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Used To Get High
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital …
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
54.76 €
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Don't Forget To Remember
Small Ensemble Drum Set,Horn,Trombone,Tuba - Level 2 - Digital Download SKU: A0.802649
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Small Ensemble Drum Set,Horn,Trombone,Tuba - Level 2 - Digital Download SKU: A0.802649 By Bee Gees. By Barry Gibb and Maurice Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 30 pages. Peet du Toit #6197719. Published by Peet du Toit (A0.802649). Don't Forget to Remember also called Don't Forget to Remember Me is a country ballad recorded by the Bee Gees, from the album Cucumber Castle. The song was written by Barry and Maurice Gibb. It was produced by the band with Robert Stigwood.The song features Barry Gibb singing at a lower pitch than usual. The song's lyrics follow the country-song tradition of romantic laments with its tearful first-person lyrics about a man haunted by a failed love affair he can't put out of his mind. Its melody matches the yearning quality of the lyrics, especially on the chorus, which underpins the forlorn wish Don't forget to remember me/And the love that used to be with glorious runs of ascending notes.The ascending notes in this version are the high-pitched notes for the French horn, the cries of an ex-lover. Enjoy!
$19.00
17.34 €
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Bee Gees
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Peet du Toit
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Don't Forget To Remember
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Peet du Toit
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SheetMusicPlus
Highway Tune
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone (4-Part) - Level 4 - Digital Download SKU: A0.833863 By Greta Van Fleet. By Daniel Wagner, Jacob Kiszka, Joshua Kiszka, and Samuel Kiszka. Arranged by Michael Compton. Contemporary. 9 pages. Kreechur Kumfort Publishing #6433621. Published by Kreechur Kumfort Publishing (A0.833863). The first song the band Greta Van Fleet had ever written and recorded together, Highway Tune was released in 2017 on their debut EP Black Smoke Rising. The song was initially used in an episode of the television show Shameless in January 2016. It has been placed here at a standard saxophone quartet setting (SATB) and provides a challenge for each musician, while still holding true to the Greta Van Fleet original tune.
$15.00
13.69 €
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Greta Van Fleet
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Michael Compton
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Highway Tune
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Kreechur Kumfort Publishing
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.95 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.95 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
I Get A Kick Out Of You
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.125…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1253494 Composed by Cole Porter. Arranged by H.P. Gyldfeldt. 20th Century. 8 pages. H.P. Gyldfeldt #847183. Published by H.P. Gyldfeldt (A0.1253494). A classical American piece of music, special arrangement for Tenor Saxophone and String Orchestra. The string parts are highly professional - can also be played by String Quartet + bass. I have used my own compositorial ideas and mainly the standard chords. - I composed this arrangement for advanced professional musicians and it is going to be performed at a special concert for Chamber Orchestra and Tenor Saxophone as soloist in a cross-over repertoire. It is definitely enjoyabel for the musicians and there is good space in the piece for the Soloist's improvisation. Â - Alternatively a part is also available for Alto Saxophone.
$200.00
182.53 €
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Cole Porter
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H
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I Get A Kick Out Of You
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H.P. Gyldfeldt
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SheetMusicPlus
The Higher The Mountain
Bass Guitar,Drums,Piano,Voice - Digital Download SKU: A0.1072351 Composed by George…
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Bass Guitar,Drums,Piano,Voice - Digital Download SKU: A0.1072351 Composed by George Wells. Christian,Gospel,Praise & Worship. Accompaniment. Duration 235. F T H Music #552481. Published by F T H Music (A0.1072351). In 2009, my wife was sitting in the doctors office waiting to hear the results of my scan. It was a nice September day, the sun was shinning. The doctor came in shared those awful three words with us: You have cancer My mind went back about 25 years ago to a song I had written entitled: The higher the Mountain the better the view. The lines kept running through my mind. And my view was getting better all the time as by 2014 I had two cancers plus a return of the first cancer. Because of my troubles and the fact that God had lead me through the Valley of Cancer, I asked my friend, Randy Duck to record the song. We used the famous quartet, The Singing Ambassadors to do the back up vocals. Realizing that everyone has a mountain, it is our prayer that encouragement and hope be found in this message.
