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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSE
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We Are Not Alone
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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TROMPETTE
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Crtitères actifs :
We Are Not Alone
Partitions à imprimer
27 partitions trouvées
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1
26
We Are a Rainbow
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David Kai
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David Kai
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We Are a Rainbow
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David Kai
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SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105250 By David Kai. By David Kai. Arranged by David Kai. Christian,...
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105250 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Full Performance. Duration 216. David Kai #708510. Published by David Kai (A0.1105250). This new hymn is especially appropriate for Affirming Ministries. The hymn draws on rainbow and rainbow-coloured imagery in the Bible, and the imagery of light which is composed of rainbow colors. The hymn suggests that Affirming Ministries have a badly needed light which they can proudly share with the world. We Are a Rainbow Words and music by David Kai ©2017 Tune: Slocan (see below) We’re the light of all the world, we are a city on a hill, We’re a candle on a stand proclaiming light, We will not hide our lamp beneath a bushel any more, We will shine a ray of hope that’s burning bright. Chorus: We are a rainbow, sign of covenant and peace, For the flood of tears will finally cease to be, Come shine your rainbow, splash your hues across the sky, Paint the world in colours proud and bold and free. We’re a coat of many colours, sewn from many different threads, Covering all in warmth, in welcome and in grace, God said “Let there be lightâ€, created every varied shade, In the rainbow each of us can find a place. Chorus: We are hope to still believe in tomorrow’s better day, We are peace in a world that’s torn apart, We are joy that will last in all the struggles that we face, We are love that blooms and grows in every heart. Chorus: When we face the storms of life, we will never be alone, For our God will be with us on the way, Hand in hand, side by side, we won’t be frightened* any more, As the mourning night of tears breaks into day. Chorus: *alt: clobbered.
$1.99
We Are a Rainbow (instrumental)
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David Kai
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David Kai
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We Are a Rainbow
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David Kai
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SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105253 By David Kai. By David Kai. Arranged by David Kai. Christian,...
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105253 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 211. David Kai #708513. Published by David Kai (A0.1105253). This is a backing track for soloist, group or congregation. This new hymn is especially appropriate for Affirming Ministries. The hymn draws on rainbow and rainbow-coloured imagery in the Bible, and the imagery of light which is composed of rainbow colors. The hymn suggests that Affirming Ministries have a badly needed light which they can proudly share with the world. We Are a Rainbow Words and music by David Kai ©2017 Tune: Slocan (see below) We’re the light of all the world, we are a city on a hill, We’re a candle on a stand proclaiming light, We will not hide our lamp beneath a bushel any more, We will shine a ray of hope that’s burning bright. Chorus: We are a rainbow, sign of covenant and peace, For the flood of tears will finally cease to be, Come shine your rainbow, splash your hues across the sky, Paint the world in colours proud and bold and free. We’re a coat of many colours, sewn from many different threads, Covering all in warmth, in welcome and in grace, God said “Let there be lightâ€, created every varied shade, In the rainbow each of us can find a place. Chorus: We are hope to still believe in tomorrow’s better day, We are peace in a world that’s torn apart, We are joy that will last in all the struggles that we face, We are love that blooms and grows in every heart. Chorus: When we face the storms of life, we will never be alone, For our God will be with us on the way, Hand in hand, side by side, we won’t be frightened* any more, As the mourning night of tears breaks into day. Chorus: *alt: clobbered.
$1.99
We Are Not Alone - SATB
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Musique Sacrée
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Pepper Choplin
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We Are Not Alone - SATB
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Hal Leonard - Digital
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SheetMusicPlus
(Alto Dominant) - SKU: HX.473299 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473299).
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(Alto Dominant) - SKU: HX.473299 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473299).
$2.99
We Are Not Alone - SATB
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Musique Sacrée
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Pepper Choplin
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We Are Not Alone - SATB
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.473297 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473297).
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(Accompaniment Only) - SKU: HX.473297 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473297).
