Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Vienne
Non classifié
85
Piano & claviers
Piano seul
203
Piano Facile
50
Piano, Voix
11
1 Piano, 4 mains
9
Piano, Voix et Guitare
5
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Orgue
2
Accordéon
1
+ 6 instrumentations
Retracter
Guitares
2 Guitares (duo)
4
Guitare
3
Guitare notes et tablatures
2
Guitare, Violon, Violoncelle (trio)
2
Voix
Chorale SATB
3
Chorale TTBB
2
Chorale 2 parties
1
Chorale SSAA
1
Voix moyenne, Piano
1
Vents
Flûte traversière
30
2 Flûtes traversières (duo)
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte traversière et Piano
12
Flûte, Alto (duo)
10
2 Clarinettes (duo)
9
Flûte, Clarinette (duo)
8
2 Saxophones (duo)
7
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Saxophones: 4 saxophones
5
Clarinette
5
Clarinette, Guitare (duo)
5
Clarinette et Piano
5
Saxophone Alto et Piano
5
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Piano (duo)
4
Saxophone Alto
3
Clarinette (partie séparée)
3
Flûte et Guitare
3
Flûte traversière, Orchestre
2
Saxophone Tenor
2
Clarinette, Violon (duo)
2
3 Flûtes à bec (trio)
2
Clarinette, Trompette (duo)
2
Saxophone Tenor et Piano
2
2 Flûte à bec (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, violon (duo)
1
Flûte, Violon
1
Saxophone, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Trompette (duo)
1
Flûte, Clarinette et Basson
1
3 Clarinettes (trio)
1
Clarinette et Alto
1
Hautbois, Basson (duo)
1
Ensemble de saxophones
1
Clarinette Basse, Piano
1
Hautbois, Clarinette (duo)
1
2 Flûtes à bec, Piano
1
Hautbois, Flûte
1
Ensemble de Flûtes
1
2 Hautbois (duo)
1
+ 39 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette, Piano
4
Cor et Piano
4
Trombone et Piano
4
Trompette (partie séparée)
3
Trompette, Cor (duo)
2
Trompette, Trombone (duo)
2
2 Trompettes (duo)
1
2 Trombones (duo)
1
Trompette, Saxophone (duo)
1
Tuba (partie séparée)
1
Trompette
1
Trombone (partie séparée)
1
Ensemble de Trompettes
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
17
Violon
10
2 Harpes (duo)
8
Alto, Piano
6
Violoncelle, Piano
5
Trio à Cordes: violon, alto, violoncelle
4
Violon (partie séparée)
4
Harpe
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon, Guitare (duo)
3
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
2
Violon, Violoncelle (duo)
2
Trio à cordes
2
Violoncelle
2
2 Violons (duo)
2
Alto, Guitare (duo)
1
2 Altos (duo)
1
2 Contrebasses (duo)
1
Contrebasse (partie séparée)
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Alto seul
1
Violon, Alto (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
37
Orchestre à Cordes
23
Orchestre
13
Orchestre de chambre
6
Ensemble de cuivres
2
Jazz combo
2
Ensemble de Percussions
1
Ensemble Jazz
1
Piano et Orchestre
1
Percussion (partie séparée)
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
85
Librairie Musicale
1 183
Matériel de Musique
365
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Vienne
Partitions à imprimer
85 partitions trouvées
<
1
26
51
76
Homage a Devienne, Suite in 3 Pieces & and an Encore, IV. Encore (Tribute Round), for 2 Flt's & Bsn.
#
Mariage/Ballade
#
J
#
Homage a Devienne, Suite in 3
#
J.W. Carter
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 4 - SKU: A0.973685 Composed by J.W. Carter. Wedding. 4 pages. J.W. Carter #5031217. Published by J...
