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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who Opera
Non classifié
182
Piano & claviers
Piano, Voix
330
Piano seul
190
Accompagnement Piano
37
Piano, Voix et Guitare
34
Piano Facile
15
Instruments en Do
9
Orgue
5
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
8
Guitare
6
Ukulele
2
3 Guitares (trio)
2
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
41
Voix Tenor, Piano
40
Voix Soprano, Piano
39
Voix Alto, Piano
29
Voix Baryton, Piano
28
Voix duo
8
Chorale 3 parties
4
Chorale 2 parties
4
Chorale Unison
2
Voix duo, Piano
2
Voix basse, Piano
2
Voix Soprano
2
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix haute
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
36
Flûte traversière et Piano
32
Clarinette et Piano
27
Saxophone Alto et Piano
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
2 Saxophones (duo)
24
Flûte, Hautbois, Clarinette, Basson
24
2 Flûtes traversières (duo)
20
Quatuor de Clarinettes: 4 clarinettes
20
Hautbois, Piano (duo)
19
Saxophone Alto
17
Quintette de Saxophone: 5 saxophones
16
Hautbois (partie séparée)
13
Saxophone Soprano et Piano
13
3 Saxophones (trio)
12
Clarinette
11
Flûte traversière
10
Quatuor de Flûtes : 4 flûtes
10
Cor anglais, Piano
8
2 Clarinettes (duo)
7
Saxophone Tenor et Piano
6
5 Flûtes à bec
6
Saxophone Baryton, Piano
5
2 Flûte à bec (duo)
5
3 Flûtes à bec (trio)
5
Quatuor de Flûtes à bec
5
Ensemble de Clarinettes
4
Flûte à Bec
4
Flûte à bec, Guitare (duo)
4
Flûte à bec Soprano
4
Clarinette, Basson (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
3
3 Clarinettes (trio)
3
Saxophone Tenor
3
Flûte à bec Alto
3
2 Clarinettes, Piano
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Guitare (duo)
2
Ensemble de saxophones
2
Clarinette Basse, Piano
2
Ensemble de Flûtes
2
Saxophone (partie séparée)
1
Flûte à Bec, Piano
1
Flute (partie séparée)
1
Cor Anglais
1
2 Hautbois (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Basson (duo)
1
Piccolo, Piano
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone
10
Trombone et Piano
10
Tuba
9
Trompette, Piano
9
Cor
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
8
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 trombones
7
Cor et Piano
6
Quatuor de cuivres: 4 cors
5
2 Trompettes (duo)
5
2 Trombones (duo)
5
Quatuor de cuivres: 4 trompettes
5
Ensemble de Cors
4
Tuba et Piano
3
2 Cors (duo)
3
Trombone basse et Piano
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
2 Euphoniums et 2 Tubas
1
Trombone (partie séparée)
1
Cor Anglais
1
2 Tubas (duo)
1
4 Tubas
1
2 Euphoniums (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon et Piano
34
Violoncelle, Piano
23
Violoncelle
20
Violon
19
Alto, Piano
17
Alto seul
16
Trio à Cordes: violon, alto, violoncelle
15
Quatuor à cordes : 4 altos
9
Harpe
8
Quatuor à cordes: 4 violons
5
Contre Basse
5
2 Violons (duo)
5
2 Altos (duo)
5
Violon, Alto (duo)
5
Violon, Violoncelle (duo)
4
Alto, Guitare (duo)
4
4 Violoncelles
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
3
Alto (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes: 3 altos
3
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
40
Orchestre
34
Orchestre à Cordes
20
Orchestre de chambre
16
Ensemble de cuivres
14
Ensemble Jazz
2
Piano et Orchestre
1
Ensemble de Percussions
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Who Opera
Partitions à imprimer
182 partitions trouvées
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176
Chekhov's The Seagull: An Opera - Score Only
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Felicity Mazur-Park
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Chekhov's The Seagull: An Oper
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Felicity Mazur-Park
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SheetMusicPlus
Level 4 - SKU: A0.1251001 Composed by Felicity Mazur-Park. 21st Century,Classical,Contemporary,Opera,Thriller. 93 pages. Felicity Mazur-Park #845295. Pu...
