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Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.58 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Never Knew (King David and Bathsheba) from "The Kings" - ACT 2:Song 9
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784835 Composed by McCor…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784835 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 30 pages. DF McCorkle Music and eBook Publications #11761. Published by DF McCorkle Music and eBook Publications (A0.784835). ACT 2: Song 9. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:27… - And when the mourning was past, David sent and took her home to his house, and she became his wife,…] Calling BATHSHEBA to him, DAVID promises to make a change of heart and urges BATHSHEBA to stay [I Never Knew – David and Bathsheba]. They go off to David's bedroom and consummate their promise to make changes in their lives. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.75 €
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McCorkle, Dennis F
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I Never Knew
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Never Never Land
Choral 4-Part Chorus,Choir,Choral - Level 5 - Digital Download SKU: A0.1413862 By J…
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Choral 4-Part Chorus,Choir,Choral - Level 5 - Digital Download SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged by Yumiko Matsuoka. A Cappella,Jazz. 10 pages. Yumiko Matsuoka #995648. Published by Yumiko Matsuoka (A0.1413862). Commissioned by Vancouver-based male quartet Realtime, the classic from Peter Pan is transformed into an exciting jazz waltz. During the bridge the tempo relaxes a bit and goes into 4/4 swing, but in 8 bars it returns to the original tempo and meter. The bass and a tenor get to improvise thereafter, and the energy builds up to a key change where there is a little dreamy, reflective moment. The song keeps gaining momentum to a joyous and breath-taking climax. An excellent showcase piece for a strong male ensemble. Â TTTB a cappella (could be done by ATTB). Approx. performance time 3:15.
$4.00
3.68 €
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James Taylor
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Yumiko Matsuoka
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Never Never Land
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Yumiko Matsuoka
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SheetMusicPlus
Melodic Jazz Improvisation Series: There Will Never Be Another Dexter (Bass Clef Instruments)
Bass Clef Instrument,Bass Guitar,Bassoon,Cello,Double Bass,Trombone,Tuba - Level 3 - Digit…
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Bass Clef Instrument,Bass Guitar,Bassoon,Cello,Double Bass,Trombone,Tuba - Level 3 - Digital Download SKU: A0.774700 Composed by Arrigo Tomasi. Instructional,Jazz. 4 pages. Arrigo Tomasi #4616303. Published by Arrigo Tomasi (A0.774700). Melodic Jazz Improvisation Series is a compilation of improvisations on jazz standards chords changes with the aim of creating samples of melodic phrasing that you can use and adapt in your improvisations. Usable studies for students, teachers and jazz improvisation lovers.
$4.99
4.59 €
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Arrigo Tomasi
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Melodic Jazz Improvisation Series: There Will Never Be Another Dexter
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Arrigo Tomasi
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SheetMusicPlus
Melodic Jazz Improvisation Series: There Will Never Be Another Dexter (Bb Instruments)
Small Ensemble B-Flat instrument,Clarinet,Soprano Saxophone,Tenor Saxophone - Level 3 - Di…
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Small Ensemble B-Flat instrument,Clarinet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.774701 Composed by Arrigo Tomasi. Instructional,Jazz. Score and parts. 4 pages. PartiturasDigitales.net #4616305. Published by PartiturasDigitales.net (A0.774701). Melodic Jazz Improvisation Series is a compilation of improvisations on jazz standards chords changes with the aim of creating samples of melodic phrasing that you can use and adapt in your improvisations. Usable studies for students, teachers and jazz improvisation lovers.
$4.99
4.59 €
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Arrigo Tomasi
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Melodic Jazz Improvisation Series: There Will Never Be Another Dexter
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PartiturasDigitales.net
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SheetMusicPlus
Melodic Jazz Improvisation Series: There Will Never Be Another Dexter (Eb Instruments)
Small Ensemble Alto Saxophone,Baritone Saxophone,E-Flat Instrument - Level 3 - Digital Dow…
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Small Ensemble Alto Saxophone,Baritone Saxophone,E-Flat Instrument - Level 3 - Digital Download SKU: A0.774702 Composed by Arrigo Tomasi. Instructional,Jazz. Score and parts. 4 pages. PartiturasDigitales.net #4616307. Published by PartiturasDigitales.net (A0.774702). Melodic Jazz Improvisation Series is a compilation of improvisations on jazz standards chords changes with the aim of creating samples of melodic phrasing that you can use and adapt in your improvisations. Usable studies for students, teachers and jazz improvisation lovers.
