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Winds of Change: Score
Partitions à imprimer
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Doubt & Determination (An Epic Sonata of Indeterminacy)
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download…
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
6.38 €
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
20 Renaissance Dances for Woodwinds Ensemble
Large Ensemble Alto Recorder,Baritone Recorder,Bassoon,Flute,Oboe,Soprano Recorder,Tenor R…
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Large Ensemble Alto Recorder,Baritone Recorder,Bassoon,Flute,Oboe,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.742464 Composed by Anthony Holborne, Claude Gervaise, Etienne du Tertre, F. Giesbert, Michael Praetorius, and Pierre Caroubel. Arranged by Javier MartÃnez Maya. Concert,Instructional,Renaissance,Standards. Score and parts. 45 pages. Arte Nova Music Lab #4363001. Published by Arte Nova Music Lab (A0.742464). Renaissance music is European music written from about the year 1400 to 1600. This section of time is called the Renaissance, a word which means rebirth. The Renaissance comes between the Middle Ages and the Baroque times.Putting music into time sections does not mean that there were quick changes of type. Music changed slowly, and early Renaissance music was similar to Medieval music. Slowly music-writers started to try new ideas. A lot of medieval church music had become very hard with lots of rules about rhythms and clashes of notes to make dissonances. A lot of Renaissance composers wrote music which was smoother and more gentle. The music was still polyphonic with each voice having a share of melody. Music was starting to become less modal and more tonal. By the time the Baroque period started composers were using a system of major and minor keys like we do today.Taken from https://simple.wikipedia.org/wiki/Renaissance_music
$50.00
45.63 €
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the time the Baroque period started composers were using a system of major and minor keys like we do today
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Anthony Holborne, Claude Gervaise, Etienne du Tertre, F
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Javier MartÃnez Maya
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20 Renaissance Dances for Woodwinds Ensemble
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Arte Nova Music Lab
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SheetMusicPlus
Cesar Franck's Panis Angelicus for voice and strings (2nd voice/winds ad libitum) Ed. Paulinyi
Bassoon,Cello,Clarinet,Flute,Oboe,Trumpet,Viola,Violin,Voice - Level 2 - Digital Download …
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Bassoon,Cello,Clarinet,Flute,Oboe,Trumpet,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.1487856 Composed by Cesar Auguste Franck. Arranged by Zoltan Paulinyi. 19th Century,Romantic Period,Sacred. 21 pages. Zoltan Paulinyi #1064795. Published by Zoltan Paulinyi (A0.1487856). César Francks' Panis Angelicus (Op. 12 n.5) arranged for voice and string's quartet or orchestra. Voice can be doubled or changed to any treble clef instrument (oboe, flute, trumpet), and there is a second voice ad libitum for voice or any treble clef instrument. Included parts for both Clarinet in A and bB. Full score and complete set of parts.
$5.00
4.56 €
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Cesar Auguste Franck
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Zoltan Paulinyi
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Cesar Franck's Panis Angelicus for voice and strings
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Zoltan Paulinyi
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SheetMusicPlus
Daphne of the Dunes
Adapted Viola · Kithara II (played from opposite side) · Surrogate Kithara · Harm…
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Adapted Viola · Kithara II (played from opposite side) · Surrogate Kithara · Harmonic Canons II and III · Chromelodeon I · Cloude-Chamber Bowls · Spoils of War · Gourd Tree · Diamond Marimba, Boo · Bass Marimba and Pre-recorded Tape ensemble - difficult - Digital Download SKU: S9.Q46317 Soundtrack for Madeline Tourtelot’s film “Windsongâ€. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q46317. Published by Schott Music - Digital (S9.Q46317). Partch composed and produced the music for the film Windsong by Madeline Tourtelot in 1958. In this film, the ancient legend of Daphne and Apollo was transferred to the dunes of Lake Michigan – as a reference to the sexual ethics of the Puritans in the USA. Later, the film music was turned into the ballet music Daphne of the Dunes. Contrasting tonalities and frequent changes of mood correspond to the fast cuts in the film. The music equally recalls images of nature including sand, water, snakes, and seagulls.
