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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
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MANDOLINE
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OCARINA
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ORGUE
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SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
Weak
Non classifié
81
Piano & claviers
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48
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37
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25
Piano Facile
21
Instruments en Do
10
Orgue
7
Accompagnement Piano
2
1 Piano, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
13
Paroles et Accords
9
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
3
4 Guitares (Quatuor)
1
+ 1 instrumentations
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Voix
Chorale SATB
43
Chorale 3 parties
11
Chorale Unison
6
Chorale TTBB
6
Chorale 2 parties
5
Chorale SSAA
5
Voix duo, Piano
2
Voix moyenne, Piano
1
Chorale
1
Voix Alto, Piano
1
+ 5 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
9
Quintette de Saxophone: 5 saxophones
8
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7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Hautbois, Piano (duo)
3
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Tenor
2
5 Flûtes à bec
1
Saxophone Tenor et Piano
1
Saxophone Alto
1
Quatuor de Flûtes à bec
1
Hautbois, Guitare (duo)
1
Ensemble de saxophones
1
Flûte, Clarinette et Basson
1
Ensemble De Flûte à bec
1
Ensemble de Clarinettes
1
Clarinette et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Alto et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette
1
Flûte, Hautbois, Clarinette, Basson
1
+ 18 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
2
Ensemble de Trompettes
1
Trompette
1
Ensemble de Trombones
1
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Trompette, Trombone (duo)
1
Trombone et Piano
1
Cor et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 7 instrumentations
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Cordes
Violon et Piano
9
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violoncelle, Piano
4
Violon
1
Harpe, Trombone (duo)
1
Quatuor à cordes: 4 violons
1
2 Violoncelles (duo)
1
Alto, Piano
1
Harpe, Voix
1
2 Altos (duo)
1
Violoncelle
1
Violoncelle , Guitare (duo)
1
+ 7 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
11
Orchestre à Cordes
7
Orchestre
6
Jazz combo
4
Ensemble de Percussions
2
Ensemble Jazz
2
Batterie
2
Orchestre de chambre
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Weak
Partitions à imprimer
81 partitions trouvées
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Motet Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) BWV 266 for 8-par
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Bach, J
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Sauer, Ralph
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Motet Der Geist hilft unser Sc
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.810993 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance,Sacred. Score and par...
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Brass Ensemble Trombone - Level 5 - SKU: A0.810993 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance,Sacred. Score and parts. 56 pages. Gordon Cherry #4623721. Published by Gordon Cherry (A0.810993). Bach's Motet Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) BWV 226 was composed in 1729. The Motet was written for the funeral of the blessed rector Ernesti, Professor of poetry at Leipzig University. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for double 4-part choir of three movements is about 7 1/2 minutes in length and appropriate for advanced performers. The top voices in each choir have parts supplied in both alto and tenor clef.
$30.00
Weak
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Contemporain
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Swv
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Ronn M
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Weak
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Ronn M
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SheetMusicPlus
Small Ensemble - SKU: A0.918113 By Swv. By Brian Alexander Morgan. Arranged by Ronn M. Contemporary. Score and parts. 4 pages. Ronn M #5983761. Publishe...
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Small Ensemble - SKU: A0.918113 By Swv. By Brian Alexander Morgan. Arranged by Ronn M. Contemporary. Score and parts. 4 pages. Ronn M #5983761. Published by Ronn M (A0.918113).
$4.99
I Get Weak
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Contemporain
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Diane Eve Warren
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Thomas Ruggieri
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I Get Weak
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Thomas Ruggieri
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Flute,Guitar,Piano,Synthesizer,Tambourine,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Flute,Guitar,Piano,Synthesizer,Tambourine,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.934800 Composed by Diane Eve Warren. Arranged by Thomas Ruggieri. Contemporary. Score and parts. 23 pages. Thomas Ruggieri #6214329. Published by Thomas Ruggieri (A0.934800). I've always loved this song! I knew that one day, I'd have one of my high school jazz/rock groups do it. A great showcase for a talented female vocalist, this will be a crowd-pleaser for your electric pep band or jazz group. Original key. .
$20.00
Weak
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AJR
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James D
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Weak
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James D. Esmond
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SheetMusicPlus
Cello,Guitar,Violin - Level 4 - SKU: A0.1102775 By AJR. By AJR. Arranged by James D. Esmond. Chamber,Contemporary,Pop,Wedding. 7 pages. James D. Esmond ...
