English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
878
Librairie
Musicale
4 016
Matériel
de Musique
333
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
878
PIANO & CLAVIERS
Piano seul
396
Piano Facile
167
1 Piano, 4 mains
87
Piano, Voix
54
Instruments en Do
43
Orgue
36
Piano, Voix et Guitare
33
Accompagnement Piano
31
2 Pianos, 4 mains
29
2 Accordéons
5
Accordéon
5
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
4
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
150
Piano, Guitare (duo)
112
Guitare
53
2 Guitares (duo)
41
Ukulele
27
Ligne De Mélodie, (Paroles) et Accords
14
Basse electrique
9
4 Guitares (Quatuor)
7
Mandoline
7
3 Guitares (trio)
3
Dulcimer
3
2 Dulcimers (duo)
2
Ensemble de guitares
2
2 Ukuleles
1
Partitions De Groupes
1
2 Mandolines (duo)
1
Banjo
1
Paroles et Accords
1
Instrumentations suivantes
Retracter
VOIX
Chorale 2 parties
110
Chorale SATB
81
Chorale Unison
60
Chorale 3 parties
25
Chorale TTBB
8
Voix Soprano, Piano
7
Chorale SSAA
5
Voix haute
5
Voix Baryton, Piano
3
Voix Alto, Piano
2
Voix duo
2
Voix duo, Piano
2
Voix moyenne, Piano
2
Voix basse, Piano
2
Chorale SSAATTBB
1
Voix Tenor
1
Voix seule
1
Voix Soprano
1
Chorale SSAB a cappella
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
355
Hautbois, Piano (duo)
215
Clarinette et Piano
199
Flûte traversière et Piano
192
Saxophone Alto et Piano
146
Saxophone Tenor et Piano
145
2 Flûtes traversières (duo)
142
2 Clarinettes (duo)
140
2 Hautbois (duo)
91
Saxophone, Clarinette (duo)
67
2 Flûte à bec (duo)
55
Clarinette, Violon (duo)
45
Clarinette
36
Clarinette, Trompette (duo)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Quatuor de Saxophones: 4 saxophones
31
Flûte, Clarinette (duo)
31
2 Flûtes traversières, Piano
27
Flûte traversière
24
Clarinette et Alto
24
Flûte, Violon
23
Hautbois (partie séparée)
23
Hautbois, Flûte
23
Hautbois, Clarinette (duo)
22
Hautbois, Basson (duo)
19
Flûte, Saxophone (duo)
19
Flûte, Hautbois, Clarinette, Basson
19
Saxophone Soprano et Piano
18
Flûte, Alto (duo)
17
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Alto
14
3 Clarinettes (trio)
14
Flûte, Trompette (duo)
14
Cor anglais, Piano
14
Saxophone Baryton, Piano
12
Flûte à bec Soprano
12
3 Saxophones (trio)
10
Saxophone Tenor
10
Saxophone (partie séparée)
9
Quintette de Saxophone: 5 saxophones
8
Flûte à bec Soprano, Piano
8
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Clarinettes
6
Flûte à bec Tenor
5
Flûte à bec Alto, Piano
5
Clarinette Basse, Piano
5
Cor Anglais
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Violoncelle (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Guitare (duo)
2
Flûte à Bec, Piano
2
Clarinette, Basson (duo)
2
Piccolo, Piano
2
2 Clarinettes, Basson
2
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Clarinette, Trombone (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte irlandaise
2
Flûte, Violon, Piano
2
Saxophone et Orgue
2
Flûte, Clarinette, Piano (trio)
1
2 Flûtes, Basse continue
1
Clarinette Basse
1
Ensemble de Hautbois
1
5 Flûtes à bec
1
Flûte à bec Alto
1
Ensemble de saxophones
1
Flûte, Violoncelle
1
Ensemble de Flûtes
1
Flûte, Hautbois (duo)
1
Flûte et Quatuor à Cordes
1
Instruments en Mib
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, violon (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
161
2 Trombones (duo)
100
Trompette
94
2 Trompettes (duo)
94
Trompette, Piano
76
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Trompette, Saxophone (duo)
49
Trombone
26
Trompette, Trombone (duo)
25
Trompette (partie séparée)
20
2 Cors (duo)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Cor anglais, Piano
14
2 Euphoniums (duo)
10
Euphonium, Piano (duo)
9
2 Tubas (duo)
9
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
4
Cor Anglais
4
Quatuor de Cuivres
4
Tuba et Piano
4
Tuba
3
Euphonium
3
Trombone basse et Piano
3
Quatuor de cuivres: 4 cors
3
Cor et Piano
