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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Vous avez sélectionné:
Trad Spanish
Partitions à imprimer
18 partitions trouvées
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Hymntune Intradas
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Song List (10) Old 113th Duke Street Azmon Lasst uns erfreuen Mit Freuden Zart Dix Nicaea Hymn to Joy Lobe Den Herren Spanish Hymn Reviews Don't miss out! Access exclusive content and coupons, and be the first to know about new releases
Song List: Old 113th Duke Street Azmon Lasst uns erfreuen Mit Freuden Zart Dix Nicaea Hymn to Joy Lobe Den Herren Spanish Hymn
$3.20
2.95 €
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Hymntune Intradas
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SheetMusicPlus
From The Ukulele as a solo Instrument: Spanish Fandango
Ukulele solo - Digital Download SKU: S8.AC0300-1000495 Arranged by N.B. Bailey. Fro…
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Ukulele solo - Digital Download SKU: S8.AC0300-1000495 Arranged by N.B. Bailey. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 21.22: Musical Instruments - Ukulele, Box 62, Folder D, Archives Center, National Museum of American History, Smithsonian Institution. 4 pages. Published by Smithsonian Institution (S8.AC0300-1000495). Sheet music published by Sherman, Clay & Co. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.
$5.99
5.52 €
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From The Ukulele as a solo Instrument: Spanish Fandango
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Smithsonian Institution
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SheetMusicPlus
Spanish Air
Recorder and guitar - Digital Download SKU: S9.Q563587 Six Pieces. Composed …
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Recorder and guitar - Digital Download SKU: S9.Q563587 Six Pieces. Composed by Georg Rist. Downloadable. Musikverlag Zimmermann - Digital #Q563587. Published by Musikverlag Zimmermann - Digital (S9.Q563587). German • English • French.Es ist keine traditionelle Flamencomusik, aber dennoch Stücke mit dem typischen reizvollen spanischen Flair. Die Gitarrenstimme ist durchweg leicht gehalten. Die Flötenstimme ist sehr leicht und auch für Schüler/innen gut zu realisieren.
$10.99
10.12 €
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Georg Rist
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Spanish Air
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Come, Christians Join to Sing with Mozart's Alleluia
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Download SKU: …
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1412970 Composed by Trad. Spanish melody, Wolfgang Amadeua Mozart. Arranged by Laird Halling. Chamber,Christian,Classical,Sacred. 19 pages. Laird Halling #994973. Published by Laird Halling (A0.1412970). The classic hymn Come, Christians Join to Sing calls the congregation to worship, and is combined with music from Mozart's Alleluia for a fun classical opener, offertory, or special feature. This is playable by a string quartet of string ensemble. Optional bass and piano parts are included.This arrangement is also available for full orchestra.
$35.99
33.14 €
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Trad
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Laird Halling
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Come, Christians Join to Sing with Mozart's Alleluia
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Laird Halling
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SheetMusicPlus
Gary Lanier: COME, CHRISTIANS, JOIN TO SING (Duet – Baritone Sax & Piano with Parts)
Instrumental Duet Baritone Saxophone,Instrumental Duet - Level 3 - Digital Download SKU…
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Instrumental Duet Baritone Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.614369 Composed by Trad. Spanish Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 8 pages. The Lanier Company #546325. Published by The Lanier Company (A0.614369). For the 2016 New Year Contest. COME, CHRISTIANS, JOIN TO SING is a duet arrangement for Baritone Sax & Piano of one of our most cherished Praise Hymns. The score, including cover and Baritone Sax part is 8 pages long. This arrangement is perfect for any Church or gathering where the sound of Christian Praise is the focus. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: COME, CHRISTIANS, JOIN TO SING (Piano Accompaniment for Baritone Sax).