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Cello,Guitar,Violin - Level 4 - SKU: A0.1102775 By AJR. By AJR. Arranged by James D. Esmond. Chamber,Contemporary,Pop,Wedding. 7 pages. James D. Esmond #706146. Published by James D. Esmond (A0.1102775). Exciting, unique and fun arrangement. Intermediate/Challenging level. Great piece for weddings, parties or other events; as background music or featured.
$12.99
Beginner Flute Trios - Score Only
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Bruce Gillam
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Beginner Flute Trios - Score O
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Thomas Meadows
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 1 - SKU: A0.1506996 Composed by Bruce Gillam. 21st Century,Chamber,Children,Classical,Instructional. 32 pages. T...
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Woodwind Ensemble,Woodwind Trio - Level 1 - SKU: A0.1506996 Composed by Bruce Gillam. 21st Century,Chamber,Children,Classical,Instructional. 32 pages. Thomas Meadows #1082379. Published by Thomas Meadows (A0.1506996). Beginner Flute Trios is a 32 page book of entertaining and enjoyable flute trios by Bruce Gillam. The trios have been composed to suit the capabilities of students in their first two years of learning. One of the trios, Icecream Variations has been very popular with students. Here is an email to the composer by Cheryl, an experienced flute teacher:Hi Bruce,In other news, your Icecream Variations trio is proving a massive hit!I have quite a few weaker groups amongst my schools this semester, and they absolutely love that they sound awesome as a group with minimal pitch-reading ability. It's been so popular with my Y6s that I've started giving the sustained bass line to even weak Y5s & they consider themselves the bees knees! If I could only show you all the faces that have lit up, the confidence gained, and the distractible (as in wander constantly around the classroom) students who have suddenly become engaged. Thankyou thankyou!! Warmest regards, Cheryl.
$9.99
Legacy for Clarinet, Violin, Cello, and Piano
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Contemporain
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Sy Brandon
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Legacy for Clarinet, Violin, C
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Sy Brandon
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy B...
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
$14.99
Sweetness Is Her Weakness by KL&R2
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Soul/R&B
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Rock
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Dwight L
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N/A
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Sweetness Is Her Weakness by K
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D.L. Quinn Music Publishing Company
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SheetMusicPlus
SKU: A0.1072564 Composed by Dwight L. Quinn. Arranged by N/A. R & B,Rock. Full Performance. Duration 201. D.L. Quinn Music Publishing Company #3541975. ...
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SKU: A0.1072564 Composed by Dwight L. Quinn. Arranged by N/A. R & B,Rock. Full Performance. Duration 201. D.L. Quinn Music Publishing Company #3541975. Published by D.L. Quinn Music Publishing Company (A0.1072564). KL&R2 is back! and ready to PAR-TAE! This eastern rocker group has a bluesy,soul groove that hasbecome a trade-mark of KL&R2 and has earned them notoriety in the R&B/Soul industry among their peers.KL&R2 started their career at a young age with the Redemption Record Label of Houston, Texas, as a gospel group and later embarked upon the task of becoming an accomplished writer and singer.
$1.99
Seven Days Without Prayer
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David Kai
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,C...
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99
Ain't No Sunshine
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Bill Withers
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Scott S
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Ain't No Sunshine
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Scott S. Stewart
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SheetMusicPlus
Piano,Voice - Level 3 - SKU: A0.1424880 By Bill Withers. By Bill Withers. Arranged by Scott S. Stewart. 20th Century,Blues,Pop,Rock,Standards. 10 pages....
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Piano,Voice - Level 3 - SKU: A0.1424880 By Bill Withers. By Bill Withers. Arranged by Scott S. Stewart. 20th Century,Blues,Pop,Rock,Standards. 10 pages. Scott S. Stewart #1005871. Published by Scott S. Stewart (A0.1424880). “Ain’t No Sunshine” (1971) by Bill Withers was inspired by the 1962 movie Days of Wine and Roses and the strengths and weaknesses of the two lead alcoholic characters. It is a (deceptively) simple, yet incredibly moving ballad about addictive love. Originally clocking in at 126 seconds, with 26 “I know”s, composed with 4 simple chords - this candidate into the Great American Songbook was created. And in 2024 it was added to the National Recording Registry by the Library of Congress as being: ‘culturally, historically and/or aesthetically significant.’ This arrangement is for a 4-part SATB ensemble and pianist. It features the Tenor (and bass), but requires the ensemble of 5 performers to paint this picture of ‘dependence’. Performance time: 4:14+-.
$24.99
Sole Watchman of the Flying Stars
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Matthew Brown
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Sole Watchman of the Flying St
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SMezATBarB) a cappella - advanced - SKU: S9.Q47978 Composed by Matthew Brown. Downloadable, Choral score. Duration 7' 50. Schott Music - Di...
