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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two for Easter
Non classifié
609
Piano & claviers
Piano seul
133
Orgue
53
Accompagnement Piano
50
Piano, Voix
29
Piano Facile
23
Piano Trio: piano, violon, violoncelle
18
Orgue, Trompette (duo)
15
2 Pianos, 4 mains
12
Piano, Voix et Guitare
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
1 Piano, 4 mains
4
Orgue, Piano (duo)
4
Instruments en Do
1
+ 9 instrumentations
Retracter
Guitares
2 Guitares (duo)
7
Ukulele
6
Guitare
5
Piano, Guitare (duo)
4
3 Guitares (trio)
2
Ensemble de guitares
2
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
1
Banjo
1
Guitare notes et tablatures
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
153
Chorale 2 parties
110
Chorale Unison
65
Chorale 3 parties
58
Voix duo, Piano
37
Voix duo
23
Chorale TTBB
8
Voix moyenne, Piano
5
Voix haute
2
Chorale
1
Chorale SSAA
1
Chorale SSATTB
1
Voix basse
1
+ 8 instrumentations
Retracter
Vents
2 Clarinettes (duo)
90
2 Saxophones (duo)
73
2 Flûtes traversières (duo)
68
Saxophone Tenor et Piano
53
Flûte traversière et Piano
50
Saxophone Soprano et Piano
44
Hautbois, Piano (duo)
41
Clarinette et Piano
35
Quatuor de Saxophones: 4 saxophones
34
Saxophone Alto et Piano
33
Flûte, Clarinette (duo)
25
3 Saxophones (trio)
24
Flûte, Hautbois, Clarinette, Basson
22
2 Hautbois (duo)
18
3 Clarinettes (trio)
16
Quintette de Saxophone: 5 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
14
Trio de Flûtes: 3 flûtes
14
Clarinette, Violon (duo)
13
2 Clarinettes, Piano
12
Flûte, Clarinette, Piano (trio)
12
Flûte, trombone et piano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
2 Flûtes traversières, Piano
11
Quatuor de Flûtes : 4 flûtes
10
Flûte, Violon et Violoncelle
10
Saxophone, Clarinette (duo)
8
Flûte, Violon, Piano
8
Quintette de Flûte : 5 flûtes
7
Hautbois, Basson (duo)
7
Flûte, Violoncelle, Piano (trio)
7
Flûte, Alto et Piano
7
Flûte, Clarinette et Basson
7
Clarinette, Basson (duo)
7
Saxophone Baryton, Piano
7
Clarinette, Violoncelle (duo)
6
Hautbois, Clarinette (duo)
6
Flûte, Hautbois, Piano (trio)
6
Clarinette, Trompette (duo)
5
Saxophone Tenor
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Violoncelle
5
Saxophone Alto
5
Flûte traversière
5
Clarinette, trompette et piano
5
Cor anglais, Piano
5
Hautbois, Violoncelle
4
Ensemble de Clarinettes
4
Saxophone (partie séparée)
4
Flûte, Basson et Piano
4
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette Basse, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Flûte à bec (duo)
3
Hautbois (partie séparée)
3
Flûte, Saxophone (duo)
3
Clarinette
3
Clarinette et Alto
3
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Quatuor de Flûtes à bec
2
Ensemble de Flûtes
2
Flûte, Alto (duo)
2
Flûte, Violon
2
Clarinette, Saxophone, Piano
1
Saxophone, Basson (duo)
1
Flûte, Hautbois, Basson
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Ensemble de saxophones
1
Saxophone et violoncelle
1
Flûte, Violoncelle, Guitare
1
Piccolo, Piano
1
Flûte, Hautbois (duo)
1
Flûte à bec Tenor
1
3 Hautbois
1
+ 73 instrumentations
Retracter
Cuivres
2 Trombones (duo)
75
Trombone et Piano
65
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette, Piano
48
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
2 Trompettes (duo)
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Trombone (duo)
20
Trompette
17
Trompette, Cor (duo)
16
Cor et Piano
14
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trompettes
9
2 Trompettes, Clavier (piano ou orgue)
8
Quatuor de cuivres: 4 trombones
8
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 cors
7
Trompette, Violoncelle et Piano
6
2 Cors (duo)
6
Cor
5
Cor anglais, Piano
5
Trompette, Saxophone (duo)
4
Tuba et Piano
4
Trombone
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor, Violoncelle (duo)
3
Trompette, Trombone, Piano
3
Ensemble de Trompettes
3
Trombone, Orgue
2
Ensemble de Trombones
2
Trompette (partie séparée)
2
3 Trombones (trio)
1
2 Tubas (duo)
1
Ensemble de Cors
1
Cor et Orgue
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle et Piano
1
2 Cors, Piano
1
3 Cors (trio)
1
Tuba et Orgue
1
Tuba
1
3 Trompettes (trio)
1
Trio de Cuivres
1
+ 40 instrumentations
Retracter
Cordes
2 Violons (duo)
84
2 Altos (duo)
72
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon et Piano
61
Alto, Piano
48
2 Violoncelles (duo)
39
Violoncelle, Piano
39
Trio à Cordes: 2 violons, violoncelle
34
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
24
Piano Trio: Violon, Alto, Piano
