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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Victor's Piano Solo
Non classifié
42
Piano & claviers
Piano seul
211
Piano (partie séparée)
49
Piano, Voix et Guitare
25
Piano, Voix
7
Orgue
5
Piano Facile
3
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare (partie séparée)
4
Guitare
1
Guitare notes et tablatures
1
Voix
Chorale 3 parties
10
Chorale SATB
10
Voix duo, Piano
3
Voix haute
1
Voix Soprano, Piano
1
Chorale 2 parties
1
+ 1 instrumentations
Retracter
Vents
Saxophone (partie séparée)
10
Saxophone Alto et Piano
6
Clarinette (partie séparée)
5
Flute (partie séparée)
5
Flûte traversière et Piano
5
Hautbois, Piano (duo)
5
Saxophone Tenor et Piano
5
Clarinette et Piano
5
Saxophone Soprano et Piano
4
Cor anglais, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois (partie séparée)
1
Saxophone Baryton, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Piccolo, Piano
1
Ensemble de Clarinettes
1
Clarinette
1
2 Clarinettes (duo)
1
Clarinette Basse, Piano
1
+ 14 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
9
Trombone et Piano
8
Trompette, Piano
5
Cor et Piano
5
Cor (partie séparée)
5
Trompette (partie séparée)
4
Tuba (partie séparée)
3
Cor anglais, Piano
2
Tuba
2
Trompette
1
Tuba et Piano
1
Trompette, Euphonium (duo)
1
Euphonium, Piano (duo)
1
+ 8 instrumentations
Retracter
Cordes
Violon et Piano
9
Alto, Piano
7
Violoncelle, Piano
6
Contrebasse (partie séparée)
3
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto (partie séparée)
1
Violon (partie séparée)
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
5
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Cloches
2
Orchestre d'harmonie
1
Orchestre à Cordes
1
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Quickpartitions
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Vous avez sélectionné:
Victor's Piano Solo
Partitions à imprimer
42 partitions trouvées
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26
The Wedding Album, for Solo Horn in Eb and Piano
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Ho
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David McKeown
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SheetMusicPlus
Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.587627 Composed by Various. Arranged by David McKeown. Baroque,Romantic Per...
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Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.587627 Composed by Various. Arranged by David McKeown. Baroque,Romantic Period,Standards,Wedding. Score and individual part. 24 pages. David McKeown #4594693. Published by David McKeown (A0.587627). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in Eb with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Wedding March by Mendelssohn, for Solo Horn in Eb (Tenor Horn) and Piano
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Classique
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
#
SheetMusicPlus
Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.587607 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. ...
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Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.587607 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Romantic Period,Standards,Wedding. Score and individual part. 9 pages. David McKeown #4403650. Published by David McKeown (A0.587607). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Horn in Eb (Tenor Horn) and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bridal March, "Here Comes The Bride", for Solo Horn in Eb and Piano
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Classique
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes
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David McKeown
#
SheetMusicPlus
Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.587577 Composed by Richard Wagner. Arranged by David McKeown. Instructional...
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Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.587577 Composed by Richard Wagner. Arranged by David McKeown. Instructional,Romantic Period,Standards,Wedding. Score and individual part. 5 pages. David McKeown #4365476. Published by David McKeown (A0.587577). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Horn in Eb and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
Sullivan: The Lost Chord for Oboe d'Amore & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for O
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructio...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Sullivan: The Lost Chord for Baritone Horn & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,...
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Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Crazy Quilt for piccolo and piano
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Dana Joras
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Crazy Quilt for piccolo and pi
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Dana H. Joras
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 5 - SKU: A0.1414575 Composed by Dana Joras. 21st Century,Chamber,Contemporary. Score and individual part. 17 pag...
