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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Flûte, Hautbois, Clarinette, Basson
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Trombone et Piano
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23
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Cor et Piano
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Euphonium, Piano (duo)
9
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2 Cors (duo)
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Quatuor de cuivres: 4 cors
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2 Trompettes (duo)
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Trompette
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2 Trombones (duo)
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Trompette, Saxophone (duo)
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Tuba et Orgue
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Quatuor de cuivres: 4 trombones
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Cor, Trompette, Trombone (trio)
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4 Tubas
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Trombone (partie séparée)
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Cor anglais, Piano
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Trombone
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Quatuor de cuivres: 4 trompettes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violoncelle, Piano
33
Alto, Piano
28
Harpe
17
Violon, Violoncelle (duo)
16
Violon et Piano
13
Trio à Cordes: violon, alto, violoncelle
11
2 Violoncelles (duo)
8
2 Altos (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
4
Alto, Violoncelle (duo)
4
2 Violons (duo)
4
Violon
4
Contrebasse, Piano (duo)
3
Trio à cordes
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, violoncelle
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Violon (partie séparée)
1
Alto, Guitare (duo)
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Violoncelle
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Ensemble d'Altos
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Ensemble de Violons
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Violon, Guitare (duo)
1
4 Violoncelles
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Trio à cordes: 3 altos
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Trio à Cordes: 3 violoncelles
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3 Harpes
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Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
212
Orchestre à Cordes
60
Orchestre
45
Ensemble de cuivres
29
Cloches
15
Orchestre de chambre
11
Ensemble Jazz
9
Fanfare
6
Batterie
5
Jazz combo
2
Ensemble de Percussions
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2 Marimbas
1
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AUTRES
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To the Sky: Score
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National Anthem of Ukraine - Trombone Quintet Choir - Adv. Intermediate Level
Brass Band Trombone - Level 4 - Digital Download SKU: A0.1188967 By Pavilo Chubynsk…
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Brass Band Trombone - Level 4 - Digital Download SKU: A0.1188967 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. Score and Parts. 9 pages. Chicory Music #788580. Published by Chicory Music (A0.1188967). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamation.This arrangement for Trombone Quintet, / Choir in the brass friendly key of d minor, is easily accessible to those students who play at the Adv. Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99
9.06 €
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Pavilo Chubynsky, Mykhailo Verbytsky
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Dennis Ruello
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National Anthem of Ukraine - Trombone Quintet Choir - Adv. Intermediate Level
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Chicory Music
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SheetMusicPlus
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartho…
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Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
40.8 €
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Other Echoes Inhabit the Garden
Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Compo…
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Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00
31.73 €
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William Grosvenor Neil
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Other Echoes Inhabit the Garden
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Pantheon for Horn, Violin and Piano
Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Compo…
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Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
40.8 €
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Elizabeth Raum
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Pantheon for Horn, Violin and Piano
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Gordon Cherry
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SheetMusicPlus
The Moon's Sun
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1029742 Composed by Nolwazi Nkwanyana. 20th Century,Contemporary,Romantic Period. Score and parts. 15 pages. Nolwazi Nkwanyana #6884175. Published by Nolwazi Nkwanyana (A0.1029742). For Flute, Bb Clarinet and PianoDuration: 4.5 minutesThe relationship between the sun and the moon is a rather fascinating one. One could imagine that the sun, as bright and glorious as it is, shares its light to help the moon come to life at night. A bright full moon is such a splendid and ethereal sight -but it would not be so without the sun. During the darkest nights, the moon and sun work together to provide the night sky with a timeless illumination. You will find that all three instruments have their beautiful individual moments. However, the most brilliant and splendid sections in the piece are a result of their timbres combined and the way their melodic lines intertwine. The piano part is crucial for setting the mood of each section and should be treated with ultimate delicacy and importance. There is no main instrument in this piece. The flute and clarinet come together bringing additional light and life to the majestic landscape that is provided by the piano.
$11.99
10.87 €
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Nolwazi Nkwanyana
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The Moon's Sun
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Nolwazi Nkwanyana
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SheetMusicPlus
Floating, Falling, Flying (parts for other instrumental combinations)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00
5.44 €
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
The Daedalus and Icarus Journey
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99
8.15 €
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Apostolos Paraskevas
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The Daedalus and Icarus Journey
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Silver Sickle Publications
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SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
29.88 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331…
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Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.
