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2174
PIANO & CLAVIERS
Piano seul
973
Piano Facile
689
Piano, Voix
593
Piano, Voix et Guitare
121
Instruments en Do
111
Orgue
106
Accompagnement Piano
71
1 Piano, 4 mains
67
Piano Trio: piano, violon, violoncelle
25
Piano grosses notes
19
2 Pianos, 4 mains
12
Piano Quatuor: piano, violon, alto, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Accordéon
4
Piano (partie séparée)
4
Orgue, Trompette (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
2
Ensemble d'Accordéons
2
Orgue, Piano (duo)
1
Instrument seul et Orgue
1
2 Pianos, 8 mains
1
Clavier
1
Clavecin
1
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Guitare notes et tablatures
149
Ligne De Mélodie, (Paroles) et Accords
65
Guitare
61
Ukulele
57
2 Guitares (duo)
20
Mandoline
12
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9
Basse electrique
8
Banjo
7
Guitare (partie séparée)
6
3 Guitares (trio)
5
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5
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1
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1
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1
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Chorale SATB
414
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69
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46
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38
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28
Chorale SSAA
26
Voix Soprano, Piano
15
Chorale
15
Voix duo
12
Voix seule
9
Voix Alto, Piano
5
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
2
Male Voice
2
Chorale SSATB
2
Chorale SAATB A Cappella
2
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix, Guitare
1
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Clarinette et Piano
347
Flûte traversière et Piano
320
2 Saxophones (duo)
228
Hautbois, Piano (duo)
205
Clarinette
181
Flûte, Hautbois, Clarinette, Basson
164
Flûte traversière
161
Saxophone Alto et Piano
158
Saxophone (partie séparée)
149
Quatuor de Saxophones: 4 saxophones
147
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
146
2 Flûtes traversières (duo)
139
2 Clarinettes (duo)
118
Saxophone Alto
115
Quintette de Saxophone: 5 saxophones
111
Hautbois (partie séparée)
92
Saxophone Soprano et Piano
86
Saxophone, Clarinette (duo)
82
Saxophone Tenor et Piano
82
Flûte, Clarinette (duo)
73
Quatuor de Clarinettes: 4 clarinettes
66
Quatuor de Flûtes : 4 flûtes
56
Clarinette, Violon (duo)
56
Ensemble de saxophones
53
Clarinette, Trompette (duo)
52
2 Hautbois (duo)
52
Cor anglais, Piano
42
Ensemble de Clarinettes
40
Clarinette (partie séparée)
38
Hautbois, Clarinette (duo)
37
3 Saxophones (trio)
37
3 Clarinettes (trio)
31
Hautbois, Basson (duo)
31
Hautbois
30
Clarinette et Alto
30
Hautbois, Flûte
29
Trio de Flûtes: 3 flûtes
28
Flûte, Violon
28
Flûte, Saxophone (duo)
27
Flûte à bec Soprano
26
Saxophone Baryton, Piano
25
Flûte, Trompette (duo)
25
Flute (partie séparée)
23
Flûte, Alto (duo)
20
Cor Anglais
20
Quintette de Clarinettes: 5 clarinettes
19
Quintette de Flûte : 5 flûtes
18
Saxophone Tenor
15
Flûte, Hautbois, Clarinette (trio)
15
Flûte, Violoncelle
15
Clarinette, Violoncelle (duo)
15
Clarinette, Basson (duo)
15
Flûte, Violoncelle, Piano (trio)
12
2 Flûte à bec (duo)
12
Ensemble de Flûtes
12
Harmonica
11
Quatuor de Flûtes à bec
10
Flûte à bec Alto, Piano
9
Flûte, Hautbois (duo)
9
Saxophone Soprano
8
Piccolo
8
Flûte à Bec, Piano
8
Hautbois, Violoncelle
7
Saxophone Baryton
7
Flûte, Violon, Piano
7
Flûte à bec Tenor
7
Piccolo, Piano
