENTRYI Wonder as I Wander is a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police. In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievably dirty and ragged, and she too was unwashed. Her ash-blond hair hung down in long skeins.... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material-and a magnificent idea. (In various accounts of this story, Niles hears between one and three lines of the song.) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas. His composition was completed on October 4, 1933. Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina. It was originally published in Songs of the Hill Folk in 1934.This arrangement of I Wonder As I Wander is a five-part string ensemble, revised 12.12.17. It was arranged specifically for the 2017 Chamber Music Contest on www.SheetMusicPlus.com. Used by permission.
$12.99
Deh Vieni Alla Finestra for Voice & 2 Guitars
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Classique
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Wolfgang Amadeus Mozart
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Simon James
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Deh Vieni Alla Finestra for Vo
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DML
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SheetMusicPlus
Guitar,Medium-Low Voice - Level 3 - SKU: A0.1205814 Composed by Wolfgang Amadeus Mozart. Arranged by Simon James. Chamber,Classical,Opera. 11 pages. DML...
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Guitar,Medium-Low Voice - Level 3 - SKU: A0.1205814 Composed by Wolfgang Amadeus Mozart. Arranged by Simon James. Chamber,Classical,Opera. 11 pages. DML #803997. Published by DML (A0.1205814). This charming serenade is taken from Mozart’s opera Don Giovanni. Although originally a type of madrigal by the 18th century the term Canzonetta came to mean a song for voice and accompaniment, usually in a light secular style. The Canzonetta appears at the beginning of Act 2 of Don Giovanni. Wanting to seduce Donna Elvira's maid, and believing that she will trust him better if he appears in lower-class clothes, Don Giovanni orders Leporello to exchange cloak and hat with him. Leporello, posing as Don Giovanni, leads Donna Elvira away to keep her occupied while Don Giovanni serenades her maid with his mandolin - Deh, vieni alla finestra – Ah, come to the window.The original instrumentation was for mandolin and pizzicato strings and so transfers to two guitars very well. I have dropped the key from D to C as otherwise the baritone part is rather high and the key change makes it more comfortable. The guitar parts are not difficult but do need a really good sense of ensemble. I have altered the chord voicings occasionally to better suit the guitar and sometimes changed octave for guitar 1 which is essentially the mandolin part.
$5.99
Yeshua Adonai
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Musique Sacrée
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James Orcutt
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Yeshua Adonai
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James Orcutt
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SheetMusicPlus
Large Ensemble Flute,Guitar,Hand Percussion,Harp,Horn,Piano Accompaniment,Voice - Level 2 - SKU: A0.1012213 Composed by James Orcutt. Christian,Jewish,P...
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Large Ensemble Flute,Guitar,Hand Percussion,Harp,Horn,Piano Accompaniment,Voice - Level 2 - SKU: A0.1012213 Composed by James Orcutt. Christian,Jewish,Praise & Worship,Sacred. Score and parts. 21 pages. James Orcutt #3860631. Published by James Orcutt (A0.1012213). Yeshua Adonai is a praise song for Christians and Hebrew Messianic alike. The piece is done in Finale 2012 and uses instruments that were from Biblical times (or as close as can be replicated by Finale). The lack of a recorded voice (a piano fills that line) leaves room for a soloist to sing, or, better still, the whole church family joins in. This is an interactive piece, so you will be clapping your hands, stomping your feet waving your arms and giving a hearty HEY as you worship the Lord Jesus Christ! The duration is circa 3:00 and there's 2 tempo changes. Jewish feasts were intended to be solemn and worshipful, yet joyous times of celebration also. Now that Yeshua is risen from the dead, focus on the joy this music will bring to each soul who sings or listens. Shalom !!! :).
$1.99
Mendelssohn: Wedding March for Viola & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
Mendelssohn: Wedding March for Oboe d'Amore & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
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