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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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We Can Be Kind
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<EZ Trio Set> Angels We Have Heard On High
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Obo…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Oboe,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.711263 Composed by (Old French Carol). Arranged by Tsuyoshi Yogoiruma. Christian,Christmas,Instructional. Score and parts. 12 pages. Tsuyoshi Yoroiguma #4350429. Published by Tsuyoshi Yoroiguma (A0.711263). This EZ Trio Set is good for school band or music class students.This music can be played by three instruments of same kind.All players use a score.(no part sheet included)Players can try various tempo, dynamics and articulation.This set includes 6 kinds of score as follows.Teachers choose a score by kind of instruments.Sheet 1:Flute /Oboe/Saxophone Sheet 2:Clarinet Sheet 3:Bassoon Sheet 4:Trumpet/HornSheet 5:Trombone/Euphonium Sheet 6:TubaPDF file includes 12 pages of scores.Playing time is 1min 10 sec.
$12.00
10.99 €
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(Old French Carol)
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Tsuyoshi Yogoiruma
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<EZ Trio Set> Angels We Have Heard On High
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Tsuyoshi Yoroiguma
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SheetMusicPlus
We Three Kings/Scarborough Fair combo violin duet with strings quartet, and piano
Cello,Piano Accompaniment,Violin - Digital Download SKU: A0.1323450 Composed by Joh…
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Cello,Piano Accompaniment,Violin - Digital Download SKU: A0.1323450 Composed by John Henry Hopkins Jr./English Ballad. Arranged by Connie Boss. Christian,Christmas,Holiday. 18 pages. Connie Boss #911671. Published by Connie Boss (A0.1323450). I have always loved Scarborough Fair. I needed to do something a little different than the Simon and Garfunkel version which is very iconic. I also wanted to use the melody for a Christmas song. I thought about how close We Three Kings was in places and decided it was a great song to do a combo with. This version is for violin duet with strings and piano. I have this in all kind of version including a women's version and SATB as well. I have version of just duet and piano and then with choir or with strings as well. Parts are included with this purchase. I hope you enjoy the mysterious sounding music. I just felt it was needed on this arrangement. This can be played without the piano accompaniment if desired.For any questions or requests, email cdboss@cvalley.net.
$7.99
7.32 €
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John Henry Hopkins Jr
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Connie Boss
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We Three Kings/Scarborough Fair combo violin duet with strings quartet, and piano
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Connie Boss
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SheetMusicPlus
We Can Fly
SSA(TB) chorus and percussion - Digital Download SKU: BJ.1384 Composed by Susanna L…
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SSA(TB) chorus and percussion - Digital Download SKU: BJ.1384 Composed by Susanna Lindmark. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1384. Published by Bo Ejeby Forlag - Digital (BJ.1384). 8.27 x 11.7 inches.We can fly was commissioned by Kultur i Vast and Marit Zetterstrom for the 4th European Choir Games in Gothenburg 2019. The song is composed for SSATB, mainly because it gives the options for different kinds of choirs to be able to take part and sing. Children choirs and youth choirs of equal voices can use the upper parts, and mixed choirs sing all parts. My wish for the song is to let it take flight, engaging the singers to sing together and let the music go through their heart and soul. Because we all know it is possible: Together we can fly! - Susanna Lindmark.
