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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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1 Piano, 4 mains
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1
Soli, choeur mixte et accompagnement
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VENTS
2 Saxophones (duo)
56
Hautbois, Piano (duo)
44
Clarinette et Piano
34
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27
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26
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22
2 Clarinettes (duo)
21
2 Flûtes traversières (duo)
21
Clarinette, Violon (duo)
20
Saxophone Soprano et Piano
20
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière
19
Clarinette
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Alto
15
Saxophone Tenor et Piano
15
Cor anglais, Piano
14
Hautbois (partie séparée)
14
Saxophone Baryton, Piano
14
Quintette de Saxophone: 5 saxophones
13
Clarinette, Trompette (duo)
13
2 Hautbois (duo)
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Flûte, Clarinette (duo)
12
3 Saxophones (trio)
12
Clarinette et Alto
10
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9
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8
Hautbois, Basson (duo)
8
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8
Flûte, Violon
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Trompette (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Flûte, Alto (duo)
6
Ensemble de Flûtes
6
Saxophone Soprano
6
Saxophone Baryton
6
Hautbois, Flûte
6
Hautbois
5
Ensemble de saxophones
4
Ensemble de Clarinettes
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Flûte à bec Soprano, Piano
4
Quintette de Flûte : 5 flûtes
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Saxophone (partie séparée)
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Clarinette Basse, Piano
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Quatuor de Flûtes à bec
4
2 Flûte à bec (duo)
3
Flûte à Bec
3
3 Flûtes à bec (trio)
3
Flûte à bec Soprano
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Cor Anglais
2
Quatuor de Flûtes : 4 flûtes
2
5 Flûtes à bec
2
Clarinette, Basson (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Flûte et Guitare
1
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CUIVRES
Trombone et Piano
19
Cor et Piano
18
Trompette, Piano
18
Trompette
18
Tuba
17
Cor
16
Tuba et Piano
16
Trombone
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor anglais, Piano
14
Trompette, Saxophone (duo)
14
2 Trompettes (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Trombone (duo)
8
2 Trombones (duo)
7
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 cors
2
Cor Anglais
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres
2
4 Tubas
2
Ensemble de Trombones
2
Ensemble de Cors
2
2 Cors (duo)
1
3 Trombones (trio)
1
2 Euphoniums (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
38
Violon et Piano
36
Violoncelle, Piano
32
Alto, Piano
28
Violoncelle
23
Alto seul
19
Violon, Violoncelle (duo)
18
2 Violons (duo)
18
2 Altos (duo)
12
Violon, Alto (duo)
12
Contrebasse, Piano (duo)
12
2 Violoncelles (duo)
11
Contre Basse
10
Trio à Cordes: violon, alto, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
4 Violoncelles
2
Quatuor à cordes : 4 altos
2
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Ensemble d'Altos
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Ensemble de Violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
31
Orchestre
18
Orchestre à Cordes
10
Orchestre de chambre
6
Ensemble Jazz
4
Ensemble de cuivres
4
Cloches
3
Jazz combo
2
Fanfare
2
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Vibraphone
1
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Who Are You Now?
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Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.33 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Give Peace to Your People - Rhythm Score and Parts
Rhythm Section, Instrumental Parts - Digital Download SKU: LX.30-3373L Composed by …
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Rhythm Section, Instrumental Parts - Digital Download SKU: LX.30-3373L Composed by Thomas Fettke. Sacred Anthem, General, Lent. Rhythm Score and Parts. 30 pages. Lorenz Publishing - Digital Sheet Music #e30/3373L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3373L). Scored with sincerity and eloquence, this gospel-style song is an ardent plea for peace in the face of adversity, unity in a time of division, and strength in spite of hardship. Give peace to Your people, we who are calling, knowing You’ll answer, knowing You care..
