Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Try to remember
Non classifié
62
Piano & claviers
Piano seul
47
Piano, Voix et Guitare
32
Piano, Voix
27
Piano Facile
6
Instruments en Do
6
Piano grosses notes
5
Orgue
2
Accompagnement Piano
1
+ 3 instrumentations
Retracter
Guitares
Paroles et Accords
7
Guitare notes et tablatures
6
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
5
Ukulele
5
Basse electrique
4
Dulcimer
1
2 Guitares (duo)
1
Guitare (partie séparée)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
14
Chorale 3 parties
8
Chorale 2 parties
4
Chorale TTBB
2
Chorale
2
Voix haute
1
Chorale SSATB
1
Voix Baryton, Piano
1
Chorale Unison
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone (partie séparée)
2
Flûte traversière
1
2 Saxophones (duo)
1
Cor Anglais
1
Clarinette
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Alto et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Piano (duo)
1
Saxophone Tenor
1
Saxophone Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Instruments en Mib
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois (partie séparée)
1
2 Flûtes traversières (duo)
1
+ 13 instrumentations
Retracter
Cuivres
Trompette
2
Trompette (partie séparée)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cor Anglais
1
Tuba
1
Trombone
1
Instruments en Sib
1
Cor
1
Bass Clef Instruments
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violoncelle
5
Violon et Piano
3
Harpe
2
Trio à Cordes: 2 violons, violoncelle
1
Violon
1
Alto seul
1
Contrebasse (partie séparée)
1
Violon, Violoncelle (duo)
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
18
Ensemble de cuivres
2
Orchestre à Cordes
2
Orchestre de chambre
1
Batterie (partie séparée)
1
Ensemble de Percussions
1
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
FR
FR
EN
Se connecter
Partitions Gratuites
0
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
62
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
796
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
CUIVRE / VENT
|
NOËL
|
CORDES/TRAD.
|
R.AVANCÉE
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Try to remember
Partitions à imprimer
62 partitions trouvées
<
1
26
51
Please Try to Remember Me (Holy Thursday) - vocal trio, cello and piano
#
Connie Boss
#
Please Try to Remember Me
#
Connie Boss
#
SheetMusicPlus
Small Ensemble Alto Voice,Cello,Piano,Soprano voice - Level 2 - SKU: A0.801304 Composed by Connie Boss. Easter. Score and parts. 4 pages. Connie Boss #5...
(+)
Small Ensemble Alto Voice,Cello,Piano,Soprano voice - Level 2 - SKU: A0.801304 Composed by Connie Boss. Easter. Score and parts. 4 pages. Connie Boss #5197949. Published by Connie Boss (A0.801304). Holy Thursday - Washing of the feet song. It is a vocal trio with cello and piano. The verses are for solo voice or could be all in unison with harmonies added. The instruments are optional except the piano. Voices are written in treble clef but men could be added as well.Questions or requests, email cdboss@cvalley.netHoly Thursday/Washing of the Feet/The Last SupperVerse 1: Jesus said to His apostles, welcome to this feast – He said Please try to remember me This was the night of His last supper, they all sat down to eat. He said Please try to remember me. Refrain: For I will be with you always Keep me in your heart Verse 2: Then He knelt before each man and placed their feet in His hands – He said Please try to remember me He washed their feet of the dirt and sand from their trip on the land – He said Please try to remember me Refrain: For I will be with you always Keep me in your heart Verse 3: He told them of His fate that night and saw that they were filled with fright – He said Please try to remember me Now go forth and spread the word, the message that you’ve heard – He said Please try to remember me Refrain: For I will be with you always Keep me in your heart.
$5.50
A Nightmare To Remember
#
Dream Theater
#
Alessandro Marino
#
A Nightmare To Remember
#
Alessandro Marino
#
SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1371875 By Dream Theater. By John Myung, John Petrucci, Jordan Rudess, and Mike Portnoy. Arranged by Alessandro Ma...
