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Transformations

Transformations for Bb Trumpet and Percussion

Transformations for Bb Trumpet and Percussion

Instrumental Duet,Mixed Percussion Instrumental Duet,Trumpet - Level 5 - Digital Download …(+)

Instrumental Duet,Mixed Percussion Instrumental Duet,Trumpet - Level 5 - Digital Download SKU: A0.755234 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 5 pages. Sy Brandon #3534951. Published by Sy Brandon (A0.755234). Transformations is a five-movement composition for trumpet and percussion. The title is derived from the way the organic material of the first movement is altered during the ensuing movements. Movement two mainly explores the sixteenth note material that is presented during the first movement and is at a faster tempo. The slow third movement is at a slow tempo and is very coloristic. The muted trumpet presents material reminiscent of the opening motivic cell, but it is highly decorated through the use of half-step trills. A sextuplet section has a similar contour to the second germ cell used in the first movement. The lyrical ending to this movement also has its roots in the first movement. The fourth movement is very fast with shifting odd meters and represents the climax of the composition. Hints of motivic cells from the first movement can be heard throughout. The last movement serves as an epilogue by being more closely related to the material of the first movement but it has a characteristic of reflection rather than an exposition. The percussion part serves many roles by imitating the trumpet, adding color and punctuation, and serving as an equal voice in the presentation and development of material. Both musicians perform from the score.
$9.99 9.06 € #Sy Brandon #Transformations for Bb Trumpet and Percussion #Sy Brandon #SheetMusicPlus

#Transformations for Bb Trumpet and Percussion

Transformations - Butterfly

Transformations - Butterfly

String Ensemble Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.500493 Co…(+)

String Ensemble Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.500493 Composed by Lore Burns. Classical,Contemporary,Jazz,Pop. Score and parts. 40 pages. Published by Lore Phoenix Burns (A0.500493). The third movement of the 'Transformations' series, representative of a butterfly spreading its wings and joyously flitting in the summer sun. With jazzy undertones and featuring instrument body percussion, this fast-paced piece is a fun and challenging one for string ensemble.
$15.00 13.6 € #Lore Burns #Transformations - Butterfly #Lore Phoenix Burns #SheetMusicPlus

#Transformations - Butterfly

Amazing Transformations

#Amazing Transformations

Translations and Transformations

#Translations and Transformations

Transformations - Caterpillar

#Transformations - Caterpillar

Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.

Carso Cooman: Polpis Dreaming (2002) for Eb contrabass saxophone and piano

Small Ensemble Baritone Saxophone,Bass Saxophone,Piano - Level 5 - Digital Download SKU…(+)

Small Ensemble Baritone Saxophone,Bass Saxophone,Piano - Level 5 - Digital Download SKU: A0.533585 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3029121. Published by Musik Fabrik Music Publishing (A0.533585). Polpis Dreaming (2002) for contrabass saxophone and piano was commissioned for and isdedicated to Jay C. Easton. The work was inspired by Easton's championing of the more unusual members of the saxophone family, particularly the contrabass with its incredibly powerful and deep sound. This work is recorded on Easton's SoLow CD.The title refers to Polpis, a region of Nantucket Island, Massachusetts that borders Nantucket Harbor with a variety of smaller inlets. This work is one of a variety of pieces connected to the landscape of Nantucket. In the case of this piece, the extra-musical image was one of the incredible depth of the ocean (perhaps parallel to the depth of the contrabass saxophone's sound) slowly being explored/achieved through the means of inlets.The work's basic material comes from the saxophone's opening gesture, which moves upwardfrom the bottom of the instrument. The pitch material and interval content that are transformed throughout the work are presented in that motion.The first section of the work is declamatory, with lyric impulses. The material of the work is unfolded as the sounds of the piano's resonance, combined with the tone of the contrabass saxophone are explored. A faster middle section occurs next in which the harmonic gestures and transformations are always moving towards greater consonance. After the middle section, there is a return to the mood of the opening, although the material of the middle section also appears in transformation.
$11.95 10.84 € #Carson Cooman #Carso Cooman: Polpis Dreaming #Musik Fabrik Music Publishing #SheetMusicPlus

Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb

Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digi…(+)

Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled â€œprocessional doubles for mixed sextet.â€ (The word â€œdoublesâ€ is used in the old sense ofâ€œvariations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form â€“ instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95 22.62 € #Carson Cooman #Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet #Musik Fabrik Music Publishing #SheetMusicPlus

Composition on BWV 1079_1

Bassoon,Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.1220241 By Ana Sofi…(+)

