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Chord Progression Generator for Guitar
Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Compos…
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Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99
4.52 €
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Brian Streckfus
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Chord Progression Generator for Guitar
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Brian Streckfus
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SheetMusicPlus
Carnival of Venice for Guitar and Piano
Acoustic Guitar,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.1251057
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Acoustic Guitar,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.1251057 Composed by Traditional Italian. Arranged by Langanho. 19th Century,Classical,Folk,Romantic Period. Score and individual part. 3 pages. Avery Lynn Jordan #845352. Published by Avery Lynn Jordan (A0.1251057). We present the sheet music for the Carnival of Venice, specially adapted for Guitar and Piano, with the aim of meeting the needs of beginner musicians. This carefully crafted arrangement preserves the beauty and essence of the original work, providing a captivating musical experience. Whether you are a teacher in search of didactic materials for your classes or a parent looking to encourage your child's music study, this sheet music is the perfect choice. With its accessible and pedagogical approach, it is designed to facilitate learning and understanding, ensuring satisfactory progress from the first chords. The Carnival of Venice is a globally recognized composition, and this adapted version is an unmissable opportunity to explore the enchantment of this piece, diving into the rich musical tradition of Venice. Take advantage of this chance to acquire this exceptional sheet music and embark on an engaging and inspiring musical journey.
$2.99
2.71 €
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Traditional Italian
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Langanho
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Carnival of Venice for Guitar and Piano
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Avery Lynn Jordan
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SheetMusicPlus
A Night In Tunisia
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Diz…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.15 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
You Belong With Me
Guitar - Level 2 - Digital Download SKU: A0.1143111 By Taylor Swift. By Liz Rose an…
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Guitar - Level 2 - Digital Download SKU: A0.1143111 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Brian Streckfus. Country,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 4 pages. Brian Streckfus #743473. Published by Brian Streckfus (A0.1143111). People who want to train to be a better singer will like this version because you are constantly reminded of what the main vocal melody is. There is a lot of information on one treble clef so it is lead sheet style. This version is also meant to make the guitar work more complex but yet easier at the same time. It is still a work in progress and I am working on the bridge still.
$1.99
1.8 €
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Taylor Swift
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Brian Streckfus
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You Belong With Me
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Brian Streckfus
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SheetMusicPlus
Guitar Picking Series
Acoustic Guitar - Interactive Download SKU: A0.480809 Composed by Chris O'Mara. Thi…
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Acoustic Guitar - Interactive Download SKU: A0.480809 Composed by Chris O'Mara. This edition: Interactive Download. Children,Christmas,Classical,Country,Folk,Hip-Hop,Jazz,Pop,Praise & Worship,Rock,Standards,World. Score. 3 pages. Duration 16. Published by comaramusic (A0.480809). Learn to arpeggiate through a chord progression. Have fun finding and making up your own patterns too. First in a growing series. Custom work for composing and arranging available.
$3.00
2.72 €
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Chris O'Mara
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Guitar Picking Series
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comaramusic
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SheetMusicPlus
Three words too many for horn and guitar
Instrumental Duet Guitar,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.57…
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Instrumental Duet Guitar,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.575958 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. Score and parts. 9 pages. David Warin Solomons #431497. Published by David Warin Solomons (A0.575958). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore also provided versions on this site for guitar with: flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
6.35 €
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David Warin Solomons
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Three words too many for horn and guitar
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David Warin Solomons
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SheetMusicPlus
Three words too many for alto and guitar
Small Ensemble Guitar,Low Voice - Level 3 - Digital Download SKU: A0.576041 Compose…
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Small Ensemble Guitar,Low Voice - Level 3 - Digital Download SKU: A0.576041 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 8 pages. David Warin Solomons #2030189. Published by David Warin Solomons (A0.576041). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years, (sound sample performed by the composer) but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes.
