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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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PIANO & CLAVIERS
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3139
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1448
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115
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39
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27
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Saxophone Alto
42
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22
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17
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16
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16
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14
Saxophone (partie séparée)
13
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12
Flûte traversière
12
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11
Saxophone Tenor
11
Hautbois, Piano (duo)
11
Clarinette
11
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
2 Saxophones (duo)
5
Saxophone Soprano
5
Cor anglais, Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Baryton, Piano
4
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Saxophone, Clarinette (duo)
2
Ensemble de Flûtes
2
Flûte, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
Flûte à bec Tenor
2
Hautbois, Clarinette (duo)
1
3 Saxophones (trio)
1
Flûte à bec Soprano
1
Hautbois, violon (duo)
1
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1
Trio de Flûtes: 3 flûtes
1
2 Hautbois (duo)
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Clarinette et Alto
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
12
Trombone
12
Trompette, Piano
9
Cor et Piano
8
Quatuor de Cuivres
7
Trombone et Piano
7
Tuba et Piano
7
Tuba
6
Trombone (partie séparée)
5
Cor
5
Cor anglais, Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette (partie séparée)
3
Tuba (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Bass Clef Instruments
2
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Saxophone (duo)
1
Instruments en Sib
1
Trio de Cuivres
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violoncelle, Piano
21
Violon et Piano
21
Violon
19
Alto, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violoncelle
12
Violon, Violoncelle (duo)
11
Contrebasse, Piano (duo)
9
Alto seul
9
Contre Basse
8
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
5
Harpe
5
Alto (partie séparée)
3
Contrebasse (partie séparée)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Violon (partie séparée)
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
12
Orchestre d'harmonie
12
Orchestre
8
Orchestre à Cordes
6
Orchestre de chambre
3
Fanfare
3
Batterie (partie séparée)
2
Cloches
1
Orchestre, Violon
1
Ensemble de Percussions
1
Ensemble de cuivres
1
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AUTRES
Formation musicale - Solfège
1
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You Are The Reason
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People Need The Lord
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
16.31 €
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.64 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.64 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
You Are the Reason
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.980736 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.980736 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. The CHOSEN Company, LLC #3881463. Published by The CHOSEN Company, LLC (A0.980736). Christian song, joyous, about Jesus Christ being the reason I am free.
$3.99
3.61 €
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Mark Greer
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You Are the Reason
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The CHOSEN Company, LLC
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SheetMusicPlus
You Are The Reason
String Ensemble,String Quintet - Level 2 - Digital Download SKU: A0.1160200 By Calu…
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String Ensemble,String Quintet - Level 2 - Digital Download SKU: A0.1160200 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by John T Sarno. Wedding. Score and parts. 17 pages. John T Sarno #760484. Published by John T Sarno (A0.1160200). This beautiful and touching song would make for an excellent wedding piece. Either as prelude music or during the ceremony. It is an intermediate-level piece. Approx 3:20 in length.
$14.99
13.58 €
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Calum Scott
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John T Sarno
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You Are The Reason
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John T Sarno
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SheetMusicPlus
You Are The Reason
Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.12…
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1232541 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Patrick Sheehan. Contemporary,Pop. 4 pages. Patrick Sheehan #828203. Published by Patrick Sheehan (A0.1232541). transcribed as recorded by Markét Linhartová and KaÄka OndruÅ¡Ãková (for violin and piano) ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com. Â
$5.00
4.53 €
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Calum Scott
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Patrick Sheehan
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rock selections
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You Are The Reason
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Patrick Sheehan
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SheetMusicPlus
You Are The Reason
Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1088289 By Calum Scott. …
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Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1088289 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Sophie Peirce. A Cappella,Contemporary,Pop. Octavo. 7 pages. Sophie Peirce #692543. Published by Sophie Peirce (A0.1088289). Five part with some treble divisi for mixed voices and two soloists. The solo lyrics have been slightly edited to display a conflict between the two performers, mirrored and intensified by the tension and suspense in the ensemble.