$4.80
4.4 €
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Susanna Lindmark
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We Can Fly
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Victorian Christmas Melodies for Harmonium or American Reed Organ
Small Ensemble Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.8…
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Small Ensemble Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.842551 Composed by Various. Arranged by B. Brennan. Christmas,Instructional,Standards,Traditional. Score and parts. 28 pages. Bl_music #5791213. Published by bl_music (A0.842551). The Victorian Christmas Melodies 60 Victorian Christmas Melodies for Harmonium or American Organ without lyrics. This is the Christmas edition in our ´Victorian´ series for harmonium or reed organ which contains 60 harmonised carol melodies. We have not included the lyrics as this publication is mainly intended for instrumental performance. The carols may be repeated according to the number of verses indicated in brackets at the beginning of each piece. The selection represents the carols best known and loved by the Victorians, many having been introduced by Prince Albert himself from Germany. We have kept the original titles in German, Latin or English. These are easy to medium arrangements also suitable for piano, keyboard or organ.1. Deck The Halls 2. Alle Jahre wieder 3. As With Gladness 4. Away In A Manger 5. Am Weihnachtsbaum die Lichter 6. Wassail Song 7. Der Christbaum ist der schönste Baum 8. Ehre sei Gott9. Hark! The Herald Angels Sing 10. Es kommt ein Schiff, geladen 11. Macht hoch die Tür 12. Es ist ein Ros‘ entsprungen 13. Ihr Hirten, erwacht 14. Freu Dich, Erd und Sternenzelt 15. 0 Little Town of Bethlehem 16. Heiligste Nacht 17. Inmitten der Nacht 18. Once in Royal David's City 19. Joseph, lieber Joseph mein 20. Laßt uns froh und munter sein 21. Ihr Kinderlein, kommet 22. Gloria in Excelsis Deo 23. Leise rieselt der Schnee 24. Adeste Fideles, Come All Ye Faithful 25. It Came Upon A Midnight Clear 26. Kommet Ihr Hirten 27. Lobt Gott, Ihr Christen 28. Kling Glöckchen 29. Quem Pastores laudavere 30. Sussex Carol 31. Laßt uns das Kindlein wiegen 32. Laufet, Ihr Hirten 33. The Angel Gabriel 34. Boar's Head Carol 35. Morgen, Kinder, wird's was geben 1 36. Morgen, Kinder, wird's was geben 2 37. Lobet den Herren 38. 0 Freude über Freude 39. While Shepherds Watched 40. Coventry Carol 41. Tochter Zion 42. 0 Du fröhliche 43. In Dulci Jubilo 44. Stille Nacht 45. Still,still, still 46. 0 Tannenbaum 47. See Amid The Winter's Snow 48. Ding Dong, Merrily On High 49. Vom Himmel hoch 50. Cherry Tree Carol 51. The Holly And The Ivy 52. Schlaf wohl, Du Himmelsknabe) 53. Maria durch ein Dornwald ging 54. Zu Bethlehem geboren 55. Süßer die Glocken) 56. God Rest Ye, Merry Gentlemen 57. Morgen kommt der Weihnachtsmann 58. Susani 59. Was soll das bedeuten? 60. We Wish You a Merry Christmas
$14.99
13.73 €
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Various
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B
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Victorian Christmas Melodies for Harmonium or American Reed Organ
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bl_music
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SheetMusicPlus
Moon Over The Rising Sun
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - …
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00
22.9 €
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Gnome`s Dream For Harp And Strings
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 18 pages. Luis Anjos Teixeira #3479405. Published by Luis Anjos Teixeira (A0.889415). Dear music Lovers and Friends. Gnome`s Dream revealed in the2018 Chamber Music Contest Entry. Gnome`s Dream was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it was written. In the absence of a Double bass, than should the cello take its part. In the case of an ensemble with more artists where we have already formed a bowed stringed orquestra, The double bass while playing the introduction of the piece remains a soloist and it will than be reenforced with a cello while the other bowed instruments are also playing. It would be good to tune the E string of the double bass down to a D but if this is not possible than simply play the lower „D notes one octave higher. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is here presented as a Harp Quintet. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$16.44
15.06 €
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Luis Anjos Teixeira
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Gnome`s Dream For Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Come, Let Us Walk this Road Together
Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's fi…
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Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No. 431), this collection includes English language translations of songs written for the churches in Africa
Song List: Awake There, Arise As a Mother for Her Children Beat the Drums of Welcome Behold, the Holy Lamb of God Be Merciful to Us, O God Bless The Lord, O My Soul Chiuta Is Our Sure Defense Christ Yesu Was Born (Odi, Odi) Come, Let Us Seek Our God's Protection Come, Let Us Walk This Road Together Crowds Following Yesu Everyone's Rejoicing Gift of God to Humankind Glorious Light Has Dawned God Grant That We May Be Transformed God Sends Us the Spirit God's Home Is Here God, We Pray Here in Your Sight Great Chiuta Help Us, God, to Be Peace-makers He Must Die or All Will Perish Humbly in Your Sight If It's Peace You Long For, Friends Jesu, Jesu, Fill Us With Your Love Just as a Lamb Is Led to the Slaughter Leap, Leap My Soul Let the World Unite and Sing Life of the World Night Has Fallen Our Troubles Do Abound Should We Accept that Evil Means Sing Welcome to Our Savior To Loving Yesu, Our Dearest Friend We're Glad that We Belong to You We May Choose to Walk (Free to Serve) We Remember You, Our Yesu When Our Savior Yesu Went Away Yesu Bids Us Work for Peace and Justice Yesu Born in Bethlehem Yesu Our Child at Home Lies Dying Yesu's Calling You Who Wait to See a King
Song List
: Awake There, Arise As a Mother for Her Children Beat the Drums of Welcome Behold, the Holy Lamb of God Be Merciful to Us, O God Bless The Lord, O My Soul Chiuta Is Our Sure Defense Christ Yesu Was Born (Odi, Odi) Come, Let Us Seek Our God's Protection Come, Let Us Walk This Road Together Crowds Following Yesu Everyone's Rejoicing Gift of God to Humankind Glorious Light Has Dawned God Grant That We May Be Transformed God Sends Us the Spirit God's Home Is Here God, We Pray Here in Your Sight Great Chiuta Help Us, God, to Be Peace-makers He Must Die or All Will Perish Humbly in Your Sight If It's Peace You Long For, Friends Jesu, Jesu, Fill Us With Your Love Just as a Lamb Is Led to the Slaughter Leap, Leap My Soul Let the World Unite and Sing Life of the World Night Has Fallen Our Troubles Do Abound Should We Accept that Evil Means Sing Welcome to Our Savior To Loving Yesu, Our Dearest Friend We're Glad that We Belong to You We May Choose to Walk (Free to Serve) We Remember You, Our Yesu When Our Savior Yesu Went Away Yesu Bids Us Work for Peace and Justice Yesu Born in Bethlehem Yesu Our Child at Home Lies Dying Yesu's Calling You Who Wait to See a King
$13.95
12.78 €
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Come, Let Us Walk this Road Together
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SheetMusicPlus
Christmas Flash Mob 2017
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.873886 Composed by Various…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.873886 Composed by Various, Traditional. Arranged by Petey C. Christmas. Score and parts. 8 pages. Petey C. #3479829. Published by Petey C. (A0.873886). This arrangement was made for the Edmonton Horn Choir, created and led by Mary Fearon. The arrangement was specifically meant for a flash mob event in City Center Mall in Edmonton, Alberta, Canada. It is based off of the traditional holiday, public domain songs, The First Noel, Jingle Bells, It Came Upon a Midnight Clear, Silent Night and Dona Nobis Pacem. It is designed with a beginning and ending meant to facilitate the casual assembling and disassembling of a group. There are 4 parts. All beginner in difficulty, save for maybe few measures of bass clef. All can be performed within a 2 octave range. It is relatively short. Each part fits on one page so it can be taped to the back of a fellow flash mobber. The manner of entering and exiting can be experimented with. The way we did it was each horn part entering a full phrase plus 2 measures apart and done in a round, then 2nd ending taken on cue. It sounds more pleasant and orderly this way. Originally was meant for people to start at the beginning of any bar during The First Noel and for it to become kind of dense and ambiguous until everybody went to the second ending at the same time. Whatever way you want though. Same with the exit for Dona Nobis Pacem.
$6.99
6.4 €
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Various, Traditional
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Petey C
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Christmas Flash Mob 2017
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Petey C.
