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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
bach Renaissance
Non classifié
74
Piano & claviers
Piano seul
14
Orgue
6
Piano Facile
6
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano, Voix
1
Guitares
Guitare
25
Guitare notes et tablatures
10
Mandoline
8
Ukulele
5
4 Guitares (Quatuor)
1
Voix
Chorale SATB
2
Voix Tenor, Piano
1
Chorale SSAA
1
Chorale 2 parties
1
Voix Soprano, Piano
1
Vents
Quintette de Saxophone: 5 saxophones
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Saxophones (duo)
8
3 Saxophones (trio)
7
Flûte à bec Alto
6
Flûte à bec Soprano
6
Quatuor de Saxophones: 4 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
3 Clarinettes (trio)
5
Quintette de Flûte : 5 flûtes
4
2 Clarinettes (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Piano (duo)
3
Clarinette et Piano
3
Saxophone Alto et Piano
3
Quatuor de Flûtes à bec
2
Flûte traversière et Piano
2
Saxophone Tenor et Piano
2
Cor anglais, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Soprano et Piano
2
Saxophone Baryton, Piano
2
Ensemble de Hautbois
2
3 Flûtes à bec (trio)
2
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Violoncelle
1
Ensemble de Flûtes
1
Flûte à bec, Guitare (duo)
1
Hautbois (partie séparée)
1
2 Flûtes traversières (duo)
1
Saxophone Alto
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Clarinette
1
2 Flûte à bec (duo)
1
5 Flûtes à bec
1
Flute (partie séparée)
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Ensemble de Trompettes
26
Trombone
11
Ensemble de Trombones
7
Quatuor de cuivres: 4 trombones
6
Tuba
4
Trombone et Piano
3
Euphonium
3
Trompette, Piano
2
Tuba et Piano
2
Cor anglais, Piano
2
2 Euphoniums et 2 Tubas
2
Cor
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
1
Cor et Piano
1
2 Trompettes (duo)
1
Ensemble de Cors
1
Trompette (partie séparée)
1
Trombone basse
1
4 Tubas
1
Trompette
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
2 Violoncelles (duo)
3
Violon et Piano
3
Violon
3
Violon, Violoncelle (duo)
3
Alto, Piano
2
Alto seul
2
Violoncelle
2
Contrebasse, Piano (duo)
2
Violoncelle, Piano
2
Alto, Violoncelle (duo)
2
4 Violoncelles
1
Trio à cordes: 3 violins
1
Violon, Alto (duo)
1
Contre Basse
1
2 Violons (duo)
1
Harpe
1
Trio à Cordes: violon, alto, violoncelle
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
3
Marimba
1
Orchestre
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
bach Renaissance
Partitions à imprimer
74 partitions trouvées
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Minuet in G major by Bach for Bass Recorder and Piano
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Christian Petzold and Johann S
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Ander
#
Minuet in G major by Bach for
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Woods Only, Arrangements
#
SheetMusicPlus
Baritone Recorder,Recorder Solo - Level 1 - SKU: A0.1050876 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Renaissa...
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Baritone Recorder,Recorder Solo - Level 1 - SKU: A0.1050876 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Renaissance,Traditional,Wedding. Individual part. 4 pages. Woods Only, Arrangements #655213. Published by Woods Only, Arrangements (A0.1050876). This easy arrangement for bass recorder and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$1.99
Minuet in G major by Bach for Violin Quintet
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Christian Petzold and Johann S
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Ander
#
Minuet in G major by Bach for
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Woods Only, Arrangements
#
SheetMusicPlus
String Quintet Violin - Level 2 - SKU: A0.1090921 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance...
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String Quintet Violin - Level 2 - SKU: A0.1090921 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 8 pages. Woods Only, Arrangements #695065. Published by Woods Only, Arrangements (A0.1090921). This easy arrangement for violin quintet has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$9.99
Minuet in G major by Bach for Cello Quintet
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Christian Petzold and Johann S
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Ander
#
Minuet in G major by Bach for
#
Woods Only, Arrangements
#
SheetMusicPlus
String Quintet Cello - Level 2 - SKU: A0.1090923 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,...