(+)
Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 4 - SKU: A0.973685 Composed by J.W. Carter. Wedding. 4 pages. J.W. Carter #5031217. Published by J.W. Carter (A0.973685). No. 4 from Homage a Devienne, Suite in 3 Pieces and an Encore. The theme is built on the acronym F-D-C-F-B-flat, i.e. Francois Devienne, Composer, Flutist & Bassoonist.Repeat may be considered optional.
$2.50
Mozart: Viennese Sonatina No.4 (selection of Mvts from 5 Divertimenti K439b) - mixed wind trio
#
Classique
#
Wolfgang Amadeus Mozart
#
Ray Thompson
#
Mozart: Viennese Sonatina No.4
#
RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - SKU: A0.1168625 Composed by Wolfgang Amadeus Mozart. Arranged ...
(+)
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - SKU: A0.1168625 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 19 pages. RayThompsonMusic #768963. Published by RayThompsonMusic (A0.1168625). Arranged woodind trio (playable as double reed trio, clarinet trio or mixed trio) Part 1 oboe (flute) / clarinet Part 2 clarinet / cor anglais Part 3 bassoon / bass clarinet The Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for  mixed wind trio of Sonatina No.4 in Bb major.There are 3 movements: Andante grazioso Menuetto and Trio Rondo
$19.95
Barbara: Vienne
Instruments Solistes
#
Chanson Française
#
Barbara
#
Vienne
#
Quickpartitions
4.99€
PlayPopSongs: Vienne
Support de cours
#
Chanson Française
#
PlayPopSongs
#
Vienne
#
Quickpartitions
4.99€
Madrigal Pavane / Timburibá
#
Francisco Braga
#
Luciano Lima
#
Madrigal Pavane / Timburib&aac
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
(+)
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Viennese waltz Medley, for string trio
#
Emile Waldteufel, Franz Lehar,
#
Bob Delfausse
#
Viennese waltz Medley, for str
#
Robert Delfausse
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.766998 Composed by Emile Waldteufel, Franz Lehar, Josef Ivanovici, Juventino Rosas, and Rudolf Sieczynsk...
(+)
String Ensemble,String Trio - Level 3 - SKU: A0.766998 Composed by Emile Waldteufel, Franz Lehar, Josef Ivanovici, Juventino Rosas, and Rudolf Sieczynski. Arranged by Bob Delfausse. Concert,Romantic Period,Wedding. Score and parts. 18 pages. Robert Delfausse #5324739. Published by Robert Delfausse (A0.766998). These five very famous waltzes were all written for full orchestra. While this arrangement for string trio does not claim to have the grandeur of orchestral performances, it does claim maximum musicality and fun. I made the arrangement at the request of friends in a string trio, and they have made good use of it, often at weddings. Enjoy! Level: intermediate and above. Duration: 4 minutes, 51 seconds.
$10.00
Viennese flute quintet D major
#
Joseph Martin Kraus
#
Viennese flute quintet D major
#
Möseler Verlag - Digital
#
SheetMusicPlus
Flute, 2 violins, viola and cello - intermediate - SKU: S9.Q569340 Composed by Joseph Martin Kraus. Hausmusik. Downloadable, Score and parts. Op 202. M...
(+)
Flute, 2 violins, viola and cello - intermediate - SKU: S9.Q569340 Composed by Joseph Martin Kraus. Hausmusik. Downloadable, Score and parts. Op 202. Möseler Verlag - Digital #Q569340. Published by Möseler Verlag - Digital (S9.Q569340). Key: D major.
$34.99
Love's Joy - Love's Sorrow
#
Fritz Kreisler
#
Wolfgang Birtel
#
Love's Joy - Love's Sorrow
#
Schott Music - Digital
#
SheetMusicPlus
Saxophone in Eb and piano - intermediate - SKU: S9.Q6396 From Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. ...