(+)
Instrumental Solo - Level 5 - SKU: A0.1371875 By Dream Theater. By John Myung, John Petrucci, Jordan Rudess, and Mike Portnoy. Arranged by Alessandro Marino. 21st Century,Classical,Contemporary,Rock. Individual part. 37 pages. Alessandro Marino #956064. Published by Alessandro Marino (A0.1371875). Piano solo version. All my piano solo version try to reproduce the power and the atmosphere of the original version, like pianists of 19th and 20th centuries did with their transcriptions and paraphrases on orchestral works, opera and lieder.
$9.99
Do You Remember Piano Vocal Performance
#
Steven H
#
Ashley Ivers
#
Do You Remember Piano Vocal Pe
#
Boothe Publishing
#
SheetMusicPlus
Piano,Voice - SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 150. Boothe Publi...
(+)
Piano,Voice - SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 150. Boothe Publishing #4633709. Published by Boothe Publishing (A0.1069971). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
Do You Remember Guitar Minus Vocal
#
Steven H
#
Do You Remember Guitar Minus V
#
Boothe Publishing
#
SheetMusicPlus
Guitar - SKU: A0.1069952 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 153. Boothe Publishing #4633637. Published by Booth...
(+)
Guitar - SKU: A0.1069952 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 153. Boothe Publishing #4633637. Published by Boothe Publishing (A0.1069952). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
Do You Remember Guitar Vocal Performance
#
Steven H
#
Do You Remember Guitar Vocal P
#
Boothe Publishing
#
SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069970 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 153. Boothe Publishing #4633707. Publ...
(+)
Bass Guitar,Voice - SKU: A0.1069970 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 153. Boothe Publishing #4633707. Published by Boothe Publishing (A0.1069970). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
It Is Not Death to Die - Orchestration
#
Robert Myers
#
#
It Is Not Death to Die - Orche
#
WheatMyer Music
#
SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
(+)
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
Don't Forget To Remember
#
Bee Gees
#
Peet du Toit
#
Don't Forget To Remember
#
Peet du Toit
#
SheetMusicPlus
Small Ensemble Drum Set,Horn,Trombone,Tuba - Level 2 - SKU: A0.802649 By Bee Gees. By Barry Gibb and Maurice Gibb. Arranged by Peet du Toit. Dance,Disco...
(+)
Small Ensemble Drum Set,Horn,Trombone,Tuba - Level 2 - SKU: A0.802649 By Bee Gees. By Barry Gibb and Maurice Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 30 pages. Peet du Toit #6197719. Published by Peet du Toit (A0.802649). Don't Forget to Remember also called Don't Forget to Remember Me is a country ballad recorded by the Bee Gees, from the album Cucumber Castle. The song was written by Barry and Maurice Gibb. It was produced by the band with Robert Stigwood.The song features Barry Gibb singing at a lower pitch than usual. The song's lyrics follow the country-song tradition of romantic laments with its tearful first-person lyrics about a man haunted by a failed love affair he can't put out of his mind. Its melody matches the yearning quality of the lyrics, especially on the chorus, which underpins the forlorn wish Don't forget to remember me/And the love that used to be with glorious runs of ascending notes.The ascending notes in this version are the high-pitched notes for the French horn, the cries of an ex-lover. Enjoy!
$19.00
Ode to My Savior Beginner Trumpet Trio
#
Eddie Lewis
#
Ode to My Savior Beginner Trum
#
Tiger Music
#
SheetMusicPlus
Brass Ensemble Trumpet - Level 1 - SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #68392...
(+)
Brass Ensemble Trumpet - Level 1 - SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down†and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.
$5.08
I Forgot To Remember
#
Rick Moose
#
Richard Mousseau
#
I Forgot To Remember
#
Moose Hide Music Publishing
#
SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Guitar Accompaniment,Viola,Voice - Level 3 - SKU: A0.1199131 By Rick Moose. By Richard Mousseau. Arranged ...
(+)
Drum Set,Electric Bass Guitar,Electric Guitar,Guitar Accompaniment,Viola,Voice - Level 3 - SKU: A0.1199131 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Country,Folk,Pop,Singer/Songwriter. Full Performance. Duration 182. Moose Hide Music Publishing #798199. Published by Moose Hide Music Publishing (A0.1199131). Country / Folk. New release by Canadian Songwriter. Full score available from publisher.