$15.00
13.59 €
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Calum Scott
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Sophie Peirce
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You Are The Reason
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Sophie Peirce
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SheetMusicPlus
You Are The Reason
E-Flat Alto Saxophone,Instrumental Solo,Tenor Saxophone,Viola (Clarinet 3) - Level 2 - Dig…
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E-Flat Alto Saxophone,Instrumental Solo,Tenor Saxophone,Viola (Clarinet 3) - Level 2 - Digital Download SKU: A0.694023 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Stefan Lamml. Hip-Hop,Multicultural,Pop,R & B,Standards,Wedding,World. Individual part. 4 pages. Stefan Lamml #302650. Published by Stefan Lamml (A0.694023). Tenor + Alto Transcribtion. Ballade from calum Scott. Suitable to the Backingtrack and performance from Sax coach Stefan Lamml. Listen to the mp3 and have a look to the Video ! www.stefan-lamml.de.
$4.99
4.52 €
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Calum Scott
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Stefan Lamml
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You Are The Reason
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Stefan Lamml
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SheetMusicPlus
All The Things You Are
A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - Digital…
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A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - Digital Download SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. 10 pages. Davi Rocha Campos #704858. Published by Davi Rocha Campos (A0.1101492). All the Things You Are for voice, Bb clarinet, A clarinet, guitar, accordion. Words & music by Oscar Hammerstein li and Jerome Kern. Como ler os acidentes na Partitura How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$12.99
11.77 €
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Jack Leonard with Tommy Dorsey Orchestra
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
An die Türen (I will creep up to the doors) for low voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.57670…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 5 pages. David Warin Solomons #90245. Published by David Warin Solomons (A0.576706). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for low voice and guitar. In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for low voice and piano also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot mit Tränen ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. An die Türen An die Türen will ich schleichen, Still und sittsam will ich steh'n; Fromme Hand wird Nahrung reichen, Und ich werde weitergehn. Jeder wird sich glücklich scheinen, Wenn mein Bild vor ihm erscheint; Eine Träne wird er weinen, Und ich weiß nicht, was er weint. I will creep up to the doors and stand there quiet and polite goodly hands will give me food and grateful I will leave their sight Every person will seem happy When they see me at their door They will shed a tear which I will never know the reason for. (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707285
$8.00
7.25 €
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Franz Schubert
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David Warin Solomons
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An die Türen
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David Warin Solomons
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SheetMusicPlus
Playing The Positions
Fretted instruments - Beginning - Intermediate - Digital Download SKU: M0.93929EB T…
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Fretted instruments - Beginning - Intermediate - Digital Download SKU: M0.93929EB Technique. E-book. Mel Bay Publications - Digital Sheet Music #93929EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93929EB). ISBN 9781513455419. 8.75 x 11.75 inches.Awareness of the importance of knowing the positions is the reason for this method. In this book you will have to cope with many more than single-note passages. Two, three and four-note combinations occur frequently and will test not only your skill, but your tenacity as well. No doubt, during the course of these studies you will observe that much of the work would be easier and simpler to execute in the first or another position than suggested, but this is the reason for this method. Practice these studies as suggested, the strings, the fingerings and the positions with intensity and enthusiasm, therein lies the difference between success or failure.
$9.99
9.05 €
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Playing The Positions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
10,000 Reasons (bless The Lord)
Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin …
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Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Kyle Pudenz. Christian,Praise & Worship,Religious,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #810792. Published by ViolinVagabond Music (A0.1213599). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a solo violin wedding gig on less than 24 hours' notice, and found this song right at the top of the list. Having not played or listened to it in... a while, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of (insert current minimum price for SMP chart). While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a church service I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to worship songs wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$3.99
3.61 €
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Matt Redman
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Kyle Pudenz
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10,000 Reasons
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ViolinVagabond Music
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SheetMusicPlus
Fanfares and Finales for Congregational Singing
Organ (3-staff), 2 trumpets, 2 trombones - Moderately Easy SKU: LO.70-1542S Vibr…
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Organ (3-staff), 2 trumpets, 2 trombones - Moderately Easy SKU: LO.70-1542S Vibrant Accompaniments for the Church Year for Organ, Brass Quartet and opt. Timpani. Composed by Lani Smith. Sacred, Christmas, Eastertide, General, Pentecost, Patriotic, Reformation, Thanksgiving. Sacred Music Press #70/1542S. Published by Sacred Music Press (LO.70-1542S). UPC: 000308109337.This compelling collection of festive hymn arrangements for organ, brass, and optional timpani was designed for one reason: to accompany your congregation in spirited praise! Each of these seven exciting settings are flexible, in that they can be utilized as flashy introductory fanfares with only the instruments, they can be adapted to subtly accompany one or two sung verses, or they can top off a boisterous final stanza with your choir and congregation.