(+)
Saxophone in Eb and piano - intermediate - SKU: S9.Q6396 From Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Beliebtes Konzertstück, auch als Zugabestück geeignet. Downloadable. Schott Music - Digital #Q6396. Published by Schott Music - Digital (S9.Q6396). 'Alt Wiener Tanzweisen' [Old Viennesse dance tunes] are pretty miniatures, vibrant and catchy (the second one with a slightly elegiac colouring), but all have melodic charm and musical elegance. And what Kreisler one said about his A minor string quartet equally applies to these miniatures: 'It is my profession of allegiance to Vienna'. Fritz Kreisler himself liked to play them as encores and for many soloists they belonged and still do belong to the 'musical icing' which sweetens the end of a concert for the audience.
$6.99
Love's Joy - Love's Sorrow
#
Fritz Kreisler
#
Wolfgang Birtel
#
Love's Joy - Love's Sorrow
#
Schott Music - Digital
#
SheetMusicPlus
Saxophone in Bb and piano - intermediate - SKU: S9.Q6395 From Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. ...
(+)
Saxophone in Bb and piano - intermediate - SKU: S9.Q6395 From Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q6395. Published by Schott Music - Digital (S9.Q6395). 'Alt Wiener Tanzweisen' [Old Viennesse dance tunes] are pretty miniatures, vibrant and catchy (the second one with a slightly elegiac colouring), but all have melodic charm and musical elegance. And what Kreisler one said about his A minor string quartet equally applies to these miniatures: 'It is my profession of allegiance to Vienna'. Fritz Kreisler himself liked to play them as encores and for many soloists they belonged and still do belong to the 'musical icing' which sweetens the end of a concert for the audience.
$5.99
Stephansdom for Solo Bass Trombone & Trombone Choir
#
Contemporain
#
Diefendorfer, Ryan
#
Diefendorfer, Ryan
#
Stephansdom for Solo Bass Trom
#
Gordon Cherry
#
SheetMusicPlus
Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score...
(+)
Small Ensemble Bass Trombone - Level 5 - SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50
5 Easy Studies, Opus 50
#
5 Easy Studies, Opus 50
#
SheetMusicPlus
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer...
(+)
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés
Song List
:
1. Andantino grazioso
2. Andantino
3. Allegretto
4. Poco allegro
5. Allegro moderato
$7.95
Contrée ancienne
#
Rainer Maria Rilke
#
Contrée ancienne
#
Arthur
#
SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 1 - SKU: A0.1450890 By Rainer Maria Rilke. By Λrthvr. 21st Century,A Cappella,Classical,Contemporary. 1 pages. A...
(+)
Mezzo-Soprano Voice,Vocal Solo - Level 1 - SKU: A0.1450890 By Rainer Maria Rilke. By Λrthvr. 21st Century,A Cappella,Classical,Contemporary. 1 pages. Arthur #1030339. Published by Arthur (A0.1450890). A setting of the poem Contrée ancienne by R.M. Rilke, for solo voice. You are free to transpose the score up or down.Ambitus:C4 - E5If you would like to perform the piece publicly (live concert or internet), please contact me.Here you can find the audio recording of this piece for download:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem text:Contrée ancienne, aux tours qui insistenttant que les carillons se souviennent -,aux regards qui, sans être tristes,tristement montrent leurs ombres anciennes.Vignes où tant de forces s’épuisentlorsqu’un soleil terrible les dore …Et, au loin, ces espaces qui luisentcomme des avenirs qu’on ignore.
$2.99
AMÉ
#
Ludovic SELMI
#
AMÉ
#
D-Project Co., Ltd.
#
SheetMusicPlus
Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. ...
(+)
Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. #997229. Published by D-Project Co., Ltd. (A0.1415494). I structured the beginning in a very expansive, linear way, with this rain reproduced by the rain stick. The piano creates a rotating bassline. Over this foundation, the marimba and violin come and go repetitively. There isn't really an ending; we move towards silence, in fact, it's very Zen. I wrote this piece so that the marimbist passes the rain stick to the violinist at a certain moment, a baton exchange like in a relay race. J'ai construit le début de manière très étalée, très linéaire, avec cette pluie reproduite par le bâton de pluie. Le piano qui fait tourner une basse. Par-dessus cette base, le marimba et le violon viennent et s’en vont de manière répétitive.Il n’y a pas de vraiment de fin, on va vers le silence en fait, c’est très Zen.J'ai écrit cette piece en permettant que le marimbiste transmette au violoniste le baton de pluie a un certain moment, un échange de baton comme dans un relais donc.
