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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMPETTE
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Partitions à imprimer
10 partitions trouvées
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1
Don't Get Around Much Anymore
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Jazz
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Bob Russell and Duke Ellington
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Daryl McKenzie
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Don't Get Around Much Anymore
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Daryl McKenzie
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.1499411 Composed by Bob Russell and Duke Ellington. Arranged by Daryl McKenzie. Jazz,Standards. 18 pages...
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String Ensemble,String Trio - Level 5 - SKU: A0.1499411 Composed by Bob Russell and Duke Ellington. Arranged by Daryl McKenzie. Jazz,Standards. 18 pages. Daryl McKenzie #1075472. Published by Daryl McKenzie (A0.1499411). String Trio Arrangement of Don't Get Around Much AnymoreAdd a touch of swing to your string ensemble with this delightful arrangement of the jazz standard Don't Get Around Much Anymore, originally popularized by Duke Ellington. This arrangement is crafted for a string trio, featuring Violin, Viola, and Cello, with an optional 2nd Violin part to cover the Viola, making it versatile and adaptable for different group configurations.Instrumentation: Violin Viola (or optional 2nd Violin) Cello This swing arrangement captures the playful and sophisticated essence of the original tune, offering a fresh and elegant sound for string players. Perfect for jazz concerts, wedding receptions, or any event where you want to bring a classic jazz vibe, this arrangement is sure to be a crowd-pleaser.Key Features: Classic jazz standard with a swinging feel Flexible instrumentation for trio Perfect for live performances, rehearsals, or casual playing Whether you're performing in an intimate setting or adding a jazzy flair to your repertoire, this string trio arrangement of Don't Get Around Much Anymore will swing your audience right into the mood!Full audio demo (Sibelius Sounds): click hereAlso available as a String Quartet arrangement:
$19.99
Divertimento
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Sy Brandon
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Divertimento
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Imagine Music - Digital
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SheetMusicPlus
Oboe, clarinet, bassoon - SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imag...
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Oboe, clarinet, bassoon - SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$32.00
Metamorphosis (Score and Parts)
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Contemporain
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Nick Mazuk
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Metamorphosis
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Mazuk Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.933992 Composed by Nick Mazuk. Contemporary. Score and parts. 56 pages. Mazuk Music #3213105. Published by M...
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Brass Ensemble Trombone - Level 4 - SKU: A0.933992 Composed by Nick Mazuk. Contemporary. Score and parts. 56 pages. Mazuk Music #3213105. Published by Mazuk Music (A0.933992). Metamorphosis is a finalist in the 2017 Christopher Bill Composition Competition.Metamorphosis, for trombone octet, is a piece where the themes constantly change and transform into something new. In its slow beginning, a lyrical melody is played against a drone until it’s joined by more trombones. This happens three times. Then, the entire choir is joined together to form the climax to the slow section before the transition to the faster section. Almost instantly, the mood changes into a more playful sounding section. A new bouncier theme is introduced against muted eighth note chords in the background. In its second big statement, the presentation of the theme is broken up with different motives from both the beginning slow section and the fast playful theme. In its third statement, only the smaller motivic ideas are left as the volume and intensity grow. Finally, both melodies get squished together. The initial lyrical melody is once again stated, but this time it’s over the background of the second playful melody. Includes:ScoreConductor ScoreAll Parts (Trombone 1-6, Bass Trombone 1-2)Duration: 6 MinutesFor more information about the piece, visit https://nickmazuk.com/Works/MetamorphosisContact: https://nickmazuk.com/Contact/
$49.99
Sound An Alarm - Aria from Judas Maccabaeus - Piccolo Trumpet & Piano in D
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Brooks Holmes
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Brooks Holmes
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Sound An Alarm - Aria from Jud
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Brooks Holmes
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SheetMusicPlus
C Trumpet,Piano,Piccolo Trumpet,Trumpet in D - Level 4 - SKU: A0.573629 By Brooks Holmes. By G.F. Handel (1685 - 1759). Arranged by Brooks Holmes. Baroq...
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C Trumpet,Piano,Piccolo Trumpet,Trumpet in D - Level 4 - SKU: A0.573629 By Brooks Holmes. By G.F. Handel (1685 - 1759). Arranged by Brooks Holmes. Baroque,Classical,Contest,Festival,Instructional,Opera. Score and part. 10 pages. Brooks Holmes #182997. Published by Brooks Holmes (A0.573629). This arrangement is designed for the Church Trumpeter performing at weddings or special events. Arranged in the original key of D, this is a great selection to feature the A side of the piccolo trumpet. Careful attention was paid to capture the style of a “Baroque Vocal Performance†while the piano part supports the melody with exciting & flowing lines. With a quicker tempo marking, this arrangement creates a light & playful mood that’s sure to be an audience favorite. Check out Mr. Holmes’ YouTube performance for more details!
$8.99
Meditation - for flute ensemble
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R H Baptiste
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Meditation - for flute ensembl
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Ron Baptiste
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Clarinet,Oboe - Level 2 - SKU: A0.1033978 Composed by R H Baptiste. Contemporary,New Age,Spiritual. 14 pages. Ron Bapt...