$22.95
20.95 €
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Thomas Fettke
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Give Peace to Your People - Rhythm Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Nothing Compares (Anthem) - Orchestration
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christ…
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
45.62 €
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.73 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.73 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
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SheetMusicPlus
The No Snow Blues Digital Backing Track/The Snowman Blues Digital Backing Track
Digital Download SKU: A0.1070754 Composed by Teresa OConnell (BMI). Children,Pop. A…
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Digital Download SKU: A0.1070754 Composed by Teresa OConnell (BMI). Children,Pop. Accompaniment. Duration 152. Teresa O'Connell (BMI) #6057141. Published by Teresa O'Connell (BMI) (A0.1070754). This is the digital backing track for Teresa O'Connell's The No Snow Blues(sheetmusicplus.com item #769053). It also works for the cold weather version The Snowman Blues by Teresa OConnell (BMI). The No Snow Blues is sung by kids who live in a warm climate and are lamenting the permanent lack of snow. No snowmen, snowball fights, sledding, or snow forts. What's a kid to do? The No Snow Blues is a great way to teach Twelve Bar Blues, while allowing your students to channel their inner Elvis. Add simple, fun movement, maybe a soloist, and a few simple props or costume pieces and you have a crowd-pleasing hit. Guaranteed easy to learn and fun to sing! .
$20.00
18.25 €
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Teresa OConnell
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The No Snow Blues Digital Backing Track/The Snowman Blues Digital Backing Track
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Teresa O'Connell
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SheetMusicPlus
Your Sweet, Sweet Smile
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.80…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802683 By Karen Carpenter. By Juice Newton and Otha Young. Arranged by Peet du Toit. Contemporary. Score and parts. 16 pages. Peet du Toit #6410509. Published by Peet du Toit (A0.802683). Sweet, Sweet Smile is a C&W song composed by Otha Young and Juice Newton introduced by the Carpenters on their 1977 album Passage. The track features drummer Ron Tutt who regularly backed Elvis Presley.Sweet, Sweet Smile is one of the few songs recorded by the Carpenters which was chosen by Karen Carpenter rather than Richard Carpenter. Juice Newton and her bandleader Otha Young had written Sweet, Sweet Smile for Newton herself to record but Newton's label Capitol Records was not interested in the song. Newton's manager, who was a friend of the Carpenters, was playing the demo of Sweet, Sweet Smile at his home while Karen Carpenter was visiting. Karen Carpenter liked the song and brought it to the attention of her brother Richard Carpenter who'd recall: I liked it immediately...now there's one that, to me, should have done better than it did referring to the track's January 1978 release as the third single from Passage. Acknowledging the Carpenters' career decline, Richard Carpenter would add: I think if someone else had done ['Sweet, Sweet Smile'] at that time, it would have been a bigger hit.Here's your brass quintet and percussion version for enjoyment.
$14.00
12.78 €
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Karen Carpenter
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Peet du Toit
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Your Sweet, Sweet Smile
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Peet du Toit
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SheetMusicPlus
Ungaresca and Almande Poussinghe (Pierre Phalèse Jnr, 1583) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arr…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 27 pages. Colin Kirkpatrick Publications #6363609. Published by Colin Kirkpatrick Publications (A0.522186). These are two charming dances taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost all kinds of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century and who published his First Book of Dances in Leuven in 1571. The Antwerp publication of 1583 contains about half the dances from the original 1571 edition, together with some new titles, making a total of about seventy numbers.The 1583 collection contains a large selection of gaillardes, almandes and bransles which were all popular courtly dances of the time. The lively and well-known piece entitled Ungaresca appears on page 24 of the original publication. The drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. The name Ungaresca is a term used outside Hungary to denote a dance in the Hungarian style and this particular one probably first appeared in a 1578 dance collection for viol consort - Mainerio's Primo libro de balli. As a result, the music is sometimes attributed to Mainerio.In this arrangement, Ungaresca is paired with the delightful Almande Poussinghe which appears on page 16 of the original. This wonderful music of the 16th century still speaks to us today and this arrangement would be an ideal concert item, playable by virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. Some minor changes have been made to the inner parts to facilitate performance.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. Most electronic keyboards have a harpsichord option. The score and set of parts come in a single PDF file.