$15.00
13.6 €
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Sarah Wallin Huff
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Fair Katrinelje and Pif-Paf-Poltrie
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Novel Soundtrax
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SheetMusicPlus
El cielo en tus ojos (The Sky in Your Eyes), Celtic Song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637523. Published by Gustavo Fuentes (A0.900404). The Sky in Your Eyes. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The eyes are the windows to the soul. They can reflect sadness, happiness, pain, peace, love. The eyes of a mother looking at her child, of a migrant taking one last look at their homeland, the eyes of two lovers getting lost in ecstasy.So we must let our eyes be. Let them fill up with tears of joy, tears of sadness and tears of excitement. We must truly let our eyes be windows to our souls so those that want to get to know it only need to look inside. Once we let our eyes reflect the skies, reflect smiles, reflect hope and even reflect the world, we might be able to perceive the eyes around us. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La mirada es el lenguaje del alma. En los ojos se traslucen la tristeza, la alegrÃa, el dolor, la paz, el amor. La mirada de una madre hacia su hijo, la mirada de aquel que debe emigrar y observa por última vez su tierra, la mirada de los enamorados que se funden en el éxtasis.Dejemos ser a nuestros ojos. Que se llenen de lágrimas de emoción, que palidezcan de tristeza o que brillen de deseo. Demos permiso a nuestras miradas y que sean realmente el espejo de nuestra alma para quienes quieran conocerla. Aceptemos que se nos llenen los ojos de cielo, de sonrisas, de esperanza y también de ausencia. Permitamos que nuestro mundo se vea en nuestros ojos, y tal vez entonces podamos ver el universo de miradas que nos rodea.
$4.99
4.52 €
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Gustavo Fuentes
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Gustavo Fuentes
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El cielo en tus ojos
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Gustavo Fuentes
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SheetMusicPlus
No 20, 仰望有你的星空 (Gazing up the sky, where you are.) [Full and Simplified version]
Strings Alto Saxophone,Bass Drum,Cello,Drum Set,Guitar,Horn,Piano,Timpani,Violin,Voice - L…
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Strings Alto Saxophone,Bass Drum,Cello,Drum Set,Guitar,Horn,Piano,Timpani,Violin,Voice - Level 4 - Digital Download SKU: A0.1461281 By P.W.Z(Taiwan). By P.W.Z(Taiwan). Arranged by P.W.Z(Taiwan). 21st Century,Contemporary,Pop,Singer/Songwriter,Wedding. 38 pages. P.W.Z(Taiwan) #1040083. Published by P.W.Z(Taiwan) (A0.1461281). 樂譜pdf檔包含「完整總譜」與「僅包含旋律、歌詞及和弦的簡易譜」The PDF file includes a full score and a simplified score which only includes the melody, lyrics and chords.----這首歌曲描述一對戀人，重回當初互表愛意的地方。並且回想著，若當初沒有那份勇氣向對方傾訴愛意，或許這對戀人將漸行漸遠直到淡忘對方。<mp3範例中，使用的樂器如下>(亦可使用純鋼琴伴奏，或內附的和弦自行發揮)1.中音薩克斯風(代表那位女孩)2.法國號(代表那位男孩)3.小提琴獨奏4.小提琴1部分5.小提琴2部分6.大提琴7.鋼琴8.古典吉他(X)9.定音鼓10.大鼓11.爵士鼓(X)----This song describes a couple revisiting the place where they first confessed their love to each other.As they reminisce, they reflect on how if they hadn't had the courage to express their feelings back then, they might have grown apart and eventually forgotten each other.<In this mp3 demo, Instrumentation used are as follows> (you can also use pure piano accompaniment, or improvise with the included chords)1.Alto saxophone (representing the girl)2.French horn (representing the boy)3.Violin solo4.Violin part 15.Violin part 26.Cello7.Piano8.Guitar(X)9.Timpani10.Bass drum11.Jazz drum set(X)--------【歌詞】(Lyric in Traditional Chinese)[前奏](Intro)我像一道光溫暖的悠游在妳身旁也像一陣風吹過妳微笑著的臉頰我暗自許諾我的餘生我要和妳渡過你是我的光我不曾看見你在我身旁就像一陣風它吹過我的身邊我未曾感受它親愛的你是否有些事想要告訴我[副歌*2](chorus)我要陪妳看星星陪妳過狂風暴雨陪妳太陽下漫步陪妳在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪妳看星星請妳閉上眼感受我在妳的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀[間奏](Inter)親愛的你當時若沒有開口擁抱我我想我就不會發現原來你在我身旁親愛的妳當時若沒有用心感受我我想我也不會有勇氣向妳說出我的愛親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠[副歌大合唱](chorus)我要陪你看星星陪你過狂風暴雨陪你太陽下漫步陪你在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪你看星星請你閉上眼感受我在你的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠.