$15.99
14.59 €
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Harry Partch
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Daphne of the Dunes
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Schott Music - Digital
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By T…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
9.13 €
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Blooper 3 for Woodwinds
Woodwind Ensemble Alto Flute,Bass Clarinet,Contrabassoon,English Horn,Oboe,Piccolo - Level…
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Woodwind Ensemble Alto Flute,Bass Clarinet,Contrabassoon,English Horn,Oboe,Piccolo - Level 2 - Digital Download SKU: A0.1159597 Composed by Cristiano Vecchi. Chamber,Contemporary,Easter,Film/TV,New Age. 23 pages. Cristiano Vecchi #759857. Published by Cristiano Vecchi (A0.1159597). Bloopers is a series of short pieces composed with the MikroKanon App and arranged for traditional instruments. Blooper 3 (Gemini) is an aerial, unquiet prelude with a six-parts canon to the second oboe, alto flute and bassoons accompanied by a changeling, fluid movement of the upper instruments. The piece is in two parts, where the second is the inverse of the first. The rhythm pattern used to develop the counterpoint is Rumba 1 (flowing). Duration: 26. SCORE and PARTS.
$5.99
5.47 €
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Cristiano Vecchi
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Blooper 3 for Woodwinds
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Cristiano Vecchi
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
43.8 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.24 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Ave Maria (Schubert) - for flexible quintet
Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Oboe,Piano,Tenor Saxophone,Trumpet,Viol…
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Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Oboe,Piano,Tenor Saxophone,Trumpet,Violin - Level 2 - Digital Download SKU: A0.842993 Composed by Franz Schubert. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 22 pages. Dico #6450161. Published by Dico (A0.842993). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Schubert) - primary formation is Flute, Trumpet, Piano, Violin and Cello, but the arrangement allow others combinatiuons in part 1 and part 2 like 2 winds, wind + brass, wind + violin, strings (3 violins, cello) + piano and so on.INSTRUMENTATION: - Score
$18.00
16.43 €
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Franz Schubert
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Dico
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Ave Maria
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Dico
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SheetMusicPlus
Adagio in E Major, K.261
Small Ensemble Cello,Clarinet,Double Bass,Flute,Oboe,Piano,Soprano Saxophone,Violin - Leve…
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Small Ensemble Cello,Clarinet,Double Bass,Flute,Oboe,Piano,Soprano Saxophone,Violin - Level 3 - Digital Download SKU: A0.842928 Composed by Wolfgang Amadeus Mozart. Arranged by Dico. Classical,Wedding. Score and parts. 28 pages. Dico #6385457. Published by Dico (A0.842928). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.ADAGIO IN E MAJOR - changes in instrumentation for mixed sextet with woodwinds.INSTRUMENTATION: Score | Part 1: Fl (Ob/Cl/Ssax) | Part 2: Ob (Fl/Cl/Ssax) | Pno | Str (-Vla).
