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TRI ET FILTRES
TRI ET FILTRES
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Vous avez sélectionné:
To You I Belong
Partitions à imprimer
19 partitions trouvées
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1
To You I Belong
Flute Solo,Piccolo - Level 4 - Digital Download SKU: A0.1218145 By B*Witched. By B*…
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Flute Solo,Piccolo - Level 4 - Digital Download SKU: A0.1218145 By B*Witched. By B*Witched. Arranged by David Lartey. Pop. Individual part. 1 pages. David Lartey #814657. Published by David Lartey (A0.1218145).
$6.35
5.81 €
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B*Witched
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David Lartey
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To You I Belong
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David Lartey
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SheetMusicPlus
Everyone Belongs - A Song for Harmony Day
Choir - Level 1 - Digital Download SKU: A0.1173882 Composed by Australian composer,…
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Choir - Level 1 - Digital Download SKU: A0.1173882 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Multicultural,World. Accompaniment. Duration 134. Rebecca Summers #774036. Published by Rebecca Summers (A0.1173882). Here's an easy 2-Part children's choir song to celebrate diversity with score available on this site. Verse 1No matter our ancestry we’re equally at homeWe know we’re not all the same and that’s what makes life beautifulIt’s all a big veneer that covers up what’s in hereGrab on to the net that holds us all together – can you feel it?ChorusEveryone belongs. Inside we’re the sameEveryone belongs. Come sing with meEveryone belongs. I’ll say it againYou and you and you Yeh!We all belong in this place.
$4.99
4.56 €
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Australian composer, Rebecca Summers
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Everyone Belongs - A Song for Harmony Day
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Rebecca Summers
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SheetMusicPlus
You Belong With Me
Guitar - Level 2 - Digital Download SKU: A0.1143111 By Taylor Swift. By Liz Rose an…
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Guitar - Level 2 - Digital Download SKU: A0.1143111 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Brian Streckfus. Country,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 4 pages. Brian Streckfus #743473. Published by Brian Streckfus (A0.1143111). People who want to train to be a better singer will like this version because you are constantly reminded of what the main vocal melody is. There is a lot of information on one treble clef so it is lead sheet style. This version is also meant to make the guitar work more complex but yet easier at the same time. It is still a work in progress and I am working on the bridge still.
$1.99
1.82 €
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Taylor Swift
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Brian Streckfus
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You Belong With Me
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Brian Streckfus
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SheetMusicPlus
You Are So Beautiful
Small Ensemble,Strings Alto Saxophone - Level 4 - Digital Download SKU: A0.1043322 …
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Small Ensemble,Strings Alto Saxophone - Level 4 - Digital Download SKU: A0.1043322 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 8 pages. Kevin Riley #648012. Published by Kevin Riley (A0.1043322). You Are So Beautiful is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single Struttin'. Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974. It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100 (Cocker's biggest hit on the pop chart was Up Where We Belong, a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1), and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis. Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered You Are So Beautiful. The song has also been featured in numerous movies, television shows, and ads.
$30.00
27.43 €
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Joe Cocker
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Kevin Riley
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You Are So Beautiful
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Kevin Riley
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SheetMusicPlus
You Are So Beautiful
Small Ensemble,Strings Oboe - Level 4 - Digital Download SKU: A0.1043310 By Joe Coc…
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Small Ensemble,Strings Oboe - Level 4 - Digital Download SKU: A0.1043310 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 8 pages. Kevin Riley #647999. Published by Kevin Riley (A0.1043310). You Are So Beautiful is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single Struttin'. Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974.It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100 (Cocker's biggest hit on the pop chart was Up Where We Belong, a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1) and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis.Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered You Are So Beautiful. The song has also been featured in numerous movies, television shows, and ads. This version is for String Quartet and Oboe.
$30.00
27.43 €
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Joe Cocker
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Kevin Riley
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You Are So Beautiful
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Kevin Riley
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.75 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.75 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Count Your Blessings
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1508982 By MRK Studio & Publ…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1508982 By MRK Studio & Publisher. By Edwin Excell. Arranged by Mikhail Rimsky-Korsakov. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 14 pages. MRK Studio #1084231. Published by MRK Studio (A0.1508982). Count Your Blessings is a beautiful song composed by Edwin Excell and words by Johnson Oatman Jr (1897) that reminds discouraged Christians of the grace they have been given. It is often easy to take a negative view of life, but when we remember the things we have been given, we cannot deny that we are blessed. The hymn proclaims that all power belongs to God, and that he desires to bless us. The lyrics for this hymn are related to several scripture passages: Psalm 40:5-6; Psalm 107:31; Ephesians 1:3; and 1 Thessalonians 5:18.This song was commissioned by a South African Baritone Soloist to be performed by a Baritone Soloists, Violin & Piano. All parts are included in the sale.My arrangements are custom made for any ensemble required and voiced specifically for their instrumentation. So, feel free to contact me should you require any music arranged for your ensemble. I voice it with the tonal colors of your instrumentation (keeping in mind the strong and weaker musicians) to bring the most out of your performance! The best part is, you get it right here from this music publisher for ease of mind! Enquire at: mikhailrimskykorsakov@gmail.com for Arrangements / Composition or Publishing requests.