$4.99
4.59 €
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Arrigo Tomasi
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Melodic Jazz Improvisation Series: There Will Never Be Another Dexter
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PartiturasDigitales.net
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SheetMusicPlus
Les Temps Changent (Times are changing) for rock guitar, big band and street percussions
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Electric Guitar,Flute,Percuss…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Electric Guitar,Flute,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - Digital Download SKU: A0.916210 Composed by Terry Carpenter. Jazz,Rock. Score and parts. 59 pages. Terry Carpenter #5792275. Published by Terry Carpenter (A0.916210). This instrumental was originally written for the B.O. of an action movie, the first sequence beginning in the french Champs Elysées. The movie was nevergot made but the music is here for you, in the style of Lalo Schiffrin. Rock it!
$14.99
13.8 €
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Terry Carpenter
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Les Temps Changent
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Terry Carpenter
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SheetMusicPlus
Guinnevere
Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.1203228 By Cros…
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Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.1203228 By Crosby Stills and Nash. By David Crosby. Arranged by Simon James. 20th Century,Contemporary,Pop,Singer/Songwriter. 14 pages. DML #801902. Published by DML (A0.1203228). Guinnevere is a song written by David Crosby in 1968. The song appears on Crosby, Stills & Nash's critically acclaimed debut album. The song is notable for its serene yet pointed melody and its unique lyrics, which compare Queen Guinevere to the object of the singer's affection, referred to as mi'lady. In a Rolling Stone interview, Crosby remarked: That is a very unusual song, it's in a very strange tuning (EBDGAD) with strange time signatures. I have arranged the song in standard tuning as re-tuning your guitar can be very time consuming. In order to do this successfully I have made some changes to the original accompaniment, nothing drastic and the feel of the guitar part is still the same. This the vocal arrangement, there is also an instrumental trio arrangement. The vocal part is tricky because of the rhythm while the accompanying guitar is challenging not only for the unusual time signatures but also a complex left hand at times requiring long stretches. The song has three verses all of which are sung slightly differently from each other therefore the vocal part has no repeats while the guitar part does. I have given the lyrics here as well as in the song as the meaning is important and not obvious at first glance.
$5.99
5.52 €
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Crosby Stills and Nash
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Simon James
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Guinnevere
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DML
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SheetMusicPlus
The Great Healer
Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - …
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Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105120 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Folk,Rock. Full Performance. Duration 215. David Kai #708367. Published by David Kai (A0.1105120). This fun song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone. The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife He’s the great healer, and he can mend a broken life And though your hurts be too much to bear He can heal your wounds with his loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live Good and bad look the same And you’re walking around more dead than alive Life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus:.
$1.99
1.83 €
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David Kai
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David Kai
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The Great Healer
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David Kai
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SheetMusicPlus
Una Pena Quita Pena
Small Ensemble Guitar,Voice - Level 4 - Digital Download SKU: A0.928252 Composed by…
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Small Ensemble Guitar,Voice - Level 4 - Digital Download SKU: A0.928252 Composed by Lynieve Austin, Simon James. Contemporary,Latin,Multicultural,World. Score and parts. 7 pages. DML #5355765. Published by DML (A0.928252). This is a complex song using the rhythm of a Flamenco rumba but with a mixture of finger style and strumming, it will need time and patience to do it well. It uses well known coplas from traditional Spanish sources and is naturally about love but with some fairly pointed remarks like the copla that ends ‘a shoe once worn, discarded, I never wear again’. One of the best things about the Flamenco approach to lyrics - you are never tied down to just one version so you can change the song according to the mood you’re in. This was first performed at the opening of the 2007 Croydon Jazz Festival.
$2.99
2.75 €
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Lynieve Austin, Simon James
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Una Pena Quita Pena
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DML
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.62 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
18.37 €
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.62 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Song of the Childless
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.5…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
10.13 €
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Moon River
Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By…
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. 「ムーンリãƒãƒ¼ã€ã¯ã€ãƒ˜ãƒ³ãƒªãƒ¼ãƒ»ãƒžãƒ³ã‚·ãƒ¼ãƒ‹ãŒä½œæ›²ã—ã€ã‚¸ãƒ§ãƒ‹ãƒ¼ãƒ»ãƒžãƒ¼ã‚µãƒ¼ãŒæŒè©žã‚’書ã„ãŸæ›²ã§ã™ã€‚ã‚‚ã¨ã‚‚ã¨ã¯1961å¹´ã®ã‚¢ãƒ¡ãƒªã‚«æ˜ 画「ティファニーã§æœé£Ÿã‚’ã€ã§ã‚ªãƒ¼ãƒ‰ãƒªãƒ¼ãƒ»ãƒ˜ãƒ—ãƒãƒ¼ãƒ³ãŒæŒã„ã€ã‚¢ã‚«ãƒ‡ãƒŸãƒ¼è³žã®æŒæ›²è³žã‚’å—賞ã—ã¾ã—ãŸã€‚ã¾ãŸã€1962å¹´ã®ã‚°ãƒ©ãƒŸãƒ¼è³žã®æœ€å„ªç§€ãƒ¬ã‚³ãƒ¼ãƒ‰è³žã¨æœ€å„ªç§€æ¥½æ›²è³žã‚‚å—賞ã—ã¾ã—ãŸã€‚ It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99
13.8 €
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Henry Mancini
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Keith Terrett
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Moon River
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Keith Terrett
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SheetMusicPlus
Three John Dowland Songes for Brass Quartet
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.749098 Compose…
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.749098 Composed by John Dowland. Arranged by Andy Derrick. Renaissance. Score and parts. 24 pages. Andy Derrick #4727051. Published by Andy Derrick (A0.749098). These three John Dowland songes were originally written in the Renaissance for choir or voice and lute. The three represented here are:1. Dear, if you change, I'll never choose again2. Thinkst thou then by thy feigning3. Would my conceit that ï¬rst enforc'd my woeThese are exquisite pieces that have been redesigned for brass quartet (2 trumpets and 2 trombones) and sound wonderful especially in a rich acoustic. Straightforward to play and neither to high nor too low, this is accessible music for advancing young players or a suitable programme item for a more established group.