$1.99
1.82 €
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George Wells
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The Higher The Mountain
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F T H Music
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SheetMusicPlus
Let's Stay Together
Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,T…
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Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1370833 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by MAJOR SCORE PUBLISHING TM. Pop,R & B,Singer/Songwriter,Soul,Wedding. 38 pages. Major Score Publishing #955174. Published by Major Score Publishing (A0.1370833). Let's Stay Together (Al Green) Singers! Perform this soulful classic arranged for Vocalist and 7 or 9 piece band today! Our premium sheet music arrangement of Let's Stay Together by Al Green is designed to deliver and exceed your expectations! Our sheet music is highly detailed to always deliver an authentic and consistent performance with fast rehearsals. Our drum part comes fully notated along with bass, keys (B3 organ & strings) and electric guitar. Our arrangement contains parts for 5 horns with the tenor sax doubling on flute. We have also included an extra alto sax/flute part to be used along with Trumpet 1 and trombone in case you have a 3 horn set up. This arrangement contains a 1 bar vocal break on the 3rd verse and 1 or 2 very tasteful modern chords launching the vocalist and building the energy into the final chorus vamp we know you and your listening audience will just love! This arrangement is in the original key of F Major. Check out the full YouTube demo to preview the entire chart!Whats included in your premium sheet music download?Voice | Alto sax | Tenor Sax/Flute | Trumpet 1 | Trumpet 2 | Trombone | Keys | Electric guitar | Electric bass | Drums | Full Score | Alternate Alto saxflute part for 3 hornsA fantastic resource for:•Featured Vocalists•Guest Entertainers•Headliners•Working band•Tribute Artists•Performing Arts OrganizationsCheck out all of arrangements available here and on our webiste!https://www.majorscorepublishing.com/Follow us today!Instagram@majorscorepublishingYouTube@majorscorepublishingTikTok@majorscorepublishingPinterest@majorscorepublishing
$74.99
68.44 €
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Al Green
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MAJOR SCORE PUBLISHING TM
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strings) and electric guitar
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Let's Stay Together
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Major Score Publishing
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SheetMusicPlus
Prayer to the Motherworld
Choir,Piano,Voice - Digital Download SKU: A0.1071038 Composed by William P. Gorton.…
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Choir,Piano,Voice - Digital Download SKU: A0.1071038 Composed by William P. Gorton. 20th Century,Contemporary,Sacred,Spiritual. Full Performance. Duration 167. William P. Gorton #6118889. Published by William P. Gorton (A0.1071038). Prayer to the Motherworld, with text by Gerard Manley Hopkins, is a mystical supplication that invokes a divine essence that brings a sense of unity, peace, and security. Allusions to the world of nature tie the spiritual and natural worlds together in a lovely supplication. This haunting anthem, with a beautiful, arpeggiated accompaniment leading to a colorful climax would be appropriate for any good high school choir through more advanced choirs. Appropriate for either concert or church use. Can also be used as a solo.
$1.99
1.82 €
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William P
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Prayer to the Motherworld
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William P. Gorton
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SheetMusicPlus
Soggy Waffles
Percussion Ensemble Cymbals,Percussion,Snare Drum,Tenor Drum - Level 3 - Digital Download …
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Percussion Ensemble Cymbals,Percussion,Snare Drum,Tenor Drum - Level 3 - Digital Download SKU: A0.1089775 Composed by Whitmore Lake High School. Arranged by Darla Hand. Standards. Score and parts. 9 pages. Darla Hand #693977. Published by Darla Hand (A0.1089775). Drumline Cadence. The third of a seven-part sequence. Snares, Tenors, Basses, and Cymbals. An easy-to-march to cadence that can be used to get off a field or in parades. Fun for the drumline and crowd.