$7.00
6.35 €
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David Warin Solomons
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Three words too many for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Intermediate Music for Three, Volume 1, Part 1 Alto Sax in Eb 52115DD
Small Ensemble - Level 3 - Digital Download SKU: A0.530268 Composed by Various. Arr…
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Small Ensemble - Level 3 - Digital Download SKU: A0.530268 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 44 pages. Last Resort Music Publishing #3221033. Published by Last Resort Music Publishing (A0.530268). Part 1 for Eb Alto Saxophone ~ An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel) The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
18.13 €
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Various
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Daniel Kelley
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(Beethoven)
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Intermediate Music for Three, Volume 1, Part 1 Alto Sax in Eb 52115DD
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Last Resort Music Publishing
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SheetMusicPlus
Intermediate Music for Three, Volume 1, Part 2 Tenor Sax in Bb 52125DD
Level 3 - Digital Download SKU: A0.530269 Composed by Various. Arranged by Daniel K…
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Level 3 - Digital Download SKU: A0.530269 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 44 pages. Last Resort Music Publishing #3221035. Published by Last Resort Music Publishing (A0.530269). Part 2 for Bb Tenor Sax An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel)  The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI  (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
18.13 €
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Various
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Daniel Kelley
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Intermediate Music for Three, Volume 1, Part 2 Tenor Sax in Bb 52125DD
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Last Resort Music Publishing
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.93 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Take The Long Way Home
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797818 By Supertramp. B…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. 24 pages. Derek Hasted #6345113. Published by Derek Hasted (A0.797818). TAKE THE LONG WAY HOME (Supertramp) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is an arrangement for 4 guitars (or a large ensemble) of Supertramp’s 'Take The Long Way Home'.The original is nothing less than spectacular, running for a full 5 minutes with verse, chorus and instrumental breaks, and utilising rich orchestration and texture. I’ve captured all of the material in my arrangement, changing the key just slightly so that the shapes and melody are comfortable, and simplifying one or two non-guitar-friendly progressions in the breaks. The bass-line and harmony are close to the original. Guitar 4 could be played an octave lower on a contra guitar, although I’ve used subharmonics in the opening to give the illusion of a deeper bass than a guitar can manage.In order to make the piece music-stand-friendly, I’ve needed to use repeat marks meaning that the second verse has the same bass-line as the first, but a simple change in volume will provide a suitable feeling of building as the piece progresses. The opening section needs to imitate the indefinite sustain of high-pitched violins. By using harmonics across all four parts, and interleaving the repetitions, we can get a convincing sustain (or plucking at random times across the parts, or even a tremolo would also create the illusion of indefinite sustain). But if it doesn’t work in your ensemble, simply start the piece at A and omit all harmonics from that point onwards.My arrangement will suit an intermediate ensemble. Parts 3 and 4 are slightly easier, but skilled players on these lines can make magic happen by a confident use of articulation to shape the music’s texture.I hope you enjoy performing this!
$4.99
4.52 €
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Supertramp
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Derek Hasted
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Take The Long Way Home
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Derek Hasted
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SheetMusicPlus
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Var…
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Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 46 pages. Last Resort Music Publishing #712547. Published by Last Resort Music Publishing (A0.1110212). 52231 Part 3 Cello or Bassoon Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more! Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Tango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg) Andante from Symphony #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) Create your own ensemble - List of Available Parts: 52211 Part 1 Flute or Oboe or Violin 52213 Part 1 Clarinet in Bb 52215 Part 1 Alto Sax in Eb 52221 Part 2 Flute or Oboe or Violin *DD 52222 Part 2 Viola 52223 Part 2 Clarinet or Trumpet in Bb 52225 Part 2 Tenor Sax in Bb 52231 Part 3 Cello or Bassoon *DD 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb 52240 Keyboard or Guitar 52299 Score (Parts 1-3 in C) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$20.00
18.13 €
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
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Last Resort Music Publishing
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SheetMusicPlus
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,…
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Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - Digital Download SKU: A0.1255183 Composed by Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 45 pages. Last Resort Music Publishing #848746. Published by Last Resort Music Publishing (A0.1255183). Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more!  Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsTango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg)Andante from Symphony  #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony  #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) 52211 Part 1 Flute or Oboe or Violin52213 Part 1 Clarinet in Bb  52215 Part 1 Alto Sax in Eb  52221 Part 2 Flute or Oboe or Violin 52222 Part 2 Viola  52223 Part 2 Clarinet or Trumpet in Bb52225 Part 2 Tenor Sax in Bb52231 Part 3 Cello or Bassoon 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb52240 Keyboard or Guitar52299 Score (Parts 1-3 in C) Published by Last Resort Music www.lastresortmusic.com
$20.00
18.13 €
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Various
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Daniel Kelley
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Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
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Last Resort Music Publishing
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SheetMusicPlus
Simple Strumming Exercises
Guitar,Ukulele - Level 1 - Digital Download SKU: A0.1388829 Composed by Vincent Fra…
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Guitar,Ukulele - Level 1 - Digital Download SKU: A0.1388829 Composed by Vincent Frank. Arranged by Vincent Frank. Children,Instructional. Educational Exercises. 1 pages. Vincent Frank Music #972340. Published by Vincent Frank Music (A0.1388829). Worksheet for guitar or ukulele students working on strumming. 4 strum patterns for beginners in progressive difficulty.Have a question or request? Email me at vincentfrankmusic@gmail.com.