14
Trio à cordes: 3 violins
12
Harpe
9
Quatuor à cordes: 4 violons
9
Violon, Alto (duo)
8
Violon
8
Trio à Cordes: 2 violons, alto
8
4 Violoncelles
7
Violoncelle
5
2 Violons, Piano
4
Trio à Cordes: 3 violoncelles
3
Violon, Basson (duo)
3
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
2 Violoncelles, Piano
2
Alto, Violoncelle (duo)
2
Ensemble de Violons
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Alto (partie séparée)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
Alto seul
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
Quatuor à cordes : 4 altos
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Cloches
37
Orchestre d'harmonie
34
Orchestre à Cordes
32
Ensemble de cuivres
20
Orchestre de chambre
18
Orchestre
5
Jazz combo
2
Ensemble de Percussions
2
Piano et Orchestre
1
+ 4 instrumentations
Retracter
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Two for Easter
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Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
16 Favourite Easter Hymns for Double Reed Quartet, two Oboes, Cor Anglais and Bassoon
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - SKU: A0.587861 Composed by Various. Arranged by David McKeown. Christian,Easter...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - SKU: A0.587861 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031037. Published by David McKeown (A0.587861). 16 Favourite Easter Hymns for Double Reed Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for two Oboes, one Cor Anglais/English Horn and one Bassoon. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Double Reed Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Double Reed Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
16 Favourite Easter Hymns for Oboe and Cor Anglais Duet
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 2 - SKU: A0.587846 Composed by Various. Arranged by David McKeown. Easter,Sacred,Standards...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 2 - SKU: A0.587846 Composed by Various. Arranged by David McKeown. Easter,Sacred,Standards. Score and parts. 17 pages. David McKeown #5025811. Published by David McKeown (A0.587846). 16 Favourite Easter Hymns for Oboe and Cor Anglais Duet is a beautiful collection of well-known traditional Easter hymns. They are arranged in two parts for Oboe and Cor Anglais. You can watch and listen to two of the hymns (the Alto Saxophone version), via the YouTube link above.16 Favourite Easter Hymns for Oboe and Cor Anglais Duet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Oboe and Cor Anglais Duet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.99
Alleluia for SSAATTBB Chorus Unaccompanied (Downloadable)
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David Conte
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Alleluia for SSAATTBB Chorus U
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAATTBB Unaccompanied - Moderately Difficult - SKU: MQ.7425-E Composed by David Conte. Easter. Instrument parts. 21 pages. E. C. Schirmer Music Company...
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SSAATTBB Unaccompanied - Moderately Difficult - SKU: MQ.7425-E Composed by David Conte. Easter. Instrument parts. 21 pages. E. C. Schirmer Music Company - Digital #7425-E. Published by E. C. Schirmer Music Company - Digital (MQ.7425-E). The invitation to compose an anthem for Easter Sunday from my home parish of St. Dominic's Catholic Church in San Francisco, Simon Berry, conductor, was for me an opportunity to fulfill a long-desired wish: to respond to Randall Thompson's 'Alleluia,' which I have known by heart since I was 15 years old. I have long admired the expressive lyricism and immensely satisfying formal unfolding of Thompson's masterpiece. My setting is for mixed chorus divisi in 8 parts, and is based on two contrasting melodic motives which are continually developed and move through many tonalities before returning to the bright opening tonality of A major. -David Conte.
$2.90
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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Giovvanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. P...
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Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Alto Recorder and Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Small Ensemble Alto Recorder,Recorder Solo - Level 3 - SKU: A0.594419 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred...