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Mixed choir (SMezATBarB) a cappella - advanced - SKU: S9.Q47978 Composed by Matthew Brown. Downloadable, Choral score. Duration 7' 50. Schott Music - Digital #Q47978. Published by Schott Music - Digital (S9.Q47978). English.The poem by John Berryman sees God as the 'sole watchman of the stars' who shall help man to learn humility. The setting for two choirs plays with the space and represents the poem in two contrasting ways: Whereas the text in Choir 1 is always presented clearly and directly, the words of Choir 2 are freely chanted and nearly formless, thus expressing the desire for unity and order while demonstrating the universality of the inherent weaknesses of human character.
$11.99
Nocturne for Left Hand Alone (Opus 9 Number 2)
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Classique
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Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Design...
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Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
He Is Mine Forever (Rehearsal Track)
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Musique Sacrée
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Stephen DeCesare
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He Is Mine Forever
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Exultet Music
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SheetMusicPlus
Choir,Flute,Piano,Voice - SKU: A0.1051709 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Full Performance. Duration 204. Exultet Music...
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Choir,Flute,Piano,Voice - SKU: A0.1051709 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Full Performance. Duration 204. Exultet Music #3577. Published by Exultet Music (A0.1051709). Tender arrangement of the healing Psalm 73 My health may fail and my spirit grow weak, but God will remain the strength of my heart. Scored for Solo, SATB, Flute, and Piano. Video Review: https://www.youtube.com/watch?v=jf-yXfOpIoc
$3.99
Ultimate Chops
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Randall G
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Ultimate Chops
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
All instruments - Intermediate - SKU: M0.99791EB 16 Steps to Total Musicianship for Contemporary Instrumentalists. Composed by Randall G. Reyman....
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All instruments - Intermediate - SKU: M0.99791EB 16 Steps to Total Musicianship for Contemporary Instrumentalists. Composed by Randall G. Reyman. Theory and Reference, Jazz. All styles. E-book. Mel Bay Publications - Digital Sheet Music #99791EB. Published by Mel Bay Publications - Digital Sheet Music (M0.99791EB). ISBN 9781609743956. 8.75x11.75 inches.These exercises are intended to help the serious musician internalize the vocabulary of music that comprises most jazz and classical genres today. They will not only enhance one's fluency with the various musical elements, but they will also help develop the ear, an important aspect that has been glaringly absent from many current pedagogical approaches. The young musician may find these exercises challenging at first, but patience and diligence on the part of the serious student will be rewarded with a strong fundamental knowledge of the basics of music. More advanced musicians and professionals will find these exercises invaluable for shoring up any weak areas in their training, reviewing chords and scales, and providing a means for maintaining current skills.
$9.99
Trust. (Psalm 143)
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Musique Sacrée
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Craig Wadley
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Trust.
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Wadley Publications
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SheetMusicPlus
Small Ensemble Piano Accompaniment,Piccolo - Level 4 - SKU: A0.983165 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Sacred,Standards. Scor...
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Small Ensemble Piano Accompaniment,Piccolo - Level 4 - SKU: A0.983165 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Sacred,Standards. Score and parts. 10 pages. Wadley Publications #3044195. Published by Wadley Publications (A0.983165). A beautiful lyric essay for piccolo (or flute) and piano utilizing nontraditional harmonies and modalities. While the technical requirements of the piece are of only intermediate difficulty, the demand for musical expression is high for both the soloist and accompanist. Trust is written as a musical meditation on Psalm 143, verses 1-11. These verses from the Bible underscore one of the basic (yet sometimes uncomfortable) truths of human existence: we need help. People often find it difficult to trust in anyone or anything other than themselves, but no matter how much we may desire complete independence and autonomy, human beings are simply not equipped to weather the storms life brings on our own. The difficulties of life can in fact make us feel isolated and deserted. Our culture’s celebration of strength and independence silently imply that we are weak if we are unable to stand alone, yet it is during troubling times, when we are totally incapable of moving forward on our own, that we find our greatest strength in embracing a helping hand.
