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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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Quatuor à cordes: 2 violons, alto, violoncelle
38
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Trio à Cordes: violon, alto, violoncelle
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4 Violoncelles
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2 Contrebasses (duo)
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Contrebasse (partie séparée)
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Alto seul
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
33
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Orchestre
13
Orchestre de chambre
5
Jazz combo
2
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Vienne
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Homage a Devienne, Suite in 3 Pieces & and an Encore, IV. Encore (Tribute Round), for 2 Flt's & Bsn.
Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 4 - Digital Download SKU: A0.9736…
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 4 - Digital Download SKU: A0.973685 Composed by J.W. Carter. Wedding. 4 pages. J.W. Carter #5031217. Published by J.W. Carter (A0.973685). No. 4 from Homage a Devienne, Suite in 3 Pieces and an Encore. The theme is built on the acronym F-D-C-F-B-flat, i.e. Francois Devienne, Composer, Flutist & Bassoonist.Repeat may be considered optional.
$2.50
2.29 €
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J
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Homage a Devienne, Suite in 3 Pieces & and an Encore, IV. Encore
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J.W. Carter
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SheetMusicPlus
Mozart: Viennese Sonatina No.4 (selection of Mvts from 5 Divertimenti K439b) - mixed wind trio
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - …
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1168625 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 19 pages. RayThompsonMusic #768963. Published by RayThompsonMusic (A0.1168625). Arranged woodind trio (playable as double reed trio, clarinet trio or mixed trio) Part 1 oboe (flute) / clarinet Part 2 clarinet / cor anglais Part 3 bassoon / bass clarinet The Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for  mixed wind trio of Sonatina No.4 in Bb major.There are 3 movements: Andante grazioso Menuetto and Trio Rondo
$19.95
18.25 €
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.4
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RayThompsonMusic
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.27 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Viennese waltz Medley, for string trio
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.766998 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.766998 Composed by Emile Waldteufel, Franz Lehar, Josef Ivanovici, Juventino Rosas, and Rudolf Sieczynski. Arranged by Bob Delfausse. Concert,Romantic Period,Wedding. Score and parts. 18 pages. Robert Delfausse #5324739. Published by Robert Delfausse (A0.766998). These five very famous waltzes were all written for full orchestra. While this arrangement for string trio does not claim to have the grandeur of orchestral performances, it does claim maximum musicality and fun. I made the arrangement at the request of friends in a string trio, and they have made good use of it, often at weddings. Enjoy! Level: intermediate and above. Duration: 4 minutes, 51 seconds.
$10.00
9.15 €
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Emile Waldteufel, Franz Lehar, Josef Ivanovici, Juventino Rosas, and Rudolf Sieczynski
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Bob Delfausse
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Viennese waltz Medley, for string trio
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Robert Delfausse
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SheetMusicPlus
Viennese flute quintet D major
Flute, 2 violins, viola and cello - intermediate - Digital Download SKU: S9.Q569340…
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Flute, 2 violins, viola and cello - intermediate - Digital Download SKU: S9.Q569340 Composed by Joseph Martin Kraus. Hausmusik. Downloadable, Score and parts. Op 202. Möseler Verlag - Digital #Q569340. Published by Möseler Verlag - Digital (S9.Q569340). Key: D major.
$34.99
32 €
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Joseph Martin Kraus
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Viennese flute quintet D major
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Möseler Verlag - Digital
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SheetMusicPlus
Love's Joy - Love's Sorrow
Saxophone in Eb and piano - intermediate - Digital Download SKU: S9.Q6396 From O…
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Saxophone in Eb and piano - intermediate - Digital Download SKU: S9.Q6396 From Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Beliebtes Konzertstück, auch als Zugabestück geeignet. Downloadable. Schott Music - Digital #Q6396. Published by Schott Music - Digital (S9.Q6396). 'Alt Wiener Tanzweisen' [Old Viennesse dance tunes] are pretty miniatures, vibrant and catchy (the second one with a slightly elegiac colouring), but all have melodic charm and musical elegance. And what Kreisler one said about his A minor string quartet equally applies to these miniatures: 'It is my profession of allegiance to Vienna'. Fritz Kreisler himself liked to play them as encores and for many soloists they belonged and still do belong to the 'musical icing' which sweetens the end of a concert for the audience.