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Small Ensemble Alto Recorder,Recorder Solo - Level 3 - SKU: A0.594419 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Individual part. 4 pages. David McKeown #6658353. Published by David McKeown (A0.594419). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Alto Recorder with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bach-Gounod: Ave Maria for Baritone Horn & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Co...
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Ring the Easter Season
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Musique Sacrée
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Anna Laura Page
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Choral Octavo
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Ring the Easter Season
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred reproducible 2-3 octave handbell accompaniment - SKU: JX.00-25664 Hosanna, Loud Hosanna / Christ the Lord Is Risen Today. Composed b...
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Choir Sacred reproducible 2-3 octave handbell accompaniment - SKU: JX.00-25664 Hosanna, Loud Hosanna / Christ the Lord Is Risen Today. Composed by Anna Laura Page. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Sacred Choral Series. Easter; Palm Sunday; Sacred; Spring. Part(s). 7 pages. Jubilate Music Group - Digital #00-25664. Published by Jubilate Music Group - Digital (JX.00-25664). English. Arr.; with new words; music; by Anna Laura Page. Psalm 118:1-2, Psalm 118:19-29, John 20:1-18.Practical, flexible, and inspired, this set of two seasonal choral introits offers optional 7-note handbell accompaniment--the perfect ring and sing selection for your choir! Or, if you have a separate handbell choir, order the separate, more substantial accompaniment, scored for 2-3 octaves. Titles include, for Palm Sunday, Hosanna, Loud Hosanna, and, for Easter, Christ the Lord Is Risen Today. Perform them separately, or together as a special combined singer/bell choir seasonal offering. A companion set, Ring the Christmas Season, is also available. InstruPax includes reproducible 2-3 octave handbell accompaniment.
$15.00
Couperin - Motet for Easter Day (Flute Clarinet Duo)
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Musique Sacrée
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Francois Couperin
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John Romano
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Couperin - Motet for Easter Da
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John Romano
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.874582 Composed by Francois Couperin. Arranged by John Romano. Baroque,Christian,Easter,Sacred. 10 pages. John Rom...
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Woodwind Ensemble - Level 3 - SKU: A0.874582 Composed by Francois Couperin. Arranged by John Romano. Baroque,Christian,Easter,Sacred. 10 pages. John Romano #3469366. Published by John Romano (A0.874582). This motet for Easter day by the French Baroque composer Francois Couperin (1668-1733) originally heralded the day with two female voices and basso continuo. It has been arranged here for just two instruments by John Romano as a prelude to your Easter service. Transpositions for B-flat and A clarinet are included. For more info or contact visit www.johnromanomusic.com
$15.00
Christ the Lord for Piano and Violin in C Major. Intermediate.
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Charles Wesley
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Matheus Araújo
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Christ the Lord for Piano and
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Matheus Araujo
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin,Voice - Level 3 - SKU: A0.986213 Composed by Charles Wesley. Arranged by Matheus Araújo. Chris...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin,Voice - Level 3 - SKU: A0.986213 Composed by Charles Wesley. Arranged by Matheus Araújo. Christian,Christmas,Easter,Sacred,Standards. Score and parts. 10 pages. Matheus Araujo #6345993. Published by Matheus Araujo (A0.986213). This arrangement for a piano and violin duo presents the two performers with a medium level of difficulty and with the possibility to explore some interesting techniques. Also, there is an interlude in which the violin player can explore some possibilities of interpretation.This arrangement is ideal for intermediate conservatory students and church musicians.
$5.00
There is a Fountain (Trio for Flute, Violin and Piano)
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Musique Sacrée
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William Cowper, Lowell Mason
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John A
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There is a Fountain
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Flute,Piano,Violin - Level 3 - SKU: A0.524720 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Easter,Praise & Wors...
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Small Ensemble Flute,Piano,Violin - Level 3 - SKU: A0.524720 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Easter,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 16 pages. John A. Dempsey #6246871. Published by John A. Dempsey (A0.524720). A trio for flute, violin and piano, this moving hymn is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or silent prayer accompaniment. Popular and appropriate year round, this music is especially welcome for Easter worship, including Palm Sunday services, Good Friday worship and Easter sunrise services. 12 pages of music (that includes separate two-page pullout parts for flute and violin). Key: G major.