$79.00
71.63 €
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P
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P
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No 20, 仰望有你的星空
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P.W.Z(Taiwan)
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SheetMusicPlus
Mlada Procession of the Nobles (abridged) for Brass Ensemble - Set of Parts
Level 4 - Digital Download SKU: A0.866118 Composed by Nikolai Rimsky-Korsakov, Niko…
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Level 4 - Digital Download SKU: A0.866118 Composed by Nikolai Rimsky-Korsakov, Nikolai Rimsky-Korsakoff. Arranged by Yoon Jae Lee. Opera,Romantic Period,Standards. 27 pages. Ondine Press #5218929. Published by Ondine Press (A0.866118). Instrumentation: 0. 0. 0. 0 – 4. 3. 3. 1 – (tp, 1 perc, hrp ad lib) This is a set of parts to Yoon Jae Lee's arrangement of Rimsky-Korsakov's celebrated Procession of the Nobles from Act II of his opera-ballet Mlada. The full score is available separately. Abridged to 2 minutes in length, this pieceis a great concert opener or encore for brass ensemble. Abridged to 2 minutes in length, it is a great substitute for Duka's La Peri and is scored for the same instrumentation: 4 horns, 3 trumpets, 3 trombones, and tuba. Additional parts for timpani, snare drum and harp are included as ad lib. should they be available. A complete, unabridged arrangement of the entire procession for brass ensemble will also be available soon. Perusal Score: https://issuu.com/ondinepress/docs/rimsky_korsakov_mlada_procession_of_the_nobles.
$20.00
18.13 €
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Nikolai Rimsky-Korsakov, Nikolai Rimsky-Korsakoff
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Yoon Jae Lee
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Mlada Procession of the Nobles
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Ondine Press
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SheetMusicPlus
Divergence by The Khromatiks, for Electric Violin & Loop Station
Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980
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Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping groove and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazz to Latin to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rock bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, so feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.24 €
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The Khromatiks
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Divergence by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
Touch The Sky - Score Only
Level 3 - Digital Download SKU: A0.1105795 By Julie Fowlis. By Alexander L. Mandel …
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Level 3 - Digital Download SKU: A0.1105795 By Julie Fowlis. By Alexander L. Mandel and Mark Andrews. Arranged by Davide Bizzarri. Celtic,Children,Film/TV,Irish,Medieval. 11 pages. Davide Bizzarri #709023. Published by Davide Bizzarri (A0.1105795). This arrangement comes with three part of violin, the third very easy. The key after the introduction has been changed to G major, so it's more suitable for children vocal range, and I think it works very well. You can find instrumental part of this arrangement.
$19.99
18.12 €
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Julie Fowlis
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Davide Bizzarri
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Touch The Sky - Score Only
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Davide Bizzarri
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SheetMusicPlus
Touch The Sky
Large Ensemble Flute,Handbell - Level 3 - Digital Download SKU: A0.917211 By Julie …
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Large Ensemble Flute,Handbell - Level 3 - Digital Download SKU: A0.917211 By Julie Fowlis. By Alexander L. Mandel. Arranged by Kurt Meyer. Celtic,Contemporary,Film/TV,Irish,New Age,Pop. Score and parts. 16 pages. Kurt Meyer Self-Publishing #6495083. Published by Kurt Meyer Self-Publishing (A0.917211). This catchy and upbeat tune from the Disney movie BRAVE has now been scored for 3 to 6 octaves Handbells with optional Flutes 1 & 2. With a driving malleted bass unison line to start, the musical textures slowly build upon one another, metamorphosing into a joyful legato texture for the main melody, and ending with a soft and transparent musical setting. The addition of the optional Flutes adds a vibrant flare to the Celtic-like feel of the song and intrinsically enhance the overall musical experience for both listeners and performers alike. A most welcome addition for a concert or school music program. Level 3+.(If only one flutist is available, then the Flute 1 part should be played, omitting the Flute 2 part.)Purchase of this arrangement includes both a reproducible Handbell part and individual combined Flute part, allowing for enough copies to be made for one handbell ensemble.Kurt Meyer Self-Publishing (KMSP) Code: KMSP-0016.
