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CHANT - CHO…
CHARANGO
CITHARE
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COR ANGLAIS
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DOBRO - GUI…
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
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SAXOPHONE
SYNTHETISEUR
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Non classifié
450
PIANO & CLAVIERS
Piano seul
185
Piano Facile
80
Piano, Voix
17
Orgue
16
Piano, Voix et Guitare
15
Instruments en Do
9
2 Pianos, 4 mains
6
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Accompagnement Piano
2
Orgue, Trompette (duo)
1
Accordéon
1
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GUITARES
Guitare
54
Guitare notes et tablatures
12
4 Guitares (Quatuor)
6
2 Guitares (duo)
4
Ligne De Mélodie, (Paroles) et Accords
4
Guitare (partie séparée)
4
Ensemble de guitares
4
Basse electrique
4
Mandoline
3
Piano, Guitare (duo)
2
Ukulele
1
3 Guitares (trio)
1
Dulcimer
1
Banjo
1
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VOIX
Chorale SATB
46
Chorale 3 parties
16
Chorale TTBB
8
Chorale 2 parties
7
Chorale SSAA
5
Chorale Unison
4
Voix Soprano, Piano
2
Chorale SSAATTBB
1
Voix moyenne, Piano
1
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VENTS
2 Saxophones (duo)
59
3 Saxophones (trio)
44
Flûte, Hautbois, Clarinette, Basson
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Quatuor de Saxophones: 4 saxophones
41
Clarinette et Piano
37
Flûte traversière et Piano
37
2 Flûtes traversières (duo)
35
Hautbois, Piano (duo)
35
Clarinette
30
Saxophone (partie séparée)
28
Saxophone Alto et Piano
25
Saxophone Tenor et Piano
25
Saxophone Soprano et Piano
25
2 Clarinettes (duo)
24
Saxophone, Clarinette (duo)
22
Quintette de Saxophone: 5 saxophones
21
3 Clarinettes (trio)
20
Flûte, Clarinette (duo)
19
Saxophone Baryton, Piano
18
Clarinette, Violon (duo)
17
2 Hautbois (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
15
Cor anglais, Piano
15
Flûte, Hautbois, Clarinette (trio)
14
Saxophone Alto
13
Quatuor de Flûtes : 4 flûtes
13
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de Clarinettes
11
Hautbois, Clarinette (duo)
11
Flûte, Hautbois, Basson
10
Flûte, Clarinette et Basson
10
Clarinette, Trompette (duo)
10
Flûte traversière
10
Quintette de Flûte : 5 flûtes
9
Hautbois, Basson (duo)
9
Clarinette et Alto
8
Trio de Flûtes: 3 flûtes
8
Saxophone Baryton
8
Hautbois (partie séparée)
8
Flûte, Violon
8
2 Flûte à bec (duo)
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
7
Clarinette Basse, Piano
6
Hautbois
6
2 Clarinettes, Basson
6
Clarinette, Basson (duo)
6
Saxophone Soprano
6
Piccolo, Piano
6
Flûte à bec Soprano
6
Ensemble De Flûte à bec
6
Cor Anglais
6
Flûte, Trompette (duo)
6
Ensemble de saxophones
5
Flûte à bec Tenor
5
Ensemble de Flûtes
5
Flûte, Alto (duo)
5
Piccolo
4
Flûte à bec Alto, Piano
4
Saxophone Tenor
4
Flûte à Bec, Piano
4
Quatuor de Flûtes à bec
3
Clarinette, Violoncelle (duo)
3
Flûte, Violoncelle
3
Flûte et Guitare
3
Quintette de Clarinettes: 5 clarinettes
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Violoncelle
2
Flute (partie séparée)
2
3 Hautbois
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois (duo)
2
Hautbois et alto (duo)
1
Flûte, Tuba (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Trombone (duo)
1
Flûte à Bec
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Trio à cordes
1
5 Flûtes à bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trompette, Piano
34
Trombone et Piano
32
Trompette
30
Cor et Piano
24
Tuba et Piano
19
Cor
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Cor anglais, Piano
15
Trompette, Saxophone (duo)
14
Quatuor de cuivres: 4 trombones
14
2 Trompettes (duo)
13
Trombone
13
2 Trombones (duo)
13
Trompette, Trombone (duo)
13
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 cors
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quatuor de Cuivres
11
Quatuor de cuivres: 4 trompettes
9
Trombone (partie séparée)
9
Tuba
9
Trompette, Cor (duo)
8
Trompette (partie séparée)
8
2 Cors (duo)
7
Cor Anglais
6
4 Tubas
5
Trombone, Cor (duo)
4
Trombone basse
4
Trombone basse et Piano
3
3 Trompettes (trio)
3
2 Tubas (duo)
3
2 Cors Anglais Et Pianoforte
2
Cor, Tuba (duo)
2
Ensemble de Cors
2
3 Tubas (trio)
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
Euphonium
1
Bass Clef Instruments
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Trombone, Violon (duo)
1
Trombone, Tuba (duo)
1
Trio de Cuivres
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
107
Violoncelle, Piano
45
Trio à Cordes: violon, alto, violoncelle
43
Violon et Piano
43
Violon, Violoncelle (duo)
34
Alto, Piano
34
2 Violons (duo)
29
Violon
25
Violon, Alto (duo)
21
2 Altos (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Alto seul