$9.99
9.12 €
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Unknown
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Ungaresca and Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
You Don't Know What Love Is
Large Ensemble Alto Saxophone,Baritone Saxophone,Drums,Guitar,Piano,Tenor Saxophone,Trombo…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1035246 By Carol Bruce. By Don Raye and Gene De Paul. Arranged by Drew Zaremba, Stefan Karlsson. Contemporary. Score and parts. 104 pages. ZarembaMusic #4775443. Published by ZarembaMusic (A0.1035246). This chart is another Stefan Karlsson arrangement/orchestration for big band, and it takes the popular standard and puts it into a totally different context! Right from the getgo, an infectious bass ostinato gets things grooving, this combined with some surprising melodic twists makes this a really unique chart to feature the band on. Solos go to double time swing, and are open for anyone who knows the changes. After trading with the band, the chart ends on a fun shout chorus in 12/8 afro cuban time. Lead trumpet goes up to a written F6. Flutes on alto 1 and 2.
$75.00
68.45 €
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Carol Bruce
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Drew Zaremba, Stefan Karlsson
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You Don't Know What Love Is
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ZarembaMusic
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SheetMusicPlus
Kinder- Symphonie (Toy Symphony): Composer: Unknown - symphonic wind/percussion
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital…
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download SKU: A0.555864 Composed by Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. Score and parts. 52 pages. RayThompsonMusic #6047585. Published by RayThompsonMusic (A0.555864). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.it is in 3 mvts and is arranged for double wind quintet, bass and toy percussion.i have distributed the original strings around the woodwind, and composed original classical horn parts.Sometimes known as Children’s Symphony.
$19.95
18.21 €
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Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
You Are My Salvation (Lead Sheet)
Small Ensemble - Digital Download SKU: A0.942923 Composed by Rick Lee James. Arrang…
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Small Ensemble - Digital Download SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Voices In My Head Productions LLC #6418991. Published by Voices In My Head Productions LLC (A0.942923). You Are My SalvationVerse 1When the waves are crashing and the storm won’t calmWhen I’ve lost direction and I can’t find homeWhen my guiding stars are hidden by the cloudsAnd the waves are surging in to pull me downI will call on Him who calms the raging seasTrusting he’ll be stronger than the storms in meWhen my journey takes me to the great unknownsYou are my SalvationVerse 2When I’ve lost myself and fallen to my sinWhen my shame blinds me to all the grace you giveWhen I’ve placed my trust in lies that I’ve believedAnd I wonder how my God could still love meChrist is interceding when I cannot prayGroaning words unknown that I may still be savedMy lament for sin now turns to songs of praiseYou are my SalvationVerse 3When the night surrounds me and my fears beginWhen my grief is threatening to do me inWhen the pain is crushing and I can’t escapeWhen the strength I had is slowly drained awayEven in death’s shadow on the darkest nightThere is not one breath that you have not suppliedGive me faith my Lord that with the Son I’ll riseYou are my SalvationVerse 4When the dawn breaks through and we are truly healedWhen we climb the stairs to what will be revealedWhen our days are lighted by the Risen LambWhen our tears are wiped away by God’s own handWhen creation’s birth is finally made completeWhen the guests are seated at the Savior’s feastWhat a day of gladness when we join their songYou are my SalvationCCLI Song # 7171093Rick Lee James© 2020 James, Rick LeeFor use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.comCCLI License # 549412
$1.99
1.82 €
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Rick Lee James
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Rick Lee James
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You Are My Salvation
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Voices In My Head Productions LLC
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SheetMusicPlus
Song of the Childless
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.5…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
10.04 €
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
The First Nowell (Woodwind trio - flute, oboe, bassoon (alt. B-flat Bass Clarinet)
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.773700 Arrange…
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.773700 Arranged by Anthony Giamanco. Christmas,Concert,Sacred,Standards,World. 10 pages. Whole Tone Press #3684023. Published by Whole Tone Press (A0.773700). This delightful intermediate-level arrangement of The First Nowell for woodwind trio (flute-oboe-bassoon -[alternate B-flat bass clarinet]) will become the highlight of your Christmas worship service, concert or recital. With oboe handling the bulk of the melody, the flute and bassoon create a lovely harmonic tapestry. The wind writing is pretty straightforward but interesting, with some unexpected twists. Amateur ensembles will enjoy learning this, and it can be mastered by a good high school trio. Pros will be able to sight read the piece, but will find it more than satisfying to play. Audiences will love it! Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$3.75