$24.99
We Are Not Alone - SATB
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Musique Sacrée
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Pepper Choplin
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We Are Not Alone - SATB
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.473294 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473294). ...
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(Full Performance) - SKU: HX.473294 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473294).
$1.99
We Are Not Alone - SATB
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Musique Sacrée
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Pepper Choplin
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We Are Not Alone - SATB
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Hal Leonard - Digital
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SheetMusicPlus
(Tenor Dominant) - SKU: HX.473300 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473300).
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(Tenor Dominant) - SKU: HX.473300 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473300).
$2.99
We Are Not Alone - SATB
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Musique Sacrée
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Pepper Choplin
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We Are Not Alone - SATB
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Hal Leonard - Digital
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SheetMusicPlus
(Bass Dominant) - SKU: HX.473301 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473301).
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(Bass Dominant) - SKU: HX.473301 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473301).
$2.99
We Are Not Alone - SATB
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Musique Sacrée
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Pepper Choplin
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We Are Not Alone - SATB
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Hal Leonard - Digital
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SheetMusicPlus
(Soprano Dominant) - SKU: HX.473298 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473298). ...
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(Soprano Dominant) - SKU: HX.473298 Composed by Pepper Choplin. Sacred. Choral. Duration 154. Published by Hal Leonard - Digital (HX.473298).
$2.99
My Voice Thou Shall Hear in the Morning—Low-Range Vocal Solo
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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My Voice Thou Shall Hear in th
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Daniel Carter
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.1046069 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Praise & Worship,Sacred. 7 pages. Daniel...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.1046069 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Praise & Worship,Sacred. 7 pages. Daniel Carter #650597. Published by Daniel Carter (A0.1046069). Despite depression, setbacks, and trials of life, we hope for solace and resolve. Laurel Frost's poignant words combined with Daniel Carter’s moving, soaring melody provides hope and optimism and reassurance that we are not alone. For low-range solo voice. High-range solo voice available at danielcartermusic.com.
$4.99
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worshi...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 50 pages. Colin Kirkpatrick Publications #6596257. Published by Colin Kirkpatrick Publications (A0.522286). We’re really excited to present our collection of sixty of the best-loved hymns ever composed, presented in three books. Arranged for violin, cello and piano they are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position, though more experienced players would probably want to avoid open strings. The cello part does not follow the bass but instead plays an independent tenor line using to the mid to upper range of the instrument. The top note in the cello part is the F sharp above the bass clef. The piano part has been kept as straightforward as possible with the left hand playing the bass part. To extend the possible uses of this collection, there’s also a melody part printed in the bass clef, an octave lower than the violin part. This could of course be used for cello solo or indeed for any other bass clef instrument. Included in the 50-page PDF file is an optional bass part which follows the piano left hand and could be used for string bass or bass guitar. With such a small ensemble, a conductor is hardly necessary and to save on costs the pianist reads from the score. For this reason, the piano part in the score has been slightly enlarged. Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name. The audio samples include Abide with Me; All Through the Night; I Heard the Voice of Jesus Say; Nearer my God to Thee and What a Friend we Have in Jesus.
$15.99
Oneness in This World (clarinet, cello, piano)
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
We Are Not Alone
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Musique Sacrée
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Pepper Choplin
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We Are Not Alone
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by Pepper Choplin. Sacred. Choral. 95 pages. Duration 2400. Published by Hal Leonard - Digital Sheet Music (HX.399429). - Choral - Sacred - Hal Leonard...
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Composed by Pepper Choplin. Sacred. Choral. 95 pages. Duration 2400. Published by Hal Leonard - Digital Sheet Music (HX.399429). - Choral - Sacred - Hal Leonard - Digital Sheet Music
$10.95
Trust. (Psalm 143)
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Musique Sacrée
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Craig Wadley
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Trust.
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Wadley Publications
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SheetMusicPlus
Small Ensemble Piano Accompaniment,Piccolo - Level 4 - SKU: A0.983165 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Sacred,Standards. Scor...