15
2 Violoncelles (duo)
14
Violoncelle
13
Violoncelle (partie séparée)
13
4 Violoncelles
13
Contrebasse, Piano (duo)
11
Trio à cordes: 3 violins
9
Contre Basse
9
Harpe
8
Trio à Cordes: 2 violons, violoncelle
7
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
6
Alto, Violoncelle (duo)
4
Violon, Guitare (duo)
4
Violoncelle , Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 altos
3
Violon (partie séparée)
2
Alto (partie séparée)
2
Contrebasse (partie séparée)
2
Violon, Basson (duo)
2
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
Violoncelle, Basse continue
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
42
Orchestre
33
Orchestre d'harmonie
30
Cloches
25
Orchestre de chambre
19
Marimba
18
Ensemble Jazz
13
Ensemble de cuivres
8
Batterie (partie séparée)
2
Batterie
2
Instrumentation Flexible
1
Jazz combo
1
Fanfare
1
Vibraphone
1
Ensemble de Percussions
1
Percussion (partie séparée)
1
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Small Ensemble Flute,Marimba,Oboe,Vibraphone,Violin - Level 3 - Digital Download SKU: A…
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Small Ensemble Flute,Marimba,Oboe,Vibraphone,Violin - Level 3 - Digital Download SKU: A0.943052 By Don Toliver. By Caleb Toliver, Don Toliver, Ebony Naomi Oshunrinde, and Ebony Oshunrinde. Arranged by Rachael Shante. Contemporary. Score and parts. 5 pages. Rachael Shante #5888173. Published by Rachael Shante (A0.943052). No Idea by Don Toliver Sheet Music. This sheet music can be played with any concert pitch instruments.
$10.00
9.21 €
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Don Toliver
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Rachael Shante
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No Idea
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Rachael Shante
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
71.78 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.58 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99
9.2 €
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Thomas Oboe Lee
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Symphony No. 4 ... War and Peace
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Thomas Oboe Lee
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SheetMusicPlus
Trio No. 3 for Violin, Clarinet, and Guitar
Clarinet,Guitar,Violin - Level 3 - Digital Download SKU: A0.993764 Composed by Mega…
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Clarinet,Guitar,Violin - Level 3 - Digital Download SKU: A0.993764 Composed by Megan K. Denslinger. Contemporary. 15 pages. Megan K. Denslinger #4404856. Published by Megan K. Denslinger (A0.993764). Trio No. 3 was composed in September 2018 for a crossover event between Radford University and Queens University of Charlotte. There are three themes that are developed throughout the piece. The first one opens the trio in the guitar. For the second theme, it is a variation of the opening theme which occurs in the clarinet and violin. The third theme also opens in the guitar and develops into a cannon-like idea.
$8.00
7.37 €
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Megan K
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Trio No. 3 for Violin, Clarinet, and Guitar
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Megan K. Denslinger
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SheetMusicPlus
Akrilates No.2
Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone…
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Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - Digital Download SKU: A0.1438474 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. 27 pages. Jailton de Oliveira #1018493. Published by Jailton de Oliveira (A0.1438474). Akrilates II, for piano and percussion. The title “Akrilates” does not refer to a specific thematic material in the work. Rather, it is only a neutral word, allowing the music to be free of any pre-established idea. The work has a single movement divided into two sections: Section I: bars 1-42; Section II: bars 43-99. Section II is a retrograde variation of Section I. The work has a slow tempo and uses the overtone scale, an octatonic scale, starting on note G ( G-A-B-C#-D-Eb-F-F#-G) . The piano is the lead instrument of thematic events and it dialogues with various timbres of percussion instruments. In most of the work sequences of measures are explored, progressing alternately every two bars. Also are explored harmonic intervals of 5th., 4th., 3rd. and 2nd. In some stretches occur numeric relationships between measure and intervals used, e.g., measure 5/4 = interval of 5th; 4/4 = 4th, etc. From measure 85 to the end occurs a coda, where the work concludes summarizing the main materials used earlier.