3.42 €
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Anthony Giamanco
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The First Nowell
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Whole Tone Press
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU: A0.590129 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168391. Published by David McKeown (A0.590129). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.590119 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168371. Published by David McKeown (A0.590119). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Oboe and one Violin. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.590141 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168421. Published by David McKeown (A0.590141). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Wayfarer Inst. Solo Score
Flute,Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.877824 Composed by D…
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Flute,Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.877824 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 19 pages. Deborah Johnson #33189. Published by Deborah Johnson (A0.877824). Wayfarer instrumental solo score, written for a C instrument, violin or other, featured in Deborah Johnson's Wayfarers Journey album, offers a captivating and melodious piano solo crafted at a medium intermediate level. This piece is part of a collection introducing new classically-inspired piano and instrumental solos, perfect for special occasions like weddings and events. Wayfarer instrumental solo score includes a total of 19 pages, including score, separate parts and cover. Parts include: Instrumental (violin) solo; Instrumental (violin) bkg1; Instrumental (flute) bkg2; Piano accompaniment. Piano accompaniment includes guitar chords. The term Wayfarer denotes a person who travels on foot, embarking on life's journey through various terrains—mountains, valleys, and unforeseen paths. In American folklore, Johnny Appleseed is celebrated as one of the renowned wayfarers, wandering the country and sowing apple seeds. Originating from Middle English, weyfarere stems from wey (way) and farere (traveler), rooted in the verb faren (to go). The term was first recorded in the 15th century. Wayfarer encapsulates the spirit of a journey, offering a reflective and engaging musical experience. Its emotive qualities, combined with the essence of a wayfarer's exploration, make it an ideal choice for special occasions, resonating with the diverse landscapes of life's journey. Spotify link for MP3 download: https://open.spotify.com/track/20XgLEc95FaC4e3Y0Jyoqu Also available is the piano solo version, for intermediate players, the piano solo score with parts and full book of piano solos from Wayfarers Journey. Signed copies of CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah Johnson; Violin: Sandy Mackinga; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99
6.38 €
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Deborah Johnson
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Instrumental (violin) bkg1
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Wayfarer Inst. Solo Score
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Deborah Johnson
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SheetMusicPlus
Save Your Tears
Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 1 - Digital Download
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Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.917924 By The Weeknd. By Abel Makkonen Tesfaye, Abel Tesfaye, Ahmad Balshe, Jason Matthew Quenneville, Jason Quenneville, Martin Karl Sandberg, Martin Max, Max Martin, Oscar Holter, and Oscar Thomas Holter. Arranged by Zulhilmy Zulkifli. Pop,R & B. Score and parts. 10 pages. ZZ Music Solutions #6424849. Published by ZZ Music Solutions (A0.917924). Save Your Tears is a song by Canadian singer, Abel Tesfaye, better known with his stage name, The Weeknd. The song was released in his fourth album, After Hours (2020), and released as the final single on August 19, 2020. The Weeknd wrote this song with Ahmad Balshe, Jason Quenneville, Oscar Holter, and Max Martin. This transcription is based on the 11th track of the album and arranged to be played on a 4-string bass with standard tuning. The track credited three songwriters, Tesfaye, Holter, and Martin as the bass performer/programmer in the album. During my research, I found few live performances of this song on YouTube, performed by Ledaris Jones on his 4-string Fender Jazz bass with a pick. This song is in the key of C major and about 3’35 long. The tempo is at 118 bpm. The song features the reminiscent of 80’s pop music, and the basslines supported the style keeping the root note on every quaver/8th note alongside the repetitive disco drum pattern. This score is perfect for a beginner who would like to learn to play with a pick. This transcription includes 3 parts: 1)both notation and TAB (3 pages) 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well This transcription includes 3 parts: 1)both notation and TAB (3 pages) 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.
