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Yellow leaves
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Vous avez sélectionné:
Yellow leaves
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4 partitions trouvées
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Yellow Leaves
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Giya Kancheli
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Yellow Leaves
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KANCHELIMUSIC
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SheetMusicPlus
SKU: A0.1072146 Composed by Giya Kancheli. 20th Century,Film/TV. Full Performance. Duration 130. KANCHELIMUSIC #6048781. Published by KANCHELIMUSIC (A0....
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SKU: A0.1072146 Composed by Giya Kancheli. 20th Century,Film/TV. Full Performance. Duration 130. KANCHELIMUSIC #6048781. Published by KANCHELIMUSIC (A0.1072146). Yellow Leaves also known as Valse from the film Mimino by Georgy Danelya and Revaz Gabriadze.
$4.99
October (Autumn Song), - instruments in four parts
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Classique
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Peter Ilyich Tchaikovsky
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Paul Burnell
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October
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.835892 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Romantic Period. Score and parts. 36 pages. Pa...
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Small Ensemble - Level 4 - SKU: A0.835892 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Romantic Period. Score and parts. 36 pages. Paul Burnell #6597247. Published by Paul Burnell (A0.835892). October (Autumn Song), Pyotr Ilyich Tchaikovsky, arranged by Paul Burnell for instruments in four parts(The Seasons, Op. 37a: X. October, Autumn Song)Duration 3:30Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part. Any other appropriate instruments, even if not suggested above, may play.Programme note:The Seasons, Op. 37a, is a set of twelve short pieces for solo piano by the Russian composer Pyotr Ilyich Tchaikovsky (1840 – 1893). Each piece portrays in music the character of a different month of the year in Russia. The tenth movement is October.The following is a translation of the epigraph for October contained in the Russian edition (all chosen by the publisher Nikolay Bernard):Octobre (October), Chant d'automne (Autumn Song)Autumn, our poor garden is all falling down,the yellowed leaves are flying in the wind.(Aleksey Konstantinovich Tolstoy)
$3.99
English Autumn
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James Marshall
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English Autumn
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James Marshall Music
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SheetMusicPlus
Small Ensemble,Strings Clarinet - Level 5 - SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Musi...
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Small Ensemble,Strings Clarinet - Level 5 - SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624). English Autumn was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors: Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.
$19.99
The Poet's Pen for Tenor, Oboe and Piano
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Judith Cloud
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The Poet's Pen for Tenor, Oboe
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Judith Cloud
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SheetMusicPlus
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 page...
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Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composer’s Notes In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays. One of these, The Ladies' Wreath, was of special interest. The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850. Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates. Here was something very different from the overly sentimental offerings in most of the volume. I imagined the solitary lady reading this would feel most exhilarated and even empowered. Ideas for setting the poem came almost immediately, with the oboe as a key figure. Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed. I revised The Poet’s Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me. From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon. From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)
$15.00
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Yellow leaves