$10.00
9.13 €
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Whitmore Lake High School
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Darla Hand
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Soggy Waffles
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Darla Hand
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SheetMusicPlus
Happy
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drum Set,Drums,Guitar,Keyboard…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drum Set,Drums,Guitar,Keyboard,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1027765 By Pharrell. By Pharrell. Arranged by Nick La Riviere. Hip-Hop,R & B,Soul. Score and parts. 55 pages. Nick La Riviere #2949491. Published by Nick La Riviere (A0.1027765). R&B Band Arrangement for:•Lead Vocals•3 Part Backup Vocals•Alto Sax•Tenor Sax•Baritone Sax•Trumpet•Trombone•Guitar•Piano/Keyboard•Bass•Drum Set About the arranger:Arranger and trombonist Nick La Riviere, has made a full time living as a musician for the past 12 years. He's performed across the globe, including Canada, the USA, Mexico, Germany, England, Ireland, Luxembourg, Austria, Switzerland, and more. Nick has toured with award winning multi-genre bands that play jazz, folk, pop, latin, Celtic, klezmer, classical, ska, and others. He plays trombone, conch shells, bass, and sings. Some of his bands include the Juno winning Paperboys, Locarno, and Michael Kaeshammer. His arrangements are used by many different bands ranging from middle school string programs to high school and professional R&B bands to major touring artists. All of Nick's R&B charts have been tested and performed by multiple high school, college level, and professional groups. They’re well written, accurate, high energy, and fun! Charts include vocal cues at the start of new phrases or sections on all the parts. That makes rehearsing easier, and if a singer puts a few extra bars in during a performance it’s easy for the band to get back on track. Just getting started with an R&B band of this instrumentation? Look for more of Nick La Riviere's arrangements on Sheet Music Plus or email Nick@NickLaRiviere.com to put together a complete library of performance ready music.
$50.00
45.63 €
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Pharrell
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Nick La Riviere
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Happy
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Nick La Riviere
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SheetMusicPlus
ABC
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano Accompaniment,Ten…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.1027763 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. Arranged by Nick La Riviere. Pop. Score and parts. 39 pages. Nick La Riviere #2929283. Published by Nick La Riviere (A0.1027763). R&B Band Arrangement for:•Lead Vocals•3 Part Backup Vocals•Alto Sax•Tenor Sax•Baritone Sax•Trumpet•Trombone•Guitar•Piano/Keyboard•Bass•Drum SetAbout the arranger:Arranger and trombonist Nick La Riviere, has made a full time living as a musician for the past 12 years. He's performed across the globe, including Canada, the USA, Mexico, Germany, England, Ireland, Luxembourg, Austria, Switzerland, and more. Nick has toured with award winning multi-genre bands that play jazz, folk, pop, latin, Celtic, klezmer, classical, ska, and others. He plays trombone, conch shells, bass, and sings. Some of his bands include the Juno winning Paperboys, Locarno, and Michael Kaeshammer. His arrangements are used by many different bands ranging from middle school string programs to high school and professional R&B bands to major touring artists. All of Nick's R&B charts have been tested and performed by multiple high school, college level, and professional groups. They’re well written, accurate, high energy, and fun! Charts include vocal cues at the start of new phrases or sections on all the parts. That makes rehearsing easier, and if a singer puts a few extra bars in during a performance it’s easy for the band to get back on track. Just getting started with an R&B band of this instrumentation? Look for more of Nick La Riviere's arrangements on Sheet Music Plus or email Nick@NickLaRiviere.com to put together a complete library of performance ready music.
$50.00
45.63 €
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The Jackson 5
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Nick La Riviere
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Nick
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ABC
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Nick La Riviere
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.55 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Renegade Recorder
Small Ensemble Flute,Soprano Recorder,Vibraphone,Violin,Xylophone - Level 1 - Digital Down…
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Small Ensemble Flute,Soprano Recorder,Vibraphone,Violin,Xylophone - Level 1 - Digital Download SKU: A0.1027738 Composed by Matt Welch. Children,Instructional,Pop,R & B,Rock. Score and parts. 1 pages. Matt Welch #2907405. Published by Matt Welch (A0.1027738). A simple recorder piece made for late primary or early high school. It uses notes E, G, A, B and C and comes with an Mp3 backing track with a catchy dance drum beat and accompaniment. It can be used as an introductory piece to get the students enthused about the recorder and make it seem 'cool'. I've had success teaching year 7s (12-13 year olds) this piece.
