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6 partitions trouvées
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Message Exchange for bass clarinet & marimba
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Rain Worthington
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Message Exchange for bass clar
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SR Worthington
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - SKU: A0.916296 Composed by Rain Worthington. Concert,Contemporary,Standards. Score and ...
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Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - SKU: A0.916296 Composed by Rain Worthington. Concert,Contemporary,Standards. Score and parts. 12 pages. SR Worthington #6408747. Published by SR Worthington (A0.916296). A duet for solo wind (or brass) and marimba in two continuous movements.I. That’s What I HeardII. Are You Sure?(Video features the US premiere performed by Transient Canvas at 2021 SCI Online Convention, Concert No. 6, Amy Advocat, bass clarinet and Matt Sharrock, marimba) (audio is a midi realization of the version for Alto Flute and Marimba) https://soundcloud.com/rain-worthington/message-exchange-alto-flute-marimba-midi-1Duration: ca. 3:40
$4.50
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
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Contemporain
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugi
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phil...
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Piano Trio,String Ensemble - SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
The Sundials: I;Tempus Edax Rerum (Time devours things)
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Contemporain
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Re
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phi...
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Piano Trio,String Ensemble - SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
Pointed Sphere
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Blake Buehler
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Pointed Sphere
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Blake Buehler
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SheetMusicPlus
B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 5 - SKU: A0.1289229 Composed by Blake Buehler. 21st Century,Chamber,Contemporary. 15 pages. Blake...
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B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 5 - SKU: A0.1289229 Composed by Blake Buehler. 21st Century,Chamber,Contemporary. 15 pages. Blake Buehler #879995. Published by Blake Buehler (A0.1289229). For Bass Clarinet & MarimbaOrigionally performed by Transient Canvas5'30.
$12.99
Two Settings from "Finnegan's Wake"
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Harry Partch
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Two Settings from "Finneg
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Schott Music - Digital
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SheetMusicPlus
Voice Part (Sopran) and 2 Flutes - difficult - SKU: S9.Q46265 Text by James Joyce. Composed by Harry Partch. This edition: performance score. The...
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Voice Part (Sopran) and 2 Flutes - difficult - SKU: S9.Q46265 Text by James Joyce. Composed by Harry Partch. This edition: performance score. The Harry Partch Edition. Downloadable, Performance score. Duration 3 minutes. Schott Music - Digital #Q46265. Published by Schott Music - Digital (S9.Q46265). English.Harry Partch met soprano Ethel Luening in 1942 and two years later composed this work for her. Initial performances featured Luening as soprano with Partch playing his kithara, and composer Henry Brant playing double flageolet; Partch would eventually replace the double flageolet with two flutes. The use of the complex text from James Joyce’s Finnegan’s Wake contrasts strongly with Partch’s other works at the time, which used texts from Partch’s experiences as a transient or from authors like Thomas Wolfe.
$7.99
Golgatha
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Enjott Schneider
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Golgatha
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Schott Music - Digital
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SheetMusicPlus
Trombone and organ - SKU: S9.Q6968 Introduktion und Chaconne. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 ...
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Trombone and organ - SKU: S9.Q6968 Introduktion und Chaconne. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q6968. Published by Schott Music - Digital (S9.Q6968). To the composer Enjott Schneider, Golgatha, the biblical place of crucification, is a symbol of both the transient and transcendental in human life. For his composition of the same name, he chose the form of a chaconne with introduction. Full of number symbolism, the work was premiered by the solo trombonist of the Hamburg NDR Symphony Orchestra and the organist of the Trier Cathedral to whom it has been dedicated.
$18.99
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