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Woodwind Ensemble Alto Flute,Bass Clarinet,Oboe - Level 2 - SKU: A0.1033978 Composed by R H Baptiste. Contemporary,New Age,Spiritual. 14 pages. Ron Baptiste #639298. Published by Ron Baptiste (A0.1033978). I wrote this to reflect a mood of boredom and listlessness, which briefly transforms to a more playful and lighter nature - then returns to the original theme. I included oboe, which might be covered by soprano flute, and optional bass clarinet to give it some depth.
$5.99
Lyric Passages
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Contemporain
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Jay Vosk
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Lyric Passages
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Jay Vosk
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 4 - SKU: A0.837000 Composed by Jay Vosk. Contemporary. Score and parts. 5 pages. Jay Vosk #2025045. Publi...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 4 - SKU: A0.837000 Composed by Jay Vosk. Contemporary. Score and parts. 5 pages. Jay Vosk #2025045. Published by Jay Vosk (A0.837000). Lyric Passages is a work in four brief movements. The movements alternate in mood between introspective and playful. A common thread throughout the piece is a lyric section in whole or part of each movement. The first movement was conceived as an ‘aria’ for the oboe. At times the melody is shared by the other instruments in the ensemble. The second movement is more of a showpiece to display the technical prowess of the oboist. In the third movement, I intended to create music which is more atmospheric and coloristic in nature, while in the final movement, a playful scherzo concludes with a bit of bravura on the part of the oboist. Lyric Passages was composed in 2010 and premiered in 2011 at an IDRS conference at Arizona State University.
$19.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
Two Miniatures
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Graham Nelson
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Two Miniatures
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Forton Music - Digital
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SheetMusicPlus
Ob. Cl. Bsn. - Intermediate - SKU: F2.FM511 Composed by Graham Nelson. Oboe Clarinet and Bassoon. Score and Parts. 19 pages. Forton Music - Digital #FM5...
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Ob. Cl. Bsn. - Intermediate - SKU: F2.FM511 Composed by Graham Nelson. Oboe Clarinet and Bassoon. Score and Parts. 19 pages. Forton Music - Digital #FM511. Published by Forton Music - Digital (F2.FM511). ISBN 9790570484102.My fascination with the timbral qualities and myriad colours of the woodwind family was the stimulus that led to the creation of these two short pieces for this combination. Composed a number of years ago, both have been revised in the light of experience gained over the passage of time. Aside from the fanfare-like opening, each Miniature is cast in ternary form. The harmonic language could best be described as neo-tonal but with a chromatic twist (notably in the second). Melodic opportunities are shared consistently between the three instruments, often being extended by imitative interplay or antiphonal exchange (especially in the first). A recurring rhythmic motif in both pieces - a dotted quaver idea in the former and a triplet quaver figure in the latter - helps to bind the texture together. The descriptive titles are intended to convey the underlying character of each: 'The Dancing Doll' should sound bright, breezy and playful, whereas 'The Doleful Doll' is much more introspective and reflective in mood. Finally, the technical and musical demands in the two Miniatures should be within the capabilities of players of intermediate to advanced standard.
$12.95
Crosswinds
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Contemporain
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Kyle Vanderburg
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Crosswinds
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NoteForge
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - SKU: A0.1002834 Composed by Kyle Vanderburg. Contemporary. Score and parts. 11 page...
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Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - SKU: A0.1002834 Composed by Kyle Vanderburg. Contemporary. Score and parts. 11 pages. NoteForge #5319515. Published by NoteForge (A0.1002834). Crosswinds represents a melding of the traditional woodwind sound of the clarinet with digital live electronic techniques, and the piece explores the potential for this relationship in three parts.To begin the piece, the stage performer breathes through the clarinet, which serves to inform the electronic elements to come. This initial breath is captured by the computer program and is modified and reduplicated to create the sonic tone of a soft wind always present beneath the piece to come. This is the first step in uniting the digital and woodwind elements, as the same breath which animates the clarinet also activates the electronics.From this most fundamental element, the breath becomes a single sustained note from which the computer will generate all of its subsequent tones. The impression is one of a mentor relationship, where the traditional instrument provides the tools and the support for the electronic elements. The disposition is contemplative, though it alternates between a subdued easiness and a playful mystery, as if to introduce the digital aspects to the range and variety of the clarinet’s moods. The rapport between the two is hesitant in the first part: the electronics contributing a subtle reverb as the performer teaches the computer dexterity through a number of broad leaps, hinting at but never fully embracing the main motif.As the theme becomes more self-assured, the digital element now produces its own tones, parroting the clarinet melody to signal its readiness to be an equal partner in the conversation. As the clarinet begins the second part of the piece, the computer now provides a harmonizing undercurrent each time it is invited to do so by the performer.In the third part, the electronics play counterpoint to the skill of the clarinetist, the two elements intricately entwined. From the elemental sound of wind first produced by the performer and perpetuated by the computer, the piece concludes in a celebration of the relationship built between the two, and the main theme is fully expressed as the two take it in variations.Crosswinds is, in many ways, an experience of the history of our music through the relationship between traditional clarinet and modern digital techniques: the common elements they share, the singularity of their own particular strengths, and the beauty that can be experienced when they collaborate.Patch for live electronics available from https://bitbucket.org/kylevanderburg/crosswinds/downloads/
$7.99
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