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String Quintet Cello - Level 2 - SKU: A0.1090923 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 8 pages. Woods Only, Arrangements #695067. Published by Woods Only, Arrangements (A0.1090923). This easy arrangement for violoncello quintet has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$9.99
Minuet in G major by Bach for String Quintet
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Christian Petzold and Johann S
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Ander
#
Minuet in G major by Bach for
#
Woods Only, Arrangements
#
SheetMusicPlus
String Quintet - Level 2 - SKU: A0.1090920 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Sacred...
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String Quintet - Level 2 - SKU: A0.1090920 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 8 pages. Woods Only, Arrangements #695064. Published by Woods Only, Arrangements (A0.1090920). This easy arrangement for string quintet has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$9.99
Minuet in G major by Bach for Viola Quintet
#
Christian Petzold and Johann S
#
Ander
#
Minuet in G major by Bach for
#
Woods Only, Arrangements
#
SheetMusicPlus
String Quintet Viola - Level 2 - SKU: A0.1090922 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,...
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String Quintet Viola - Level 2 - SKU: A0.1090922 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 8 pages. Woods Only, Arrangements #695066. Published by Woods Only, Arrangements (A0.1090922). This easy arrangement for viola quintet has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$9.99
Minuet in G major by Bach for Baritone Sax Trio
#
Christian Petzold and Johann S
#
Ander
#
Minuet in G major by Bach for
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 2 - SKU: A0.1035528 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ande...
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Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 2 - SKU: A0.1035528 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Classical,Renaissance,Traditional. 6 pages. Woods Only, Arrangements #640745. Published by Woods Only, Arrangements (A0.1035528). This easy arrangement for baritone sax trio has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$5.99
Minuet in G major by Bach for String Trio
#
Christian Petzold and Johann S
#
Ander
#
Minuet in G major by Bach for
#
Woods Only, Arrangements
#
SheetMusicPlus
String Trio - Level 1 - SKU: A0.1115558 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,We...
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String Trio - Level 1 - SKU: A0.1115558 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 6 pages. Woods Only, Arrangements #717326. Published by Woods Only, Arrangements (A0.1115558). This easy arrangement for string trio has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$5.99
Minuet in G major by Bach for String Ensemble
#
Christian Petzold and Johann S
#
Ander
#
Minuet in G major by Bach for
#
Woods Only, Arrangements
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - SKU: A0.1108626 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. B...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - SKU: A0.1108626 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 7 pages. Woods Only, Arrangements #711274. Published by Woods Only, Arrangements (A0.1108626). This easy arrangement for string ensemble has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$7.99
Bist du bei mir (B flat version) by Stölzel and arranged by J S Bach (mp3)
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Classique
#
David Warin Solomons
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Johann Sebastian Bach
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Bist du bei mir
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Organ - Level 3 - SKU: A0.1342745 By David Warin Solomons (alto) and Lorin Nelson (organ). By Gottfried Heinrich Stolzel. Arranged by Johann ...
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Alto Voice,Organ - Level 3 - SKU: A0.1342745 By David Warin Solomons (alto) and Lorin Nelson (organ). By Gottfried Heinrich Stolzel. Arranged by Johann Sebastian Bach. Classical,Religious,Renaissance. Full Performance. Duration 175. David Warin Solomons #928251. Published by David Warin Solomons (A0.1342745). Performed by David Warin Solomons (alto) and Lorin Nelson (organ)Bist du bei mir, geh ich mit Freudenzum Sterben und zu meiner Ruh.Ach, wie vergnügt wär so mein Ende,es drückten deine schönen Händemir die getreuen Augen zu.If you are with me, I will go gladlyto my death and to my rest.Ah, what a delightful end would this be for me,if your lovely hands close my faithful eyes.The song comes from Gottfried Heinrich Stölzel's opera Diomedes, oder die triumphierende Unschuld (Diomedes or triumphant innocence) and was arranged by Johann Sebastian Bach for his Anna Magdalena Bach book.