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SheetMusicPlus
When the World Drops In to Town
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital…
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
1.82 €
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David Kai
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David Kai
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When the World Drops In to Town
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David Kai
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SheetMusicPlus
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.15 €
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussinghe
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Schiarazula Marazula & Ballo Anglese (1583)
String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #644005. Published by Colin Kirkpatrick Publications (A0.1039005). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of danceâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Schiarazula Marazula appears towards the end of the collection and is rather a curious addition because it evokes the sound of street music rather than that of the court. However, it was an immensely popular dance during the 16th century and possibly written by Giorgio Mainerio, an Italian musician and composer. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, Schiarazula Marazula is paired with Ballo Anglese which appears near the beginning of the original publication. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.24 €
#
Pierre Phalèse Jnr
#
Colin Kirkpatrick
#
Schiarazula Marazula & Ballo Anglese
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Chording to Consort Full Score Version with chords Book 2 - Score Only
Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervais…
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Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.99 €
#
Various
#
Alastair Lodge
#
Chording to Consort Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.99 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.99 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
VALS FRÅN DREFVIKEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
#
Lars Ek
#
VALS FRÅN DREFVIKEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LÄTTA FINGRAR
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
#
Lars Ek
#
LÄTTA FINGRAR
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
#
Lars Ek
#
FORNUDDSVALSEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
#
Lars Ek
#
LOVELY THOUGHTS
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
SNÖKÄNGAN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Unnamed series four short pieces for Orchestral instruments
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1031516 Composed by Roque La…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1031516 Composed by Roque Lazarus. Arranged by Roque Lazarus. Contemporary,Holiday,Love,Pop. 4 pages. Roque Lazarus #3434877. Published by Roque Lazarus (A0.1031516). This is a simple set of four hand-written tunes for solo-flute, double-bass duo, oboe duo and violin and double-bass duet but can be performed by other instruments as well , composed for students and hobby musicians...to enjoy playing or sight reading and it is sure to bring a smile on the face of their listener.s This is one of a series of short one page 'unnamed' compositions that I am writing this year 2018, to gather funds to celebrate 30 years program and concert of our music school 'Axl School of music (and technology)' established by me in the summer of 1989 in my ancestral house at Caranzalem Goa India. After tutoring and mentoring music students, audio recording students, bands, choirs, new composers, conductors and forming and training our flagship Orchestra, 'COSMOS EXOTIC ORCHESTRA' over 1000 pupils are all over the world now, some professional teachers, musicians, artists but mostly music lovers and appreciators, some of our students can be seen at www.axlschoolofmusic.blogspot.com and www.youtube.com/axlschoolofmusic We hope you will be kind enough to purchase a copy of my original compositions which will enable me to set up new home-studios and venues to impart music to youngsters, find prodigies and carry the legacy forward into this wide World. Our philosophy is broadcast in our monologues through www.facebook.com/alienbabauniversalmatter and www.writerscafe.org/roquelazarus Our aim is peace and a good life for all. www.reverbnation.com/roquelazarus .
$1.99
1.82 €
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Roque Lazarus
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Roque Lazarus
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Unnamed series four short pieces for Orchestral instruments
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Roque Lazarus
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SheetMusicPlus
Fear Not, For I Am With You (instrumental)
Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.110…
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Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105095 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Accompaniment. Duration 163. David Kai #708341. Published by David Kai (A0.1105095). This contemporary hymn of comfort is based on Isaiah 41:10. This version can be used to accompany a soloist or congregation. Words and Music: David Kai © 2021 Chorus: Fear not, for I am with you, Be not dismayed, for I am near, I will strengthen, I will help you, Uphold you, cast away your fear. In the night of weeping I am with you, Holding ‘til you reach the morning bright, In the day of storms I am beside you, Guiding ‘til you find the rainbow’s light. Chorus: Enemies surround you, do not fear them, They can never harm the hope within, Friends will soon abound to hold, support you, Love in just community will win. Chorus: Cruelty and selfishness astound you; When will we perceive the kindom come? All the world’s injustices confound you, We shall overcome working as one. Chorus:.
$1.99
1.82 €
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David Kai
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David Kai
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Fear Not, For I Am With You
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David Kai
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SheetMusicPlus
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classical,Contemporary. 14 pages. Heemrec #1001987. Published by Heemrec (A0.1420554). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00
119.1 €
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Dmitry Klevansky
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Stefan Kristinkov
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Проводник / Conductor
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Heemrec
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SheetMusicPlus
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1001994. Published by Heemrec (A0.1420561). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00
128.26 €
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Dmitry Klevansky
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Stefan Kristinkov
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Проводник / Conductor
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Heemrec
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SheetMusicPlus
The Messenger (Romance for Voice And Orchestra) - Score And Parts
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00
128.26 €
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
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