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Instrumental Solo,Piano,Piccolo - Level 5 - SKU: A0.1414575 Composed by Dana Joras. 21st Century,Chamber,Contemporary. Score and individual part. 17 pages. Dana H. Joras #996357. Published by Dana H. Joras (A0.1414575). Originally a Victorian pastime crafted after Japanese asymmetrical art, crazy quilting is the construction of a conglomeration of randomly pieced fabrics. Although a crazy quilt's appearance may seem haphazard, the finished product is the result of careful planning. Hours are spent cutting shapes and assorting pieces into various arrangements before the fragments are sewn together. This flamboyant piece utilizes the entire range of the piccolo and explores its unique tone colors while challenging the technical capabilitiesof the performer. The piccolo and piano move together through various melodic fabrics which are sewn together by referencing previously used material.Length: 4 minutes.
$12.99
Nelson's Victory
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Traditional Fiddle Tunes
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Heather M Music
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Nelson's Victory
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Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1477112 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1477112 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 57. Heather Mueller Music #3xWRDG3hr5ttdOqY9cqGtE. Published by Heather Mueller Music (A0.1477112). Key: G major.
$2.99
Jesus I Come to Thee
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Christian contemporain
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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Jesus I Come to Thee
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trumpet,Violin - Level 3 - SKU: A0.818325 By Stephen R Dalrymple. By William T. Sleeper & George C. ...
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Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trumpet,Violin - Level 3 - SKU: A0.818325 By Stephen R Dalrymple. By William T. Sleeper & George C. Stebbins. Arranged by Stephen R Dalrymple. Contemporary,Sacred. Score and parts. 58 pages. Stephen R Dalrymple #6064111. Published by Stephen R Dalrymple (A0.818325). Jesus I Come by William Sleeper and George Stebbins arranged for flute solo with piano by Stephen R Dalrymple ♫ transcribed for solo clarinet, trumpet euphonium, violin, & cello ♫ In Matthew 10 Jesus sends His disciples out far and wide to heal the sick, announce the Kingdom of God, and prompt the people to repentance to be ready for the coming kingdom. Jesus sees many victories but in chapter 11 He criticizes certain cities for not heeding the call to repentance. Chapter 11 ends with an invitation. Come to Me. ♫ music © 2010 (copyright registered in Rejoice Ye Pure in Heart: Sacred Instrumental Arrangements.) ♫ recorded by violinist Jim Jansen with Stephen Dalrymple ♫ recording ℗ 2016 Stephen R Dalrymple and Jim Jansen ♫ presentation © 2022 Stephen R Dalrymple ♫ This .pdf file includes 14 scores. 1) individual parts for flute, clarinet, trumpet, euphonium (trombone), violin, and cello soloists. 2) A score for flute and piano. 3) Full Score for flute in small page format for performing from a 10 inch tablet and 4) the same solo parts for 10 inch tablet. Purchase price includes display and/or performance by one soloist (and accompanist) for noncommercial purposes only when attributed to the composer(s) and the arranger. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print.) Contact the arranger for other uses.
$4.50
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 ...
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Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz....
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
Cadets of Gascony. March Song
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Victor Herbert
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Cadets of Gascony. March Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and TTBB chorus) - SKU: LV.20943 Composed by Victor Herbert. Soldiers, Courage, Campaigns & battles. Lester S. Levy Collection. 7 ...
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Piano and voice (solo and TTBB chorus) - SKU: LV.20943 Composed by Victor Herbert. Soldiers, Courage, Campaigns & battles. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20943). Cadets of Gascony. March Song. Music by Victor Herbert. Lyrics by Harry B. Smith. Published 1899 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice (solo and ttbb chorus) instrumentation. Subject headings for this piece include Soldiers, Courage, Campaigns & battles. First line reads Captain am I of a gallant band, the bold cadets of Gascony.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
My Foolish Heart
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Contemporain
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Demensions
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Kerry Marsh
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My Foolish Heart
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Kerry Marsh
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SheetMusicPlus
Rhythm Section Voice (SATB divisi) - Level 4 - SKU: A0.876028 By Demensions. By Victor Young. Arranged by Kerry Marsh. Contemporary. Vocal Jazz Ensemble...