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Small Ensemble Piano Accompaniment,Piccolo - Level 4 - SKU: A0.983165 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Sacred,Standards. Score and parts. 10 pages. Wadley Publications #3044195. Published by Wadley Publications (A0.983165). A beautiful lyric essay for piccolo (or flute) and piano utilizing nontraditional harmonies and modalities. While the technical requirements of the piece are of only intermediate difficulty, the demand for musical expression is high for both the soloist and accompanist. Trust is written as a musical meditation on Psalm 143, verses 1-11. These verses from the Bible underscore one of the basic (yet sometimes uncomfortable) truths of human existence: we need help. People often find it difficult to trust in anyone or anything other than themselves, but no matter how much we may desire complete independence and autonomy, human beings are simply not equipped to weather the storms life brings on our own. The difficulties of life can in fact make us feel isolated and deserted. Our culture’s celebration of strength and independence silently imply that we are weak if we are unable to stand alone, yet it is during troubling times, when we are totally incapable of moving forward on our own, that we find our greatest strength in embracing a helping hand.
$9.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 ...
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Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
The First Vision Guitar Minus Vocal
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Steven H
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The First Vision Guitar Minus
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Boothe Publishing
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SheetMusicPlus
Guitar - SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe...
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Guitar - SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe Publishing (A0.1069964). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Non Nobis Solum
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Ayan D
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Non Nobis Solum
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Desai Music
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Piano,Suspended Cymbal,Trombone,Trumpet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.1394067 Composed ...
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Piano,Suspended Cymbal,Trombone,Trumpet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.1394067 Composed by Ayan D. Desai. 21st Century,Classical,Contemporary,Film/TV,New Age. 49 pages. Desai Music #977524. Published by Desai Music (A0.1394067). Written for Chamber Orchestra with the following parts. Flute Oboe Clarinet Bassoon Horn in F Trumpet Trombone 1 Trombone 2 Vibraphone Suspended Cymbal Piano Violin 1 Violin 2 Viola Violincello Contrabass Non nobis solum is a Latin phrase that translates to not for ourselves alone. It encapsulates a profound concept that transcends individualism, emphasizing the interconnectedness of humanity and the importance of serving others. This principle has been echoed throughout history by various philosophers, religious leaders, and humanitarian thinkers, underscoring the fundamental truth that our actions have ripple effects beyond ourselves.There is no live audio recording, we are awating a debut. If your group would like to submit an audio recording, please contact the composer. The one provided is a midi rendering (and not a great one).
$19.99
Nevermore for alto and classical guitar (mp3)
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Contemporain
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András Csáki
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Nevermore for alto and classic
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Perf...
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Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00
Of Maker and Movement - percussion quartet
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Jennifer Bellor
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Of Maker and Movement - percus
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Bellor
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SheetMusicPlus
Mixed Percussion,Percussion Quartet Djembe,Glockenspiel,Mallet Percussion,Marimba,Multi-Percussion,Triangle,Vibraphone,Xylophone - Level 5 - SKU: A0.1245976...
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Mixed Percussion,Percussion Quartet Djembe,Glockenspiel,Mallet Percussion,Marimba,Multi-Percussion,Triangle,Vibraphone,Xylophone - Level 5 - SKU: A0.1245976 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary. 94 pages. Bellor #840807. Published by Bellor (A0.1245976). Of Maker and Movement (2019) Duration: 16 minutesI. Pendulum Surround (4'30)https://youtu.be/0AD6UCc9MHsII. Quartz Revolution (8')https://youtu.be/mLq-CfM8SBkIII. Dance of Hands (3'30)https://youtu.be/Y7HfGIOAqoEAll of these movements have motivic connections to each other, but can also be stand alone pieces. Additionally, the movements can be presented in any order, although the most common order is indicated in the score. FLEXIBLE INSTRUMENTATION: The Galvitone are tuned pipes Clocks created for their ensemble. A combination of glockenspiel and crotales can be used in place of this instrument. The Aquarion is a glass marimba built for this piece. Another instrument, such as the MalletKAT, keyboard, or combination of marimba and vibraphone can be used in instead. Of Make and Movement was commissioned by the Clocks in Motion percussion quartet. This is the first percussion quartet I wrote for them as their resident Clock Shop composer. Growing up surrounded by many antique clocks in my childhood home, I was inspired to create a piece that, for me, encapsulates some of the ways these clocks show the passing of time: the swinging of a pendulum, aging crystals in a quartz clock, and how the continuous movement of the hands could represent how we are in this continuous dance with time.