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Level 4 - SKU: A0.1251001 Composed by Felicity Mazur-Park. 21st Century,Classical,Contemporary,Opera,Thriller. 93 pages. Felicity Mazur-Park #845295. Published by Felicity Mazur-Park (A0.1251001). Anton Chekhov was a Russian playwright, who was famous for his tragicomedies.The Seagull is one of his most successful tragicomedies. It has been adapted for many other mediums including ballets, operas, and musicals. In this play, Chekhov uses the symbol of the seagull to represent the doomed fate of the characters.The younger characters, Konstantin and Nina, begin the opera as lovers, but by Act Four are estranged from the world and each other. Arguably, the older lead characters, Irina and Trigorin, are highly destructive to their younger counterparts. Both Konstantin and Nina are young, aspiring artists. What responsibility do experienced, professional artists have to their younger counterparts?
$49.99
The Imaginary Invalid, A Comic Opera in Three Acts Piano Vocal (Small cast, no chorus)
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James Nathaniel Holland
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The Imaginary Invalid, A Comic
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730506 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score. 212 pages...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730506 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score. 212 pages. James Nathaniel Holland #5869141. Published by James Nathaniel Holland (A0.730506). Piano Vocal Score. Full score and individual parts sold separately. Moliere's 300 year old play Le malade imaginaire is adapted into a three act comedic opera by American composer James Nathaniel Holland (adaption, music and libretto). It's the story of a hypochondriac, studio mogul who is willing to marry off his daughter to his celebrity doctor's son to save on expenses. From the other side, his ambitious, hypocritical wife is trying to swindle his fortune. Only his long-time secretary and partner can save him and unite his daughter with the young man who she actually loves. Set in 1930's Los Angeles, Hollywood with early jazz elements, quasi musical numbers that will delight and tickle your audiences today. A small cast opera of about 8 singers (2 tenors, soprano, mezzo, coloratura, 2 baritones, and bass baritone) with no chorus and relatively small sized orchestra, this piece is perfect for any university or small opera house, and it's libretto is originally in English. Suitable for all audiences. Duration: 1 hour and 45 minutes. https://www.youtube.com/playlist?list=PLEcbVsA36MCvU97UVaZdWAPdzkN8woFtw (Revised 2022 Version with 2 additional arias).
$19.95
Turandot - Extracts from the Opera for 8-part Trombone Ensemble
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Giacomo Puccini
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Randall Malmstrom
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Turandot - Extracts from the O
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone,Tuba - Level 5 - SKU: A0.1238465 Composed by Giacomo Puccini. Arranged by Randall Malmstrom. 20th Century,Opera,Romantic Pe...
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Bass Trombone,Tenor Trombone,Tuba - Level 5 - SKU: A0.1238465 Composed by Giacomo Puccini. Arranged by Randall Malmstrom. 20th Century,Opera,Romantic Period. 43 pages. Gordon Cherry #833915. Published by Gordon Cherry (A0.1238465). Turandot is an opera by Giacomo Puccini set in ancient China. The story follows Princess Turandot who has sworn never to marry unless a suitor can answer three riddles, and those who fail are executed. When Calaf arrives in Beijing and falls in love with Turandot at first sight, he decides to try his luck and solve the riddles. With the help of a servant girl named Liu, Calaf succeeds but offers Turandot a challenge of guessing his name before sunrise. The opera reaches its dramatic conclusion as the characters confront their own desires and fears.This dramatic 6-minute arrangement by Randall Malmstrom which includes the monumental aria Nessun Dorma is for 8-part Trombone ensemble of advanced performers including an optional Contrabass on part 8. A strong player (or doubled-up) is needed on part 1.
$37.50
Andromaque Mini-Opera (Piano/Vocal)
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Jack Curtis Dubowsky
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neobaroque
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Andromaque Mini-Opera
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De Stijl Music Digital
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SheetMusicPlus
Vocal Score SATBB + Piano - Advanced Intermediate - SKU: D3.SM-17-0010 Composed by Jack Curtis Dubowsky. Opera. Contemporary; neobaroque. Vocal Score. 2...