$12.95
11.92 €
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Jailton de Oliveira
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Section II: bars 43-99
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Akrilates No.2
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Jailton de Oliveira
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SheetMusicPlus
BOCCHERINI MINUET - (Minuet Op. 11 No. 5) Woodwind Trio, Intermediate Level for 2 flutes, bassoon
Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 3 - Digital Download SKU: A0.5217…
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 3 - Digital Download SKU: A0.521753 Composed by L. Boccherini. Arranged by Sherry Lewis. Holiday,Multicultural,Romantic Period,Wedding,World. 9 pages. Sherry Lewis Publishing #6423611. Published by Sherry Lewis Publishing (A0.521753). BOCCHERINI MINUET Woodwind Trio for 2 flutes and bassoon Score: 3 pages Parts: 3 pages Time: 4'00 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
4.14 €
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L
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Sherry Lewis
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BOCCHERINI MINUET -
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Sherry Lewis Publishing
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SheetMusicPlus
Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries (Pierre Phalèse, 1571)
String Ensemble - Level 2 - Digital Download SKU: A0.1038231 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #643162. Published by Colin Kirkpatrick Publications (A0.1038231). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. The Pavane was a slow and dignified processional dance popular in Europe during the 16th century. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.28 €
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries (1571)
String Ensemble - Level 2 - Digital Download SKU: A0.953398 Composed by Pierre Phal…
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String Ensemble - Level 2 - Digital Download SKU: A0.953398 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #559137. Published by Colin Kirkpatrick Publications (A0.953398). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional two melody parts are provided in treble and bass clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.28 €
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gaillarde Si pour t'aymer - Gaillarde No 5 (Premier Livre de Danseries, 1571)
String Ensemble - Level 2 - Digital Download SKU: A0.997824 Composed by Pierre Phal…
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String Ensemble - Level 2 - Digital Download SKU: A0.997824 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #603507. Published by Colin Kirkpatrick Publications (A0.997824). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.28 €
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Si pour t'aymer - Gaillarde No 5
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gaillarde d'Escosse - Gaillarde No 15, Premier Livre de Danseries (1571)
String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phal…
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String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and parts. 16 pages. Colin Kirkpatrick Publications #559136. Published by Colin Kirkpatrick Publications (A0.953397). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional melody part is provided in treble clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.28 €
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde d'Escosse - Gaillarde No 15, Premier Livre de Danseries
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gaillarde Françoise - Gaillarde No 12 (Premier Livre de Danseries, 1571)
String Ensemble - Level 2 - Digital Download SKU: A0.965633 Composed by Pierre Phal…
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String Ensemble - Level 2 - Digital Download SKU: A0.965633 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #571358. Published by Colin Kirkpatrick Publications (A0.965633). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody parts are provided in treble and bass clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.28 €
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Françoise - Gaillarde No 12
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Colin Kirkpatrick Publications
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SheetMusicPlus
CHRISTMAS CONCERTO Concerto VIII Op. 6 No. 8, Fatto per la notte di natale, by Corelli, for Woodwin
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - Digital Download …
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - Digital Download SKU: A0.521656 Composed by A. Corellii. Arranged by Sherry Lewis. Baroque,Christmas,Sacred. 37 pages. Sherry Lewis Publishing #6301915. Published by Sherry Lewis Publishing (A0.521656). Christmas Concerto, Corelli for Woodwind Quartet, Intermediate Level, two flutes, clarinet and bassoon Score: 12 pages parts: 23 pages time: 13'45 DEMO is a sample of several seconds of each movement (section) Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$9.95
9.16 €
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A
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Sherry Lewis
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CHRISTMAS CONCERTO Concerto VIII Op. 6 No. 8, Fatto per la notte di natale, by Corelli, for Woodwin
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Sherry Lewis Publishing
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SheetMusicPlus
CHRISTMAS CONCERTO - WOODWIND QUARTET - Adagio and Allegro Movements, Concerto VIII Op. 6 No. 8, Fa
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - Digital Download …
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - Digital Download SKU: A0.521657 Composed by A. Corellii. Arranged by Sherry Lewis. Baroque,Christmas,Sacred. 38 pages. Sherry Lewis Publishing #6302089. Published by Sherry Lewis Publishing (A0.521657). Christmas Concerto, Corelli, Adagio and Allegro for Woodwind Quartet, Intermediate Level, two flutes, clarinet and bassoon Score: 3 pages parts: 4 pages time: 2'30 Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$6.50