$9.99
Break Forth, O Beauteous, Heavenly Light
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Break Forth, O Beauteous, Heav
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Chri...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Instructional. Score and parts. 8 pages. Luis Anjos Teixeira #3692949. Published by Luis Anjos Teixeira (A0.889423). The clarinet quartet arrangement of Break Forth, O Beauteous, Heavenly Light, was made for the 2018 Holiday Contest Entry. Martin Luther developed the Lutheran chorale, a religious hymn sung in four-part harmony by the congregation as part of the service. Break Forth, O Beauteous, Heavenly Light was written by Johann Rist and Johann Schop in the mid-17th century, so that by 1734, when Bach included it in his Christmas Oratorio, it was well known to congregations. The harmonization, however, is Bach ‘s own. The arrangement remains faithful to the original facsimile of Bach. It is transposed for a modern clarinet quartet. Variations in loudness and the duration of musical notes are the basic elements to musical expression. A few interpretation symbols where added to shorten some of the notes. Breathing between music phrases is notated. and the final was stretched with one more bar for a ralentando effect. This details are only suggestions for an interpretation. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! I wish you a Merry Christmas! „Brich an, o schönes Morgenlicht „Brich an, o schönes Morgenlicht, und lass den Himmel tagen! Du Hirtenvolk, erschrecke nicht, weil dir die Engel sagen: Dass dieses schwache Knäbelein soll unser Trost und Freude sein, Dazu den Satan zwingen und letzlich Frieden bringen. Words: Johann Rist (1607-1677), 1641; Verse 1 translated from German to English by John Troutbeck, circa 1885, et. al. Verse 2 translated by Arthur Tozer Russell, 1806-1874. Music: Ermuntre Dich or Schop, Johann Schop (1590-1667), 1641; Harmony by Johann Sebastian Bach, 1734. 1. Break forth, O beauteous heavenly light, And usher in the morning; O shepherds, shrink not with afright, But hear the angel's warning. This Child, now weak in infancy, Our confidence and joy shall be, The power of Satan breaking, Our peace eternal making. All blessing, thanks and praise to thee, Lord Jesus Christ, be given; Thou hast our brother deigned to be, Our foes in sunder riven. O grant us through our day of grace With constant praise to seek Thy face; Grant us ere long in glory With praises to adore thee. Thanks to Claudia Eppelt for the wonderful illustration, the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for my Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.95
Duet from Cantata 78, Wir eilen mit schwachen (We hasten)
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Classique
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Johann Sebastian Bach
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James F
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Score and Parts.
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Duet from Cantata 78, Wir eile
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WayWordBound
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SheetMusicPlus
Small Ensemble Flute,Harpsichord,Piano Accompaniment,Viola - Level 3 - SKU: A0.729508 Composed by Johann Sebastian Bach. Arranged by James F. Rickley. B...
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Small Ensemble Flute,Harpsichord,Piano Accompaniment,Viola - Level 3 - SKU: A0.729508 Composed by Johann Sebastian Bach. Arranged by James F. Rickley. Baroque,Christian,Sacred. Score and parts. 16 pages. WayWordBound #4602677. Published by WayWordBound (A0.729508). Arrangement for Flute, Viola and Harpsichord (2 Staff Keyboard) from Cantata 78 Jesu, der du meine Seele (Jesus, You, who my soul), 2nd Movement Wir eilen mit schwachen, doch emsigen Schritten (We hasten with weak, yet eager steps); Score and Parts.
$3.00
Now the Dove Flies
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Christian contemporain
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Musique Sacrée
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00
Siciliano
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JS Bach 1685-1750
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William G Ouimette
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Siciliano
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Wg Ouimette
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Tenor Recorder,Viola - Level 4 - SKU: A0.944140 Composed by JS Bach 1685-1750. Arranged by William G Ouimett...
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Small Ensemble Cello,Flute,Soprano Recorder,Tenor Recorder,Viola - Level 4 - SKU: A0.944140 Composed by JS Bach 1685-1750. Arranged by William G Ouimette. Baroque,Concert,Sacred. Score and parts. 3 pages. Wg Ouimette #4737791. Published by Wg Ouimette (A0.944140). This piece is from the Bach flute sonata BWV 1031 in Eb major. (I have the entire sonata done (transposed) to D major as that's a more practical key for recorder.) The low Eb note on a tenor recorder is often very weak and this change of key fixes that problem. In this new key of D, the Siciliano ended up being in F# minor. This key forces the tenor recorder to play a high C#, often playable with the fingering of Ø13457 (pinching the thumb = Ø). The arranger has several instruments which will give a very convincing high C# this way. This piece is perfectly fine for church services.
$4.99
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Great B
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Bass Re
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
Divertimento
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Sy Brandon
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Divertimento
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Imagine Music - Digital
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SheetMusicPlus
Oboe, clarinet, bassoon - SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imag...
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Oboe, clarinet, bassoon - SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$32.00
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