$6.99
6.44 €
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Trad
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Gary Lanier
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Gary Lanier: COME, CHRISTIANS, JOIN TO SING
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The Lanier Company
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SheetMusicPlus
Santa la Noche - solista con orquesta
Large Ensemble Clarinet,Flute,Soprano voice,Trombone,Trumpet,Violin - Level 3 - Digital Do…
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Large Ensemble Clarinet,Flute,Soprano voice,Trombone,Trumpet,Violin - Level 3 - Digital Download SKU: A0.844471 Composed by Adolphe-Charles Adam. Arranged by Phil Beaman. Christmas,Romantic Period,Sacred. Score and parts. 42 pages. Phil Beaman #3406761. Published by Phil Beaman (A0.844471). A setting of the beloved 1847 Christmas classic Cantique de Noel, originally in French, then translated to English as O Holy Night, and here presented in Spanish as Santa la Noche. This arrangement was commissioned for a particular group which explains the slightly unusual instrumentation of 4 Violins, 1 Flute, 1 Clarinet, 1 Trumpet, and 1 Trombone. Also by request, it is in the Key of Eb for High Voice.The traditional voice part has only subtle changes in rhythm to accommodate the natural flow of the Spanish text and by common custom just uses verses 1 and 3. The instrument parts are closely based on the original accompaniment but creatively express the arc of the text. It can go from violin duet to full ensemble and everything in between depending on the mood of the current lyric. Tremelos and trills are added when drama and tension are needed, sweeping runs for climaxes, spiccato technique, and so forth. As is my trademark, there is rhythmic interplay between instruments and subtle polyrhythms.Written as an accessible piece for an Intermediate group. A perfect addition to any Christmas program because Santa la Noche is a 'must have' tradition and this dramatic and expressive version will please any crowd.(21 page conductor score; parts, 1-3 pages each; 41 pages total)Temporary MIDI recording to give a general idea of the score. A live performance will be much more expressive.
$19.00
17.5 €
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Adolphe-Charles Adam
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Phil Beaman
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parts, 1-3 pages each
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Santa la Noche - solista con orquesta
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Phil Beaman
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SheetMusicPlus
"La Revoltosa" for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1403273 Composed by R. ChapÃ. Arranged by Pablo Guerrero-MartÃn. 20th Century,Folk,Multicultural,Opera,Romantic Period,World. Brass Band. 154 pages. Pablo Guerrero-MartÃn #986462. Published by Pablo Guerrero-MartÃn (A0.1403273). La Revoltosa for Brass BandContact the arranger on: pabloguerreromartin@gmail.com Delve into the rich tapestry of Spanish musical tradition with our arrangement of La Revoltosa for brass band. Originally composed by Ruperto ChapÃ, La Revoltosa is a quintessential example of the zarzuela genre, a uniquely Spanish form of musical theater. Set in the lively streets of Madrid, the zarzuela captures the essence of Spanish culture and society in the late 19th century.Our arrangement for brass band offers a unique opportunity to explore this important work within the context of brass instrumentation. Through careful transcription and adaptation, we aim to preserve the integrity of ChapÃ's original composition while highlighting the distinctive timbres and capabilities of brass instruments.By studying and performing La Revoltosa in a brass band setting, musicians have the chance to deepen their understanding of Spanish music and broaden their repertoire. From the spirited melodies to the intricate rhythms, this arrangement provides a fascinating glimpse into the cultural heritage of Spain and the zarzuela tradition.Discover the beauty and complexity of La Revoltosa with our brass band arrangement, and embark on a musical journey through the streets of Madrid.
$49.99
46.03 €
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studying and performing La Revoltosa in a brass band setting, musicians have the chance to deepen their understanding of Spanish music and broaden their repertoire
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R
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Pablo Guerrero-MartÃn
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"La Revoltosa" for Brass Band
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Pablo Guerrero-MartÃn
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SheetMusicPlus
M?todo de Guitarra Moderna Grado 1, Edici?n en Espa?ol
Spanish language - Beginning - Digital Download SKU: M0.93210SPEB Composed by Mel B…
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Spanish language - Beginning - Digital Download SKU: M0.93210SPEB Composed by Mel Bay. Modern Guitar Method. 0. E-book. Mel Bay Publications - Digital Sheet Music #93210SPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93210SPEB). ISBN 9781609749125. 8.75x11.75 inches.Este es el método más importante del mundo para aprender a tocar una guitarra de estilo plectrum, probado en el tiempo y demostrado ser exitoso en la construcción del conocimiento armónico y la técnica necesaria para tocar en cualquier estilo. El libro 1 enseña la lectura de notas en primera posición y presenta solos, duetos, escalas y acordes en las teclas C, A menor, G y E menor. Mel Bay, un pionero en la educación de la guitarra, ideó un sistema de enseñanza que requiere que el estudiante aprenda solo la teorÃa y la técnica de la música para comprender y realizar la tarea en cuestión. Notación estándar solamente. En español.This is the world's premier method for learning to play plectrum-style guitar, time-tested and proven to be successful in building the harmonic knowledge and technique needed to play in any style. Book 1 teaches note reading in first position and presents solos, duets, scales and chords in the keys of C, A minor, G and E minor. Mel Bay, a pioneer in guitar education, devised a teaching system which requires the student to learn only enough music theory and technique to understand and perform the assignment at hand. Standard notation only. In Spanish.
