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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We Don\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
1 116
Piano & claviers
Piano, Voix
1 074
Piano seul
426
Piano, Voix et Guitare
310
Piano Facile
178
Instruments en Do
42
2 Pianos, 4 mains
23
Orgue
23
1 Piano, 4 mains
19
Accordéon
16
Piano grosses notes
13
Piano (partie séparée)
11
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
8
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
81
Ligne De Mélodie, (Paroles) et Accords
45
Guitare
38
Guitare (partie séparée)
22
Ukulele
18
Basse electrique
16
Paroles et Accords
10
2 Guitares (duo)
10
2 Ukuleles
4
Mandoline
3
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
Ukulele Baryton
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
315
Chorale 3 parties
78
Chorale 2 parties
41
Chorale TTBB
31
Chorale
18
Chorale Unison
17
Pack Instrumental pour Chorale
11
Chorale SSAA
8
Voix duo, Piano
6
Voix Soprano, Piano
3
Voix seule
2
Voix Alto, Piano
2
Chorale SSAB, Piano
1
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix haute
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
125
2 Saxophones (duo)
99
Saxophone (partie séparée)
98
Quatuor de Saxophones: 4 saxophones
96
Flûte traversière
89
Clarinette
85
Quintette de Saxophone: 5 saxophones
81
Flûte traversière et Piano
73
Clarinette et Piano
72
Saxophone
51
Saxophone Alto et Piano
51
Hautbois, Piano (duo)
51
2 Flûte à bec (duo)
48
Saxophone Alto
48
Saxophone Tenor et Piano
48
2 Flûtes traversières (duo)
41
Quatuor de Clarinettes: 4 clarinettes
40
Saxophone Soprano et Piano
37
Flûte, Hautbois, Clarinette, Basson
37
2 Clarinettes (duo)
35
Saxophone Tenor
34
Quatuor de Flûtes : 4 flûtes
34
Saxophone Baryton, Piano
33
3 Saxophones (trio)
30
Quintette de Flûte : 5 flûtes
30
Hautbois (partie séparée)
29
Hautbois
25
Flûte à Bec
25
Flûte à bec Soprano
25
Quintette de Clarinettes: 5 clarinettes
22
Ensemble de Clarinettes
22
Ensemble de saxophones
22
2 Hautbois (duo)
20
Saxophone Baryton
20
Cor anglais, Piano
19
Flûte, Clarinette (duo)
19
Saxophone Soprano
17
Clarinette (partie séparée)
16
Flûte à bec Alto
15
Trio de Flûtes: 3 flûtes
14
Flûte à bec Tenor
13
3 Clarinettes (trio)
12
Clarinette, Basson (duo)
12
Saxophone, Clarinette (duo)
11
Hautbois, Basson (duo)
10
Piccolo, Piano
10
Clarinette, Violon (duo)
9
Piccolo
8
Flûte, Hautbois (duo)
8
Ensemble De Flûte à bec
8
Flûte à bec Alto, Piano
8
Hautbois, Clarinette (duo)
8
Cor Anglais
8
Flute (partie séparée)
8
Ensemble de Flûtes
7
Clarinette, Trompette (duo)
7
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette (trio)
7
Clarinette et Alto
6
Flûte, Hautbois, Piano (trio)
4
Flûte à Bec, Piano
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois, Basson
4
Flûte et Guitare
4
Flûte, Alto (duo)
4
Ocarina
4
Hautbois, Flûte
4
Clarinette Basse, Piano
4
Harmonica
3
Flûte, Saxophone (duo)
3
5 Flûtes à bec
3
4 Hautbois
2
Hautbois, Violoncelle
2
2 Flûtes traversières, Piano
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette et Basson
2
Flûte, Violon
2
Instruments en Mib
2
Clarinette, Violoncelle (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Flûte, Violon, Piano
1
2 Clarinettes, Piano
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
+ 82 instrumentations
Retracter
Cuivres
Trompette
103
Trompette, Piano
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
73
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone (partie séparée)
68
Trombone
65
Trombone et Piano
58
Trompette (partie séparée)
58
Cor
48
Tuba et Piano
45
Cor et Piano
42
Quatuor de cuivres: 4 trombones
42
Tuba
40
2 Trompettes (duo)
33
2 Trombones (duo)
30
Ensemble de Trombones
27
2 Cors (duo)
21
Cor anglais, Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette, Trombone (duo)
16
Trompette, Cor (duo)
13
Quatuor de cuivres: 4 cors
13
Trompette, Saxophone (duo)
10
Euphonium, Piano (duo)
10
Quatuor de cuivres: 4 trompettes
10
Quatuor de Cuivres
9
2 Tubas (duo)
9
Trombone basse
8
Cor Anglais
8
Bass Clef Instruments
7
Euphonium
7