7
Clarinette Basse, Piano
7
Flûte, Hautbois, Basson
7
Flûte à Bec
6
Clarinette, Harpe (duo)
6
Flûte, Harpe et Violoncelle
6
Flûte à bec Soprano, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
5 Flûtes à bec
6
Ensemble De Flûte à bec
4
Hautbois, violon (duo)
4
Flûte et Guitare
4
Flûte, Clarinette, Piano (trio)
4
2 Flûtes traversières, Piano
4
Flûte, Violon et Violoncelle
4
Hautbois et alto (duo)
4
Hautbois, Guitare (duo)
3
Flûte irlandaise
3
Flûte, Basson et Piano
3
Flute, harpe et violon
3
Clarinette, Trombone (duo)
2
Instruments en Mib
2
2 Saxophones, Piano
2
Flûte, Alto et Piano
2
Hautbois, Violon, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Trombone (duo)
2
2 Clarinettes, Basson
2
Flûte, Hautbois, Violon
2
Flûte à bec Alto
2
Flûte, Tuba (duo)
2
Clarinette, Contrebasse (duo)
2
Hautbois, trombone (duo)
2
Cornemuse
1
Saxophone
1
2 Clarinettes, Piano
1
4 Hautbois
1
Ensemble à vent
1
Flûte, Clarinette et Basson
1
Clarinette, Tuba
1
Hautbois, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais, Guitare (duo)
1
Ocarina
1
Clarinette, Guitare (duo)
1
Flûte et Trio à cordes
1
3 Hautbois
1
3 Flûtes à bec (trio)
1
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CUIVRES
Trompette, Piano
197
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
159
Trombone et Piano
155
Trompette
148
Cor et Piano
137
Quatuor de Cuivres : 2 trompettes, trombone, tuba
120
Trombone
115
Cor
106
Tuba
100
Tuba et Piano
79
2 Trompettes (duo)
78
2 Trombones (duo)
71
Quatuor de Cuivres: 2 trompettes, Cor, trombone
61
Quatuor de Cuivres
52
Trompette, Saxophone (duo)
51
Trompette, Trombone (duo)
51
Trombone (partie séparée)
46
Ensemble de Trompettes
43
Cor anglais, Piano
42
Trompette (partie séparée)
34
Quatuor de cuivres: 4 trombones
34
2 Cors (duo)
32
Quatuor de cuivres: 4 cors
21
Cor Anglais
20
Ensemble de Trombones
18
Quatuor de cuivres: 4 trompettes
17
Trompette, Cor (duo)
16
Euphonium, Piano (duo)
16
Cor (partie séparée)
15
Tuba (partie séparée)
15
Euphonium
14
2 Tubas (duo)
14
Trio de Cuivres
12
Tuba et Orgue
8
3 Trombones (trio)
7
3 Trompettes (trio)
6
Ensemble de Cors
6
Trombone basse et Piano
5
Trombone basse
4
Cor et Basson (duo)
4
Trompette, Violoncelle (duo)
4
Cor, Violoncelle (duo)
4
Trompette, Tuba (duo)
3
4 Tubas
3
Ensemble de Tubas
3
Euphonium, Tuba (duo)
3
Cor, Tuba (duo)
2
3 Cors (trio)
2
Trombone, Cor (duo)
2
2 Euphoniums (duo)
2
Trompette, Basson (duo)
2
Bass Clef Instruments
2
2 Trompettes, Clavier (piano ou orgue)
2
Instruments en Sib
1
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Cor et Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Trompette, Trombone (trio)
1
Trombone, Violon (duo)
1
Trompette, Trombone, Piano
1
2 Trombones, Piano
1
Cor anglais, Guitare (duo)
1
Trompette, violon (duo)
1
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CORDES
Violon et Piano
415
Quatuor à cordes: 2 violons, alto, violoncelle
332
Violoncelle, Piano
310
Alto, Piano
296
Violon
202
2 Violons (duo)
137
Violon, Violoncelle (duo)
108
Violoncelle (partie séparée)
100
Alto seul
99
Harpe
82
Contrebasse, Piano (duo)
80
Violon, Alto (duo)
77
2 Violoncelles (duo)
77
Contre Basse
67
2 Altos (duo)
64
Violoncelle
54
Trio à Cordes: violon, alto, violoncelle
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
50
Alto (partie séparée)
36
Alto, Violoncelle (duo)
29
Violon (partie séparée)
20
Trio à Cordes: 2 violons, violoncelle
17
4 Violoncelles
16
2 Harpes (duo)
15
Ensemble de Violons
15
Quatuor à cordes : 4 altos
14
Ensemble d'Altos
14
Violoncelle, Contrebasse (duo)
14