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Vocal Score SATBB + Piano - Advanced Intermediate - SKU: D3.SM-17-0010 Composed by Jack Curtis Dubowsky. Opera. Contemporary; neobaroque. Vocal Score. 24 pages. De Stijl Music Digital #SM-17-0010. Published by De Stijl Music Digital (D3.SM-17-0010). 8.5 x 11 inches.Chamber opera in 7 scenes. Words (in English) and music by Jack Curtis Dubowsky, based upon Jean Racine's (1639-1699) tragedy Andromaque (1667). Racine took his characters from Greek and Roman stories and adapted or created new situations for them in accordance with baroque fascination with neo-classicism in literature. Andromaque is a love quadrangle in which all who love die or go insane. Only the prisoner-queen Andromaque, who is incapable of love, survives. Scenes range in difficulty from intermediate to advanced; college / conservatory level. Five roles: Andromaque (Soprano), Hermione (Alto), Oreste (Tenor), Hector (Baritone), Phyrrus (Baritone). Final number for SATB Chorus, which can be handled by the five primary roles. Also Available for Baroque Ensemble SM-17-0010A, Parts SM-17-0010AX.
$8.95
Andromaque Mini-Opera (Baroque Ensemble Full Score)
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Opera
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Classique
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Jack Curtis Dubowsky
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neobaroque
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Andromaque Mini-Opera
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De Stijl Music Digital
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SheetMusicPlus
Voices, Baroque Ensemble SATBB + Baroque Ensemble - Advanced Intermediate - SKU: D3.SM-17-0010A Composed by Jack Curtis Dubowsky. Opera. Contemporary; n...
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Voices, Baroque Ensemble SATBB + Baroque Ensemble - Advanced Intermediate - SKU: D3.SM-17-0010A Composed by Jack Curtis Dubowsky. Opera. Contemporary; neobaroque. Full score. 29 pages. De Stijl Music Digital #SM-17-0010A. Published by De Stijl Music Digital (D3.SM-17-0010A). 8.5 x 11 inches.Chamber opera in 7 scenes. Words (in English) and music by Jack Curtis Dubowsky, based upon Jean Racine's (1639-1699) tragedy Andromaque (1667). Racine took his characters from Greek and Roman stories and adapted or created new situations for them in accordance with baroque fascination with neo-classicism in literature. Andromaque is a love quadrangle in which all who love die or go insane. Only the prisoner-queen Andromaque, who is incapable of love, survives. Scenes range in difficulty from intermediate to advanced; college / conservatory level. Five roles: Andromaque (Soprano), Hermione (Alto), Oreste (Tenor), Hector (Baritone), Phyrrus (Baritone). Final number for SATB Chorus, which can be handled by the five primary roles. Baroque ensemble version scored for traverso (substitute flute OK), violin, bass viol (with low A string), and harpsichord. Ensemble Parts: SM-17-0010AX. Also Available in Piano/Vocal score SM-17-0010.
$12.95
Breathe Freely- chamber opera in 2 short acts (full score and parts)
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WAGSTAFF, Julian
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Breathe Freely- chamber opera
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Europa Edition Ltd
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Low Voice,Medium Voice,Piano - Level 4 - SKU: A0.1009859 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Opera,Sta...
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Small Ensemble Cello,Clarinet,Low Voice,Medium Voice,Piano - Level 4 - SKU: A0.1009859 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Opera,Standards. Score and parts. 136 pages. Europa Edition Ltd #3428141. Published by Europa Edition Ltd (A0.1009859). This charming, thought-provoking chamber opera is set during the Second World War, and tells the story of Stanislaw Hempel, a Polish chemist and revolutionary socialist, who came to Scotland in 1943 attached to the Polish Armed Forces in the West. The opera was commissioned by the University of Edinburgh School of Chemistry to celebrate its Tercentenary year in 2013. The other characters in the opera are Chrissie Miller (a trailblazer for gender equality in the sciences) and James Kendall (an expert in chemical warfare). The opera received its premiere in the Assembly Rooms, Edinburgh, Scotland on 24 October 2013 in a production supported by Scottish Opera and conducted by Derek Clark.For the first time, the full score and instrumental parts are available to purchase online today.
$49.99
The Banshee and the Wish, An Opera in One Act, Orchestral Accompaniment and Sound Effects
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James Nathaniel Holland
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The Banshee and the Wish, An O
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James Nathaniel Holland
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SheetMusicPlus
Baritone Horn TC,Soprano voice - SKU: A0.1068395 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Accompaniment. Duration 1...