$1.99
1.82 €
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Matt Welch
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Renegade Recorder
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Matt Welch
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SheetMusicPlus
Just For Joe - Piano Trio - Score plus individual parts
Piano Trio,String Ensemble - Digital Download SKU: A0.1023023 Composed by Jonathan …
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Piano Trio,String Ensemble - Digital Download SKU: A0.1023023 Composed by Jonathan Wilson. Concert,Contemporary,New Age,Wedding,World. Score and parts. 23 pages. Fresh Air #5038071. Published by Fresh Air (A0.1023023). Just for Joe is based on a simple four bar repetition originally devised on my thumb piano and played as a lullaby to get my infant son, Joe, to sleep. I later developed a slow melody, on top of the thumb piano continuo, sung with some (not very good) words. When out local amateur dramatics group put on an adaption of A Midsummer Night's Dream it was used as a song with Clarsach accompaniment during the scene where the fairy queen, Titania, is lulled to sleep by the other fairies. Finally, when we put on the concert at our local village hall to raise funds for a new piano, I arranged it for Thumb Piano, Violin, Cello and Piano with a third line for the Violin in addition to the continuo on Thumb Piano and melody on Cello. The Violin and Cello were played by two very talented young players with the technique and skill to allow the un-amplified thumb piano to be heard against the Violin. Despite putting this together on the day before the concert, this was a real high spot of the performance and the atmosphere in the Hall was electric.
$19.50
17.8 €
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Jonathan Wilson
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Just For Joe - Piano Trio - Score plus individual parts
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Fresh Air
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SheetMusicPlus
Liechtenstein National Anthem: Oben am jungen Rhein
Large Ensemble - Level 2 - Digital Download SKU: A0.522150 Composed by Traditional.…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522150 Composed by Traditional. Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 31 pages. Colin Kirkpatrick Publications #3510413. Published by Colin Kirkpatrick Publications (A0.522150). Colin Kirkpatrick’s National Anthems Express LIECHTENSTEIN: Oben am jungen Rhein Liechtenstein (officially the Principality of Liechtenstein) is a land-locked microstate in the mountains between Austria and Switzerland. It is a constitutional monarchy and has a total area of 62 square miles. The melody of Liechtenstein's national anthem is from England, and it’s almost identical to the British anthem except that the chorus is always repeated. The melody has been a national song in some European countries for many years and was used in the Swiss national anthem until 1961. This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. The score and parts are presented in a single PDF file. If you have a non-standard ensemble, you can pick and mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. The following parts are available: Part 1 in B flat, E flat and C; Part 1a in C (8ve higher), E flat (minor 3rd lower for E flat cornet); Part 2 in B flat, E flat and C; Part 2a in C, (8ve higher) E flat (minor 3rd lower for alto clarinet); Part 3 in B flat, E flat, C and F; Part 3a in B flat (8ve lower for 3rd clarinets); Part 4 in B flat, E flat, C and F; Part 5 in B flat, E flat and C. There are also parts for timpani, percussion (3 players) and a piano reduction.
$5.99
5.47 €
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Traditional
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Colin Kirkpatrick
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Liechtenstein National Anthem: Oben am jungen Rhein
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Colin Kirkpatrick Publications
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SheetMusicPlus
Rocky's Reward
Small Ensemble,Strings Bass Clarinet,Bassoon,Flute,Horn - Level 4 - Digital Download SK…
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Small Ensemble,Strings Bass Clarinet,Bassoon,Flute,Horn - Level 4 - Digital Download SKU: A0.828654 Composed by Bill Conti. Arranged by Ted Samuels. Contemporary. Score and parts. 12 pages. Theodore A. Samuels #5361465. Published by Theodore A. Samuels (A0.828654). 2020 SMP Press Composition Contest Entry for the Popular instrumental ensemble category: This is a flexible string/wind arrangement of the incidental music for the closing credits of Sylvester Stallone's first ROCKY movie. (According to Wikipedia: The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976... Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture.)Originally, this arranger had envisioned and created this as an arrangement for wind quartet (flute, clarinet, horn and bassoon or bass clarinet). But after it was completed and shared, requests were received for a similar arrangement for string quartet (i.e., the original instrumentation used in the movie). And so, this flexible package was created, in which the violin part is mirrored by the flute part (same key and page), the viola is mirrored by a clarinet, the cello is mirrored by a horn, and the string bass is mirrored by a bassoon/bass clarinet/euphonium. So, virtually any combination of these instruments may be used to form a quartet, or even a double quartet! The duration is approximately 2.5 minutes. NOTE: The YouTube link leads to a wind quartet rendition.