$1.99
I Pledge Allegiance to Planet Earth
#
Elaine Johnson
#
Elaine Johnson
#
I Pledge Allegiance to Planet
#
Elaine Johnson
#
SheetMusicPlus
Instrumental Duet C Instrument,Instrumental Duet,Piano - Level 1 - SKU: A0.1030669 Composed by Elaine Johnson. Arranged by Elaine Johnson. Children,Coun...
(+)
Instrumental Duet C Instrument,Instrumental Duet,Piano - Level 1 - SKU: A0.1030669 Composed by Elaine Johnson. Arranged by Elaine Johnson. Children,Country,Folk,Pop,World. Score and parts. 1 pages. Elaine Johnson #2003453. Published by Elaine Johnson (A0.1030669). For those who are concerned about the future of Planet Earth, here is a simple pledge complete with an easy-to-remember jingle to affirm that desire to unite and care about all life forms--everywhere!
$4.00
Harry Belafonte: Try To Remember
Instruments Solistes
#
Chanson Française
#
Harry Belafonte
#
Try To Remember
#
Quickpartitions
4.99€
Please try to Remember Me - Washing of the Feet
#
Connie Boss
#
Please try to Remember Me - Wa
#
Connie Boss
#
SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801044 Composed by Connie Boss. Easter. Score. 2 pages. Connie Boss #4269325. Published by Connie Bo...
(+)
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801044 Composed by Connie Boss. Easter. Score. 2 pages. Connie Boss #4269325. Published by Connie Boss (A0.801044). This is a Lenten song for Holy Thursday - Washing of the Feet. It is written in two and three parts with piano accompaniment and guitar chords.
$5.50
Try to Remember (from The Fantasticks)
#
Harvey Schmidt and Tom Jones
#
Jay Althouse
#
Try to Remember
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0004366 Composed by Harvey Schmidt and Tom Jones. Arranged by Jay Althouse. Choral. 7 pages. Alfred Music - Digital Sheet Music #...
(+)
Chorus - SKU: AX.00-PO-0004366 Composed by Harvey Schmidt and Tom Jones. Arranged by Jay Althouse. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0004366. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0004366). UPC: 038081294384.
$2.25
Please Try to Remember Me (Holy Thursday) - vocal trio, violin and piano
#
Connie Boss
#
Please Try to Remember Me
#
Connie Boss
#
SheetMusicPlus
Small Ensemble Alto Voice,Piano,Soprano voice,Violin - Level 2 - SKU: A0.801305 Composed by Connie Boss. Easter. Score and parts. 4 pages. Connie Boss #...
(+)
Small Ensemble Alto Voice,Piano,Soprano voice,Violin - Level 2 - SKU: A0.801305 Composed by Connie Boss. Easter. Score and parts. 4 pages. Connie Boss #5197981. Published by Connie Boss (A0.801305). Holy Thursday - Washing of the feet song. It is a vocal trio with violin and piano. The verses are for solo voice or could be all in unison with harmonies added. The instruments are optional except the piano. Voices are written in treble clef but men could be added as well.Questions or requests, email cdboss@cvalley.net.
$5.50
Try To Remember
#
Try To Remember
#
Hal Leonard - Digital
#
SheetMusicPlus
his edition: Interactive Download. Broadway, Pop, Standards. Vocal Pro + Piano/Guitar. 7 pages. Published by Hal Leonard - Digital...
(+)
his edition: Interactive Download. Broadway, Pop, Standards. Vocal Pro + Piano/Guitar. 7 pages. Published by Hal Leonard - Digital
$4.99
Entry of the Gladiators
#
Contemporain
#
Christopher Alexander
#
Christopher Alexander
#
Entry of the Gladiators
#
Christopher Alexander
#
SheetMusicPlus
Bass Guitar,Drums,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.839844 By Christopher Alexander. By Julius Fucik. Arranged by C...
(+)
Bass Guitar,Drums,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.839844 By Christopher Alexander. By Julius Fucik. Arranged by Christopher Alexander. Contemporary. 38 pages. Christopher Alexander #6057115. Published by Christopher Alexander (A0.839844). Tenor Saxophone, 3 Trumpets in Bb, Trombone, Piano, Synthesizer, Bass Guitar, and Drum Set It’s the familiar melody from the circus you remember!  Adapted to less than a minute for performance time.