Ensemble de Trompettes
7
Trombone, Tuba (duo)
6
3 Trombones (trio)
6
Tuba (partie séparée)
6
2 Euphoniums et 2 Tubas
5
4 Tubas
4
Trombone, Cor (duo)
4
Trombone basse et Piano
4
Cor (partie séparée)
4
3 Trompettes (trio)
3
Trompette, Tuba (duo)
2
Instruments en Sib
2
Ensemble de Cors
2
Trio de Cuivres
2
Cor, Tuba (duo)
2
Trompette, Basson (duo)
1
3 Cors (trio)
1
3 Tubas (trio)
1
Instruments en Fa
1
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Trompette, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
127
Violon
87
Violoncelle
69
Violon et Piano
63
Violoncelle, Piano
56
Alto, Piano
49
Alto seul
45
2 Violons (duo)
43
2 Violoncelles (duo)
37
Trio à Cordes: violon, alto, violoncelle
34
Contrebasse, Piano (duo)
34
Violon, Violoncelle (duo)
25
Contre Basse
24
2 Altos (duo)
23
Violon, Alto (duo)
21
Harpe
18
Violon (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto (partie séparée)
13
Contrebasse (partie séparée)
11
Alto, Violoncelle (duo)
11
Trio à cordes: 3 violins
11
Violoncelle, Contrebasse (duo)
10
4 Violoncelles
10
Quatuor à cordes: 4 violons
7
Quatuor à cordes : 4 altos
7
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Contrebasses (duo)
5
Ensemble d'Altos
4
Piano Trio: Violon, Alto, Piano
4
2 Harpes (duo)
4
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
2
Violoncelle (partie séparée)
2
Harpe, Voix
2
Trio à cordes
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Alto et Harpe
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
363
Ensemble Jazz
84
Orchestre à Cordes
64
Fanfare
57
Orchestre
46
Ensemble de cuivres
45
Orchestre de chambre
20
Jazz combo
18
Cloches
15
Batterie (partie séparée)
15
Percussion (partie séparée)
12
Batterie
9
Ensemble de Percussions
5
Xylophone, Piano
1
Orchestre, Violon
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
We Don\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Partitions à imprimer
1 116 partitions trouvées
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1101
We Give Thanks
#
Louis Landon
#
We Give Thanks
#
Landon Creative, Inc.
#
SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.761936 Composed by Louis Landon. Concert,Folk,Instructional,New Age,Standards. Score and parts. 5 pages. Landon Creat...
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Small Ensemble - Level 2 - SKU: A0.761936 Composed by Louis Landon. Concert,Folk,Instructional,New Age,Standards. Score and parts. 5 pages. Landon Creative, Inc. #6329809. Published by Landon Creative, Inc. (A0.761936). The song, We Give Thanks, is on the THANKSGIVING PIANO album and was released on April 24, 2020. Recorded at the Peace Palace, Sedona, AZ on a Steinway B July - December 2019 You can hear the whole album on Spotify, Apple Music and Pandora Radio The album is also available for downloading at iTunes, Amazon and Bandcamp All music produced, arranged, composed & performed by Louis Landon All music published byLandon Creative, Inc. BMI Louis Landon is a Steinway Artist Music mastering by Tim Jessup, Sedona, AZ We Give Thanks mastering by Michael McDonald, Eugene, OR CD design and photos by Louis Landon
$5.25
We Don't Talk About Bruno
#
Latin/Musique du monde
#
Carolina Gaitan, Mauro Castill
#
Vihula Mihajlo
#
We Don't Talk About Bruno
#
Mihajlo Vihula
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1207463 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Vihula Mihajlo. Latin. 39 page...
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Guitar - Level 3 - SKU: A0.1207463 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Vihula Mihajlo. Latin. 39 pages. Mihajlo Vihula #805629. Published by Mihajlo Vihula (A0.1207463). This arrangement We don't talk about Bruno from Encanto for 4 guitars is absolutely enjoyable for guitar orchestra too.
$5.00
We Don't Talk About Bruno
#
Contemporain
#
Carolina Gaitan, Mauro Castill
#
Jim Lutz
#
We Don't Talk About Bruno
#
Jim Lutz
#
SheetMusicPlus
Small Ensemble Hand Percussion,Trombone - Level 5 - SKU: A0.946920 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged b...