Song List: O Beautiful for Spacious Skies Come Ye Thankful People Come A Mighty Fortress Is Our God The Strife Is O'er Hark the Herald Angels Sing Holy Holy Holy Holy Spirit Truth Divine
$33.00
29.89 €
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Lani Smith
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Fanfares and Finales for Congregational Singing
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Sacred Music Press
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SheetMusicPlus
You Are My Reason
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.980776 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.980776 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. The CHOSEN Company, LLC #4601735. Published by The CHOSEN Company, LLC (A0.980776). Christian song about how God loves us, and we need to follow his path.
$3.99
3.61 €
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Mark Greer
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You Are My Reason
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The CHOSEN Company, LLC
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SheetMusicPlus
Fanfares and Finales for Congregational Singing - Brass and Timpani Parts
2 trumpets and 2 trombones SKU: LO.30-2148S Vibrant Accompaniments for the Churc…
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2 trumpets and 2 trombones SKU: LO.30-2148S Vibrant Accompaniments for the Church Year for Organ, Brass Quartet and opt. Timpani. Composed by Lani Smith. Sacred, Christmas, Eastertide, General, Pentecost, Patriotic, Reformation, Thanksgiving. Brass and timpani parts. Sacred Music Press #30/2148S. Published by Sacred Music Press (LO.30-2148S). UPC: 000308109344.This set of brass and timpani parts can be paired with the collection Fanfares & Finales for Congregational Singing (70/1542S). The compelling collection of festive hymn arrangements for organ, brass, and optional timpani was designed for one reason: to accompany your congregation in spirited praise! Each of the seven exciting settings are flexible, in that they can be utilized as flashy introductory fanfares with only the instruments, they can be adapted to subtly accompany one or two sung verses, or they can top off a boisterous final stanza with your choir and congregation.
Song List: O Beautiful for Spacious Skies Come Ye Thankful People Come A Mighty Fortress Is Our God The Strife Is O'er Hark the Herald Angels Sing Holy Holy Holy Holy Spirit Truth Divine
$39.95
36.19 €
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Lani Smith
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Fanfares and Finales for Congregational Singing - Brass and Timpani Parts
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Sacred Music Press
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SheetMusicPlus
The Crystal Spring - Brass Quintet
Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.752513…
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Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.752513 Arranged by Hannah Hawken. Folk,Romantic Period. Score and parts. 12 pages. Hannah Hawken #2846305. Published by Hannah Hawken (A0.752513). The Crystal Spring is one of the many English Folksongs collected by Cecil Sharp. This one comes from Somerset and this arrangement for brass quintet is inspired by Cecil Sharp's piano arrangement. It begins with an unaccompanied 2nd cornet/trumpet solo (this part is also very effective on flugelhorn), the lower ensemble then joins before the 1st cornet/trumpet takes over the melody. The 2nd cornet/trumpet part is popular for GCSE ensemble performances as it is in reasonable range and showcases the player's ensemble skills in both solo and accompanying roles. This is scored for standard quintet instrumentation but the trombone part would work really well on euphonium or baritone.This piece works well in any concert setting, formal or informal.This arrangement is scored for:2 Cornets/TrumpetsTenor Horn or Horn in FTrombone/Euphonium (treble/bass clef)Tuba/Eb Bass/Bb BassOther Pieces for Brass Quintet H0.357089-SC000006972 – Alfie (Bacharach) S0.591177 - All Things Bright and Beautiful (Monk) H0.150157-58600 – The Bare Necessities H0.242587-97800 – Bridge Over Troubled Water (Simon & Garfunkel) H0.400415-213093 – Forget You (Cee Lo Green) H0.149485-313201 – Have Yourself a Merry Little Christmas H0.211829-257029 – How Long Will I Love You (Ellie Goulding) H0.215151-440420 – Just the Way You Are (Billy Joel) H0.148981-51407 – Make You Feel My Love (Adele) H0.496915-SC001312175 – One Day Like This (Elbow) S0.149515 – Pavane (Faure) H0.149325-215540 – Rolling in the Deep (Adele)
$9.95
9.01 €
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Hannah Hawken
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Garfunkel)
H0
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The Crystal Spring - Brass Quintet
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Hannah Hawken
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SheetMusicPlus
The Midsummer Marriage
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Di…
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2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Digital Download SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
68.84 €
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Sir Michael Tippett
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The Midsummer Marriage
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Schott Music - Digital
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SheetMusicPlus
Do You Hear What I Hear
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1159834 By Carol…
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1159834 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Cindy Blevins. Christmas. Individual part. 8 pages. Cindy Blevins #760096. Published by Cindy Blevins (A0.1159834). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).