$18.99
17.49 €
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John Dowland
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Andy Derrick
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Three John Dowland Songes for Brass Quartet
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Andy Derrick
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SheetMusicPlus
Moon Over The Rising Sun
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - …
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00
23.02 €
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Don't Get Around Much Anymore
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.74…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.746865 Composed by Bob Russell and Duke Ellington. Arranged by Music for all Occasions. Jazz,Standards. 8 pages. Keith Terrett #4784411. Published by Keith Terrett (A0.746865). Arranged for Clarinet Quintet Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington.The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99
13.8 €
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Bob Russell and Duke Ellington
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Music for all Occasions
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Don't Get Around Much Anymore
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Keith Terrett
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SheetMusicPlus
Torito
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.928251 Composed by Lynieve Austin, Simon James. Contemporary,Latin,World. Score and parts. 8 pages. DML #5334941. Published by DML (A0.928251). The lyric was created using well known coplas from traditional Spanish sources, as was Una Pena Quita Pena. One of the best things about the Flamenco approach to lyrics - you are never tied down to just one version, you can endlessly re-invent the words, and may be applauded for a particularly good one. The style of this song has a suitably Spanish feel, similar to a rumba, but is based on the famous finger pick technique known as a claw hammer. It changes slightly throughout the song so read the score carefully. One point to note is that the chord changes in bars 43 to 47 and 114 to the end are anticipated by a quaver. I have indicated this using phrasing marks. The original recording, which you can access through YouTube, has solos starting at bar 84 over the A minor section with the voice returning to a strummed rhythm at bar 96, I have faded this section out on the recording until the voice returns. The score maintains finger style with lyrics throughout but you can adapt it wherever you wish.
$2.99
2.75 €
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Lynieve Austin, Simon James
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Torito
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DML
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SheetMusicPlus
Turkish March by Beethoven for Woodwind Trio
Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download SKU: A0.1146900 Compos…
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Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download SKU: A0.1146900 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #747099. Published by Woods Only, Arrangements (A0.1146900). This arrangement adapted for woodwind trio was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$5.99
5.52 €
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Woodwind Trio
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Clarinet Ensemble
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.11…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1147365 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #747569. Published by Woods Only, Arrangements (A0.1147365). This arrangement adapted for clarinet ensemble was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.36 €
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Clarinet Ensemble
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for String Quintet
String Quintet - Level 2 - Digital Download SKU: A0.1164259 Composed by Ludwig van …
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String Quintet - Level 2 - Digital Download SKU: A0.1164259 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764606. Published by Woods Only, Arrangements (A0.1164259). This arrangement adapted for string quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.2 €
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for String Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Viola Quintet
String Quintet Viola - Level 2 - Digital Download SKU: A0.1164264 Composed by Ludwi…
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String Quintet Viola - Level 2 - Digital Download SKU: A0.1164264 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764611. Published by Woods Only, Arrangements (A0.1164264). This arrangement adapted for viola quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.2 €
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Viola Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Violin Quintet
String Quintet Violin - Level 2 - Digital Download SKU: A0.1164262 Composed by Ludw…
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String Quintet Violin - Level 2 - Digital Download SKU: A0.1164262 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764609. Published by Woods Only, Arrangements (A0.1164262). This arrangement adapted for violin quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.2 €
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Violin Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Trombone Quintet
Trombone Quintet - Level 3 - Digital Download SKU: A0.1243616 Composed by Ludwig va…
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Trombone Quintet - Level 3 - Digital Download SKU: A0.1243616 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #838584. Published by Woods Only, Arrangements (A0.1243616). This arrangement adapted for trombone quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.2 €
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Trombone Quintet
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Woods Only, Arrangements
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SheetMusicPlus
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