$4.99
4.55 €
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The Weeknd
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Zulhilmy Zulkifli
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3)TAB-only (2 pages)
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Save Your Tears
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ZZ Music Solutions
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SheetMusicPlus
You Were Once Darkness
String Trio - Level 5 - Digital Download SKU: A0.1115501 Composed by Robert Myers. …
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String Trio - Level 5 - Digital Download SKU: A0.1115501 Composed by Robert Myers. Chamber,Christmas,Classical,Contemporary. 33 pages. WheatMyer Music #717270. Published by WheatMyer Music (A0.1115501). You Were Once Darkness is written for advanced string trio being full of extended techniques, cross rhythms, and challenging harmonies. It is well suited for string trio recitals and chamber concerts. The music follows a redemptive arc, a journey from dark to light, from chaos to repose. It’s not meant to be auto-biographical but to be meaningful to anyone who has known the sweetness of overcoming personal brokenness, whether it might be addiction, self-destruction, religious deliverance, or other crisis. It approaches the topic from the perspective of overcoming self. The harmonies, rhythms, and timbres of the piece strive to portray this transition. The age-old metaphors of darkness for ill and light for good are featured characters in the music. In particular, the title refers to a line from the Apostle Paul’s letter to the church in Ephesus, “You were once darkness but now you are light in the Lord. Walk as children of light, for the fruit of the light consists in all goodness, righteousness, and truth.†“You Were Once Darkness†uses the melody from a very familiar Christmas carol but it is highly camouflaged and difficult to distinguish. Although it forms the backbone of the music it also, as our own backbones do, remains mostly unobserved. Clues do peak through the darkness, so to speak, from time to time so the attentive listener may discern the melody by the end. The music sounds edgy and unfamiliar even though it only uses the notes of the C-major scale (all the white keys on the piano). This is achieved using techniques developed by Estonian composer Arvo Pärt which employ rules-based writing, typically using a simple scale over a single major or minor accompanying chord. The concept sounds simple but that does not make it easy to write or to play. The technique produces an interplay of dissonance and consonance that creates a fascinating variation of sound much as a kaleidoscope does with color. Robert Myers S.D.G. wheatmyermusic.com.
$19.99
18.24 €
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Robert Myers
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You Were Once Darkness
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WheatMyer Music
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SheetMusicPlus
All I Want For Christmas Is You
Instrumental Duet Cello,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.89…
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Instrumental Duet Cello,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.899787 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Brad Reid. Contemporary,Pop. Score and parts. 2 pages. Brad Reid #3385251. Published by Brad Reid (A0.899787). This is an easy arrangement for someone who wants to sing and accompany himself or herself on cello. Basic rhythms, tastefully used, mimic vocal stylings of the melody. A solo section at the bridge adds a fun challenge for the cello. One part with two staves.Duration: 1:42 MINPlease take a minute to leave a review!Brad Reid (SOCAN) is known for his lively and soulful arrangements for the Baroque N' Fiddle String Quartet (www.bnfsq.com). Contact Brad: brad@bradreid.ca. Have a specific tune in mind? Have it arranged!
$4.99
4.55 €
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Lady Antebellum
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Brad Reid
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All I Want For Christmas Is You
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Brad Reid
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SheetMusicPlus
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