$45.00
40.8 €
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Julie Fowlis
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Kurt Meyer
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2
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Touch The Sky
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Kurt Meyer Self-Publishing
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SheetMusicPlus
Pluto ... Lord of the Underworld (2005) for large orchestra
Small Ensemble - Level 4 - Digital Download SKU: A0.869210 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869210 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #2016283. Published by Thomas Oboe Lee (A0.869210). Instrumentation: 3333-4331-timp-2perc-cel-hp-strings Program Notes: When Charles Ansbacher, music director of the Boston Landmarks Orchestra, commissioned me to write Pluto as a grand finale for The Planets by Gustav Holst, I immediately thought of Pluto, the Disney character; but common sense took over when I sat down to work. So instead of Disney’s faithful dog, I gravitated to the Pluto of Roman mythology. After a long battle with the Titans, the three brothers, Zeus, Poseidon and Pluto, divided the world among themselves. Zeus had the sky; Poseidon, the sea; and Pluto, the Underworld. According to mythology, the spirits of the dead, whether good or bad, enter the Underworld. Cerberus, a vicious three-headed beast, stands guard at the entrance - preventing the living from entering the world of the dead. The movement begins with a fanfare: Cerberus at the gates of the Underworld. Then a grand waltz materializes in the bass: Pluto dances!! As the waltz fades away, a lyrical tune emerges: Persephone, the wife of Pluto, appears. The work ends with a reprise of the opening fanfare, slightly altered.
$9.99
9.06 €
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Thomas Oboe Lee
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Pluto ... Lord of the Underworld
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Thomas Oboe Lee
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SheetMusicPlus
The Sandy Path That Leads Me Down (Piano Quartet)
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.905620 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.905620 Composed by David Perkins. Concert,Contemporary,Wedding. Score and parts. 31 pages. David Perkins #4631781. Published by David Perkins (A0.905620). The Sandy Path That Leads Me Down is an arrangement for Piano Quartet - Piano, Violin, Viola and Cello. Originally a setting of a poem by John Betjemen, this piece re-arranged for Piano Quartet, has become a wordless song in its own right. The somewhat cryptic title is a line taken from the original poem.This and seven other pieces (yet to be arranged) will eventually form a suite of pieces entitled As Wordless as the Windy Sky. Together they will create a broadly biographical sequence from the boundless imagination of childhood, through holidays, religion, love, the pleasures of the middle years to the inevitability of old age.
$7.99
7.24 €
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David Perkins
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The Sandy Path That Leads Me Down
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David Perkins
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SheetMusicPlus
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
89.76 €
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Aleksander Norbert Czarnecki
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SheetMusicPlus
The Royal Anthem of Thailand (arr. solo voice and piano)
Choral Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.522240 Composed by Py…
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Choral Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.522240 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Contemporary. Score. 3 pages. Colin Kirkpatrick Publications #4831855. Published by Colin Kirkpatrick Publications (A0.522240). This arrangement is for solo voice and keyboard. The lowest note is D just above Middle C and the top note is G just above the staff. In Thailand, the Royal Anthem is performed at all formal occasions; it's played at the beginning of every concert and recital and also in movie theaters before the main feature. In this arrangement the Thai text has been Romanized for the use of non-Thai singers, because the vast majority of Thai people know the words by heart anyway. The key is E flat major and the vocal range makes no excessive demands of the singer. The keyboard part has been simplified and chords are shown above the staff. To give confidence to the singer, the right-hand piano part reinforces the melody. Experienced pianists will probably prefer to adapt the right hand part as they see fit. This anthem is also available in arrangements for SATB or instrumental ensembles from the same publisher.