$4.50
Practice With Bach for the Bass Trombone Volume 4 based on the Goldberg Variations
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Classique
#
Johann Sebastian Bach
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Ralph Sauer
#
Practice With Bach for the Bas
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Gordon Cherry
#
SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.811143 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. In...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.811143 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 32 pages. Gordon Cherry #5714869. Published by Gordon Cherry (A0.811143). Ralph Sauer's landmark new work, Practice With Bach for the Bass Trombone, Volume IV, will challenge your technique and musicality with demanding new études. Based on the keyboard works of J. S. Bach, each of the Four Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Volume Four contains Thirty-two études based upon the Goldberg Variations (BWV 988).
$30.00
Practice With Bach for the Bass Trombone, Volume 5
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Classique
#
Johann Sebastian Bach
#
Ralph Sauer
#
Practice With Bach for the Bas
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Gordon Cherry
#
SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.811225 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Instructional,R...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.811225 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Instructional,Renaissance. Individual part. 28 pages. Gordon Cherry #6343839. Published by Gordon Cherry (A0.811225). Ralph Sauer's landmark new work, Practice With Bach for the Bass Trombone, Volume V, will challenge your technique and musicality with demanding new études.Based on the keyboard works of J. S. Bach, each of the Five Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). This version can also be used by Tenor Trombonists to work on their low register.Volume Five contains Twenty-four études based upon the Six English Suites (BWV 806-811).
$22.50
Practice With Bach for The Alto Trombone, Volume 4
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Classique
#
Johann Sebastian Bach
#
Ralph Sauer
#
Practice With Bach for The Alt
#
Gordon Cherry
#
SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.811145 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part....
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Instrumental Solo - Level 5 - SKU: A0.811145 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 32 pages. Gordon Cherry #5722081. Published by Gordon Cherry (A0.811145). Ralph Sauer's landmark new work, Practice With Bach for the Alto Tromobne, Volume IV, will challenge your technique and musicality with demanding new études. Based on the keyboard works of J. S. Bach, each of the Four Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Volume Four contains Thirty-two études based upon the Goldberg Variations (BWV 988).
$25.00
Bach's Celebrated Air (Air on the G String) for Mixed Brass Quartet
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Classique
#
Johann Sebastian Bach
#
Peter A
#
Bach's Celebrated Air
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MusicPAD Music Publications
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.872887 Composed by Johann Sebastian Bach. Arranged by Peter A. Drahozal. Baroque,Christian,Renaissan...
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Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.872887 Composed by Johann Sebastian Bach. Arranged by Peter A. Drahozal. Baroque,Christian,Renaissance,Wedding,World. Score and parts. 7 pages. MusicPAD Music Publications #1271. Published by MusicPAD Music Publications (A0.872887). The timeless Celebrated Air from Bach's Orchestral Suite No. 3 set for mixed brass quartet (two trumpets, one tenor trombone, one bass trombone). This arrangement is set one half step down from the original (concert Db major) as this key resonates warmly with the brass quartet. Many rehearsal marks and ossia (facilita) notes are included to assist in preparation.
$9.50
Practice With Bach for The Alto Trombone, Volume 3
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Sauer, Ralph
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Cherry Classics Music
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(BWV 812-817).
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Practice With Bach for The Alt
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.811052 Composed by Sauer, Ralph. Arranged by Cherry Classics Music. Baroque,Classical,Renaissance. Score and...
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Brass Ensemble Trombone - Level 5 - SKU: A0.811052 Composed by Sauer, Ralph. Arranged by Cherry Classics Music. Baroque,Classical,Renaissance. Score and parts. 36 pages. Gordon Cherry #4808057. Published by Gordon Cherry (A0.811052). Ralph Sauer's landmark new work, Practice With Bach for The Alto Trombone Volume II, will challenge your technique and musicality with demanding new études. Based on the keyboard works of J. S. Bach, each of the Three Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Volume Three contains Thirty-eight études, based upon the Six French Suites (BWV 812-817).
$22.50
Twenty Bach Chorales for Brass Trio, Volume I
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Classique
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Johann Sebastian Bach
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Justin Chiang
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Twenty Bach Chorales for Brass
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Gordon Cherry
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SheetMusicPlus
Horn,Trombone,Trumpet - Level 4 - SKU: A0.811182 Composed by Johann Sebastian Bach. Arranged by Justin Chiang. Baroque,Classical,Renaissance. 28 pages. ...