$9.99
9.2 €
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Mel Bay
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M?todo de Guitarra Moderna Grado 1, Edici?n en Espa?ol
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Cool Cowboy Glen (TAB guitar part of duet)
Guitar - Level 4 - Digital Download SKU: A0.1422149 By The Candlelight Guitarist fe…
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Guitar - Level 4 - Digital Download SKU: A0.1422149 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. Guitar Tab. 9 pages. Geofonica Artistworks #1003495. Published by Geofonica Artistworks (A0.1422149). This is the GUITAR PART (in standard notation with TAB) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in standard notation (without TAB) is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$3.99
3.67 €
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The Candlelight Guitarist feat
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Brad Powell
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Cool Cowboy Glen (guitar part of duet)
Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU…
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Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422145 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. 5 pages. Geofonica Artistworks #1003478. Published by Geofonica Artistworks (A0.1422145). This is the GUITAR PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in TABS-plus-standard notation is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell. Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$2.99
2.75 €
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The Candlelight Guitarist feat
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Brad Powell
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Cool Cowboy Glen (bass part of duet)
Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU…
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Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422152 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Country,Folk,Latin,Pop,Rock. 5 pages. Geofonica Artistworks #1003498. Published by Geofonica Artistworks (A0.1422152). This is the BASS PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The GUITAR PART is available separately, in standard notation, and also in TABS-plus-standard notation.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$2.99
2.75 €
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The Candlelight Guitarist feat
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Brad Powell
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Mambo duet vibraphone and Marimba
Percussion Duet - Level 3 - Digital Download SKU: A0.493119 Composed by Anderson Ma…
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Percussion Duet - Level 3 - Digital Download SKU: A0.493119 Composed by Anderson Matos. Contest,Festival,Film/TV,Holiday,Latin,Multicultural,World. Score. 10 pages. Anderson M. Matos #108244. Published by Anderson M. Matos (A0.493119). The musical and choreographic style known as mambo was born in Cuba, the result of a fusion of various musical sounds. It was strongly influenced by Afro-Cuban cadences from the typical religious ceremonies of Congo. The term with which he was baptized comes from a common slang among black musicians – “are you mambo?â€, in other words, “are you all right?â€. These artists performed a rhythm known as El Son in Cuban musical groups. The modern mambo, on the other hand, was created in 1939, with Orestes López and Cachao López, who produced a danzón - a genre derived from the Creole dance, whose source is the Spanish contradanza and the French contredanse, from which various Latin American ballroom dances originate – which they named Mambo, using sounds from African culture.
$8.00
7.37 €
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Anderson Matos
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Mambo duet vibraphone and Marimba
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Anderson M. Matos
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.85 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.85 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Spanish Romance for treble recorder and easy guitar
Composed by Trad.. Arranged by Klas Krantz. For Guitar,Recorder,Alto Recorder. Folk. Early…
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Composed by Trad.. Arranged by Klas Krantz. For Guitar,Recorder,Alto Recorder. Folk. Early Intermediate. Individual Part,Score. Published by Amadeus Music
$4.95
4.56 €
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Trad
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Klas Krantz
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Spanish Romance for treble recorder and easy guitar
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Amadeus Music
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SheetMusicPlus
"Pajarillos Sonoros - Manuel de Sumaya - For Choir SSAT and Violins
Alto Voice,Soprano voice,Tenor Voice,Violin - Digital Download SKU: A0.1468245 By A…
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Alto Voice,Soprano voice,Tenor Voice,Violin - Digital Download SKU: A0.1468245 By Arturo Escorza. By Manuel de Sumaya. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Religious,Sacred. 34 pages. Arturo Escorza #1046559. Published by Arturo Escorza (A0.1468245). Pajarillos Sonoros, an unpublished work by the notable Baroque Novohispano composer Manuel de Sumaya for Choir SSAT and Violins. This piece, cataloged as 04-116 in the musical archive of the Cathedral of Guatemala, is a cantata for 4 voices with violins dedicated to the Virgin.Manuel de Sumaya (c. 1678-1755) was one of the most important composers of the Baroque period in Hispanic America, known for his innovative sacred music and influence on New Spanish. His work combines European tradition with local elements, creating a unique and rich fusion. He's the author of the first operas in North America.Features of the score:Full score: 26 pagesViolin parts: Violin 1 and Violin 2, 8 pagesVoices: Soprano 1, Soprano 2, Alto, and TenorUnfortunately, the basso continuo part is missing, so only the violin and vocal parts have been transcribed. This 106-bar piece is perfect for choirs and string ensembles looking to enrich their repertoire with historical and unique pieces.