$1.99
1.8 €
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Vincent Frank
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Vincent Frank
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Simple Strumming Exercises
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Vincent Frank Music
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SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
22.67 €
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Christine Southworth
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Heavy Metal for Balinese gamelan and chamber ensemble
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Airplane Ears Music
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SheetMusicPlus
Practice Journal for Beginning Music Students
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Guitar,Harp,Marimba,Oboe,Pian…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Guitar,Harp,Marimba,Oboe,Piano,Trumpet,Vibraphone,Viola,Violin,Xylophone - Level 1 - Digital Download SKU: A0.981990 Composed by Victoria Voronyansky. Children,Instructional. Score and parts. 40 pages. Volidera Musica #6451579. Published by Volidera Musica (A0.981990). The purpose of this journal is to help build a framework for practice sessions within which a young musician can thrive. By filling out a weekly planner and a daily practice journal, student is encouraged to plan, reflect, identify problems, and set goals. Included is also a progress chart for individual songs.Younger students may need help filling out the daily journal and for their teacher to assist in organizing the weekly planner, but over time student can get into a habit of writing in the journal independently.Every new song or unfamiliar skill will present different challenges, but with this practice journal a student can tackle each obstacle and celebrate every advance, while keeping track of progress, thinking about what works and what needs to change, all framed in a friendly and flexible manner.This journal is intended to allow students to follow their own path, advance at a pace which is most natural for them, and feel positive about their progress on the instrument.Keep Practicing and Enjoy your musical journey!Victoria Voronyanskywww.redviola.comhttps://www.youtube.com/redviolaVictoria
$9.99
9.06 €
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filling out a
weekly planner
and a
daily practice journal
, student is encouraged to plan, reflect, identify problems, and set goals
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Victoria Voronyansky
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Practice Journal for Beginning Music Students
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Volidera Musica
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SheetMusicPlus
Seek and You Shall Find
Guitar - Level 3 - Digital Download SKU: A0.1460097 By The Candlelight Guitarist. B…
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Guitar - Level 3 - Digital Download SKU: A0.1460097 By The Candlelight Guitarist. By Bradley Powell. Christian,Classical,Jazz,Praise & Worship,Religious. Guitar Tab. 6 pages. Geofonica Artistworks #1039036. Published by Geofonica Artistworks (A0.1460097). A soothing and reflective fingerstyle classical guitar solo by Bradley Powell (The Candlelight Guitarist), from his album Beatitude Bridge. It is a moderate tempo, intermediate classical guitar level piece (though perhaps sounding more advanced). With classical style chord voicings in a modern folk-jazz chord progression. It switches between the keys of E major and E minor, then the bridge passes through E, D, and C major keys, returning to E minor/major. This sheet music is in TAB with standard notation... (a version in Standard notation with the TAB is also available). Hear Brad's recording at the YouTube link below--NOTE: this piece is the FIRST of the three pieces in that video. ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.52 €
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The Candlelight Guitarist
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Seek and You Shall Find
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Geofonica Artistworks
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SheetMusicPlus
Kosmos Place 1
Guitar - Digital Download SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gos…
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Guitar - Digital Download SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 324. THEMIS KOUTRAS #5196707. Published by THEMIS KOUTRAS (A0.1066774). This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declaring these new worlds will then be part of planet earth the space mission today has the ability power to do this and I believe one day they will do this it has a final meaning that the space ships will mean we will travel without technology it is that the nick name space ship is given by me for the name of the holy spirit because his beyond all-powerful I know in parable because he will ascend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back here the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always
$3.99
3.62 €
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THEMIS KOUTRAS
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Kosmos Place 1
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THEMIS KOUTRAS
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SheetMusicPlus
Castle On The Hill
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. B…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Julian Hay. 21st Century,A Cappella,Contemporary,Pop,Rock. Octavo. 8 pages. Julian Hay #871338. Published by Julian Hay (A0.1279926). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy. It is versatile and catchy, and has been performed by our Vocal Bands as well as our larger ensembles. This arrangement has the drive and momentum of the original song but with delicate moments, and some 5-part harmony as the song progresses. VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Oos / Ahs / Dms, etc).The full arrangement is scored for SSAB and Vocal Percussion (beatboxing). The song also works as SATB and could be transposed into lower key to help with some of the higher passages.RHYTHM and BASS:This Beatboxing part is suitable for moderate to advanced performers, and is scored used drum notation. Specific Beatboxing notes are included in their own section.If your ensemble is without a bass or a beatboxer you could consider the following options:- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentPERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz.