3
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Cor
2
Bass Clef Instruments
1
Tuba (partie séparée)
1
Trio de Cuivres
1
Trombone basse
1
3 Trombones (trio)
1
Trombone, Tuba (duo)
1
3 Tubas (trio)
1
Instruments en Sib
1
3 Cors (trio)
1
Cor (partie séparée)
1
3 Euphoniums
1
Trompette et Guitare
1
Tuba et Orgue
1
Trompette, Violoncelle et Piano
1
4 Tubas
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
192
Alto, Piano
187
Violoncelle, Piano
153
2 Violons (duo)
143
2 Harpes (duo)
117
2 Altos (duo)
117
2 Violoncelles (duo)
113
Trio à Cordes: 2 violons, violoncelle
68
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon
58
Violoncelle
43
Violon, Violoncelle (duo)
41
Violon, Alto (duo)
31
Alto seul
22
Harpe
22
Alto (partie séparée)
12
Trio à Cordes: violon, alto, violoncelle
8
2 Contrebasses (duo)
6
Contre Basse
6
Contrebasse, Piano (duo)
6
Violon (partie séparée)
6
Quatuor à cordes: 4 violons
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
3
4 Violoncelles
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Orgue
1
Harpe et Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Alto et Basson
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Violoncelle, Basse continue
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
3 Harpes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
186
Orchestre à Cordes
35
Orchestre
33
Ensemble Jazz
27
Cloches
22
Ensemble de cuivres
17
Orchestre de chambre
11
Jazz combo
6
Batterie
4
Percussion
4
Ensemble de Percussions
4
Xylophone, Piano
3
Fanfare
3
2 Xylophones
2
Ensemble d'École
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
2 Marimbas
1
Vibraphone
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Two For Tea
Partitions à imprimer
878 partitions trouvées
<
1
26
51
....
876
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digi…
(+)
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95
22.81 €
#
Carson Cooman
#
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Tea for Two for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Two
Instrumental Duet Bassoon,Cello,Instrumental Duet - Level 5 - Digital Download SKU: A0.…
(+)
Instrumental Duet Bassoon,Cello,Instrumental Duet - Level 5 - Digital Download SKU: A0.530791 Composed by Youmans & Caesar. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071687. Published by Last Resort Music Publishing (A0.530791). TEA for TWO from No, No, Nanette - This uplifting song from 1924 was Vincent Youmans' biggest hit and has been recorded by Tommy Dorsey, Doris Day, Art Tatum, Bing Crosby and many more!Playable by Two Cellos, Two Bassoons, Cello Duet, Bassoon Duet, Cello & BassoonEach duet is published in score form (both parts on the same page) so that the players can play from the same part.All available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95
5.44 €
#
Youmans & Caesar
#
Daniel Kelley
#
Tea for Two for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Two
#
Last Resort Music Publishing
#
SheetMusicPlus
Tea for Two for Flute or Oboe or Violin & Cello or Bassoon Duet - Music for Two
Small Ensemble,Strings Bassoon,Cello,Flute,Oboe,Violin - Level 5 - Digital Download SKU…
(+)
Small Ensemble,Strings Bassoon,Cello,Flute,Oboe,Violin - Level 5 - Digital Download SKU: A0.530785 Composed by Youmans & Ceasar. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071655. Published by Last Resort Music Publishing (A0.530785). TEA for TWO from No, No, Nanette - This uplifting song from 1924 was Vincent Youmans' biggest hit and has been recorded by Tommy Dorsey, Doris Day, Art Tatum, Bing Crosby and many more!Playable by Violin & Cello, Flute & Cello, Oboe & CelloViolin & Bassoon, Flute & Bassoon, Oboe & BassoonEach duet book is published in score form (both parts on the same page) so that the players can play from the same part.Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com
$5.95
5.44 €
#
Youmans & Ceasar