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Rhythm Section Voice (SATB divisi) - Level 4 - SKU: A0.876028 By Demensions. By Victor Young. Arranged by Kerry Marsh. Contemporary. Vocal Jazz Ensemble. 45 pages. Kerry Marsh #5204105. Published by Kerry Marsh (A0.876028). L4, SSATB with notated and chord chart piano, notated bass (with chords), drums. The chart is based on Kurt Elling's version of the standard (arranged by Laurence Hobgood, his pianist and collaborator, as well), with the inserted Moth poem by Rabia, an 8th century mystic from Basra, Iraq. No lyric or improvised soloists are featured in this arrangement, as the ensemble takes center stage, along with the artfully constructed rhythm section role. This title is part of the Vault Collection at KerryMarsh.com, where you can hear the full-length demo, preview the full score and supplement your SheetMusicPlus order with Part Tracks (played on piano) and the Rhythm Track for this arrangement. While visiting KerryMarsh.com, you can browse (with helpful filters and search options) over 300 charts featured in the main catalog, comprised of the newest sheet music from Kerry Marsh as well as arrangements by Kelly Kunz (for Groove For Thought), Simon Akesson (for Accent), David von Kampen and other excellent vocal arrangers. Demos, score previews and supplemental rehearsal tracks are available for all main catalog charts.
$50.00
Fantasia
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Hans Haug
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Zellev
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Fantasia
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Zellev Music
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo,Piano - Level 5 - SKU: A0.1287061 Composed by Hans Haug. Arranged by Zellev. 20th Century,Broadway,Classical,Contempor...
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Acoustic Guitar,Instrumental Solo,Piano - Level 5 - SKU: A0.1287061 Composed by Hans Haug. Arranged by Zellev. 20th Century,Broadway,Classical,Contemporary,Medieval,Musical/Show. Score and individual part. 20 pages. Zellev Music #878068. Published by Zellev Music (A0.1287061). Hans Haug (1900-1967) was a Swiss composer and conductor, mainly of operas and theatrical music. He also became known as a composer for the classical guitar.In December 1950, Haug's Concertino for Guitar and Chamber Orchestra won a prize at a composition competition for guitar at the Accademia Musicale Chigiana in Siena, Italy. It was Haug's first guitar composition. The prizewinners were promised that Segovia would premiere their pieces in the summer of 1952 and that they would be published afterwards by Schott of London. Whereas this promise was kept in the case of Tansman's Cavatina (Schott published it in 1952), Segovia never played Haug's Concertino, which had to await publication until three years after Haug's death in 1970. It appeared in a facsimile edition under the auspices of Edizioni Musicali Bèrben. Alexandre Lagoya and the Lausanne Chamber Orchestra played its world premiere.Hans Haug became acquainted with other guitarists such as Luise Walker at the Geneva Competition in 1956. As a result of this meeting, he wrote his Fantasia for Guitar and Piano (1957), which he dedicated to her. In 1963, his Capriccio for flute and guitar was written for the duo Werner Tripp and Konrad Ragossnig (released on RCA Victor 440.182). Also, Haug composed a Concerto for flute, guitar and orchestra in 1966, and he used the guitar in some other works.
$14.00
Aleluia (HALLELUJAH), of the Messiah - for Contrabassoon and accompaniment
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Classique
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George Frideric Handel
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.964433 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christia...
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Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.964433 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and individual part. 3 pages. Leyandder Trustworthy #6326731. Published by Leyandder Trustworthy (A0.964433). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
The Sword and the Staff. A National Anthem
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Patriotique
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William Vincent Wallace
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The Sword and the Staff. A Nat
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and TTBB chorus) - SKU: LV.14026 Composed by William Vincent Wallace. Monuments and memorials, Symbols--peace--victory, National E...