2 Contrebasses (duo)
13
Trio à cordes: 3 violins
13
Contrebasse (partie séparée)
13
Quatuor à cordes: 4 violons
10
Piano Trio: Violon, Alto, Piano
8
Harpe, Flûte (duo)
6
Trio à Cordes: 3 violoncelles
6
Violon, Basson (duo)
5
Harpe, Violon (duo)
5
Alto et Basson
5
Harpe, Violoncelle (duo)
4
Trio à Cordes: 2 violons, alto
4
Violoncelle , Guitare (duo)
4
Harpe, Violon, Violoncelle
3
Harpe, Voix
3
Trio à cordes
3
Trio à cordes: 3 altos
3
Violon, Guitare (duo)
3
Violon, Clarinette, Piano (trio)
3
4 Contrebasses
2
5 Harpes
2
Violon, Tuba (duo)
2
3 Harpes
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Flûte, Contrebasse (duo)
2
2 Violoncelles, Piano
2
Alto et Harpe
1
4 Harpes
1
Harpe (partie séparée)
1
Harpe et Piano
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
598
Orchestre à Cordes
117
Orchestre
92
Cloches
72
Ensemble de cuivres
69
Ensemble Jazz
32
Orchestre de chambre
20
Percussion (partie séparée)
19
Ensemble de Percussions
17
Marimba
14
Jazz combo
11
Batterie
9
Percussion
6
Fanfare
5
2 Xylophones
4
Timbales (partie séparée)
4
Vibraphone
3
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
2
Xylophone
2
Ensemble d'École
1
Caisse Claire
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
Quintette à Vent
1
Quatuor à Vent : 4 instruments à vents
1
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AUTRES
Vous avez sélectionné:
To the World, Joy!
Partitions à imprimer
2 174 partitions trouvées
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2151
Choir Hymnal, The-Digital Download
Thirty-four well known hymns An ideal resource based on 34 well known hymns. This contains…
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Thirty-four well known hymns An ideal resource based on 34 well known hymns. This contains descants, reharmonizations, choir stanzas, handbell ostinati, and other instruments. Covers the complete church year
Song List: Ah, Holy Jesus All Creatures Of Our God And King All Hail The Power Of Jesus' Name! Amazing Grace! As with Gladness Men of Old Christ Is Alive! Come, Holy Spirit, Heavenly Dove Come, Ye Faithful, Raise The Strain Crown Him with Many Crowns Eternal Father, Strong to Save Father, We Praise Thee For The Beauty Of The Earth Hark! The Herald Angels Sing Holy, Holy, Holy! Lord God Almighty I Love Thy Kingdom, Lord Immortal, Invisible, God Only Wise Jesus Shall Reign Joy To The World! Joyful, Joyful, We Adore Thee Let All Mortal Flesh Keep Silence Lord Jesus, Think On Me O Come, O Come, Emmanuel O for a Thousand Tongues to Sing O God, Our Help In Ages Past O Master, Let Me Walk With Thee O Sacred Head, Now Wounded Of The Father's Love Begotten Silent Night! Holy Night! The Church's One Foundation The Lord's My Shepherd, I'll Not Want This Is My Father's World What Wondrous Love Is This When Morning Gilds the Skies Where Cross The Crowded Ways Of Life
$9.95
9.18 €
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Choir Hymnal, The-Digital Download
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SheetMusicPlus
Joy to the World for Tenor Voice
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.796064 Arranged by Christophe…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.796064 Arranged by Christopher Esther. Christmas. 1 pages. Christopher Esther #6118375. Published by Christopher Esther (A0.796064). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+SeriesYou can also search Sheet Music Plus for Classic Christmas Songs - The Boughs of Holly Collection.All of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!