$14.99
13.68 €
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Bill Conti
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Ted Samuels
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Rocky's Reward
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Theodore A. Samuels
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SheetMusicPlus
On the Seashore of Endless Worlds (Orchestral backing track)
Choir,Soprano voice - Digital Download SKU: A0.1071551 Composed by Colin Kirkpatric…
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Choir,Soprano voice - Digital Download SKU: A0.1071551 Composed by Colin Kirkpatrick Publications. A Cappella,Contemporary. Accompaniment. Duration 778. Colin Kirkpatrick Publications #6028893. Published by Colin Kirkpatrick Publications (A0.1071551). This MP3 is a high-quality recording of the orchestral part for On the Seashore of Endless Worlds by Colin Kirkpatrick. The work is scored for soprano solo, SATB choir and orchestra. The vocal and choral parts have been omitted entirely from this recording. It is not of course intended to replace the orchestra but would be useful for choir directors who want to get an idea of the orchestral sound in advance. The MP3 could be used as a backing track for a small group of singers assuming the audio equipment is of sufficient standard. For this reason, in the two short a cappella sections, a discreet metronome sound has been added to keep the singers in sync with the recording. The choral score is available separately from SMP as is the full orchestral score and instrumental parts. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, tuba, timpani, percussion (2 parts; 4 players), violin 1, violin 2, viola, cello and double bass.
$2.99
2.73 €
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Colin Kirkpatrick Publications
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On the Seashore of Endless Worlds
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Colin Kirkpatrick Publications
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SheetMusicPlus
Tightrope
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digita…
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.839874 By Janelle Monae. By Antwan Patton, Charles Joseph, Janelle Robinson, and Nathaniel Irvin. Arranged by Christopher Alexander. Pop. 66 pages. Christopher Alexander #6064981. Published by Christopher Alexander (A0.839874). The drive of this song will definitely want you to get up and dance! This Janelle Monáe dance hit is a must-have for your school show choir. Could be used as an opener or closer to make a bold declaration of not being brought down by other's lies and deceits. Then, baby, whether I'm high or low, you gotta tip on the tightrope.Octavo available at: https://www.sheetmusicplus.com/title/tightrope-octavo-digital-sheet-music/21866422
$25.00
22.82 €
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Janelle Monae
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Christopher Alexander
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Tightrope
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Christopher Alexander
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SheetMusicPlus
Thailand Royal Anthem: Phleng Sansoen Phra Barami
Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schuro…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 34 pages. Colin Kirkpatrick Publications #3226137. Published by Colin Kirkpatrick Publications (A0.522091). Colin Kirkpatrick’s National Anthems Express THAILAND: Royal Anthem (Phleng Sansoen Phra Barami) This quick and easy national anthem flexible arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play this arrangement with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of the three page score with seven instrumental staves and three percussion staves. The following 28 parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, piccolo, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat    (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service.  He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
4.55 €
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Pyotr Schurovsky
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Colin Kirkpatrick
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Thailand Royal Anthem: Phleng Sansoen Phra Barami
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Colin Kirkpatrick Publications
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SheetMusicPlus
Albania National Anthem: Himni i Flamurit
Large Ensemble - Level 3 - Digital Download SKU: A0.522109 Composed by Ciprian Poru…
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Large Ensemble - Level 3 - Digital Download SKU: A0.522109 Composed by Ciprian Porumbescu (1853-1883). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3362527. Published by Colin Kirkpatrick Publications (A0.522109). ALBANIA: Himni i FlamuritThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of 33 pages, a three page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, piccolo, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$5.99
5.47 €
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Ciprian Porumbescu
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Colin Kirkpatrick
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Albania National Anthem: Himni i Flamurit
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Colin Kirkpatrick Publications
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SheetMusicPlus
Romania National Anthem: DeÅŸteaptă-te, Române!