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Baritone Horn TC,Soprano voice - SKU: A0.1068395 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Accompaniment. Duration 1972. James Nathaniel Holland #6326849. Published by James Nathaniel Holland (A0.1068395). SOUNDTRACK (Orchestral accompaniment and sound effects). Vocal Score, Full Score and Individual Parts sold separately. Orchestral accompaniment and sound effect to be used for singers who don't have an orchestra but wish to perform (License or permission to perform are needed, not included with this mp3). Here American composer James Nathaniel Holland brings you The Banshee and the Wish is a tale based on an old Irish Legend with original libretto and 21st century music. A Irish soldier has lost his way home from the battlefields of World War I, and find a mysterious fairy maiden bathing and washing clothes in a river. He steals her comb knowing that she must grant any wish he desires. His wish is to return home. As always with the fairies, his wish is granted but with a catch. Accessible music for Soprano, Baritone and chamber orchestra. Score for: fl, ob, eh, clBb, bsn, hrn in F, timp/tri., hrp, and strings. Duration: 30 minutes.
$10.99
Evening Sea Breeze - A Beijing Opera style song
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Johnson K
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e-Pollination Inc
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was called as <
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Evening Sea Breeze - A Beijing
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Johnson Gao
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SheetMusicPlus
Small Ensemble Double Bass,Drum Set,High Voice,Trumpet,Violin - Level 3 - SKU: A0.1006994 Composed by Johnson K. Gao. Arranged by e-Pollination Inc. Con...
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Small Ensemble Double Bass,Drum Set,High Voice,Trumpet,Violin - Level 3 - SKU: A0.1006994 Composed by Johnson K. Gao. Arranged by e-Pollination Inc. Contemporary,Traditional,World. Score and parts. 178 pages. Johnson Gao #3379289. Published by Johnson Gao (A0.1006994). The original title of the <Evening Sea Breeze> was called as <Sea Breeze over the Harbor of Qingdao>. The current name has a general meaning for customers easy to find it. The original song was the No.3 in the music sheet book of Gao's Harbor Music published at lulu.com, page 29~40. The file for download of this piece of song includes 176 pages with 12 songs. So, the person who purchase this song sheet is actually with extra 11 songs for free download. The melody of the song absorbed from two famous Beijing Opera called as <è‹ä¸‰èµ·è§£> and <霸王别姫>.
$1.99
HANDEL: "If God Be For Us, Who Can Be Against Us?” from Messiah (in G minor)
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George Frideric Handel
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Score Animations
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HANDEL: "If God Be For Us
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1518367 By George Frideric Handel. By George Frideric Handel. Arranged by Score Animations. Baroque,Christian,Clas...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1518367 By George Frideric Handel. By George Frideric Handel. Arranged by Score Animations. Baroque,Christian,Classical,Early Music,Opera. Score. 10 pages. Natalia Melnik #1092466. Published by Natalia Melnik (A0.1518367). George Frideric Handel: If God Be For Us, Who Can Be Against Us?” from Messiah (in G minor)Please SUBSCRIBE to our YouTube channel for easy-to-follow video score animations for this and many other songs!VOICE+PIANOhttps://youtu.be/NQSg3PQGB8kPIANO ONLYhttps://youtu.be/f6km5_cfFBw
$5.99
HANDEL: "If God Be For Us, Who Can Be Against Us?” from Messiah (in F# minor)
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George Frideric Handel
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Score Animations
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HANDEL: "If God Be For Us
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1518380 By George Frideric Handel. By George Frideric Handel. Arranged by Score Animations. Baroque,Christian,Clas...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1518380 By George Frideric Handel. By George Frideric Handel. Arranged by Score Animations. Baroque,Christian,Classical,Early Music,Opera. Score. 10 pages. Natalia Melnik #1092480. Published by Natalia Melnik (A0.1518380). George Frideric Handel: “If God Be For Us, Who Can Be Against Us?” from Messiah (in Baroque pitch, F-sharp minor)Please SUBSCRIBE to our YouTube channel for easy-to-follow video score animations for this and many other songs!VOICE+PIANOhttps://youtu.be/ntZWMcAirjEPIANO ONLYhttps://youtu.be/ICnzLgoeDzU
$5.99
BUT WHO MAY ABIDE - Messiah - For Alto and Harpsichord
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Classique
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George Frideric Handel
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R
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BUT WHO MAY ABIDE - Messiah -
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Renato Tagliabue
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Voice - SKU: A0.724256 Composed by George Frideric Handel. Arranged by R. Tagliabue. Baroque,Christian,O...
