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Tuba
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Cor
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2 Cors (duo)
7
2 Trompettes (duo)
5
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Quatuor de cuivres: 4 trombones
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3 Trombones (trio)
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3 Euphoniums
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Trompette, Trombone (duo)
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Euphonium
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon et Piano
90
Alto, Piano
58
Violoncelle, Piano
56
Violon, Violoncelle (duo)
43
Violon
39
Harpe
39
Violoncelle (partie séparée)
25
2 Violons (duo)
25
Trio à Cordes: violon, alto, violoncelle
14
2 Altos (duo)
12
Alto (partie séparée)
11
Alto seul
10
Contrebasse, Piano (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle
7
Violon, Alto (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Piano Trio: Violon, Alto, Piano
6
Violon (partie séparée)
5
2 Violoncelles (duo)
4
Contre Basse
4
Trio à Cordes: 3 violoncelles
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Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
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Alto, Violoncelle (duo)
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4 Violoncelles
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Trio à cordes: 3 violins
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Quatuor à cordes : 4 altos
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Alto, Guitare (duo)
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Quatuor à cordes: 4 violons
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Trio à cordes: 3 altos
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
64
Orchestre d'harmonie
49
Orchestre
30
Ensemble de cuivres
18
Cloches
18
Ensemble Jazz
16
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14
Jazz combo
6
Ensemble de Percussions
4
Percussion (partie séparée)
3
Fanfare
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Instrumentation Flexible
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Marimba, Piano (duo)
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Batterie
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Xylophone
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Song of the Childless
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.5…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
10.08 €
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Everything for the Church Soloist-Digital Download
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack …
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
73.25 €
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Various Writers
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Everything for the Church Soloist-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
The River
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.54 €
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
In the Dark Pine-Wood (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.75 €
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strings in the Earth and Air (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.75 €
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.78 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.78 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Where Two or Three are Gathered
Choral Choir - Level 1 - Digital Download SKU: A0.1253675 Composed by Bernard Sexto…
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Choral Choir - Level 1 - Digital Download SKU: A0.1253675 Composed by Bernard Sexton. Celtic,Christian,Contemporary,Easter,Irish,Praise & Worship. Octavo. 6 pages. Trinity Music Press #847302. Published by Trinity Music Press (A0.1253675). Where Two or Three are GatheredBased on Matthew 18; 15-20 and Ubi Caritas for assembly/ unison or assembly+ SATB . There is also C instrument part. Use: Holy Thursday/ Mandatum/ Communion Where two three are gathered, gathered in my nameThere am I among them, there am I with themWhere charity and love are, God is always thereIn Christ’s name we gather, united by his loveWe exult in God’s presence and in him we find great joyLet us pay him homage, let us love the living GodThough united as one body, may we too be of one mindMay we turn from evil, may God be in our midstMay we see your face in glory, with the saints, O Christ, our GodBoundless is your goodness that endures from age to ageÂ
$1.99
1.82 €
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Bernard Sexton
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Where Two or Three are Gathered
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Trinity Music Press
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SheetMusicPlus
Romeo And Juliet (love Theme)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1001558 By Henry Mancini. By Nino Rota. Arranged by Rita Arendz. Film/TV,Romantic Period. Brass Band. 40 pages. Rita Arendz #6682653. Published by Rita Arendz (A0.1001558). The tragic romance of Romeo and Juliet dates from before Shakespeare's 1597 dramatic play. Since then, the story has been adapted for opera, musicals, and film. In the late 1870's Tchaikovsky toyed with the idea of an opera. He completed a Fantasy Overture, and later on, sketched the Duet between the two lovers. A tragedy in itself, Tchaikovsky never finished his opera. Almost 100 years later, Franco Zeffirelli directed a film version where Giovanni Rota Rinaldi (Nino Rota) created the musical score in 1968. The most notable segment is the Love Theme sung by the troubadour during the masked ball where Romeo and Juliet first meet.This setting is based on the timeless innocence of Rinaldi's writing of the Love Theme and makes reference to the passionate duet of Tchaikovksy, with Juliet played by the Tenor Horn and Romeo by the Euphonium. As Shakespeare wrote in Twelfth Night, if music be the food of love, play on!Scored for the smaller British Brass Band with a minimum of 9 parts up to full band. Duration ~4:25. 40 Pages.