$24.00
Barcarolle in A, Opus 22
#
Classique
#
S M Ehsanul Haque
#
Barcarolle in A, Opus 22
#
E Hawkes
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1007993 Composed by S M Ehsanul Haque. Romantic Period. Score and parts. 5 pages. E Hawkes #4348971. Published by E H...
(+)
Small Ensemble - Level 4 - SKU: A0.1007993 Composed by S M Ehsanul Haque. Romantic Period. Score and parts. 5 pages. E Hawkes #4348971. Published by E Hawkes (A0.1007993). This piece has been highly influenced by Chopin's Venetian Boat Song and Strauss' Morning Papers waltzes. It should be played in simple waltz time, and as one may think of a Viennesse gondolier rowing with his lover on a late afternoon. It's my first attempt of a violin and piano duet.
$3.00
Les Yeux Doux - Score Only
Band Scores
#
Chanson Française
#
Andre Manoukian, Eliane Fall
#
D
#
Les Yeux Doux - Score Only
#
D. Gagnon
#
SheetMusicPlus
Composed by Andre Manoukian, Eliane Falliex, and Philippe Viennet. Arranged by D.Gagnon. Pop, Rock. Score and parts. 13 pages. D. Gagnon #730960. Publ...
(+)
Composed by Andre Manoukian, Eliane Falliex, and Philippe Viennet. Arranged by D.Gagnon. Pop, Rock. Score and parts. 13 pages. D. Gagnon #730960. Published by D. Gagnon
Arrangement pour petit ensemble avec piano, guitare, basse, batterie et saxophone soprano, saxophone tnor.
$30.00
Unbekanntes Volkslied (Unknown folk song) for zither and guitar
#
David Warin Solomons
#
Unbekanntes Volkslied
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Zither - Level 4 - SKU: A0.576506 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,World. Sco...
(+)
Instrumental Duet Guitar,Instrumental Duet,Zither - Level 4 - SKU: A0.576506 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 22 pages. David Warin Solomons #27311. Published by David Warin Solomons (A0.576506). This is an invented folk song written for the Austrian zither virtuoso Cornelia Mayer. The pdf file contains versions for zither in Viennese tuning and for zither in Munich tuning. The sound sample is an electronic preview (using the Viennese zither tuning).
$10.00
Unbekanntes Volkslied (Unknown folk song) for zither, violin, bass and guitar
#
David Warin Solomons
#
Unbekanntes Volkslied
#
David Warin Solomons
#
SheetMusicPlus
Small Ensemble Double Bass,Guitar,Violin,Zither - Level 4 - SKU: A0.576507 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score...
(+)
Small Ensemble Double Bass,Guitar,Violin,Zither - Level 4 - SKU: A0.576507 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 34 pages. David Warin Solomons #27313. Published by David Warin Solomons (A0.576507). This is an invented folk song written for the Austrian zither virtuoso Cornelia Mayer. The pdf file contains versions for zither in Viennese tuning and for zither in Munich tuning. The sound sample is an electronic preview (using the Viennese zither tuning).
$12.00
Polichinelle
#
Fritz Kreisler
#
Fredo Jung
#
Polichinelle
#
Schott Music - Digital
#
SheetMusicPlus
String trio - easy - SKU: S9.Q7118 Serenade. Composed by Fritz Kreisler. Arranged by Fredo Jung. This edition: score and parts. Downloadable, Sco...
(+)
String trio - easy - SKU: S9.Q7118 Serenade. Composed by Fritz Kreisler. Arranged by Fredo Jung. This edition: score and parts. Downloadable, Score and parts. Duration 2:30. Schott Music - Digital #Q7118. Published by Schott Music - Digital (S9.Q7118). Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert.