$11.99
Christ the Lord is Risen Today (Trio for Guitar, Cello and Piano)
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Musique Sacrée
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Charles Wesley, Lyra Davidica
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John A
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Christ the Lord is Risen Today
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Cello,Guitar,Piano - Level 3 - SKU: A0.522858 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Pr...
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Small Ensemble Cello,Guitar,Piano - Level 3 - SKU: A0.522858 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #2966831. Published by John A. Dempsey (A0.522858). Ours the cross, the grave, the skies, Alleluia.  Arranged as a trio for guitar, cello and piano, this jubilant music celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude or special music for Easter church services and other worship events, including Good Friday services  and Easter sunrise worship.  17 pages of music (that includes separate two-page parts for guitar and cello).  Key: C major.  Guitar/Cello Level: Intermediate.  Piano Level: Late Intermediate  Christ the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia Â
$11.99
The Daffodil Doo-Wop, for Trumpet and Tenor Horn Duet
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David McKeown
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The Daffodil Doo-Wop, for Trum
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.591119 Composed by David McKeown. Easter,Folk,Pop,R & B,Rock. Score and parts...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.591119 Composed by David McKeown. Easter,Folk,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6274717. Published by David McKeown (A0.591119). Daffodil Doo-Wop is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Daffodil Doo-Wop is one in a series of ten Easter-themed duets, each written in a different Rock’n’Roll style. Doo-wop reached the height of its popularity in the early ‘60s but its origins were in the African-American vocal harmony groups in East Coast cities in the ‘40s. Doo-Wop was a major influence on the soul and pop music that followed it, with groups such as the Drifters, the Four Seasons and even the Beach Boys adopting the vocal harmonies. Daffodil Doo-Wop is suitable for players at an intermediate level and above. With a playing-time of around two minutes, Daffodil Doo-Wop is a perfect addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Daffodil Doo-Wop, for Oboe and Violin Duet
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David McKeown
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The Daffodil Doo-Wop, for Oboe
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.591109 Composed by David McKeown. Easter,Folk,Pop,R & B,Rock. Score and parts. 3 pag...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.591109 Composed by David McKeown. Easter,Folk,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6274691. Published by David McKeown (A0.591109). Daffodil Doo-Wop is a fun and original duet written by David McKeown for one Oboe and one Violin. Daffodil Doo-Wop is one in a series of ten Easter-themed duets, each written in a different Rock’n’Roll style. Doo-wop reached the height of its popularity in the early ‘60s but its origins were in the African-American vocal harmony groups in East Coast cities in the ‘40s. Doo-Wop was a major influence on the soul and pop music that followed it, with groups such as the Drifters, the Four Seasons and even the Beach Boys adopting the vocal harmonies. Daffodil Doo-Wop is suitable for players at an intermediate level and above. With a playing-time of around two minutes, Daffodil Doo-Wop is a perfect addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Daffodil Doo-Wop, for Oboe and Cor Anglais Duet
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David McKeown
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The Daffodil Doo-Wop, for Oboe
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.591108 Composed by David McKeown. Easter,Folk,Pop,R & B,Rock. Score and parts....
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.591108 Composed by David McKeown. Easter,Folk,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6274687. Published by David McKeown (A0.591108). Daffodil Doo-Wop is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Daffodil Doo-Wop is one in a series of ten Easter-themed duets, each written in a different Rock’n’Roll style. Doo-wop reached the height of its popularity in the early ‘60s but its origins were in the African-American vocal harmony groups in East Coast cities in the ‘40s. Doo-Wop was a major influence on the soul and pop music that followed it, with groups such as the Drifters, the Four Seasons and even the Beach Boys adopting the vocal harmonies. Daffodil Doo-Wop is suitable for players at an intermediate level and above. With a playing-time of around two minutes, Daffodil Doo-Wop is a perfect addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano)
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Musique Sacrée
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Joybells Ringing Songs of Prai
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Sharon Wilson
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SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. Allen, Elisha Albri...