$69.99
Colonial Song
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George Percy Aldridge Grainger
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Colonial Song
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor and piano or piano alone - SKU: S9.Q6181 Version for two voices and piano or piano alone. Composed by George Percy Aldridge Graing...
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Soprano, tenor and piano or piano alone - SKU: S9.Q6181 Version for two voices and piano or piano alone. Composed by George Percy Aldridge Grainger. This edition: score. Downloadable, Score. Duration 6 minutes. Schott Music - Digital #Q6181. Published by Schott Music - Digital (S9.Q6181). Vocalises.No traditional tunes of any kind are made use of in this piece, in which I have wished to express my personal feelings about my own country (Australia) and people, and also to voice a certain kind of emotion that seems to me not untypical of native-born Colonials in general.Perhaps it is not unnatural that people living more or less lonelily in vast virgin countries and struggling against natural and climatic hardships (rather than against the more actively and dramaticly exciting counter wills of their fellow men, as in more thickly populated lands) should run largely to that patiently yearning, inactive sentimental wistfulness that we find so touchingly expressed in much American art; for instance in Mark Twains Huckleberry Finn, and Stephen C. Foster's adorable songs, My Old Kentucky Home, Old Folks at Home, etc. I have also noticed curious, almost Italian-like, musical tendencies in brass band performances and ways of singing in Australia (such as a preference for richness and intensity of tone and soulful breadth of phrasing over more subtly and sensitively varied delicacies of expression) which are also reflected here.Percy Aldridge Grainger.
$11.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz....
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
Chording to Consort Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to Consort Full Score
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig ...
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Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Yerushalayim Shel Zahav: (Jerusalem of Gold) (Downloadable)
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Musique Sacrée
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Alice Parker and Naomi Shemer
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Alice Parker
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Yerushalayim Shel Zahav:
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Baritone voice solo and TTBB choir unaccompanied - Moderately Easy - SKU: MQ.1.3428-E Composed by Alice Parker and Naomi Shemer. Arranged by Alice Parke...
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Baritone voice solo and TTBB choir unaccompanied - Moderately Easy - SKU: MQ.1.3428-E Composed by Alice Parker and Naomi Shemer. Arranged by Alice Parker. Advanced/Collegiate. Secular, 21st century. Octavo. 16 pages. Duration 6 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3428-E. Published by Galaxy Music Corporation - Digital (MQ.1.3428-E). Hebrew.This arrangement was commissioned jointly by Brad Spencer, Scott Spencer, and the Washington Men's Camerata and first performed by the Camerata on June 13, 2015, at the John F. Kennedy Center for the Performing Arts in Washington, D.C. Naomi Shemer wrote this lovely poem honoring the fabled city, Jerusalem. Its history and mystery are evoked in each verse and in the passionate refrain. At the beginning, Jerusalem is seen asleep, alone, guarding the Temple Wall at its center. Then we picture a deserted, conquered city, empty and desolate. In the third verse, the writer reveals herself as the latest and least of all the notable scribes who have invoked the city, those writers of magnificent Psalms, odes and poems. At the end, people have returned to the city, enlivening its streets and neighborhoods, adding new chapters to its story. Naomi Shemer's music, with its mixture of nostalgia, melancholy, and desire, lifts her verses to memorable phrases: one does not want the song to end. In performing the work, follow the given dynamic markings and allow the song to slowly accumulate dramatic tension, saving the climax for the final refrain. -Alice ParkerDuration: 6:30.
$2.85
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We Are Not Alone