$6.99
6.39 €
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Fritz Kreisler
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Wolfgang Birtel
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Love's Joy - Love's Sorrow
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Schott Music - Digital
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SheetMusicPlus
Love's Joy - Love's Sorrow
Saxophone in Bb and piano - intermediate - Digital Download SKU: S9.Q6395 From O…
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Saxophone in Bb and piano - intermediate - Digital Download SKU: S9.Q6395 From Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q6395. Published by Schott Music - Digital (S9.Q6395). 'Alt Wiener Tanzweisen' [Old Viennesse dance tunes] are pretty miniatures, vibrant and catchy (the second one with a slightly elegiac colouring), but all have melodic charm and musical elegance. And what Kreisler one said about his A minor string quartet equally applies to these miniatures: 'It is my profession of allegiance to Vienna'. Fritz Kreisler himself liked to play them as encores and for many soloists they belonged and still do belong to the 'musical icing' which sweetens the end of a concert for the audience.
$5.99
5.48 €
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Fritz Kreisler
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Wolfgang Birtel
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Love's Joy - Love's Sorrow
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Schott Music - Digital
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SheetMusicPlus
Stephansdom for Solo Bass Trombone & Trombone Choir
Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed b…
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Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50
25.15 €
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Diefendorfer, Ryan
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trombone & Trombone Choir
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Gordon Cherry
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SheetMusicPlus
Contrée ancienne
Mezzo-Soprano Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1450890 By Rain…
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Mezzo-Soprano Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1450890 By Rainer Maria Rilke. By Λrthvr. 21st Century,A Cappella,Classical,Contemporary. 1 pages. Arthur #1030339. Published by Arthur (A0.1450890). A setting of the poem Contrée ancienne by R.M. Rilke, for solo voice. You are free to transpose the score up or down.Ambitus:C4 - E5If you would like to perform the piece publicly (live concert or internet), please contact me.Here you can find the audio recording of this piece for download:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem text:Contrée ancienne, aux tours qui insistenttant que les carillons se souviennent -,aux regards qui, sans être tristes,tristement montrent leurs ombres anciennes.Vignes où tant de forces s’épuisentlorsqu’un soleil terrible les dore …Et, au loin, ces espaces qui luisentcomme des avenirs qu’on ignore.
$2.99
2.73 €
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Rainer Maria Rilke
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Contrée ancienne
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Arthur
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SheetMusicPlus
AMÉ
Marimba,Piano,Rainstick,Violin - Level 5 - Digital Download SKU: A0.1415494 By Ludo…
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Marimba,Piano,Rainstick,Violin - Level 5 - Digital Download SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. #997229. Published by D-Project Co., Ltd. (A0.1415494). I structured the beginning in a very expansive, linear way, with this rain reproduced by the rain stick. The piano creates a rotating bassline. Over this foundation, the marimba and violin come and go repetitively. There isn't really an ending; we move towards silence, in fact, it's very Zen. I wrote this piece so that the marimbist passes the rain stick to the violinist at a certain moment, a baton exchange like in a relay race. J'ai construit le début de manière très étalée, très linéaire, avec cette pluie reproduite par le bâton de pluie. Le piano qui fait tourner une basse. Par-dessus cette base, le marimba et le violon viennent et s’en vont de manière répétitive.Il n’y a pas de vraiment de fin, on va vers le silence en fait, c’est très Zen.J'ai écrit cette piece en permettant que le marimbiste transmette au violoniste le baton de pluie a un certain moment, un échange de baton comme dans un relais donc.
$24.00
21.95 €
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Ludovic SELMI
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AMÉ
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D-Project Co., Ltd.
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SheetMusicPlus
Barcarolle in A, Opus 22
Small Ensemble - Level 4 - Digital Download SKU: A0.1007993 Composed by S M Ehsanul…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1007993 Composed by S M Ehsanul Haque. Romantic Period. Score and parts. 5 pages. E Hawkes #4348971. Published by E Hawkes (A0.1007993). This piece has been highly influenced by Chopin's Venetian Boat Song and Strauss' Morning Papers waltzes. It should be played in simple waltz time, and as one may think of a Viennesse gondolier rowing with his lover on a late afternoon. It's my first attempt of a violin and piano duet.