$4.99
4.52 €
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Carole King
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Cindy Blevins
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Do You Hear What I Hear
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Cindy Blevins
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SheetMusicPlus
To All The Girls I've Loved Before
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1163614 By Julio…
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1163614 By Julio Iglesias & Willie Nelson. By Albert Hammond and Hal David. Arranged by Cindy Blevins. Country,Pop. Individual part. 12 pages. Cindy Blevins #763956. Published by Cindy Blevins (A0.1163614). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).
$4.99
4.52 €
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Julio Iglesias & Willie Nelson
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Cindy Blevins
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To All The Girls I've Loved Before
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Cindy Blevins
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SheetMusicPlus
Colors Of The Wind
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1159057 By Vanes…
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1159057 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Cindy Blevins. Broadway,Film/TV,Musical/Show. Individual part. 12 pages. Cindy Blevins #759314. Published by Cindy Blevins (A0.1159057). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).
$4.99
4.52 €
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Vanessa Williams
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Cindy Blevins
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Colors Of The Wind
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Cindy Blevins
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SheetMusicPlus
Over The Rainbow
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1161612 By Judy …
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1161612 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Cindy Blevins. Broadway,Film/TV,Musical/Show. Individual part. 10 pages. Cindy Blevins #761981. Published by Cindy Blevins (A0.1161612). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).
$4.99
4.52 €
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Judy Garland
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Cindy Blevins
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Over The Rainbow
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Cindy Blevins
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SheetMusicPlus
Los ñoquis del veintinueve
Small Ensemble - Level 2 - Digital Download SKU: A0.596601 Composed by Juan MarÃ…
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Small Ensemble - Level 2 - Digital Download SKU: A0.596601 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. Juan Maria Solare #6057663. Published by Juan Maria Solare (A0.596601). Los ñoquis del veintinueve – The Gnocchi of the Twenty-Ninth – by Juan MarÃa Solare Audio: https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS Comments The order of these 29 numbers is rigorously random, as is the election of the six sizes of the fonts (12, 16, 20, 24, 28 and 32 picas). In order to determinate both dimensions I used the program I-Ching by Andrew Culver (assistant to John Cage in the '80 and '90), a program that is distributed as shareware in internet (thanks). The colour version follows the following criterion: - (a) prime numbers (see green) - (b) multiples of 3 (red) - (c) all other numbers (blue) ...if it ends up being good music then what matter the procedure involved? (David Cope, New Music Composition, p. 117) About the expression los ñoquis del 29: The Italian word gnocchi (gnocchi is plural of gnocco, which meaning is lump) is used in Spanish often as ñoqui or ñoquis. In the RÃo de la Plata (Argentina and Uruguay) are traditionally eaten on the 29th of each month, the day before payday, when people has less money. This tradition is called los ñoquis del 29 - the gnocchi of the twenty-ninth. There are naturally other versions. The most picturesque comes from a legend of the VIIIth century (or even IIIrd century). A young physician called Pantaleon (Panteleimon) lived in Nicosia (Cyprus), who after converting to Christianity, journeyed through the North of Italy. There he practiced miraculous healings due to which he was canonized. In a certain occasion, he asked some Venetian villagers for bread, and they invited him to share their poor table. Grateful, he announced them a year of excellent fishing and harvest. The prophecy was fulfilled. Saint Pantaleon was consecrated –along with Saint Mark– patron of Venice. That episode occurred on a 29th, for this reason that day is recalled with a simple food represented by gnocchi. The accompanying ritual of putting money below the dish represents the yearning of new gift. Outside the culinary realm, certain Argentine and Uruguayan functionaries are dismissively called ñoquis, because they only go to work at the end of the month, to justify their salary or simply to cash in for a not fulfilled work. This meaning was spread since the 1970's. Premiere: Luis Mihovilcevic, Saturday 25 October 2008, Centro Cultural Islas Malvinas, La Plata (Argentina). * JMS * DonSolare@gmail.com *https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS
$2.25
2.04 €
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Juan MarÃa Solare
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Los ñoquis del veintinueve
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Juan Maria Solare
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.8 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
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