Large Ensemble - Level 3 - Digital Download SKU: A0.522127 Composed by Anton Pann (…
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Large Ensemble - Level 3 - Digital Download SKU: A0.522127 Composed by Anton Pann (1796-1854). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3382609. Published by Colin Kirkpatrick Publications (A0.522127). Colin Kirkpatrick’sNational Anthems Express ROMANIA: Deşteaptă-te, Române! This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$5.99
5.47 €
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Anton Pann
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Colin Kirkpatrick
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Romania National Anthem: DeÅŸteaptă-te, Române!
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Colin Kirkpatrick Publications
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SheetMusicPlus
Divergence by The Khromatiks, for Electric Violin & Loop Station
Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980
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Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping groove and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazz to Latin to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rock bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, so feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.29 €
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The Khromatiks
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Divergence by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
Castle On The Hill
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. B…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Julian Hay. 21st Century,A Cappella,Contemporary,Pop,Rock. Octavo. 8 pages. Julian Hay #871338. Published by Julian Hay (A0.1279926). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy. It is versatile and catchy, and has been performed by our Vocal Bands as well as our larger ensembles. This arrangement has the drive and momentum of the original song but with delicate moments, and some 5-part harmony as the song progresses. VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Oos / Ahs / Dms, etc).The full arrangement is scored for SSAB and Vocal Percussion (beatboxing). The song also works as SATB and could be transposed into lower key to help with some of the higher passages.RHYTHM and BASS:This Beatboxing part is suitable for moderate to advanced performers, and is scored used drum notation. Specific Beatboxing notes are included in their own section.If your ensemble is without a bass or a beatboxer you could consider the following options:- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentPERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz.
$2.99
2.73 €
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Ed Sheeran
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Julian Hay
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Castle On The Hill
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Julian Hay
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SheetMusicPlus
Little Waltz for a Dancing Occasion
Large Ensemble - Level 1 - Digital Download SKU: A0.955739 Composed by Phil Thrift.…
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Large Ensemble - Level 1 - Digital Download SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Published by Phil Thrift (A0.955739). Little Waltz for a Dancing Occasion is intended for junior players and can be performed on virtually any combination of five or more woodwind and/or brass instruments. It is based on my own experience of working with such groups.This waltz is perhaps a little unconventional in that it does not make use of a strong first beat – traditionally played by bass instruments – followed by weaker second and third beats. Furthermore, in this piece most of the phrases are five, seven or nine measures long, thus departing from the four- or eight-measure phrases many players will be used to. From measure 22 the melody in 3/4 time has an accompaniment that is essentially in 2/4 time; I’ve included accents here to help ensure a 2/4 feel. There’s also a rather abrupt ending which, hopefully, will take some by surprise. And everybody gets the tune at some stage, not just the usual melody instruments!The parts included are suitable for the instruments found in groups of learners:flute, oboe, Bb clarinet, bassoonEb alto sax, Bb tenor saxBb trumpet, F/Eb horn, trombone (TC/BC), euphonium (TC/BC), tuba, Bb/Eb bassThe high flute/oboe part is optional. The glockenspiel is also optional and I’ve mainly included this part so that, if you have a drummer who needs something to do, he or she won’t be tempted to just play bass drum on first beat, snare on second and third beats!The tempo chosen will depend on the abilities of the players.Apart from maybe saving paper, writing two parts on one system does help players to learn to read such charts – something I feel all players should learn to do from an early age.
$12.99
11.86 €
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Phil Thrift
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Little Waltz for a Dancing Occasion
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Phil Thrift
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SheetMusicPlus
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