$3.00
2.74 €
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S M Ehsanul Haque
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Barcarolle in A, Opus 22
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E Hawkes
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SheetMusicPlus
Les Yeux Doux - Score Only
Composed by Andre Manoukian, Eliane Falliex, and Philippe Viennet. Arranged by D.Gagno…
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Composed by Andre Manoukian, Eliane Falliex, and Philippe Viennet. Arranged by D.Gagnon. Pop, Rock. Score and parts. 13 pages. D. Gagnon #730960. Published by D. Gagnon
Arrangement pour petit ensemble avec piano, guitare, basse, batterie et saxophone soprano, saxophone ténor.
$30.00
27.44 €
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Andre Manoukian, Eliane Falliex, and Philippe Viennet
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D
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Les Yeux Doux - Score Only
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D. Gagnon
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SheetMusicPlus
Preludio e Fuga (a 4 voci)
Double bass (with 5 Strings) - difficult - Digital Download SKU: S9.Q14273 For d…
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Double bass (with 5 Strings) - difficult - Digital Download SKU: S9.Q14273 For double bass solo in Viennese tuning. Composed by Heinz Holliger. This edition: Sheet music. Double-Bass Library. Downloadable. Duration 12 minutes. Schott Music - Digital #Q14273. Published by Schott Music - Digital (S9.Q14273). Again and again, Holliger enhances his virtuoso compositions by reviving historical traditions. In Preludio e Fuga, this return to history refers to the scordatura of the so-called 'Viennese temperament': It can be found in the most important repertoire pieces of the double-bass (such as in Mozart's Concert Aria KV 612) as third interval between the first to the third string and thinner strings which respond better. But to Holliger, virtuosity has never been an end in itself: More and more motivic particles emerge from the sweeping 'Prélude non mesuré' with almost unreally flickering sounds due to numerous harmonics and gradually fit together to form the elements of a four-part fugue. Produced in collaboration with Edicson Ruiz for whom Preludio e Fuga has been written, our edition presents the piece in two forms of notation to facilitate studying: in pitch and in finger notation.
$17.99
16.45 €
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Heinz Holliger
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Preludio e Fuga
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Schott Music - Digital
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SheetMusicPlus
Unbekanntes Volkslied (Unknown folk song) for zither and guitar
Instrumental Duet Guitar,Instrumental Duet,Zither - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Guitar,Instrumental Duet,Zither - Level 4 - Digital Download SKU: A0.576506 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 22 pages. David Warin Solomons #27311. Published by David Warin Solomons (A0.576506). This is an invented folk song written for the Austrian zither virtuoso Cornelia Mayer. The pdf file contains versions for zither in Viennese tuning and for zither in Munich tuning. The sound sample is an electronic preview (using the Viennese zither tuning).
$10.00
9.15 €
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David Warin Solomons
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Unbekanntes Volkslied
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David Warin Solomons
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SheetMusicPlus
Unbekanntes Volkslied (Unknown folk song) for zither, violin, bass and guitar
Small Ensemble Double Bass,Guitar,Violin,Zither - Level 4 - Digital Download SKU: A0.57…
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Small Ensemble Double Bass,Guitar,Violin,Zither - Level 4 - Digital Download SKU: A0.576507 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 34 pages. David Warin Solomons #27313. Published by David Warin Solomons (A0.576507). This is an invented folk song written for the Austrian zither virtuoso Cornelia Mayer. The pdf file contains versions for zither in Viennese tuning and for zither in Munich tuning. The sound sample is an electronic preview (using the Viennese zither tuning).
$12.00
10.97 €
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David Warin Solomons
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Unbekanntes Volkslied
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David Warin Solomons
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SheetMusicPlus
Polichinelle
String trio - easy - Digital Download SKU: S9.Q7118 Serenade. Composed by Fr…
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String trio - easy - Digital Download SKU: S9.Q7118 Serenade. Composed by Fritz Kreisler. Arranged by Fredo Jung. This edition: score and parts. Downloadable, Score and parts. Duration 2:30. Schott Music - Digital #Q7118. Published by Schott Music - Digital (S9.Q7118). Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert.
