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TRI ET FILTRES
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Vous avez sélectionné:
Your Great Name - Alto Sax
Partitions à imprimer
7 partitions trouvées
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Bach: Air on a G String for Soprano Sax & Harp
Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1277167
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Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868862. Published by jmsgu3 (A0.1277167). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
30.47 €
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Soprano Sax & Harp
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jmsgu3
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SheetMusicPlus
Bach: Air on a G String for 2 Tenor Saxes & Cello
Cello,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548950 Composed by Johan…
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Cello,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548950 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. 7 pages. Jmsgu3 #3435051. Published by jmsgu3 (A0.548950). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53. Level: Intermediate and up. Programming: Great choice for recitals and very useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is very well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.
$37.95
35.09 €
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for 2 Tenor Saxes & Cello
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jmsgu3
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SheetMusicPlus
Bach: Air on a G String for Soprano Sax & Piano Quartet
Piano Quartet - Level 3 - Digital Download SKU: A0.548965 Composed by Johann Sebast…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548965 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. 16 pages. Jmsgu3 #3436555. Published by jmsgu3 (A0.548965). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and very useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is very well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.
$49.95
46.19 €
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Soprano Sax & Piano Quartet
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jmsgu3
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SheetMusicPlus
Roadside Inn - Saxophone Trio
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.844491 Compose…
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.844491 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. 6 pages. Phil Beaman #3450037. Published by Phil Beaman (A0.844491). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Trio. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. There are interpretive marks in every measure as each part independently adds to the stunning polyphonic weaving. Not too difficult to play but sounds quite advanced when all details are observed. A great piece to show your musicianship as a group. To be played warmly and with passion to welcome people to your Roadside Inn. 3 minutes, 3 page score, 1 page @ partTemporary MIDI recording; a live performance will be much more expressive and free
$6.50
6.01 €
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Robert Schumann
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Phil Beaman
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Roadside Inn - Saxophone Trio
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Phil Beaman
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.25 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Jesus Christ is Risen Today for Brass Quartet with Descant
Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.746869 Comp…
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Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.746869 Composed by Bohemian Hymn. Arranged by Keith Terrett. Baroque,Easter,World. 7 pages. Keith Terrett #4786801. Published by Keith Terrett (A0.746869). Arranged for Brass Quartet, Jesus Christ Is Risen Today was first written in Latin titled Surrexit Christus hodie, as a Bohemian hymn in the 14th century by an unknown author on manuscripts written in Munich and Breslau. In Latin, it had eleven verses. It was first translated into English in 1708 by John Baptist Walsh to be included in his Lyra Davidica (Collection of Divine Songs and Hymns). The verses of the hymn were revised in 1749 by John Arnold. Initially the hymn only had three verses translated with just the first verse being a direct translation; in 1740 Charles Wesley (one of the founders of Methodism) added a fourth verse to the hymn as an alternative, which was later adopted into the hymn as part of it. The hymn is also noted for having Alleluia as a refrain after every line.The hymn is set to a piece of music entitled Easter Hymn which was composed in the Lyra Davidica for Jesus Christ Is Risen Today. There was a later version of Easter Hymn composed by William Henry Monk which is also used for Jesus Christ Is Risen Today. Some denominations of Christianity often just use one while some use both. The hymn is sometimes confused with Christ the Lord Is Risen Today, which was written by Wesley. This is because the wording is similar and Christ the Lord Is Risen Today is usually likewise sung to Easter Hymn with Llanfair generally being the most common alternative.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
7.39 €
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Bohemian Hymn
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Keith Terrett
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Jesus Christ is Risen Today for Brass Quartet with Descant
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Keith Terrett
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SheetMusicPlus
Don't Get Around Much Anymore
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.74…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.746865 Composed by Bob Russell and Duke Ellington. Arranged by Music for all Occasions. Jazz,Standards. 8 pages. Keith Terrett #4784411. Published by Keith Terrett (A0.746865). Arranged for Clarinet Quintet Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington.The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99
13.86 €
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Bob Russell and Duke Ellington
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Music for all Occasions
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Don't Get Around Much Anymore
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Keith Terrett
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SheetMusicPlus
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