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. Allen, Elisha Albright Hoffman, Fanny J. Crosby, Henri F. Hemy, John Bacchus Dykes, Reginald Heber, Robert Lowry, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Sacred,Traditional. 96 pages. Sharon Wilson #943238. Published by Sharon Wilson (A0.1358777). This collection contains 10 hymns and praise choruses arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Most songs include an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). If the combined score is more than three pages, a separate Piano only score is also provided.A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played.  The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. As a reminder for beginning ringers, all sharps and flats are displayed (shown in the key of C) on the color-coded score. As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers.  These separate color-coded scores use the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers. These familiar hymns and choruses are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.Permission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   Be Still and KnowFaith of Our FathersHoly, Holy, HolyKum Ba YahPraise Him! Praise Him!Shall We Gather at the RiverThe Lord Is My ShepherdTo God Be the GloryWhat a Wonderful SaviorYou May Have the Joy-bellsVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$19.99
It Is Well With My Soul (Quartet for Flute, Two Violins and Cello)
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Musique Sacrée
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Horatio Spafford, Philip P
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John A
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It Is Well With My Soul
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John A. Dempsey
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SheetMusicPlus
Cello,Flute,Violin - Level 3 - SKU: A0.1385586 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Wor...
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Cello,Flute,Violin - Level 3 - SKU: A0.1385586 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #969548. Published by John A. Dempsey (A0.1385586). An unforgettable hymn of comfort and assurance, this peaceful quartet for flute, two violins and cello is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Key: D major. 17 pages of music (that includes the score and separate two-parts for flute, violin 1, violin 2 and cello).      When peace like a river attendeth my way   When sorrows like sea billows roll;   Whatever my lot, Thou hast taught me to say   It is well, it is well with my soul.
$11.99
It Is Well With My Soul (Brass Trio): Two Trumpets and Trombone
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Musique Sacrée
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Horatio Spafford, Philip P
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John A
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It Is Well With My Soul
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John A. Dempsey
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SheetMusicPlus
Brass Ensemble,Brass Trio Trombone,Trumpet - Level 3 - SKU: A0.1192349 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Chris...
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Brass Ensemble,Brass Trio Trombone,Trumpet - Level 3 - SKU: A0.1192349 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 16 pages. John A. Dempsey #791786. Published by John A. Dempsey (A0.1192349). An unforgettable hymn of comfort and assurance, this peaceful brass trio for two Bb trumpets and trombone is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Concert Key: Bb major.  12 pages of music (that includes the score and separate two-parts for trumpet 1, trumpet 2 and trombone).      When peace like a river attendeth my way   When sorrows like sea billows roll;   Whatever my lot, Thou hast taught me to say   It is well, it is well with my soul.
$9.99
I Surrender All (for 8-note Bells and Boomwhackers® with Black and White Notes)
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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I Surrender All
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565373 By Sharon Wilson. By Judson W. Van...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565373 By Sharon Wilson. By Judson W. Van DeVenter. Arranged by Sharon Wilson. Children,Easter,Instructional,Praise & Worship,Sacred. 12 pages. Sharon Wilson #4280939. Published by Sharon Wilson (A0.565373). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® play single-note harmony for the first verse then keep a steady beat with two-note chords for the second verse. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
What a Wonderful Savior (for 8-note Bells and Boomwhackers with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson
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What a Wonderful Savior
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.564948 By Sharon Wilson. By Elisha Albright Hoffman. Ar...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.564948 By Sharon Wilson. By Elisha Albright Hoffman. Arranged by Sharon Wilson. Children,Easter,Romantic Period,Sacred. 12 pages. Sharon Wilson #3087245. Published by Sharon Wilson (A0.564948). This arrangement is one of the 10 hymns included in the collection Ten Classic Hymns for 8-note Bells and Boomwhackers (with Color Coded Notes). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or churchBoomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, elementary classroom music
$5.99
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
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Various
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Daniel Kelley
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Intermediate Music for Three V
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Last Resort Music Publishing
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SheetMusicPlus
Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - SKU: A0.1255183 Composed by Var...
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Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - SKU: A0.1255183 Composed by Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 45 pages. Last Resort Music Publishing #848746. Published by Last Resort Music Publishing (A0.1255183). Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more!  Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsTango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg)Andante from Symphony  #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony  #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) 52211 Part 1 Flute or Oboe or Violin52213 Part 1 Clarinet in Bb  52215 Part 1 Alto Sax in Eb  52221 Part 2 Flute or Oboe or Violin 52222 Part 2 Viola  52223 Part 2 Clarinet or Trumpet in Bb52225 Part 2 Tenor Sax in Bb52231 Part 3 Cello or Bassoon 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb52240 Keyboard or Guitar52299 Score (Parts 1-3 in C) Published by Last Resort Music www.lastresortmusic.com
$20.00
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Two for Easter