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Small Ensemble Hand Percussion,Trombone - Level 5 - SKU: A0.946920 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Jim Lutz. Contemporary. Score and parts. 40 pages. Jim Lutz #6786405. Published by Jim Lutz (A0.946920). We Don't Talk About Trombones! Enjoy playing the ubiquitous smash hit from Encanto with your trombone octet plus percussionist(s). Range is from pedal G in the bass bone to a high D (an octave above the staff) in the lead part, so this one is best suited for college or pro-level players.
$14.99
We Don't Talk About Bruno
#
Carolina Gaitan, Mauro Castill
#
Julie Doubleday
#
We Don't Talk About Bruno
#
Julie Doubleday
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.928323 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Ju...
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Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.928323 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Julie Doubleday. Broadway,Film/TV,Musical/Show,Pop. Score and parts. 9 pages. Julie Doubleday #532613. Published by Julie Doubleday (A0.928323). We Don't Talk About Bruno for Violoncello Duet.
$4.99
We Don't Talk About Bruno
#
Carolina Gaitan, Mauro Castill
#
Julie Doubleday
#
We Don't Talk About Bruno
#
Julie Doubleday
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.928318 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Ju...
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Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.928318 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Julie Doubleday. Broadway,Film/TV,Musical/Show,Pop. Score and parts. 9 pages. Julie Doubleday #532380. Published by Julie Doubleday (A0.928318). We Don't Talk About Bruno for Viola Duet.
$4.99
We Don't Talk About Bruno
#
Film Walt Disney
#
Carolina Gaitan, Mauro Castill
#
Tim Crooks
#
We Don't Talk About Bruno
#
STR:UK String Arrangements
#
SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1040546 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Tim Crooks. Film/TV,P...
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String Ensemble - Level 3 - SKU: A0.1040546 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Tim Crooks. Film/TV,Pop. Score and parts. 35 pages. STR:UK String Arrangements #645340. Published by STR:UK String Arrangements (A0.1040546). 'We Don’t Talk About Bruno', from Disney’s ‘Encanto’, arranged for String Ensemble by Tim Crooks. This is a fun arrangement and great for groups developing latin rhythms and syncopation, suitable for ABRSM grade 5+ (intermediate level). There are also easy parts for Violin, Viola and Cello (approx grade 2 level). Parts can be printed multiple times. This download contains the following parts (those marked * essential for performance): Full Score Violin I* & II* Viola* / Violin III Cello* Easy Violin, Viola & Cello Double Bass Piano About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings #stringorchestra #strings #struk#stringensemble #ensemble #disney #bruno #encanto.
$29.99
We Don't Talk About Bruno
#
Film Walt Disney
#
Carolina Gaitan, Mauro Castill
#
Chris Evan Hass
#
We Don't Talk About Bruno
#
Chris Evan Hass
#
SheetMusicPlus
Small Ensemble Bass Trombone - Level 4 - SKU: A0.1085210 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Chris Ev...
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Small Ensemble Bass Trombone - Level 4 - SKU: A0.1085210 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Chris Evan Hass. Broadway,Children,Classical,Film/TV,Latin,Musical/Show. Score and parts. 27 pages. Chris Evan Hass #689344. Published by Chris Evan Hass (A0.1085210). An arrangement of We Don't Talk About Bruno from Disney's Encanto, for 6 trombones (5 tenor and 1 bass) and optional rhythm section (guitar, bass, drumset).
$25.00
We Don't Talk About Bruno
#
Film Walt Disney
#
Carolina Gaitan, Mauro Castill
#
Daniel Dinh
#
We Don't Talk About Bruno
#
Daniel Dinh
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1124792 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Daniel Dinh. Broadway,Children,Film/TV,Latin,Musical/Show. Brass Band. 59 pages. Daniel Dinh #725526. Published by Daniel Dinh (A0.1124792). We Don't Talk About Bruno, transcribed for Brass Band (Grade 4). Disney, Movies, Musicals. Entertain your audience with this hit Disney song from the movie 'Encanto', featuring all sections of the band.
$60.00
We Don't Talk About Bruno
#
Carolina Gaitan, Mauro Castill
#
Violette T
#
We Don't Talk About Bruno
#
Violette T
#
SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1213588 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Violette T. Broadwa...
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Instrumental Solo - Level 2 - SKU: A0.1213588 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Violette T. Broadway,Children,Film/TV,Musical/Show,Pop. Individual part. 2 pages. Violette T #810781. Published by Violette T (A0.1213588). A fun, simplified solo piano version of Encanto's We Don't Talk About Bruno.