#
Daniel Kelley
#
Cello, Flute &
#
Tea for Two for Flute or Oboe or Violin & Cello or Bassoon Duet - Music for Two
#
Last Resort Music Publishing
#
SheetMusicPlus
Tea for Two for Flute or Oboe or Violin & Viola Duet - Music for Two
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.530786 Composed by Youmans &…
(+)
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.530786 Composed by Youmans & Caesar. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. 4 pages. Last Resort Music Publishing #6071659. Published by Last Resort Music Publishing (A0.530786). TEA for TWO from No, No, Nanette - This uplifting song from 1924 was Vincent Youmans' biggest hit and has been recorded by Tommy Dorsey, Doris Day, Art Tatum, Bing Crosby and many more!Playable by Violin & Viola, Flute & Viola, Oboe & ViolaEach duet book is published in score form (both parts on the same page) so that the players can play from the same part.Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95
5.44 €
#
Youmans & Caesar
#
Daniel Kelley
#
Viola, Flute &
#
Tea for Two for Flute or Oboe or Violin & Viola Duet - Music for Two
#
Last Resort Music Publishing
#
SheetMusicPlus
Tea for Two for Flute or Oboe or Violin & Flute or Oboe or Violin Duet - Music for Two
Small Ensemble,Strings Flute,Oboe,Violin - Level 5 - Digital Download SKU: A0.530790
(+)
Small Ensemble,Strings Flute,Oboe,Violin - Level 5 - Digital Download SKU: A0.530790 Composed by Youmans & Caesar. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071683. Published by Last Resort Music Publishing (A0.530790). TEA for TWO from No, No, Nanette - This uplifting song from 1924 was Vincent Youmans' biggest hit and has been recorded by Tommy Dorsey, Doris Day, Art Tatum, Bing Crosby and many more!Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, Flute & Oboe, Violin Duet, Oboe Duet, Flute Duet
$5.95
5.44 €
#
Youmans & Caesar
#
Daniel Kelley
#
Flute, Violin &
#
Tea for Two for Flute or Oboe or Violin & Flute or Oboe or Violin Duet - Music for Two
#
Last Resort Music Publishing
#
SheetMusicPlus
Tea for Two for Viola Cello or Bassoon Duet - Music for Two
Small Ensemble,Strings Bassoon,Cello,Viola - Level 5 - Digital Download SKU: A0.530788
(+)
Small Ensemble,Strings Bassoon,Cello,Viola - Level 5 - Digital Download SKU: A0.530788 Composed by Youman & Caesar. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071665. Published by Last Resort Music Publishing (A0.530788). TEA for TWO from No, No, Nanette - This uplifting song from 1924 was Vincent Youmans' biggest hit and has been recorded by Tommy Dorsey, Doris Day, Art Tatum, Bing Crosby and many more!Playable by Viola & Cello Duet, Viola & Bassoon Duet
$5.95
5.44 €
#
Youman & Caesar
#
Daniel Kelley
#
Cello Duet, Viola &
#
Tea for Two for Viola Cello or Bassoon Duet - Music for Two
#
Last Resort Music Publishing
#
SheetMusicPlus
Tea for Two for Clarinet & Cello or Bassoon Duet - Music for Two
Instrumental Duet Bassoon,Cello,Clarinet,Instrumental Duet - Digital Download SKU: A0.5…
(+)
Instrumental Duet Bassoon,Cello,Clarinet,Instrumental Duet - Digital Download SKU: A0.530789 Composed by Youmans & Caesar. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071671. Published by Last Resort Music Publishing (A0.530789). TEA for TWO from No, No, Nanette - This uplifting song from 1924 was Vincent Youmans' biggest hit and has been recorded by Tommy Dorsey, Doris Day, Art Tatum, Bing Crosby and many more!Playable by Clarinet & Cello Duet, Clarinet & Bassoon Duet
$5.95
5.44 €
#
Youmans & Caesar
#
Daniel Kelley
#
Cello Duet, Clarinet &
#
Tea for Two for Clarinet & Cello or Bassoon Duet - Music for Two
#
Last Resort Music Publishing
#
SheetMusicPlus
Tea for Two for Flute or Oboe or Violin & Clarinet Duet - Music for Two
Small Ensemble Clarinet,Flute,Oboe,Violin - Level 5 - Digital Download SKU: A0.530787
(+)