$20.00
When the World Drops In to Town
#
David Kai
#
David Kai
#
When the World Drops In to Tow
#
David Kai
#
SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Ce...
(+)
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
Lent and Easter Strings book 1 - Strings and Piano
#
Musique Sacrée
#
Connie Boss
#
Lent and Easter Strings book 1
#
Connie Boss
#
SheetMusicPlus
Small Ensemble Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.801607 Composed by Connie Boss. Christian,Easter,Sacred. Score and part...
(+)
Small Ensemble Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.801607 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 68 pages. Connie Boss #6259277. Published by Connie Boss (A0.801607). This book has Lent and Easter hymns in it for strings and piano that each have their own set of parts attached at the end of each song. Mostly violin and cello - there is one that includes the viola. Some of these songs are original and some are familiar songs that have been arranged in some way by me. Songs are suitable for Ash Wednesday, Lent, Holy Thursday - Last Supper - Washing of the Feet, Good Friday and Easter. cdboss@cvalley.net (you will be able to also purchase it in book form from Amazon if desired) See book content below: You can also find this book with vocals. There is also a strings book 2 available. You can hear Were You There in the video attached.Lent and Easter SongsTable of Contents Ash WednesdayMake a clean heart in me o GodLentLord who throughout these forty daysI heard the voice of Jesus sayHoly ThursdayPlease try to remember meGood FridayThe hammer and the nailWere you thereEasterIt was a Glorious DayJesus Christ was raised on highChrist arose
$8.00
Highway Of Heroes
#
Robert Buckley
#
Rita Arendz
#
Highway Of Heroes
#
Rita Arendz
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1126635 Composed by Robert Buckley. Arranged by Rita Arendz. 20th Century,Instructional,Patriotic. Brass Band. 60 pages. Rita Arendz #727278. Published by Rita Arendz (A0.1126635). The original work for Concert Band was commissioned by Edward Trovato and his band, The Gleneagle Secondary School Senior Symphonic Band, of Coquitlam, British Columbia, Canada. The inspiration came from the name of a stretch of highway that pays homage to the fallen soldiers. It was composed to honour heroism of all kinds - to pay tribute to the brave souls who every day unselfishly risk their lives and even pay the ultimate sacrifice. There are two Highways of Heroes in Canada, the first being a portion of the King's Highway in Ontario, commonly referred to as Highway 401 and officially known as The MacDonald-Cartier Freeway. The second is the portion of the Trans-Canada Highway in British Columbia between Surrey and Abbotsford. In 2007, The Government of Canada renamed the freeway in Ontario between Trenton, home of the Canadian Forces Base Trenton, and Toronto, where the Office of the Chief Coroner is located. This was the first stop for the fallen returning from Afghanistan before returning home to their families. Although Canada had a special forces team in Afghanistan in December 2001, the first infantry battalion did not arrive until February 2002. That April saw the first casualty. The funeral processions that followed inspired a spontaneous phenomenon of Canadians lining the 100-mile route, waving flags and rendering salutes to remember their country's soldiers. The second Highway of Heroes was dedicated in 2011 to the memory of British Columbians who paid the ultimate sacrifice by giving their lives for their country in Afghanistan and to the families they left behind. This setting for British Style Brass Band was written to commemorate the 20th anniversary of the first main body of Canadian soldiers in Afghanistan and to remember the 159 service personnel and civilians whose sacrifices cannot be forgotten. Duration ~4:55. 60 pages.
$62.99
Playing with Scales
#
Richard Hirsch
#
Playing with Scales
#
Richard Hirsch
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richa...
(+)
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
(+)
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
(+)
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
(+)
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
If You Could Go Back Piano Vocal Performance
#
Pop musique
#
Steven H
#
Ashley Ivers
#
If You Could Go Back Piano Voc
#
Boothe Publishing
#
SheetMusicPlus
Piano,Voice - SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. P...
(+)
Piano,Voice - SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
<
1
26
51
Try to remember