$2.99
2.71 €
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Ed Sheeran
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Julian Hay
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Castle On The Hill
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Julian Hay
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SheetMusicPlus
Largo, Winter, movement 'II' from The Four Seasons
Small Ensemble Bass Guitar,Ukulele - Level 3 - Digital Download SKU: A0.1016394 Com…
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Small Ensemble Bass Guitar,Ukulele - Level 3 - Digital Download SKU: A0.1016394 Composed by Antonio Vivaldi. Arranged by Andrew Milburn. Baroque,Concert,Instructional,Standards. Score and parts. 14 pages. A W Milburn #5869151. Published by A W Milburn (A0.1016394). Largo, Winter, movement 'II' from The Four SeasonsArranged for ukulele quartet or ukulele ensemble. 3 ukulele parts and 1 bass part. Duration: 2:00 minutesSheet music and TAB notation included for all parts. A technical help sheet is provided for each part to help to teach relevant technique for playing this arrangement. A basic knowledge of note names and note values is assumed in this arrangement.3 ukulele parts, any combination of concert, soprano or tenor ukuleles (tuned to G C E A), and 1 bass ukulele or bass guitar part (tuned to E A D G). Arranged to encourage progression in each players individual level. Graded levels of difficulty, from simple chords to intermediate level of finger-style performance.Can also be played as a Duet/Trio by omitting some of the parts. Works equally well as a full ensemble with multiple players on each part.Suitable for classroom music or school ukulele ensemble, starting with a simple strum-along of the chords working up to a full performance and the technical help sheets will be invaluable source of knowledge to the young ukulele player.Excellent source material if you're looking to introduce 'classical music' in an accessible way to your ukulele group. Transposed from the original key signature.
$14.00
12.69 €
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Antonio Vivaldi
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Andrew Milburn
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Largo, Winter, movement 'II' from The Four Seasons
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A W Milburn
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SheetMusicPlus
La frontera alucinada
Guitar - Digital Download SKU: ZZ.DZ-4343 Composed by Marco Smaili. Arranged by Cri…
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Guitar - Digital Download SKU: ZZ.DZ-4343 Composed by Marco Smaili. Arranged by Cristiano Porqueddu. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4343. Published by Les Productions d'OZ - Digital (ZZ.DZ-4343). La frontera alucinada alludes to the imprecision of the various emotional territories in which the reality of pain is confused with the hallucinated madness of happy serenity.It is a music that gradually melts as if it were wax based on variations or repetitions of an obsessive and hopeless cell that serves as a bridge between the various new elements that emerge with forms of pain or serenity. Music that is difficult to understand that aims to leave the listener with multiple unresolved questions. The work is a tribute to George Crumb and it is dedicated to Cristiano Porqueddu.- Marco Smaili, Alicante 2024La frontera alucinada évoque l’imprécision des diverses zones émotionnelles où la réalité de la douleur se confond avec la folie hallucinée d’une sérénité heureuse.C’est une musique qui se «fond progressivement comme de la cire» basée sur des variations ou répétitions d’une cellule obsessionnelle et désespérée qui sert de pont entre les différents nouveaux éléments émergeant avec des formes de douleur ou de sérénité. C’est une musique difficile à comprendre qui vise à laisser l’auditeur avec de multiples questions non résolues. L’œuvre est un hommage à George Crumb et est dédiée à Cristiano Porqueddu.- Marco Smaili, Alicante 2024.