Small Ensemble Clarinet,Flute,Oboe,Violin - Level 5 - Digital Download SKU: A0.530787 Composed by Youmans & Caesar. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071663. Published by Last Resort Music Publishing (A0.530787). TEA for TWO from No, No, Nanette - This uplifting song from 1924 was Vincent Youmans' biggest hit and has been recorded by Tommy Dorsey, Doris Day, Art Tatum, Bing Crosby and many more!Playable by Flute & Clarinet Duet, Oboe & Clarinet Duet, Violin & Clarinet Duet
$5.95
5.44 €
#
Youmans & Caesar
#
Daniel Kelley
#
Clarinet Duet, Oboe &
#
Tea for Two for Flute or Oboe or Violin & Clarinet Duet - Music for Two
#
Last Resort Music Publishing
#
SheetMusicPlus
Sonatina for Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James …
(+)
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
27.43 €
#
James Albert Yeager
#
Sonatina for Flute and Piano
#
James A. Yeager
#
SheetMusicPlus
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and…
(+)
Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
4.57 €
#
Andrew Cody Williams and Jeff Bradetich
#
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
#
Andrew Cody Williams
#
SheetMusicPlus
Two Spirituals
CCBar choir unaccompanied - Digital Download SKU: OX.9780193537316 Steal away an…
(+)
CCBar choir unaccompanied - Digital Download SKU: OX.9780193537316 Steal away and My Lord, what a morning!. Arranged by Russell Pascoe. Sheet music. Emerging Voices. Octavo. 6 pages. Oxford University Press Digital #9780193537316. Published by Oxford University Press Digital (OX.9780193537316). ISBN 9780193537316.For CCBar unaccompanied. This title features the celebrated spirituals 'Steal away' and 'My Lord, what a morning!'. With their repeating choruses and verses, the arrangements are quick to learn yet effective concert items, with healthy amounts of contrast and pleasing dramatic effect, and sensitive treatment of the text.
$3.25
2.97 €
#
Russell Pascoe
#
Two Spirituals
#
Oxford University Press Digital
#
SheetMusicPlus
Tea For Two
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.799276 Composed by …
(+)
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.799276 Composed by Irving Caesar and Vincent Youmans. Arranged by Gail Ford. Contemporary. Score and parts. 9 pages. Gail Ford #3918775. Published by Gail Ford (A0.799276). Written almost a century ago, and still popular, this melody from the musical No No Nanette has been re-scored for violin, 'cello and piano, in a dance style arrangement. Ideal for informal recitals, encores, and functions, parties and events. Especially those around a food and drink theme!
$12.99
11.88 €
#
Irving Caesar and Vincent Youmans
#
Gail Ford
#
Tea For Two
#
Gail Ford
#
SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
(+)
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.38 €
#
Paul Wehage
#
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233
(+)
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
#
jmsgu3
#
SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Tri…
(+)
Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff- Schulwerk. Downloadable. Op. 5. Schott Music - Digital #Q49516. Published by Schott Music - Digital
English.<br> <br> Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided. it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fifth volume: Songs and pieces making further use of the modes introduced in Vol. 4, with the addition of the more usual forms of the minor scale with the sharpened seventh. The settings of short dramatic scenes concludes the book.English.<br> <br> Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided. it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fifth volume: Songs and pieces making further use of the modes introduced in Vol. 4, with the addition of the more usual forms of the minor scale with the sharpened seventh. The settings of short dramatic scenes concludes the book.