$7.00
6.4 €
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MRK Studio & Publisher
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Mikhail Rimsky-Korsakov
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Psalm 107:31
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Count Your Blessings
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MRK Studio
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SheetMusicPlus
I Belong To You (+ Mon Coeur S'ouvre A Ta Voix)
Bass Clarinet,Bassoon,Cello,Drums,Flute,Harp,Horn,Oboe,Piano,Trombone,Trumpet,Viola,Violin…
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Bass Clarinet,Bassoon,Cello,Drums,Flute,Harp,Horn,Oboe,Piano,Trombone,Trumpet,Viola,Violin,Voice - Level 4 - Digital Download SKU: A0.1364270 By Muse. By Matthew Bellamy. Arranged by Jennifer Lindberg. Classical,Pop,Rock. 53 pages. Jennifer Lindberg #948571. Published by Jennifer Lindberg (A0.1364270). Arranged for a small chamber orchestra, consisting of: soprano and baritone voices, piano, harp, drums, flute, oboe, clarinet, bassoon, bass clarinet, horn, trumpet, trombone, violin, viola, and cello.
$24.99
22.85 €
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Muse
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Jennifer Lindberg
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I Belong To You
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Jennifer Lindberg
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SheetMusicPlus
Nebraska - My Heartland (CHORAL SCORE)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M.…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D. M. Gardner Music (A0.799663). CHORAL SCORE***FULL SCORE and INSTRUMENTAL PARTS SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
2.29 €
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Nebraska - My Heartland (INSTRUMENTAL PARTS)
Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gard…
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Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$75.00
68.57 €
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Nebraska - My Heartland (FULL SCORE)
Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by …
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Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$200.00
182.85 €
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
10.05 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Eleanor Rigby
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1421998 By The …
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1421998 By The Beatles. By John Lennon and Paul McCartney. Arranged by Julia Daintree. 20th Century,Contemporary,Pop. 5 pages. Julia Daintree #1003336. Published by Julia Daintree (A0.1421998). Flexible and engaging arrangement SSA, SAT, SABYouth Choirs, Community Choirs, School Choirs.Intro reappears before v3 which highlights loneliness again.Choirs have so much to say about and offer to the world as regards loneliness. Our choir really felt and performed this meaning of the song and it was a great opportunity to present our choir as a place where all can belong, hence the repeat of the last line at the end. Our choir enjoyed this so much, despite the serious message.I hope this arrangement can bring other choirs together as it did ours.Enjoy.
$1.99
1.82 €
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The Beatles
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Julia Daintree
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Eleanor Rigby
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Julia Daintree
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SheetMusicPlus
Eleanor Rigby
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407787 By The …
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407787 By The Bealtes. By John Lennon, Paul McCartney. Arranged by Julia Daintree. 20th Century,Contemporary,Film/TV,Pop. 5 pages. Julia Daintree #990412. Published by Julia Daintree (A0.1407787). Flexible and engaging arrangement SSA, SAT, SABYouth Choirs, Community Choirs, School Choirs.Intro reappears before v3 which highlights loneliness again.Choirs have so much to say about and offer to the world as regards loneliness. Our choir really felt and performed this meaning of the song and it was a great opportunity to present our choir as a place where all can belong, hence the repeat of the last line at the end. Our choir enjoyed this so much, despite the serious message.I hope this arrangement can bring other choirs together as it did ours.Enjoy.
$1.99
1.82 €
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The Bealtes
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Julia Daintree
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Eleanor Rigby
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Julia Daintree
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SheetMusicPlus
Mediterraneo - Score Only
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By J…
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Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
8.23 €
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Deck the halls - Christmas Carol - Polyphonic - Woodwind Ensemble
Woodwind Ensemble Bassoon,Clarinet,English Horn,Flute,Oboe - Digital Download SKU: A0.4…
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Woodwind Ensemble Bassoon,Clarinet,English Horn,Flute,Oboe - Digital Download SKU: A0.498457 Composed by Trad. Arranged by Thomas Graf. Christmas. 28 pages. Published by Thomas Graf - the-hit-factory.com (A0.498457). Polyphonic arrangement of the traditional Christmas, yuletide, and New Years' carol. The melody is Welsh dating back to the sixteenth century, and belongs to a winter carol, Nos Galan. As played by the ORIGINAL DRACHENFELSER MUSIKANTEN on CD MERRY CHRISTMAS. Big fun to play! Not difficult! Instrumentation: Part I Flute Part I Clarinet in Bb Part II Oboe/Flute Part II Clarinet in Bb Part III Clarinet in Bb Part III Alto Clarinet in Eb Part III Basset Horn Part IV Bass Clarinet in Bb Part IV Bassoon Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$20.00
18.28 €
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Trad
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Thomas Graf
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Deck the halls - Christmas Carol - Polyphonic - Woodwind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Himno del Antiguo Reyno de Galicia - Celtic song
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.900397 Composed by Tradition…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.900397 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,World. 4 pages. Gustavo Fuentes #3534537. Published by Gustavo Fuentes (A0.900397). Traditional spanish march, arranged for two melody instrument, such as spanish bagpipe, tin whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. This arrangement belongs to the repertory of the celtic group Eriskay, of which I am its director and arranger. The audio is from our CD Musica Celta that you can listen to on Spotify. It is also the arrangement in the version of the Ensamble de Música Celta de Buenos Aires. https://youtu.be/CpWBDfTGrvA Marcha tradicional de Galicia (España), arreglada para dos instrumentos melódicos, como gaita gallega, tin-whistle, flauta traversa, flauta dulce o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. Este arreglo forma parte del repertorio del grupo de música celta Eriskay, del cual soy el director y arreglador. El audio pertenece a nuestro CD Música Celta, que se puede escuchar completo en Spotify. También es el arreglo en la versión del Ensamble de Música Celta de Buenos Aires.
$3.99
3.65 €
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Traditional
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Gustavo Fuentes
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Himno del Antiguo Reyno de Galicia - Celtic song
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Gustavo Fuentes
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SheetMusicPlus
Nocturne for Left Hand Alone (Opus 9 Number 2)
Instrumental Solo - Level 5 - Digital Download SKU: A0.1121045 By Stephen R Dalrymp…
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Instrumental Solo - Level 5 - Digital Download SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.65 €
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Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
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