Partitions Numériques de Violin Solo.

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Violin Solo.

Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond

Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station compositionÂ for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violinÂ with aÂ Boomerang IIIÂ loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton LiveÂ with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping grooveÂ and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazzÂ to LatinÂ to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rockÂ bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, soÂ feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond

Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station compositionÂ forÂ electric violinÂ that I composed for my live-looping duo,Â The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on aÂ 7-string electric violinÂ with aÂ Boss RC-30Â loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separateÂ tracks or sectionsÂ with overdubs will be able to handle this structure, such as theÂ Singular Sound Aeros,Â Boomerang III,Â Ableton LiveÂ with a MIDI controller, etc. If you don't play 7-string, aÂ 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basicÂ lydianÂ dominantÂ motifÂ that getsÂ displacedÂ forwardsÂ orÂ backwardsÂ byÂ aÂ sixteenthÂ noteÂ onÂ eachÂ iteration.Â InÂ NashvilleÂ NumberÂ System,Â weÂ callÂ thisÂ sortÂ ofÂ syncopationÂ aÂ push,Â whichÂ inspiredÂ theÂ title.Â ThisÂ ideaÂ transitionsÂ intoÂ aÂ B solo sectionÂ withÂ aÂ latin songoÂ groove.Â This isÂ aÂ greatÂ tuneÂ forÂ practicingÂ tightÂ rhythmicÂ syncopation,Â orÂ forÂ developingÂ soloÂ ideasÂ onÂ modalÂ scales!With The Khromatiks this piece was performed as aÂ duoÂ with violin & drums/percussion, but also works as aÂ violin solo. If you have a looper capable of syncing to a click track, you could also try addingÂ bassÂ (plays the bottom line of loop 2 only) orÂ guitar/keyboardsÂ (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website,Â www.kylepudenz.com/,Â or on Instagram @theviolinvagabond