$16.99
15.54 €
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Fritz Kreisler
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Fredo Jung
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Polichinelle
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Schott Music - Digital
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SheetMusicPlus
Trio No. 1 arr. three equal saxophones
Composed by Devienne F. Arranged by A. L. Wyver. Classical Period, Recital. Score, Set of …
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Composed by Devienne F. Arranged by A. L. Wyver. Classical Period, Recital. Score, Set of Parts. 35 pages. Published by Hilltop Music Publications (S0.236527). - Score,Set of Parts - Classical Period,Recital - Hilltop Music Publications
$3.00
2.74 €
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Devienne F
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A
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Trio No. 1 arr. three equal saxophones
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Hilltop Music Publications
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SheetMusicPlus
Partita A minor
Guitar - Digital Download SKU: S9.Q589259 (annotated edition STEP BY STEP beginn…
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Guitar - Digital Download SKU: S9.Q589259 (annotated edition STEP BY STEP beginners). Composed by Johann Anton Logy. Arranged by Gerd-Michael Dausend. STEP BY STEP. Downloadable. Musikverlag Zimmermann - Digital #Q589259. Published by Musikverlag Zimmermann - Digital (S9.Q589259). Key: A minor. German • English • French.Jan Antonin Graf Losy von Losinthal is known under the name of Johann Anton Logy. He lived from around 1650 till 1721 and is considered one of the most important Bohemian lute players who became familiar with both the Viennese and the French style when travelling around. His compositions for the guitar have been preserved in the form of many tablatures. Apart from dance movements, he also composed variations and character pieces for the baroque guitar using the tuning aa-Dd-gg-bb-e', which was quite popular in France. This edition has been rearranged for the modern guitar and annotated (as are all books from the STEP BY STEP series) with detailed information on playing techniques. This makes it an excellent choice for introducing Baroque performance procedure.
$12.99
11.88 €
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Johann Anton Logy
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Gerd-Michael Dausend
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Partita A minor
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Zemira
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1394923 Composed by Jose Mau…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamon Publications #978408. Published by Nagamon Publications (A0.1394923). José MaurÃcio Nunes Garcia (September 20, 1767 – April 18, 1830) was a Brazilian classical composer, one of the greatest exponents of Classicism in the Americas.Born in Rio de Janeiro, son of two bi-racial parents, Nunes Garcia lost his father at an early age. His mother perceived that her son had an inclination for becoming a musician and, for this reason, improved her work to allow him to continue his musical studies.Nunes Garcia became a priest and, when King John VI of Portugal came to Rio de Janeiro with his 15,000 people, Nunes Garcia was appointed Master of the Royal Chapel. He sang and played the harpsichord, performing his compositions as well as those of other composers such as Domenico Cimarosa and Wolfgang Amadeus Mozart. He was a very prestigious musician in the royal court of John VI.His musical style was strongly influenced by Viennese composers of the period, such as Mozart and Haydn. This edition has been prepared from the composer's manuscript, and the PDF contains the Full Score and a full set of parts. Please note that the string parts have been formatted for larger paper.
$50.00
45.73 €
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Jose Mauricio Nunes Garcia
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Steven Nunes
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Zemira
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Nagamon Publications
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SheetMusicPlus
Missa in Tempore Belli (Mass in Time of War/Paukenmesse)
Mixed chorus and orchestra - Digital Download SKU: OX.9780193701922 Composed by Fra…
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Mixed chorus and orchestra - Digital Download SKU: OX.9780193701922 Composed by Franz Joseph Haydn. Edited by David Russell Hulme. Classic Choral Works. Vocal score. 83 pages. Oxford University Press Digital #9780193701922. Published by Oxford University Press Digital (OX.9780193701922). ISBN 9780193701922.This is one of the finest of the six great Haydn masses in an edition prepared from Haydn's autograph which fully integrates both the original Eisenstadt and expanded Viennese orchestrations. The specially prepared piano reduction provides a full and practical representation of the instrumental textures. Orchestral material is available on hire.