$45.99
42.13 €
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Henry Mancini
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Rita Arendz
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Romeo And Juliet
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Rita Arendz
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SheetMusicPlus
People Need The Lord
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
16.49 €
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
WHERE HAVE YOU BEEN LOVE
Level 2 - Digital Download SKU: A0.1126622 By BUD LEECH. By BUD LEECH. Arranged by …
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Level 2 - Digital Download SKU: A0.1126622 By BUD LEECH. By BUD LEECH. Arranged by Stephen Oliver. Blues,Jazz,Latin,Singer/Songwriter,Standards. Accompaniment. Duration 162. BUD LEECH #727255. Published by BUD LEECH (A0.1126622). A FULL BAND INCLUDING A JAZZ SINGER WOULD ENHANCE THE APPEAL OF THIS SONG .,..,....,., ......,,.,... WHERE HAVE YOU BEEN LOVE WHERE HAVE YOU BEEN IT WOULD SEEM YOU HAVE LEFT ME I'M BEREFT AND SO LONELY I THINK ABOUT YOU CAN'T LIVE WITHOUT YOU OH BABY WHERE HAVE YOU BEEN MAYBE YOU'LL COME BACK TO ME AND THEN WE'LL SEE. HOW HAPPY WE COULD BE MY DEAR IT'S QUITE CLEAR YOU'VE FOUND ANOTHER LOVER AND I WONDER WHETHER HE'S ONE WHO'S AS SINCERE IT'S TRUE WE'VE BEEN THROUGH SOME WONDERFUL TIMES TOGETHER YOU MUST NEVER FORGET IT CAN GET EVEN BETTER SWEETHEART OH WHERE HAVE YOU BEEN WHEN WE ARE APART MY WORLD IS EMPTY BELIEVE ME BUT IF YOU COME BACK TO ME MY LIFE WOULD BE HEAVENLY HONEY IT ISN'T FUNNY WITHOUT YOU OH WHERE HAVE YOU BEEN.
$3.33
3.05 €
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BUD LEECH
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Stephen Oliver
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WHERE HAVE YOU BEEN LOVE
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BUD LEECH
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SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Choir Hymnal, The-Digital Download
Thirty-four well known hymns An ideal resource based on 34 well known hymns. This contains…
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Thirty-four well known hymns An ideal resource based on 34 well known hymns. This contains descants, reharmonizations, choir stanzas, handbell ostinati, and other instruments. Covers the complete church year
Song List: Ah, Holy Jesus All Creatures Of Our God And King All Hail The Power Of Jesus' Name! Amazing Grace! As with Gladness Men of Old Christ Is Alive! Come, Holy Spirit, Heavenly Dove Come, Ye Faithful, Raise The Strain Crown Him with Many Crowns Eternal Father, Strong to Save Father, We Praise Thee For The Beauty Of The Earth Hark! The Herald Angels Sing Holy, Holy, Holy! Lord God Almighty I Love Thy Kingdom, Lord Immortal, Invisible, God Only Wise Jesus Shall Reign Joy To The World! Joyful, Joyful, We Adore Thee Let All Mortal Flesh Keep Silence Lord Jesus, Think On Me O Come, O Come, Emmanuel O for a Thousand Tongues to Sing O God, Our Help In Ages Past O Master, Let Me Walk With Thee O Sacred Head, Now Wounded Of The Father's Love Begotten Silent Night! Holy Night! The Church's One Foundation The Lord's My Shepherd, I'll Not Want This Is My Father's World What Wondrous Love Is This When Morning Gilds the Skies Where Cross The Crowded Ways Of Life
$9.95
9.12 €
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Choir Hymnal, The-Digital Download
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.82 €
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
In the Garden-MP3 accompaniment
Choir,Piano - Digital Download SKU: A0.1068170 Composed by Austin Miles. Arranged b…
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Choir,Piano - Digital Download SKU: A0.1068170 Composed by Austin Miles. Arranged by Deborah Johnson. Easter,Praise & Worship,Sacred. Accompaniment. Duration 166. Deborah Johnson #6733707. Published by Deborah Johnson (A0.1068170). This is the MP3 accompaniment track for In the Garden, one of our top sellers because it is such a beloved song for so many. There is no piano or vocals included in the accompaniment track, but a easy-to-follow accompaniment guide to where you can just play along with one or two pianos and add the beautiful vocal oohs and ahs with your small ensemble or choir. NOTE: the track picks up at measure 27. The beginning of the piece is performed acoustically and the instrumental track adds a wonderful build to the arrangement.Our family performed In the Garden for both my grandparent’s memorial services as they loved the song. This arrangement is for piano I and II, octave unison and vocal chorus.In the Garden is arranged as a flowing ballad with piano as the focus. Simple ooh and ah vocals are added for color on a countermelody in this reflective arrangement. Piano II adds an octave melody in a higher register to add more color and can be played by even a beginner pianist. The whole arrangement is easy Intermediate level.Up for a GRAMMY Award, My Father’s Favorite Hymns album is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on Amazon or direct from here: https://goalsforyourlife.com/gods-music-hymns/ In the Garden was written by Austin Miles (1912), a pharmacist who became an editor of hymnals and songbooks as well as a popular music director. His hobby was photography and he composed the beginning of this song as he waited for some film to develop.For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$8.99