$3.99
3.62 €
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Pyotr Schurovsky
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Colin Kirkpatrick
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The Royal Anthem of Thailand
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Colin Kirkpatrick Publications
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SheetMusicPlus
Pumpkin Sky
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.913628…
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.913628 Composed by James Marshall. Contemporary,World. Score and parts. 12 pages. James Marshall Music #6237617. Published by James Marshall Music (A0.913628). Pumpkin Sky is the third and slow movement of Carolina Set scored for Flute and String Trio. This single pieceis scored for Alto Flute with its deep, rich, mellow tone. The inspiration for this music came from photos taken bymy long time friend George Hummel who has retired to Myrtle Beach. I named this one Pumpkin Sky and was inspired to write the full set of pieces: Sunrise, Morning - Sea and Beach, Pumpkin Sky, Afternoon Frolics and Games, SunsetThe full score is available in print version from Subito Music which soon will be partnering with SMP Press for digital downloads.
$4.99
4.52 €
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James Marshall
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Pumpkin Sky
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James Marshall Music
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SheetMusicPlus
Hymn to Artemis Locheia
Clarinet and string quartet - difficult - Digital Download SKU: S9.Q6206 Composed b…
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Clarinet and string quartet - difficult - Digital Download SKU: S9.Q6206 Composed by Sir Peter Maxwell Davies. This edition: score and parts. Downloadable, Score and parts. Op. 252. Duration 25 minutes. Schott Music - Digital #Q6206. Published by Schott Music - Digital (S9.Q6206). Peter Maxwell Davies spent a day at a gynaecological clinic in London at the invitation of Professor Ian Craft, who commissioned the piece in memory of his father. During his time there he met many people and shared in some of the deep emotions they experienced. Artemis Locheia is the Greek Godess of Fertility. In this one movement, 25 minute work, the joy and exuberance experienced by couples when pregnancy is confirmed is captured. There are many tempo changes and two extended cadenzas for the clarinet. The work was premiered by Dmitri Ashkenazy and the Brodsky Quartet.
$48.99
44.42 €
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Sir Peter Maxwell Davies
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Hymn to Artemis Locheia
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Schott Music - Digital
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SheetMusicPlus
Dragonborn (Skyrim Theme)
Bass Trombone,Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1415896 Composed …
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Bass Trombone,Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1415896 Composed by Jeremy Soule. Arranged by Brett Lair. 21st Century,Video Game. 12 pages. Brett Lair #997529. Published by Brett Lair (A0.1415896). Harness the strength of the Dragonborn as you join forces with your fellow tuba players to conquer this unforgettable arrangement. From the haunting opening strains to the triumphant finale, you'll captivate audiences and transport them to the fantastical world of Tamriel.Perfect for recitals, ensemble performances, or simply unleashing your inner dragon-slayer in the comfort of your practice space, this arrangement of the Dragonborn theme is sure to inspire and delight players and listeners alike.Don't let this musical treasure slip through your fingers. Grab your copy of the score and parts sheet music today and prepare to soar to new musical heights with the Dragonborn theme on tuba! 🎵.
$15.00
13.6 €
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Jeremy Soule
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Brett Lair
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Dragonborn
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Brett Lair
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SheetMusicPlus
April Yields to May, for instruments in four parts
Small Ensemble - Level 3 - Digital Download SKU: A0.879904 By Paul Burnell. By Paul…
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Small Ensemble - Level 3 - Digital Download SKU: A0.879904 By Paul Burnell. By Paul Burnell. Classical,Contemporary. Score and parts. 54 pages. Paul Burnell #486267. Published by Paul Burnell (A0.879904). April Yields to May, Paul Burnell, composed for instruments in four parts. Download comprises both score and parts. Duration 6:30 approx. Score in C. Flexibly scored for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1) Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2) Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola) Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part. Any other appropriate instruments, even if not suggested above, may play. Programme note: The words April yields to May appear in at least two poetical works: 'The Sky-lark's Salutation to April' by George Blair (c.1818 – 1894) and 'Quarter-Day - or the Horrors of the First of May' by Samuel Woodworth (1784 – 1842). Paul Burnell is a Welsh-born composer based in London, UK.
$3.99
3.62 €
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Paul Burnell
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April Yields to May, for instruments in four parts
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Paul Burnell
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SheetMusicPlus
The Wounded Angel
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Compo…
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Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
$12.95
11.74 €
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James d'Angelo
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The Wounded Angel
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Forton Music - Digital
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SheetMusicPlus
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