$1.99
1.84 €
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Christopher Esther
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Joy to the World for Tenor Voice
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Christopher Esther
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SheetMusicPlus
Joy to the World for Alto Voice
Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.796050 Arranged by Chris…
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Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.796050 Arranged by Christopher Esther. Christmas. 1 pages. Christopher Esther #6118345. Published by Christopher Esther (A0.796050). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+SeriesYou can also search Sheet Music Plus for Classic Christmas Songs - The Boughs of Holly Collection.All of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!
$1.99
1.84 €
#
Christopher Esther
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Joy to the World for Alto Voice
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Christopher Esther
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SheetMusicPlus
Joy to the World for Baritone Voice
Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.796053 Arran…
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Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.796053 Arranged by Christopher Esther. Christmas. 1 pages. Christopher Esther #6118347. Published by Christopher Esther (A0.796053). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+SeriesYou can also search Sheet Music Plus for Classic Christmas Songs - The Boughs of Holly Collection.All of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!
$1.99
1.84 €
#
Christopher Esther
#
Joy to the World for Baritone Voice
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Christopher Esther
#
SheetMusicPlus
Joy to the World for Soprano Voice
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.796062 Arranged by Christophe…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.796062 Arranged by Christopher Esther. Christmas. 1 pages. Christopher Esther #6118371. Published by Christopher Esther (A0.796062). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+SeriesYou can also search Sheet Music Plus for Classic Christmas Songs - The Boughs of Holly Collection.All of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!
$1.99
1.84 €
#
Christopher Esther
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Joy to the World for Soprano Voice
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Christopher Esther
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SheetMusicPlus
Joy to the World! Arranged for Piano Six Hands
Small Ensemble Piano - Level 3 - Digital Download SKU: A0.917495 Composed by George…
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Small Ensemble Piano - Level 3 - Digital Download SKU: A0.917495 Composed by George Frideric Handel--Lowell Mason. Arranged by D. E. Mathers. Christmas,Concert,Sacred,Standards. Score and parts. 6 pages. D. Eugene Mathers #4836571. Published by D. Eugene Mathers (A0.917495). This version allows pianists at different levels of accomplishment to come together in an impressive instrumental rendition of a holiday favorite. It is tailored for use in most any forum where this title is likely to be heard and where pianists of different ages are gathered, whether the home, church, or recital hall. In addition, it can double as an enriched, even glittery, accompaniment to vocal or choral performance in these multiple venues for all ages and audiences.
$4.99
4.61 €
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George Frideric Handel--Lowell Mason
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D
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Joy to the World! Arranged for Piano Six Hands
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D. Eugene Mathers
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SheetMusicPlus
Miscellaneous: Joy to the World instantly for voice or other instruments & piano
This is an exclusive transcription for voice or other instruments & piano of EASY skil…
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This is an exclusive transcription for voice or other instruments & piano of EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: christmas carol, christmas song,video accompaniment,accompaniment video,piano accompaniment,piano accompaniment video, / christmas,winter,spiritual,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$3.99
3.68 €
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Miscellaneous
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Virtualsheetmusic
Joy To The World - Flex Orchestra
Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0…
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Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.596406 Composed by George Frederick Handel and Antonio Vivaldi. Arranged by Kristin Campbell. Baroque,Christmas. 31 pages. Horsehair Music #6631151. Published by Horsehair Music (A0.596406). The Flex Orchestra arrangements are settings that can flex to your available instrumentation. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each stringed instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part for each instrument. Ensemble parts are unique to the specific instrument. The piano accompaniment is the glue that holds it all together. This arrangement can be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part.      This arrangement for strings is easy uses 1st and 3rd position for the violin melody. Viola and cello melody parts are in first position. This setting mixes Vivalid's Gloria with Handel's Joy to the World. You will enjoy this lively and energetic setting of these well loved Christmas classics.
$9.99
9.22 €
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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George Frederick Handel and Antonio Vivaldi
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Kristin Campbell
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Joy To The World - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.84 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.84 €
#
Antonin Dvorak
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Regis Bookshar
#
Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by An…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
13.84 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
13.84 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Compose…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
13.84 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by An…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
13.84 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Co…
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String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
13.84 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
13.84 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
13.84 €
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Antonin Dvorak
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Regis Bookshar
#
Largo
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Regis Bookshar
#
SheetMusicPlus
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