8.24 €
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Austin Miles
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Deborah Johnson
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In the Garden-MP3 accompaniment
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Deborah Johnson
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.44 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
How Great Is the Love
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-37664 With The …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-37664 With The Love of God. Composed by Jacob Sooter, Meredith Andrews, and Paul Baloche. Arranged by Michael Lawrence. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. With One Voice Choral Series. Sacred. Part(s). 52 pages. Jubilate Music Group - Digital #00-37664. Published by Jubilate Music Group - Digital (JX.00-37664). English.Michael Lawrence pairs one of Paul Baloche's great corporate worship songs with the chorus from Frederick Lehman's gospel hymn standard The Love of God. The result is an anthem that portrays the deep gratitude all of us have to God for His mercy. Its use of new and old hymns builds a bridge where Christ's whole community can meet. Related Scripture: Exra 3:11; Psalm 5:7; 1 John 3:1.
$60.00
54.97 €
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Jacob Sooter, Meredith Andrews, and Paul Baloche
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Michael Lawrence
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Choral Octavo
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How Great Is the Love
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Jubilate Music Group - Digital
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SheetMusicPlus
The Midsummer Marriage
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Di…
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2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Digital Download SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
69.62 €
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Sir Michael Tippett
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The Midsummer Marriage
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Schott Music - Digital
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SheetMusicPlus
No 20, 仰望有你的星空 (Gazing up the sky, where you are.) [Simplified version ONLY]
Alto Saxophone,Drum Set,Guitar,Horn,Piano,Violin,Voice - Level 4 - Digital Download SKU…
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Alto Saxophone,Drum Set,Guitar,Horn,Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.1462609 By P.W.Z(Taiwan). By P.W.Z(Taiwan). Arranged by P.W.Z(Taiwan). 21st Century,Contemporary,Pop,Singer/Songwriter,Wedding. 4 pages. P.W.Z(Taiwan) #1041371. Published by P.W.Z(Taiwan) (A0.1462609). 【注意】此版本為簡易版這份樂譜pdf檔為「僅包含主旋律、歌詞及和弦的『簡易譜』」[Attention]This is a Simplified version.The PDF file contains ONLY: The Melody, Lyrics, and Chords.----這首歌曲描述一對戀人，重回當初互表愛意的地方。並且回想著，若當初沒有那份勇氣向對方傾訴愛意，或許這對戀人將漸行漸遠直到淡忘對方。<mp3範例中，使用的樂器如下>(亦可使用純鋼琴伴奏，或內附的和弦自行發揮)1.中音薩克斯風(代表那位女孩)2.法國號(代表那位男孩)3.小提琴獨奏4.小提琴1部分(X)5.小提琴2部分(X)6.大提琴(X)7.鋼琴8.古典吉他9.定音鼓(X)10.大鼓(X)11.爵士鼓----This song describes a couple revisiting the place where they first confessed their love to each other.As they reminisce, they reflect on how if they hadn't had the courage to express their feelings back then, they might have grown apart and eventually forgotten each other.<In this mp3 demo, Instrumentation used are as follows> (you can also use pure piano accompaniment, or improvise with the included chords)1.Alto saxophone (representing the girl)2.French horn (representing the boy)3.Violin solo4.Violin part 1(X)5.Violin part 2(X)6.Cello(X)7.Piano8.Guitar9.Timpani(X)10.Bass drum(X)11.Jazz drum set--------【歌詞】(Lyric in Traditional Chinese)[前奏](Intro)我像一道光溫暖的悠游在妳身旁也像一陣風吹過妳微笑著的臉頰我暗自許諾我的餘生我要和妳渡過你是我的光我不曾看見你在我身旁就像一陣風它吹過我的身邊我未曾感受它親愛的你是否有些事想要告訴我[副歌*2](chorus)我要陪妳看星星陪妳過狂風暴雨陪妳太陽下漫步陪妳在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪妳看星星請妳閉上眼感受我在妳的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀[間奏](Inter)親愛的你當時若沒有開口擁抱我我想我就不會發現原來你在我身旁親愛的妳當時若沒有用心感受我我想我也不會有勇氣向妳說出我的愛親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠[副歌大合唱](chorus)我要陪你看星星陪你過狂風暴雨陪你太陽下漫步陪你在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪你看星星請你閉上眼感受我在你的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠.