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Piano and voice (solo and TTBB chorus) - SKU: LV.14026 Composed by William Vincent Wallace. Monuments and memorials, Symbols--peace--victory, National Emblems, Eagles. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14026). The Sword and the Staff. A National Anthem. The Words by George P. Morris. The Music Composed by W. Vincent Wallace. Published 1843 by J.L. Hewitt & Co., 239 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and chorus ttbb) instrumentation. Subject headings for this piece include Monuments and memorials, Symbols--peace--victory, National Emblems, Eagles. First line reads The sword of the hero! The staff of the sage, Whose valor and wisdom Are stamp'd on the age.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Kinderszenen Op. 15 No. 7: Traumerei
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Classique
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Robert Schumann
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Peet du Toit
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Kinderszenen Op. 15 No. 7: Tra
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1495842 Composed by Robert Schumann. Arranged by Peet du Toit. Classic...
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Brass Ensemble,Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1495842 Composed by Robert Schumann. Arranged by Peet du Toit. Classical. 8 pages. Peet du Toit #1072371. Published by Peet du Toit (A0.1495842). Kinderszenen (Scenes from Childhood), Op. 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838.Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann. In Russia, a hummed choral a cappella version became known as mourning music, being played annually during the Minute of Silence on Victory Day. In 2021, violinist Fenella Humphreys released an arrangement of Träumerei for violin.Here is my contribution on it scored for a brass quintet, giving every member thereof a great opportunity to act both as soloist and supportive ensemble player, with the purpose of the music in mind. Enjoy!
$17.00
Aleluia (HALLELUJAH), of the Messiah - for Bâ™ Bass Trumpet and accompaniment
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Classique
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George Frideric Handel
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trumpet,Voice - Level 1 - SKU: A0.964441 Composed by George Frideric Handel. Arranged by Leyandder Trust...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trumpet,Voice - Level 1 - SKU: A0.964441 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6326889. Published by Leyandder Trustworthy (A0.964441). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
Aleluia (HALLELUJAH), of the Messiah - for Bâ™ Bass Clarinet and accompaniment
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Musique Sacrée
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Instrumental Duet,Piano Bass Clarinet,Instrumental Duet,Piano,Voice - Level 1 - SKU: A0.964425 Arranged by Leyandder Trustworthy. Baroque,Christian,East...
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Instrumental Duet,Piano Bass Clarinet,Instrumental Duet,Piano,Voice - Level 1 - SKU: A0.964425 Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6326041. Published by Leyandder Trustworthy (A0.964425). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
Aleluia (HALLELUJAH), of the Messiah - for Eâ™ Clarinet and accompaniment
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Classique
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George Frideric Handel
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Voice - Level 1 - SKU: A0.964422 Composed by George Frideric Handel. Arranged by Leyandder Trus...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Voice - Level 1 - SKU: A0.964422 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6326031. Published by Leyandder Trustworthy (A0.964422). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
Aleluia (HALLELUJAH), of the Messiah - for Flute and accompaniment
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Classique
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George Frideric Handel
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 1 - SKU: A0.964417 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Eas...
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Small Ensemble Flute,Piano,Voice - Level 1 - SKU: A0.964417 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6326013. Published by Leyandder Trustworthy (A0.964417). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
Aleluia (HALLELUJAH), of the Messiah - for Bâ™ Clarinet and accompaniment
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Classique
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George Frideric Handel
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Voice - Level 1 - SKU: A0.964421 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,...
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Small Ensemble Clarinet,Piano,Voice - Level 1 - SKU: A0.964421 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6326033. Published by Leyandder Trustworthy (A0.964421). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
Aleluia (HALLELUJAH), of the Messiah - for Oboe and accompaniment
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Classique
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George Frideric Handel
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Oboe,Piano,Voice - Level 1 - SKU: A0.964418 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,East...
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Small Ensemble Oboe,Piano,Voice - Level 1 - SKU: A0.964418 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6326023. Published by Leyandder Trustworthy (A0.964418). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
Aleluia (HALLELUJAH), of the Messiah - for Tenor Recorder and accompaniment
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Classique
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George Frideric Handel
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Piano,Tenor Recorder,Voice - Level 1 - SKU: A0.964435 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Chri...
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Small Ensemble Piano,Tenor Recorder,Voice - Level 1 - SKU: A0.964435 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6326735. Published by Leyandder Trustworthy (A0.964435). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
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Victor's Piano Solo