$16.99
Trio No. 1 arr. three equal saxophones
Alto Sax,Woodwind Trio,three equal saxophones
#
Classique
#
Devienne F
#
A
#
Trio No. 1 arr. three equal sa
#
Hilltop Music Publications
#
SheetMusicPlus
Composed by Devienne F. Arranged by A. L. Wyver. Classical Period, Recital. Score, Set of Parts. 35 pages. Published by Hilltop Music Publications (S0.236527). ...
(+)
Composed by Devienne F. Arranged by A. L. Wyver. Classical Period, Recital. Score, Set of Parts. 35 pages. Published by Hilltop Music Publications (S0.236527). - Score,Set of Parts - Classical Period,Recital - Hilltop Music Publications
$3.00
Excerpts from "Verklärte Nacht" (Schoenberg) - Brass Band
#
Arnold Schoenberg
#
Rob Bushnell
#
Excerpts from "Verklä
#
Rob Bushnell
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1504404 Composed by Arnold Schoenberg. Arranged by Rob Bushnell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Brass Band. 89 pages. Rob Bushnell #1079845. Published by Rob Bushnell (A0.1504404). Composed in just three weeks in 1899, Verklärte Nacht (Transfigured Night) is a string sextet in one movement by Arnold Schoenberg. Whilst known better for tone rows, his dodecaphonic music and the Second Viennese School, Schoenberg was a master of harmony (writing a number of books on the subject) and, in his early life, was inspired by the music of Brahms and Wagner. This is his best-known tonal work. Its description as a tone poem is not surprising given it takes its inspiration from Richard Dehmel’s poem of the same name, as well as Schoenberg’s strong feelings towards his future wife, Mathilde Zemlinsky, sister of his teacher, Alexander von Zemlinsky.The work is said to have five sections, one for each of the stanzas in the poem. The poem, from 1896, describes a man and woman walking through a dark forest on a moonlit night. The woman shares a secret with him, that she is pregnant but not with his child. The man reflects upon this before warmly accepting (and forgiving) the news.The work premiered on 18 March 1902 in the Vienna Musikverein by the Rosé Quartet. As was normal at the time, Schoenberg produced a string orchestra version that was premiered on 29 November 1916 in Prague, conducted by Zemlinsky, which was later revised in 1943 to better support the soloists, also adding more articulation/accents and tempo markings.Whilst the piece was controversial at the time, both musically and due to the poem’s “inappropriate” subject matter, Richard Dehmel himself was impressed, writing “I had intended to follow the motives of my text in your composition, but soon forgot to do so, I was so enthralled by the music.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=vqODySSxYpc.
$54.99
Partita A minor
#
Johann Anton Logy
#
Gerd-Michael Dausend
#
Partita A minor
#
Musikverlag Zimmermann - Digital
#
SheetMusicPlus
Guitar - SKU: S9.Q589259 (annotated edition STEP BY STEP beginners). Composed by Johann Anton Logy. Arranged by Gerd-Michael Dausend. STEP BY STE...
(+)
Guitar - SKU: S9.Q589259 (annotated edition STEP BY STEP beginners). Composed by Johann Anton Logy. Arranged by Gerd-Michael Dausend. STEP BY STEP. Downloadable. Musikverlag Zimmermann - Digital #Q589259. Published by Musikverlag Zimmermann - Digital (S9.Q589259). Key: A minor. German • English • French.Jan Antonin Graf Losy von Losinthal is known under the name of Johann Anton Logy. He lived from around 1650 till 1721 and is considered one of the most important Bohemian lute players who became familiar with both the Viennese and the French style when travelling around. His compositions for the guitar have been preserved in the form of many tablatures. Apart from dance movements, he also composed variations and character pieces for the baroque guitar using the tuning aa-Dd-gg-bb-e', which was quite popular in France. This edition has been rearranged for the modern guitar and annotated (as are all books from the STEP BY STEP series) with detailed information on playing techniques. This makes it an excellent choice for introducing Baroque performance procedure.