$21.99
20.1 €
#
Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
Morning Praise (for 8-note Bells and Boomwhackers® with Color Coded Notes)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone…
(+)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565365 By Sharon Wilson. By Daniel Otis Teasley. Arranged by Sharon Wilson. Children,Instructional,Praise & Worship,Romantic Period,Sacred. 12 pages. Sharon Wilson #4279263. Published by Sharon Wilson (A0.565365). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.48 €
#
Sharon Wilson
#
Sharon Wilson
#
Morning Praise
#
Sharon Wilson
#
SheetMusicPlus
Schubert- Erlafsee for voice and guitar
Small Ensemble Guitar,High Voice - Level 4 - Digital Download SKU: A0.964299 Compos…
(+)
Small Ensemble Guitar,High Voice - Level 4 - Digital Download SKU: A0.964299 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 8 pages. Jack Stanley Evans #5899369. Published by Jack Stanley Evans (A0.964299). Erlafsee (Erlaf Lake)This song is an important milestone in Schubert’s career, because it was his first to be published. The text was written by poet, Johann Mayrohfer, Schubert’s fellow Austrian and close friend, and the lyrics describe the experience of sitting beside a lake at sunset. This guitar arrangement is written in E major in the interests of playability, but it can be performed in Schubert’s original key of F major by placing a capo on the first fret, or in the transposition for low voice by detuning the guitar a tone. Bars 4-11 should be played in a languid, lilting manner to represent the mind-set of the protagonist sitting beside the lake. This mood should be imbued with a hint of foreboding at bar 12, before returning to its former lilting tranquillity at bar 18. The opening phrase should combine these two moods, if possible. The vocal line is echoed in the guitar part in bars 19-24; these phrases should be performed with great delicacy so that they reflect the voice. The middle section, which begins at bar 29, should be played slightly faster than the previous sections, and with a brighter feel. The accompanist needs to set up the transition back to the original tempo in bar 77, after which, the same languid, lilting playing style as the first verse should be applied.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.
$5.50
5.03 €
#
Franz Schubert
#
Evans, Jack
#
Schubert- Erlafsee for voice and guitar
#
Jack Stanley Evans
#
SheetMusicPlus
Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
(+)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565434 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson Music. Children,Folk,Instructional,Standards,Traditional. Score and parts. 177 pages. Sharon Wilson #4357019. Published by Sharon Wilson (A0.565434). This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord chart is also provided for most songs.The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Each song in this collection is presented in one of three ways as detailed below:1. Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords for 1 verse and chorus. 2. Two verses are included: The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. 3. Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. Instrument assignment suggestions are provided for each song. Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Are You Sleeping? (Frère Jacques) Aura LeaCan CanFor He's a Jolly Good FellowHome on the RangeI Love Little KittyI'm a Little TeapotI've Been Working on the RailroadIf You're Happy and You Know ItIt's Raining, It's PouringLightly RowLondon BridgeMary Had a Little LambMichael Row the Boat AshoreRed River ValleyThe Farmer in the DellThere's Music in the AirThis Old ManWheels on the BusYankee DoodlePermission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$25.00
22.86 €
#
Sharon Wilson
#
Sharon Wilson Music
#
Folk Songs for 13-note Bells and Boomwhackers®
#
Sharon Wilson
#
SheetMusicPlus
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 2
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
(+)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565435 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson Music. Children,Folk,Instructional,Multicultural,Traditional,World. Score and parts. 177 pages. Sharon Wilson #4357191. Published by Sharon Wilson (A0.565435). This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord chart is also provided for most songs.The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Each song in this collection is presented in one of three ways as detailed below:1. Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords for 1 verse and chorus. 2. Two verses are included: The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. 3. Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. Instrument assignment suggestions are provided for each song. Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Are You Sleeping? (Frère Jacques) Aura LeaCan CanFor He's a Jolly Good FellowHome on the RangeI Love Little KittyI'm a Little TeapotI've Been Working on the RailroadIf You're Happy and You Know ItIt's Raining, It's PouringLightly RowLondon BridgeMary Had a Little LambMichael Row the Boat AshoreRed River ValleyThe Farmer in the DellThere's Music in the AirThis Old ManWheels on the BusYankee DoodlePermission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$25.00