$18.00
16.43 €
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Wolfgang Amadeus Mozart
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Dico
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Adagio in E Major, K.261
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Dico
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SheetMusicPlus
It Don't Mean A Thing (If It Ain't Got That Swing)
Small Ensemble - Level 1 - Digital Download SKU: A0.770348 By Duke Ellington. By Du…
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Small Ensemble - Level 1 - Digital Download SKU: A0.770348 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Ivan Marini. 20th Century,Instructional,Jazz. Score and parts. 14 pages. Www.dalsegno.eu #3567897. Published by www.dalsegno.eu (A0.770348). Very easy arrangement of this classic Duke's standard.Setting: a Soloist for the melody (Vocals - original key - or any other instrument: just pick up your Real Book!), four winds for the Background (four saxes AAAT or a mix of Saxes and Brass) and a small rhythm section (Bass and Drums, opt. Guitar and Piano).Et voila! Jazz for absolute beginners.Really useful for the first attempts of Combo playing and in case for Jazz/Big Band classes.The homorhythmic background is ideal to develope articulation, intonation, balance and phrasing. Very limited ranges.Every part complete with changes for the improvisations.Complete set with score and parts: Alto 1, Trumpet 1 (sub. for Alto 1), Alto 2, Trumpet 2 (sub. for Alto 2), Alto 3, Tenor, Trombone (sub. for Tenor), Drums, Piano/Bass/Guitar.Other transpositions available for free at simply request.Open form (indeterminate duration), 14 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$12.99
11.86 €
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Duke Ellington
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Ivan Marini
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It Don't Mean A Thing
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www.dalsegno.eu
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SheetMusicPlus
Five Pieces for Wind Instruments
Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Lev…
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Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.835821 Composed by Paul Burnell. Contemporary. Score and parts. 105 pages. Paul Burnell #4836477. Published by Paul Burnell (A0.835821). Five Pieces for Wind Instruments, Paul Burnell, composed 2002, revised 2011Approximate durations:1. 2:002. 4:003. 4:254. 2:405. 3:45Total duration 17:00It is not necessary to perform all 5 movements.Instrumentation:Flute (doubling Piccolo in the 1st and 5th movements)OboeClarinet in B flatAlto SaxophoneBass ClarinetBassoonTrumpet in B flatHorn in FTromboneTransposing instruments are shown transposed in the score.Sympathetic instrument doublings and/or substitutions are permissible.Unless otherwise indicated all cresc. and dim. hairpin marks move the dynamic up or down one grade.Programme note:Five Pieces for Wind Instruments was written for The Southwark Consorts of Winds - The Ancient and Modern Consort.Each of the five movements subject familiar musical stereotypes to simple but rather strict processes.The first movement is a march where the phrase lengths are gradually shortened. The second movement presents a simple melody imitated by other instruments. The middle movement, which is like a hinge in the overall structure, is a canon - where the imitation is between two groups. The fourth movement is a reverie with slight but systematic changes to the sustained harmony. The fifth movement is a jig or waltz where the phrase lengths are, unlike the first movement, gradually lengthened.
$7.95
7.26 €
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Paul Burnell
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Five Pieces for Wind Instruments
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Paul Burnell
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SheetMusicPlus
Magnificat (Battmann)
Small Ensemble Cello,Clarinet,Flute,High Voice,Horn,Oboe,Percussion,Piano,Trumpet,Violin -…
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Small Ensemble Cello,Clarinet,Flute,High Voice,Horn,Oboe,Percussion,Piano,Trumpet,Violin - Level 3 - Digital Download SKU: A0.842978 Composed by Jacques-Louis Battmann. Arranged by Dico. Praise & Worship,Romantic Period,Sacred,Wedding. Score and parts. 22 pages. Dico #6438127. Published by Dico (A0.842978). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MAGNIFICAT (Battmann) - Can be played without voice solo too. Woodwinds can be mixed. Brasses, don't.- Voice & piano- Part 1: Trumpet (Clarinet | Flute | Oboe | Horn in F)- Part 2: Trumpet (Clarinet | Flute | Oboe | Horn in F)- Percussion- Piano- Violin- Cello
$22.00
20.08 €
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Jacques-Louis Battmann
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Dico
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Magnificat
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Dico
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SheetMusicPlus
Magnificat (Battmann)
Small Ensemble B-Flat Trumpet,Cello,Clarinet,Flute,Horn,Oboe,Percussion,Piano,Violin,Voice…
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Small Ensemble B-Flat Trumpet,Cello,Clarinet,Flute,Horn,Oboe,Percussion,Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.513304 By Various. By Jacques-Louis Battmann. Arranged by Dico. Praise & Worship,Romantic Period,Sacred,Wedding. Score and parts. 22 pages. Dico Ferreira #124069. Published by Dico Ferreira (A0.513304). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MAGNIFICAT (Battmann) - Can be played without voice solo too. Woodwinds can be mixed. Brasses, don't.- Voice & piano- Part 1: Trumpet (Clarinet | Flute | Oboe | Horn in F)- Part 2: Trumpet (Clarinet | Flute | Oboe | Horn in F)- Percussion- Piano- Violin- Cello
$22.00
20.08 €
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Various
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Dico
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Magnificat
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Dico Ferreira
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SheetMusicPlus
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