$20.00
18.42 €
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Arturo Escorza
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Arturo Escorza
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"Pajarillos Sonoros - Manuel de Sumaya - For Choir SSAT and Violins
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Arturo Escorza
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SheetMusicPlus
Los ñoquis del veintinueve
Small Ensemble - Level 2 - Digital Download SKU: A0.596601 Composed by Juan MarÃ…
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Small Ensemble - Level 2 - Digital Download SKU: A0.596601 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. Juan Maria Solare #6057663. Published by Juan Maria Solare (A0.596601). Los ñoquis del veintinueve – The Gnocchi of the Twenty-Ninth – by Juan MarÃa Solare Audio: https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS Comments The order of these 29 numbers is rigorously random, as is the election of the six sizes of the fonts (12, 16, 20, 24, 28 and 32 picas). In order to determinate both dimensions I used the program I-Ching by Andrew Culver (assistant to John Cage in the '80 and '90), a program that is distributed as shareware in internet (thanks). The colour version follows the following criterion: - (a) prime numbers (see green) - (b) multiples of 3 (red) - (c) all other numbers (blue) ...if it ends up being good music then what matter the procedure involved? (David Cope, New Music Composition, p. 117) About the expression los ñoquis del 29: The Italian word gnocchi (gnocchi is plural of gnocco, which meaning is lump) is used in Spanish often as ñoqui or ñoquis. In the RÃo de la Plata (Argentina and Uruguay) are traditionally eaten on the 29th of each month, the day before payday, when people has less money. This tradition is called los ñoquis del 29 - the gnocchi of the twenty-ninth. There are naturally other versions. The most picturesque comes from a legend of the VIIIth century (or even IIIrd century). A young physician called Pantaleon (Panteleimon) lived in Nicosia (Cyprus), who after converting to Christianity, journeyed through the North of Italy. There he practiced miraculous healings due to which he was canonized. In a certain occasion, he asked some Venetian villagers for bread, and they invited him to share their poor table. Grateful, he announced them a year of excellent fishing and harvest. The prophecy was fulfilled. Saint Pantaleon was consecrated –along with Saint Mark– patron of Venice. That episode occurred on a 29th, for this reason that day is recalled with a simple food represented by gnocchi. The accompanying ritual of putting money below the dish represents the yearning of new gift. Outside the culinary realm, certain Argentine and Uruguayan functionaries are dismissively called ñoquis, because they only go to work at the end of the month, to justify their salary or simply to cash in for a not fulfilled work. This meaning was spread since the 1970's. Premiere: Luis Mihovilcevic, Saturday 25 October 2008, Centro Cultural Islas Malvinas, La Plata (Argentina). * JMS * DonSolare@gmail.com *https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS
$2.25
2.07 €
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Juan MarÃa Solare
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Los ñoquis del veintinueve
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Juan Maria Solare
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SheetMusicPlus
Will o' the Wisp
Cello,Guitar,Violin - Level 3 - Digital Download SKU: A0.1329095 By Miles Davis, Gi…
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Cello,Guitar,Violin - Level 3 - Digital Download SKU: A0.1329095 By Miles Davis, Gil Evans, Manuel de Falla. By Miles Davis, Gil Evans, Manuel de Falla. Arranged by Nick Mordal. 20th Century,Chamber,Classical,Jazz,Latin. 9 pages. Nick Mordal #917069. Published by Nick Mordal (A0.1329095). This is from the Miles Davis album Sketches of Spain and is arranged for violin, cello and guitar. You can also find the song in Manuel de Falla's ballet El Amor Brujo. There is a vamp at the end where the violinist in encouraged to improvise chromatically and cue the final measures. The piece has several origins. I first discovered it on Miles Davis' and Gil Evans' record Sketches of Spain, and mainly based the arrangement on that version. However, the melody is from ancient Spanish folk tradition and was brought to the popular world in Manuel de Falla's Ballet El Amor Brujo. It is a very haunting and moody work in each of it's versions. I believe I captured the feeling in a trio of guitar, violin and cello. Light percussion can work very nicely with it as well, as you can hear in this version performed by Mill City Caravan.Â
$20.00
18.42 €
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Miles Davis, Gil Evans, Manuel de Falla
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Nick Mordal
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Will o' the Wisp
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Nick Mordal
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SheetMusicPlus
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