$5.99
We Don't Talk About Bruno
#
Film Walt Disney
#
Carolina Gaitan, Mauro Castill
#
Chris Wood
#
We Don't Talk About Bruno
#
Chris Wood
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1220987 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Chris Wood. Broadway,Film/TV,Latin,Musical/Show,Pop. Brass Band. 54 pages. Chris Wood #817332. Published by Chris Wood (A0.1220987). Arrangement for British Brass Band of the popular hit 'We Don't Talk About Bruno' from the Disney animated film, Encanto.Features soloists across the band including Soprano Cornet, Solo Cornet, Flugehorn, Euphonium and Bass Trombone.
$24.99
We Don't Talk About Bruno
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Carolina Gaitan, Mauro Castill
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Isaac Gonçalves
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We Don't Talk About Bruno
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Simple Score
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SheetMusicPlus
Large Ensemble Cello,Congas,Double Bass,Drum Set,Maracas,Viola,Violin - Level 4 - SKU: A0.745012 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By ...
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Large Ensemble Cello,Congas,Double Bass,Drum Set,Maracas,Viola,Violin - Level 4 - SKU: A0.745012 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Isaac Gonçalves. Broadway,Children,Film/TV,Jazz,Latin,Musical/Show. Score and parts. 25 pages. Simple Score #353010. Published by Simple Score (A0.745012). We Don't Talk About Bruno for String Quintet and Percussion. violin, viola, cello, double bass, congas, maracas and drum set. 25 pages.
$18.00
Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
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Musique Sacrée
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James Siddons
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Meditation on "We Gather
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James Siddons Music and Writings
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SheetMusicPlus
Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pa...
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Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pages. James Siddons Music and Writings #903081. Published by James Siddons Music and Writings (A0.1314336). Description This “Meditation,†in the unusual combination of flute, clarinet, tenor saxophone, and trumpet, uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. The trumpet gives a clarion sound to entrances of the hymn tunes but elsewhere is mellowed by the three woodwinds. As is common practice in chamber music, each performer will need to listen to the other instruments to achieve a balanced sound. For this reason, relatively few dynamic markings are in the parts, as the performers will determine these in each performance environment. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a standard woodwind quartet (fl ob cl bsn). The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.
$11.00
What Have We Done? (Rehearsal Track)
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Musique Sacrée
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Stephen DeCesare
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What Have We Done?
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Exultet Music
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SheetMusicPlus
Medium-High Voice,Piano Accompaniment - Level 2 - SKU: A0.1299077 By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiri...
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Medium-High Voice,Piano Accompaniment - Level 2 - SKU: A0.1299077 By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. Full Performance. Duration 199. Exultet Music #888927. Published by Exultet Music (A0.1299077). Tender and reflective piece that asks us what we have done so that Jesus had to die on the cross. Scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Can be used for certain times throughout the liturgical year but especially on Palm Sunday, Holy Week, Good Friday.
$3.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
I Don't Want To Set The World On Fire
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Anthony Newley
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Dave Gingras and John E
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I Don't Want To Set The World
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1508967 By Anthony Newley. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Dave Gingra...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1508967 By Anthony Newley. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Dave Gingras and John E. Dosher. Jazz,Pop,Rock. Score. 3 pages. DAVID LEE GINGRAS #1084217. Published by DAVID LEE GINGRAS (A0.1508967). I Don't Want to Set the World on Fire is a pop song written by Bennie Benjamin, Eddie Durham, Sol Marcus and Eddie Seiler. It was written in 1938, but was first recorded three years later by Harlan Leonard and His Rockets. It was covered by several musicians and groups, most successfully by Horace Heidt on Columbia Records, whose version reached number one on the US pop chart; and by The Ink Spots on Decca in 1941, whose version reached number four on the same listing. The song, with its open line I don't want to set the world on fire / I just want to start a flame in your heart... became especially popular after the attack on Pearl Harbor in December 1941. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$5.99
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015....
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Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Sli...
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Don't You Ever Leave Me
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Michael Drake
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Michael Drake
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Don't You Ever Leave Me
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Michael Gene Drake
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SheetMusicPlus
Bass Guitar,Drums,Electric Guitar,Piano Accompaniment - Level 2 - SKU: A0.1364062 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadwa...