Bassoon,Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.1220241 By Ana Sofia Peixoto AntÃ£o Sousa Dias. By Johann Sebastian Bach. Arranged by Ana Sofia Peixoto AntÃ£o Sousa Dias. Baroque,Chamber,Classical,Multicultural,World. Full Performance. Duration 892. Ana Antao #816572. Published by Ana Antao (A0.1220241). Composition arrangement I made on Bach's BWV 1079 nÂº 1. The original work of J. S. Bach Musikalisches Opfer, Ricercar a 3, BWV 1079 nÂº 1, was subjected to a serie of transformations that resulted in different atmospheres which I chose two. The sound comes from the virtual instruments that the music notation program Sibelius Ultimate has.
$2.00 1.81 € #Ana Sofia Peixoto AntÃ£o Sousa Dias #Composition on BWV 1079_1 #Ana Antao #SheetMusicPlus

Composition on BWV 1079_8

Cello,Flute,Violin - Level 2 - Digital Download SKU: A0.1220225 By Ana Sofia Peixot…(+)

Cello,Flute,Violin - Level 2 - Digital Download SKU: A0.1220225 By Ana Sofia Peixoto AntÃ£o Sousa Dias. By Johann Sebastian Bach. Arranged by Ana Sofia Peixoto AntÃ£o Sousa Dias. Baroque,Chamber,Classical,Multicultural,World. Full Performance. Duration 748. Ana Antao #816554. Published by Ana Antao (A0.1220225). Composition arrangement I made on Bach's BWV 1079 nÂº 8. The original work of J. S. Bach Musikalisches Opfer, canon perpetuus, BWV 1079 nÂº 8, was subjected to a serie of transformations that resulted in three atmospheres which precede Bach's itself original composition. The sound comes from the virtual instruments that the music notation program Sibelius Ultimate has.
$2.00 1.81 € #Ana Sofia Peixoto AntÃ£o Sousa Dias #Composition on BWV 1079_8 #Ana Antao #SheetMusicPlus

Small Ensemble Cello,Clarinet,Harp,Viola,Violin - Level 5 - Digital Download SKU: A0.898932 Composed by Gilad Cohen. Contemporary. Score and parts. 148 pages. Gilad Cohen #4286339. Published by Gilad Cohen (A0.898932). Firefly Elegy uses a 12-note melodic theme, which through the course of the piece undergoes a series of transformations - mirroring the metamorphosis that takes place over a firefly's brief life span. The piece comprises four sections that reflect the four life stages of the firefly. During the motionless egg stage, some types of fireflies glow dimly; the opening section of the piece (following a short fanfare of flashing-light) is likewise static and calm, while at the same time features an internal motion hinting at subdued energy. The following groovy section is at times aggressive, not unlike the firefly during its larva stage, when it is hunting and digesting insects using special enzymes. The firefly hibernates through the pupa stage - reflected in the third section of the piece by seemingly everlasting sustained chords in the strings. Like a flash of light, each new phrase begins with an ascending scale, while the harp provides groups of repeated notes, recalling the synchronized flashes that are found in groups of tropical fireflies. Firefly Elegy ends with an elegy in which the now mature firefly looks back at its life. It has gone through such an extensive journey but only long enough to mate and lay eggs, sometimes without feeding during its adult stage. In the summertime, I often watch the firefly in his lonely flutter, flashing about and looking for a mate so he can complete the sole purpose of his short life before dying away. He must sometimes look back and wonder: was it all worth it?

2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra. Composed by Hans Werner Henze and Richard Wagner. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q23929. Published by Schott Music - Digital (S9.Q23929). When Hans Werner Henze received a commission to instrument early lieder by Richard Wagner at the end of the 1990s, he realised that he could not simply recreate the piano part in a scoring for classical-romantic orchestra. â€™It was not only my wish but also a necessity to progress much further than the path I had taken in my Wesendonck arrangements if this operation was not to prove to be an entirely superfluous exercise. Numerous changes have therefore presented themselves during this process, not arbitrarily, but out of a certain artistic curiosity: for example changes of metre, tonal and tessitura transformations and the realisation and completion of the two fragments â€™Extaseâ€™ and â€™La tombe dit Ã la roseâ€™. I have added subsidiary voices and all manner of things, frequently concealed in the piano part, which corresponded to my intentions of focusing a spotlight on the often only allusively detected fineness of this music, thereby permitting it to unfold to its full extent of richness and radiance.â€™ (Hans Werner Henze)2 (1. auch Picc., 2. auch Picc. u. Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 2 (2. auch Bassklar.) Â· 2 (2. auch Kfg.) - 2 Â· 2 Â· 0 Â· Tenortb. (Wagner-Tuba, von einem Hornisten zu spielen) Â· 0 Â· Kb.-Tb. - P. S. (Glsp. Â· Crot. Â· Vibr. Â· Marimba Â· 3 hg. Beck. Â· Beckenpaar Â· Tamt. Â· Tamb. Â· 3 Tomt. Â· kl. Tr. Â· RÃ¼hrtr. Â· Mil. Tr. Â· gr. Tr. m. Beck. Â· Kast. Â· Guiro) (3 Spieler) - Hfe. Â· Cel. Â· Klav. - Str.