$20.00
18.32 €
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P
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P
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No 20, 仰望有你的星空
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P.W.Z(Taiwan)
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SheetMusicPlus
Moon Over The Rising Sun
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - …
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00
22.9 €
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Where Is Love?
Guitar - Level 2 - Digital Download SKU: A0.797698 Composed by Lionel Bart. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.797698 Composed by Lionel Bart. Arranged by Derek Hasted. Contemporary. 19 pages. Derek Hasted #3554441. Published by Derek Hasted (A0.797698). WHERE IS LOVE - 5 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes From the Stage Show Oliver, this is a wonderfully haunting and expressive piece of music and the sweet sound of the guitars just makes it a real crowd pleaser in a concert.The opening verse is for just three of the 5 parts, and you are performing this with a large ensemble then it works really well to have three soloists tackle the opening - the small sound conveys the small child, and the full ensemble pulls the audience in.This is a very accessible arrangement that is easy to put together and a makes a lovely sound for everyone to lose themselves in.I hope you enjoy performing this piece!
$4.99
4.57 €
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Lionel Bart
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Derek Hasted
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Where Is Love?
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Derek Hasted
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SheetMusicPlus
Beyond the Clouds. Song and Chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.565 Composed by C…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.565 Composed by C.A. White. Mothers & children, Families, Dreaming, Death, Drapery, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.565). Beyond the Clouds. Song and Chorus. Words & Music By C.A. White. Published [n.d.] by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Families, Dreaming, Death, Drapery, Sadness. First line reads Mother, where is Minnie now, Minnie whom we loved so well.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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C
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C
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Beyond the Clouds. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Note Name Song (Teacher & Student Resources, Worksheets) from The Music Theory Songbook
Alto Voice,Baritone Horn TC,Bass Voice,Choir,Medium Voice,Medium-High Voice,Medium-Low Voi…
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Alto Voice,Baritone Horn TC,Bass Voice,Choir,Medium Voice,Medium-High Voice,Medium-Low Voice,Mezzo-Soprano Voice,Single Bass,Single Tenor,Tenor Voice - Level 1 - Digital Download SKU: A0.1389280 By Joseph Hollings. By Joseph Hollings. Arranged by Joseph Hollings. Children,Contemporary,Instructional. Educational Exercises. 5 pages. Joseph Hollings Publishing #972823. Published by Joseph Hollings Publishing (A0.1389280). For: Music theory instruction in a classroom or personal setting, grades 4-7 Contents: Lesson prep, teacher songsheet, student songsheet, worksheets Outcome: Through song, students learn how to identify pitch names on treble & bass staff Introducing the Note Name Song & Worksheet by Joseph Hollings – an immersive teaching aid designed to transform how students learn music theory. This invaluable resource is tailored specifically for music teachers looking to enhance their students' understanding of pitch names in both treble and bass clefs. Through fun, silly lyrics and practical exercises, this songbook makes learning music theory an enjoyable and memorable experience. Perfect for classroom settings, private lessons, and self-study, this songbook combines the effectiveness of traditional teaching methods with the fun of music-making. Dive into a world where music theory learning is accessible, efficient, and exciting. Ideal for fostering a deep love and understanding of music in students of all ages.All songs and lesson prep are available in The Music Theory Songbook at musictheorysongbook.com.
$4.99
4.57 €
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Joseph Hollings
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Joseph Hollings
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Note Name Song
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Joseph Hollings Publishing
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SheetMusicPlus
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