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Bass Guitar,Drums,Electric Guitar,Piano Accompaniment - Level 2 - SKU: A0.1364062 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Film/TV,Musical/Show,Singer/Songwriter,Wedding. 114 pages. Michael Gene Drake #948363. Published by Michael Gene Drake (A0.1364062). “Don’t You Ever Leave Me†From My CD “Savor the Momentâ€I like to see the shine in your hair. I like to hear the whisper of you,I like the fragrance of your perfume, ‘cause it reminds me of the times that we shared.Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,For another.And when we’re together, the birds like to sing,And when we’re together, we laugh play and cry,And when we’re together, nothing shines like us,And when we’re together, our dreams come alive. Don’t you ever leave me, Don’t you ever leave me,Don’t you ever leave me, for another.Don’t you ever leave me, Don’t you ever leave me,Don’t you ever leave me, for another.Even though we’re far apart, my heart knows that you will be all mine.Oh, it feels so good, Oh it feels just right,Oh, you’re all I need, to warm the lonely night.Oh, it feels so good, Oh it feels just right,Oh, you’re all I need, to warm the lonely night.I like to see the shine in your hair. I like to hear the whisper of you,I like the fragrance of your perfume, ‘cause it re-minds me of the times that we shared.Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,For another.Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,For another.Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,For another.michaeldrakemusic@outlook.com  www.drakemusic.com.
$25.00
Mary, Don't You Know
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Mary McDonald
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Mary, Don't You Know
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.C6077RDP Arranged by Mary McDonald. General Worship, Spiritual. Rhythm Parts. 44 pages. Hope Publishing - Digital #C6077RDP. Published by Hope P...
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SKU: H1.C6077RDP Arranged by Mary McDonald. General Worship, Spiritual. Rhythm Parts. 44 pages. Hope Publishing - Digital #C6077RDP. Published by Hope Publishing - Digital (H1.C6077RDP). Traditional Spiritual This story-telling spiritual, set in a dynamic blues-gospel style, brings a message of encouragement that in the battles and trials of life, we are not to weep but instead stand on the Rock where Moses stood! The addition of rhythm instruments truly enlivens this anthem which is ideal for church and school choirs alike. Rhythm Parts: Conductor's Score, Keyboard (B3), Electric Guitar, Bass & Drums.
$22.95
The Way We Were
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Film/TV
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Barbra Streisand
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Dave Prudon
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The Way We Were
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Prudon String Ensembles
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1368101 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Dave Prudon. Film/T...
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Instrumental Duet,Keyboard - SKU: A0.1368101 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Dave Prudon. Film/TV,Pop. 6 pages. Prudon String Ensembles #952454. Published by Prudon String Ensembles (A0.1368101). The beauty of this iconic love song made famous by Barbra Streisand is nicely captured in this arrangement for Piano Four Hands. Â Sitting next to a friend or loved one and playing through a piano duet has always been a wonderful experience. Â This arrangement and others like it by this arranger will give you that experience.You can find other duets like this one at: Â Prudon String Ensembles Sheet Music, where you will also find an abundance of nice arrangements for string ensembles.
$5.99
Don't Wake Me Up
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Contemporain
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Jonas Blue & Why Don'T We
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Arr
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Don't Wake Me Up
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Ed.CAL
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SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 2 - SKU: A0.924984 By Jonas Blue & Why Don'T We. By Anthony Ironman, Corbyn Besson, Daniel Seavey, Guy Robin, ...
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Small Ensemble Piano,Violin,Voice - Level 2 - SKU: A0.924984 By Jonas Blue & Why Don'T We. By Anthony Ironman, Corbyn Besson, Daniel Seavey, Guy Robin, Jack Avery, Jonah Marais, Jonah Marais Roth Frantzich, Rebecca Don Krueger, Zach Herron, and Zachary Herron. Arranged by Arr. Ed.CAL. Contemporary. Score and parts. 1 pages. Ed.CAL #6718925. Published by Ed.CAL (A0.924984). Don't Wake Me Up - Jonas Blue & Why Don't We in B (Original Key)
$4.99
We Wish You A Merry Christmas
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Arthur Warrell
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W
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We Wish You A Merry Christmas
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Weldon C Kennedy
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SheetMusicPlus
Baritone Horn TC,Euphonium,Low Brass Quartet,Trombone - Level 2 - SKU: A0.1478250 Composed by Arthur Warrell. Arranged by W. C. Kennedy. Christmas,Holid...
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Baritone Horn TC,Euphonium,Low Brass Quartet,Trombone - Level 2 - SKU: A0.1478250 Composed by Arthur Warrell. Arranged by W. C. Kennedy. Christmas,Holiday,Traditional. 15 pages. Weldon C Kennedy #1055631. Published by Weldon C Kennedy (A0.1478250). This is a low brass (an combination of trombones or baritones) quartet of the Christmas Classic We Wish You a Merry Christmas. This is a fairly easy arrangement, with handoff of the melody between parts and rhythyms that will make the piece fun for the players and entertaining for the audience.The pdf sheet music includes the full score and each of the four separate parts in both bass and treble clef.
$8.00
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