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Instrumental Duet Harpsichord,Instrumental Duet,Voice - SKU: A0.724256 Composed by George Frideric Handel. Arranged by R. Tagliabue. Baroque,Christian,Opera,Sacred,Spiritual. Score and parts. 8 pages. Renato Tagliabue #3567791. Published by Renato Tagliabue (A0.724256).
$8.50
Voi Che Sapete (Say ye Who Borrows) from the Marriage of Figaro - Cornet Solo
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Shaun Humphries
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Voi Che Sapete
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Shaun Humphries
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1027648 Composed by Wolfgang Amadeus Mozart. Arranged by Shaun Humphries. Classical,Opera. Brass Band. 28 pages. Shaun Humphries #6502329. Published by Shaun Humphries (A0.1027648). This is a solo piece for Cornet and Brass Band. The piece is fairly straightforward for most of the band members and gives the front row, in particular, a bit of a break. Really useful for when you have a fairly hefty programme or a reduced front row.
$19.99
BUT WHO MAY ABIDE - Messiah - For Alto, String Quartet and Harpsichord
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Classique
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George Frideric Handel
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R
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BUT WHO MAY ABIDE - Messiah -
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Renato Tagliabue
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SheetMusicPlus
Small Ensemble,Strings Harpsichord,Low Voice - SKU: A0.724253 Composed by George Frideric Handel. Arranged by R. Tagliabue. Baroque,Christian,Opera,Sacr...
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Small Ensemble,Strings Harpsichord,Low Voice - SKU: A0.724253 Composed by George Frideric Handel. Arranged by R. Tagliabue. Baroque,Christian,Opera,Sacred,Spiritual. Score and parts. 40 pages. Renato Tagliabue #3567771. Published by Renato Tagliabue (A0.724253).
$14.99
Who Do You Love
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Rock
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Chicago
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Patrick Sheehan
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Who Do You Love
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748048 By Chicago. By Bill Champlin and Dennis Matkosky. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 75 p...
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Small Ensemble - Level 5 - SKU: A0.748048 By Chicago. By Bill Champlin and Dennis Matkosky. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 75 pages. Patrick Sheehan #5214081. Published by Patrick Sheehan (A0.748048). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Tenor Saxophone (Bb) (overdub), Baritone Saxophone (Eb), Trumpet (Bb) (overdub), Trombone (overdub), Keyboard I (Hammond B-3 Organ), Keyboard II (Synth. Pipe Organ), Electric Guitar I, Electric Guitar II, Bass, Drumset. All parts transcribed by ear from the original recording from CHICAGO TWENTY-1, released in 1991. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
The Little Bird. From the Opera of The Cherokee
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Stephen Storace
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The Little Bird. From the Oper
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice; guitars - SKU: LV.15929 Composed by Stephen Storace. Courtship & love, Sleeping. Lester S. Levy Collection. 2 pages. Published by Johns...
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Piano and voice; guitars - SKU: LV.15929 Composed by Stephen Storace. Courtship & love, Sleeping. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15929). The Little Bird. From the Opera of The Cherokee. [Stephen Storace. Published [1794-1797] by n.p. in n.p. Composition of strophic with piano and voice; guitars instrumentation. Subject headings for this piece include Courtship & love, Sleeping. First line reads A shepherd once had lost his love and as he saught her in the grove.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Prince Ananias. An Original Comic Opera. It Needs No Poet
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Victor Herbert
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Prince Ananias. An Original Co
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (duet) - SKU: LV.20515 Composed by Victor Herbert. Portraits, Angels, Courtship & love. Lester S. Levy Collection. 7 pages. Published by...
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Piano and voice (duet) - SKU: LV.20515 Composed by Victor Herbert. Portraits, Angels, Courtship & love. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20515). Prince Ananias. An Original Comic Opera. It Needs No Poet. Libretto by Harry B. Smith. Music by Victor Herbert. Published 1897 by Edward Schuberth & Co. in New York. Composition of through-composed with piano and voice (duet) instrumentation. Subject headings for this piece include Portraits, Angels, Courtship & love. First line reads It needs no poet, gentle maid, to eulogize your charms.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
King Priam
Opera
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Opera
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Sir Michael Tippett
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King Priam
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott...
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SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
$83.99
The Midsummer Marriage
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Sir Michael Tippett
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The Midsummer Marriage
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Schott Music - Digital
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SheetMusicPlus
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael T...
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2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0....
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B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged ...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$19.99
Tristan und Isolde
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Classique
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
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