$3.95
3.58 €
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Marco Smaili
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Cristiano Porqueddu
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La frontera alucinada
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Les Productions d'OZ - Digital
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SheetMusicPlus
Have You Heard? - Full Score (Digital Download)
Conductor's Score - Digital Download SKU: LX.30-3731L A Celtic Christmas Celebra…
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Conductor's Score - Digital Download SKU: LX.30-3731L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Full Score (Digital Download). 180 pages. Lorenz Publishing - Digital Sheet Music #e30/3731L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3731L). Orchestrated by Ed Hogan.Digital Full Score for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$99.95
90.62 €
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Joel Raney
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Away in a Manger
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Have You Heard? - Full Score
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
La Vie En Rose
Acoustic Guitar,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.…
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Acoustic Guitar,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1221945 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. 20th Century,Film/TV,Jazz,Singer/Songwriter,Standards. 5 pages. Andre_Nusa #818233. Published by Andre_Nusa (A0.1221945). This easy guitar and clarinet arrangement of the song La Vie En Rose by Edith Piaf is a charming and simple interpretation of this classic French tune. The guitar provides a smooth and steady accompaniment while the clarinet takes on the iconic melody of the song. The guitar plays a simple chord progression, providing a warm foundation for the clarinet to shine. The clarinet soars above the guitar, playing the melody with a sweet and expressive tone that captures the essence of the original song. The guitar and clarinet work together seamlessly, creating a beautiful interplay between the two instruments. The arrangement highlights the melody, allowing the clarinet to showcase its versatility and range. This arrangement is ideal for beginner to intermediate musicians who want to perform La Vie En Rose in a stripped-down and intimate setting, while still maintaining the essence of the song's timeless charm. The sheet music includes standard notation and tablature.
$4.99
4.52 €
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Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
La Vie En Rose
Acoustic Guitar,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1221952
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Acoustic Guitar,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1221952 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. 20th Century,Film/TV,Jazz,Singer/Songwriter,Standards. 5 pages. Andre_Nusa #818241. Published by Andre_Nusa (A0.1221952). This easy guitar and flute arrangement of the song La Vie En Rose by Edith Piaf is a charming and simple interpretation of this classic French tune. The guitar provides a smooth and steady accompaniment while the flute takes on the iconic melody of the song. The guitar plays a simple chord progression, providing a warm foundation for the flute to shine. The flute soars above the guitar, playing the melody with a sweet and expressive tone that captures the essence of the original song. The guitar and flute work together seamlessly, creating a beautiful interplay between the two instruments. The arrangement highlights the melody, allowing the flute to showcase its versatility and range. This arrangement is ideal for beginner to intermediate musicians who want to perform La Vie En Rose in a stripped-down and intimate setting, while still maintaining the essence of the song's timeless charm. The sheet music includes standard notation and tablature.
$4.99
4.52 €
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Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
La Vie En Rose
Acoustic Guitar,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1221959
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Acoustic Guitar,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1221959 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. 20th Century,Film/TV,Jazz,Singer/Songwriter,Standards. 5 pages. Andre_Nusa #818248. Published by Andre_Nusa (A0.1221959). This easy guitar and cello arrangement of the song La Vie En Rose by Edith Piaf is a charming and simple interpretation of this classic French tune. The guitar provides a smooth and steady accompaniment while the cello takes on the iconic melody of the song. The guitar plays a simple chord progression, providing a warm foundation for the violoncello to shine. The cello soars above the guitar, playing the melody with a sweet and expressive tone that captures the essence of the original song. The guitar and violoncello work together seamlessly, creating a beautiful interplay between the two instruments. The arrangement highlights the melody, allowing the cello to showcase its versatility and range. This arrangement is ideal for beginner to intermediate musicians who want to perform La Vie En Rose in a stripped-down and intimate setting, while still maintaining the essence of the song's timeless charm. The sheet music includes standard notation and tablature.
$4.99
4.52 €
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Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
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