5.99 €
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A
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Sherry Lewis
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CHRISTMAS CONCERTO - WOODWIND QUARTET - Adagio and Allegro Movements, Concerto VIII Op. 6 No. 8, Fa
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Sherry Lewis Publishing
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SheetMusicPlus
CHRISTMAS CONCERTO - WOODWIND QUARTET - Pastorale, Concerto VIII Op. 6 No. 8, Fatto per la notte di
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - Digital Download …
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - Digital Download SKU: A0.521658 Composed by A. Corellii. Arranged by Sherry Lewis. Baroque,Christmas,Sacred. 15 pages. Sherry Lewis Publishing #6302095. Published by Sherry Lewis Publishing (A0.521658). Christmas Concerto, Corelli, Pastorale for Woodwind Quartet, Intermediate Level, two flutes, clarinet and bassoon Score: 4 pages parts: 8 pages time: 3'20 Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$6.50
5.99 €
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A
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Sherry Lewis
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CHRISTMAS CONCERTO - WOODWIND QUARTET - Pastorale, Concerto VIII Op. 6 No. 8, Fatto per la notte di
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Sherry Lewis Publishing
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SheetMusicPlus
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13350…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
13.77 €
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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RayThompsonMusic
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SheetMusicPlus
No More Auction Block for Me (Many Thousand Gone) - Low Voice
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829043 Composed by David …
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829043 Composed by David Neff. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #6035801. Published by David Neff (A0.829043). No More Auction Block originated in Canada before the US Civil War among African-Americans who had escaped slavery and found safe haven there. It was later adopted by black troops in the Union Army. It is a song of determination and hope, although its positive message is tempered by the wistful line that closes each verse--many thousand gone. Those many thousand were not only the many who had escaped slavery, but also those who had been separated from family and loved ones by being sold on the auction block. This is a low-voice adaptation of an arrangement written for tenor Larry D. Hylton, who sang with Moses Hogan and with the Metropolitan Opera Chorus, and who has been in over 350 performances of Porgy and Bess. David Neff and Larry Hylton collaborated on recording this remotely during the 2020 pandemic in order to produce music for their church's celebration of Juneteenth, following the widespread protests over the murder of George Floyd. The song is appropriate for any occasion that celebrates African-American history and music, as well as the ideals of freedom and liberty.
$4.99
4.59 €
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David Neff
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David Neff
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No More Auction Block for Me
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David Neff
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SheetMusicPlus
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.12937…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
4.59 €
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.72 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.81 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.81 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Music with No Name
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1168324 Composed by Mudi…
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1168324 Composed by Mudiwa Williams. Chamber,Contemporary. 8 pages. Mudiwa Music #768655. Published by Mudiwa Music (A0.1168324). EMAIL ME FOR PARTS: mudiwamusic@gmail.comI joke that I am a hypocritical musician. As an audience member, I hate listening to really dissonant, contemporary music. Names like Schonberg, Stravinsky, Bartok, and so on don’t sit well with me. However, when writing music, I seem to lean pretty heavily on contemporary ideas like ostinatos, crunchy chords, and new harmonies. This piece started as an assignment to write 16 measures of music using pandiatonicism. Music that is pandiatonic is music with a feeling of more than one key. Every note is treated somewhat equal, so nothing sticks out as “tonic.†Try humming the tonic when listening to this piece. You can’t, because more than one exists. Since this is music with no tonic, it almost has “no name,†unlike how classical music may be labeled “Concerto in Eb Major.†I greatly appreciate the work of Austin Andrade, Aidan Lewis, Eithan Moreno, and Heather test, as the performers and director for this piece.
$12.00
11.05 €
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Mudiwa Williams
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Music with No Name
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Mudiwa Music
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SheetMusicPlus
Symphony No. 7 by Beethoven for Clarinet Ensemble
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.11…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1147368 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #747572. Published by Woods Only, Arrangements (A0.1147368). This arrangement adapted for clarinet ensemble was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.36 €
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Clarinet Ensemble
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Woods Only, Arrangements
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SheetMusicPlus
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