$12.99
Missa in Tempore Belli (Mass in Time of War/Paukenmesse)
#
Franz Joseph Haydn
#
Missa in Tempore Belli
#
Oxford University Press Digital
#
SheetMusicPlus
Mixed chorus and orchestra - SKU: OX.9780193701922 Composed by Franz Joseph Haydn. Edited by David Russell Hulme. Classic Choral Works. Vocal score. 83 ...
(+)
Mixed chorus and orchestra - SKU: OX.9780193701922 Composed by Franz Joseph Haydn. Edited by David Russell Hulme. Classic Choral Works. Vocal score. 83 pages. Oxford University Press Digital #9780193701922. Published by Oxford University Press Digital (OX.9780193701922). ISBN 9780193701922.This is one of the finest of the six great Haydn masses in an edition prepared from Haydn's autograph which fully integrates both the original Eisenstadt and expanded Viennese orchestrations. The specially prepared piano reduction provides a full and practical representation of the instrumental textures. Orchestral material is available on hire.
$19.50
Rondo fur Violine und Piano, Opus 2 - Violin Part
#
Jan Vaclav Hugo Vorisek
#
Rondo fur Violine und Piano, O
#
Bisel Classics - Digital
#
SheetMusicPlus
Violin - SKU: BQ.979-0-50179-204-7 Composed by Jan Vaclav Hugo Vorisek. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Part. With Text...
(+)
Violin - SKU: BQ.979-0-50179-204-7 Composed by Jan Vaclav Hugo Vorisek. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Part. With Text Language: English / German. Opus 2. 22 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-204-7). ISBN 9790501792047.The Rondo op. 2 was composed in a phase in Vorisek's life, when everything indicated, that his career as musician and composer was going to be outstanding. He had been newly appointed first conductor of the recently founded ''Musikverein'' and stood at the center of the development of that kind of chamber-music euphoria that defined Viennese music culture of the period. As a pianistic bravura piece the composition invites to join in for a feast of chamber music, optionally with violin or cello as partner. The vocal-like coloratura passages of the theme bring in an atmosphere of ''Italianita'', inspired by a famous ''Arietta da camera'', the Bolero of Gaetano Piantanida, that was often performed in music salons of Vienna.
$16.95
Tannhäuser und der Sängerkrieg auf Wartburg
#
Classique
#
Richard Wagner
#
Tannhäuser und der Sä
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Soloists, choir and orchestra - SKU: S9.Q17851 Scenario in 3 acts. Composed by Richard Wagner. This edition: study score. Choral music - ernst eu...
(+)
Soloists, choir and orchestra - SKU: S9.Q17851 Scenario in 3 acts. Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 185' 0. Ernst Eulenburg & Co. GmbH - Digital #Q17851. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17851). German.Numerous revisions and adaptations are entangled in the complex history of the work 'Tannhäuser'. After the world premiere in Dresden in 1845 had failed to be well received by the audience, Wagner revised large parts of the opera several times in the following decades. The most comprehensive changes were made for the Paris performance in March 1861, but even after that he made further revisions which superseded some of the previous changes and were performed in Vienna in 1875 among others. The study score is based on the version of 1875 which has misleadingly been published as the 'Paris version' until today and has actually to be referred to as 'Viennese version'. The musical text is identical to that of the critical edition within the Wagner Complete Edition, with the errata discovered since then having been corrected.3 (3. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 Ventilhr. · 2 Waldhr. · 3 · 3 · 1 - P. S. (Trgl. · Beck. · Schellentr. · gr. Tr. · Kast.) (2 Spieler) - Hfe. - Str. Auf der Bühne: Picc. · 2 · 2 · Engl. Hr. · 3 · 0 - 4 · 12 Waldhr. · 12 · 0 · 0 - S. (Trgl. · Beck. · Schellentr.) - Hfe.
$71.99
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
(+)
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
<
1
26
51
76
Vienne