$19.50
17.83 €
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Franz Joseph Haydn
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Missa in Tempore Belli
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Oxford University Press Digital
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SheetMusicPlus
Rondo fur Violine und Piano, Opus 2 - Violin Part
Violin - Digital Download SKU: BQ.979-0-50179-204-7 Composed by Jan Vaclav Hugo Vor…
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Violin - Digital Download SKU: BQ.979-0-50179-204-7 Composed by Jan Vaclav Hugo Vorisek. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Part. With Text Language: English / German. Opus 2. 22 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-204-7). ISBN 9790501792047.The Rondo op. 2 was composed in a phase in Vorisek's life, when everything indicated, that his career as musician and composer was going to be outstanding. He had been newly appointed first conductor of the recently founded ''Musikverein'' and stood at the center of the development of that kind of chamber-music euphoria that defined Viennese music culture of the period. As a pianistic bravura piece the composition invites to join in for a feast of chamber music, optionally with violin or cello as partner. The vocal-like coloratura passages of the theme bring in an atmosphere of ''Italianita'', inspired by a famous ''Arietta da camera'', the Bolero of Gaetano Piantanida, that was often performed in music salons of Vienna.
$16.95
15.5 €
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Jan Vaclav Hugo Vorisek
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Rondo fur Violine und Piano, Opus 2 - Violin Part
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Bisel Classics - Digital
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Soloists, choir and orchestra - Digital Download SKU: S9.Q17851 Scenario in 3 ac…
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Soloists, choir and orchestra - Digital Download SKU: S9.Q17851 Scenario in 3 acts. Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 185' 0. Ernst Eulenburg & Co. GmbH - Digital #Q17851. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17851). German.Numerous revisions and adaptations are entangled in the complex history of the work 'Tannhäuser'. After the world premiere in Dresden in 1845 had failed to be well received by the audience, Wagner revised large parts of the opera several times in the following decades. The most comprehensive changes were made for the Paris performance in March 1861, but even after that he made further revisions which superseded some of the previous changes and were performed in Vienna in 1875 among others. The study score is based on the version of 1875 which has misleadingly been published as the 'Paris version' until today and has actually to be referred to as 'Viennese version'. The musical text is identical to that of the critical edition within the Wagner Complete Edition, with the errata discovered since then having been corrected.3 (3. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 Ventilhr. · 2 Waldhr. · 3 · 3 · 1 - P. S. (Trgl. · Beck. · Schellentr. · gr. Tr. · Kast.) (2 Spieler) - Hfe. - Str. Auf der Bühne: Picc. · 2 · 2 · Engl. Hr. · 3 · 0 - 4 · 12 Waldhr. · 12 · 0 · 0 - S. (Trgl. · Beck. · Schellentr.) - Hfe.
$71.99
65.84 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.82 €
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.82 €
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Tritsch-Tratsch-Polka, - trio: flute, violin, 'cello - Score and Parts
Cello,Flute,Violin - Level 4 - Digital Download SKU: A0.1370192 By Paul Burnell. By…
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Cello,Flute,Violin - Level 4 - Digital Download SKU: A0.1370192 By Paul Burnell. By Johann Strauss Jr. Arranged by Paul Burnell. 19th Century,Classical. 15 pages. Paul Burnell #954606. Published by Paul Burnell (A0.1370192). Tritsch-Tratsch-Polka, Op. 214, by Johann Strauss II. Arranged by Paul Burnell for flute, violin and violoncello.Duration 2:40This arrangement is transposed from the original key.Programme note:Tritsch-Tratsch-Polka was composed by Johann Strauss II and first performed in Vienna on 24 November 1858.'Tritsch-Tratsch' (chit-chat) refers to the Viennese enthusiasm for gossip.  Strauss may also have been referencing the burlesque 'Der Tritschtratsch' by the Austrian playwright and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written.
$2.99
2.73 €
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Paul Burnell
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Paul Burnell
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Tritsch-Tratsch-Polka, - trio: flute, violin, 'cello - Score and Parts
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Paul Burnell
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SheetMusicPlus
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