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Horn,Trombone,Trumpet - Level 4 - SKU: A0.811182 Composed by Johann Sebastian Bach. Arranged by Justin Chiang. Baroque,Classical,Renaissance. 28 pages. Gordon Cherry #5889189. Published by Gordon Cherry (A0.811182). Bach's chorales are four-part Lutheran hymns that were part of mostly larger works such as cantatas, motets, Passions and oratorios. There are 420 of them in total based on the latest publication by Luke Dahn from LuxSitPress in 2017! Justin Chiang has miraculously arranged 20 of these Chorales for traditional brass trio (Trumpet in B-flat, Horn and Trombone) in Volume I. They sound great and can be used for a variety of purposes including warming up the group at the beginning of a rehearsal, a recital, funeral, religious service, etc. Each chorale is identified with a BWV number, title in German and English translation. You cannot be without these gorgeous pieces. Volume I and II are sold as a set as well.
$25.00
Badinerie
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Classique
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Johann Sebastian Bach
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BeeO
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Badinerie
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BeeO
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SheetMusicPlus
Small Ensemble Flute,Piano,Viola,Violin - Level 2 - SKU: A0.1001731 Composed by Johann Sebastian Bach. Arranged by BeeO. Baroque,Classical,Instructional...
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Small Ensemble Flute,Piano,Viola,Violin - Level 2 - SKU: A0.1001731 Composed by Johann Sebastian Bach. Arranged by BeeO. Baroque,Classical,Instructional,Renaissance,Standards. Score and parts. 4 pages. BeeO #6305119. Published by BeeO (A0.1001731). Badinerie -JSBach
$2.00
Motet Das ist meine Freude for Antiphonal Brass Choir
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Johann Ludwig Bach
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Richard Decker
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Motet Das ist meine Freude for
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet - Level 4 - SKU: A0.817186 Composed by Johann Ludwig Bach. Arranged by Richard Decker. Baroque,Chamber,Multic...
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Brass Band Euphonium,Horn,Trombone,Trumpet - Level 4 - SKU: A0.817186 Composed by Johann Ludwig Bach. Arranged by Richard Decker. Baroque,Chamber,Multicultural,Renaissance,World. 48 pages. Charles Decker Music Press #6734847. Published by Charles Decker Music Press (A0.817186). One of the many talented composers of the Bach family, Johann Ludwig Bach, contemporary of Johann Sebastian Bach, highlights the best of the late Renaissance and early Baroque writing with antiphonal call and response, full ensemble climaxes and florid passages for all players.  This four minute gem will enliven any brass ensemble program providing enjoyment for all players. Alternate trumpet parts in C are included and the recording is of the entire edition. Beyond brass ensemble programs and special events consider featuring your brass section with this impressive work on your next band or orchestra concert. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$18.95
Partita No. 4 in D Major, BWV 828
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Classique
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Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 4 in D Major, BWV
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Songburd Music
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SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 89 pages. Songburd Music #993405. Published by Songburd Music (A0.1411059). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 4 in D Major (BWV 828) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue.Notably, Bach’s keyboard Partita No. 4 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$89.99
Partita No. 1 in B-Flat Major, BWV 825
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Classique
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Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 1 in B-Flat Major,
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Songburd Music
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SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 53 pages. Songburd Music #993398. Published by Songburd Music (A0.1411052). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 1 in B-Flat Major (BWV 825) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 1 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99
Partita No. 3 in A Minor, BWV 827
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Classique
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Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 3 in A Minor, BWV
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Songburd Music
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SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 64 pages. Songburd Music #981022. Published by Songburd Music (A0.1397731). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 3 in A Minor (BWV 827) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 3 is comprised of movements based on Renaissance dance forms— allemande, corrente, sarabande, and gigue—each influenced by the step-pattern of that specific dance.  These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99
Josquin: 22 Duets for French Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for French H
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jmsgu3
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SheetMusicPlus
Bass Trombone,Horn,Instrumental Duet - Level 3 - SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructio...
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Bass Trombone,Horn,Instrumental Duet - Level 3 - SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trombone & Tuba
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructi...
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Bassoon & Contrabassoon
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,R...
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Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trumpet & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trumpet
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jmsgu3
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SheetMusicPlus
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instr...
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Baritone Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Baritone
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festiva...
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
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