22.86 €
#
Sharon Wilson
#
Sharon Wilson Music
#
Folk Songs for 13-note Bells and Boomwhackers®
#
Sharon Wilson
#
SheetMusicPlus
16 Favourite Easter Hymns for Double Reed Quartet, two Oboes, Cor Anglais and Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - Digital Download …
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.587861 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031037. Published by David McKeown (A0.587861). 16 Favourite Easter Hymns for Double Reed Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for two Oboes, one Cor Anglais/English Horn and one Bassoon. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Double Reed Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Double Reed Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.13 €
#
Various
#
David McKeown
#
#
16 Favourite Easter Hymns for Double Reed Quartet, two Oboes, Cor Anglais and Bassoon
#
David McKeown
#
SheetMusicPlus
Morning Praise (for 8-note Bells and Boomwhackers® with Black and White Notes)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone…
(+)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565364 By Sharon Wilson. By Daniel Otis Teasley. Arranged by Sharon Wilson. Children,Praise & Worship,Romantic Period,Sacred,Traditional. 12 pages. Sharon Wilson #4279261. Published by Sharon Wilson (A0.565364). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.48 €
#
Sharon Wilson
#
Sharon Wilson
#
Morning Praise
#
Sharon Wilson
#
SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Alto Recorder and Piano
Small Ensemble Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.594419
(+)
Small Ensemble Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.594419 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Individual part. 4 pages. David McKeown #6658353. Published by David McKeown (A0.594419). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Alto Recorder with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
#
G F Handel
#
David McKeown
#
How Beautiful are the Feet,
#
David McKeown
#
SheetMusicPlus
16 Favourite Easter Hymns for Oboe and Cor Anglais Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 2 - Digital Download SKU:…
(+)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.587846 Composed by Various. Arranged by David McKeown. Easter,Sacred,Standards. Score and parts. 17 pages. David McKeown #5025811. Published by David McKeown (A0.587846). 16 Favourite Easter Hymns for Oboe and Cor Anglais Duet is a beautiful collection of well-known traditional Easter hymns. They are arranged in two parts for Oboe and Cor Anglais. You can watch and listen to two of the hymns (the Alto Saxophone version), via the YouTube link above.16 Favourite Easter Hymns for Oboe and Cor Anglais Duet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Oboe and Cor Anglais Duet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.99
8.22 €
#
Various
#
David McKeown
#
#
16 Favourite Easter Hymns for Oboe and Cor Anglais Duet
#
David McKeown
#
SheetMusicPlus
Bach: Eight Little Preludes & Fugues, BWV 553-560, for Saxophone Choir - Score Only
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1402994 Composed by Johann S…
(+)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1402994 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 64 pages. Jmsgu3 #986193. Published by jmsgu3 (A0.1402994). J. S. Bach's Eight Little Preludes & Fugues, BWV 553-560, are organ pieces composed between 1720 and 1723. They are written in the Baroque style and show Bach's mastery of the form. The pieces consist of a prelude followed by a fugue and are short and compact. The preludes are mainly in a two-part contrapuntal style, with occasional triplets and dotted rhythms adding variety and interest. The fugues are more complex and show Bach's ability to write complex counterpoint and intricate contrapuntal textures. These pieces are great for teaching and performing and provide an excellent introduction to Bach's music.
$49.95
45.67 €
#
Johann Sebastian Bach
#
James M
#
Bach: Eight Little Preludes & Fugues, BWV 553-560, for Saxophone Choir - Score Only
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
876
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
