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--INSTRUMENTS--
ACCORDEON
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xx
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50
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1
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1
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8
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2
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1
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6
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Partitions à imprimer
17 partitions trouvées
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1
Sonata XX a 22
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Giovanni Gabrieli
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Marc Donatelle
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Sonata XX a 22
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Marc Donatelle
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SheetMusicPlus
Brass Ensemble,Trombone Ensemble Trombone - Level 5 - SKU: A0.1514862 Composed by Giovanni Gabrieli. Arranged by Marc Donatelle. Chamber,Classical,Early...
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Brass Ensemble,Trombone Ensemble Trombone - Level 5 - SKU: A0.1514862 Composed by Giovanni Gabrieli. Arranged by Marc Donatelle. Chamber,Classical,Early Music. 88 pages. Marc Donatelle #1089356. Published by Marc Donatelle (A0.1514862). Giovanni Gabrieli (c.1557-1612) was one of the most influential composers of his time.Known for his compositions using antiphonal style, this Sonata XX a22 would have fit well in St. Mark’s Basilica in Venice.This is perhaps the largest ensemble for the time using 22 instruments in 5 choirs. It was published posthumously in 1615 and shows a great transition from the Renaissance to Baroque style.This advanced arrangement is for a choir of 22 trombones, with alternate trumpet and French horn parts forthe top voices.
$30.00
Soprattutto per Appiccicoso xx
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Jonty Hall
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Soprattutto per Appiccicoso xx
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Forton Music - Digital
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SheetMusicPlus
Fl. - Advanced - SKU: F2.FM642 Composed by Jonty Hall. Solo Flute. Score. 5 pages. Forton Music - Digital #FM642. Published by Forton Music - Digital (F...
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Fl. - Advanced - SKU: F2.FM642 Composed by Jonty Hall. Solo Flute. Score. 5 pages. Forton Music - Digital #FM642. Published by Forton Music - Digital (F2.FM642). ISBN 9790570485413.This was a 2015 Valentine's Day present for my love, Sticky. I.
$7.95
Sonata XX en La Mayor
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Rafael Anglés
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Roberto GarcÃa
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Sonata XX en La Mayor
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apt4guitar
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SheetMusicPlus
Small Ensemble Guitar - Level 3 - SKU: A0.789334 Composed by Rafael Anglés. Arranged by Roberto GarcÃa. Classical,Standards. Score and parts. 4 pa...
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Small Ensemble Guitar - Level 3 - SKU: A0.789334 Composed by Rafael Anglés. Arranged by Roberto GarcÃa. Classical,Standards. Score and parts. 4 pages. Apt4guitar #3213457. Published by apt4guitar (A0.789334). Solo guitar arrangement. Fingered score.
$3.95
Prelude XX in A Minor - Soprano and Alto Saxophone Duet
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Classique
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Johann Sebastian Bach
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Jasmine Brown
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Prelude XX in A Minor - Sopran
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Jasmine Brown
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.960460 Composed by Johann Sebastian Bach. Arranged by Jasmine Brown. Baroque,Instructional. 7 pages. Jasmine Brown...
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Woodwind Ensemble - Level 5 - SKU: A0.960460 Composed by Johann Sebastian Bach. Arranged by Jasmine Brown. Baroque,Instructional. 7 pages. Jasmine Brown #6444355. Published by Jasmine Brown (A0.960460). A rearrangement of Bach's 20th prelude in A minor for soprano and alto saxophone duet.
$4.99
Obvs
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Contemporain
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Jamie Xx
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Michael Young
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Obvs
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Michael Young
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.934123 By Jamie Xx. By Hugh Masekela and James Thomas Smith. Arranged by Michael Young. Contemporary. 24 pages. Mi...
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Woodwind Ensemble - Level 4 - SKU: A0.934123 By Jamie Xx. By Hugh Masekela and James Thomas Smith. Arranged by Michael Young. Contemporary. 24 pages. Michael Young #6503409. Published by Michael Young (A0.934123). This is a woodwind ensemble arrangement of the Jamie XX song Obvs. Included in this product is the score, along with the following parts:- flute- oboe- bassoon- clarinet- bass clarinet- alto saxophone- tenor saxophone- baritone saxophone (doubling the bassoon part)
$12.99
CANON IN D MAJOR FOR TWO GUITARS
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EMILIO ANTONUCCI
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EMILIO ANTONUCCI
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CANON IN D MAJOR FOR TWO GUITA
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EMILIO ANTONUCCI
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - SKU: A0.1506625 By EMILIO ANTONUCCI. By J. Pachelbel. Arranged by EMILIO ANTONUCCI. Baroque,Classical,Early Music,L...
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Guitar,Instrumental Duet - Level 2 - SKU: A0.1506625 By EMILIO ANTONUCCI. By J. Pachelbel. Arranged by EMILIO ANTONUCCI. Baroque,Classical,Early Music,Lent,Religious. 4 pages. EMILIO ANTONUCCI #1081993. Published by EMILIO ANTONUCCI (A0.1506625). Sebbene Pachelbel fosse un compositore barocco minore rispetto a giganti come Bach o Vivaldi, il Canon in D ha guadagnato enorme popolarità nel XX secolo, diventando parte della cultura popolare. È presente in numerosi film, spot pubblicitari, e ha ispirato arrangiamenti moderni in vari generi musicali.Canon in D Major di Johann Pachelbel è uno dei brani più iconici della musica barocca e viene spesso suonato in occasione di matrimoni e celebrazioni per la sua melodia elegante e serena.Caratteristiche Musicali:Forma: Il Canon in D è scritto in forma di canone, un tipo di composizione in cui una melodia viene ripetuta e imitata in maniera sequenziale da altre voci o strumenti. In questo caso, il brano è suonato da due chitarre: la prima chitarra esegue la melodia principale suonata con il capotasto al settimo tasto; la seconda chitarra esegue l'accompagnamento (senza capotasto).Basso Ostinato: Il brano è costruito su un basso ostinato, cioè una sequenza di otto note che viene ripetuta per tutta la durata del pezzo. Questa ripetizione crea una solida base armonica su cui si sviluppano le variazioni melodiche.Semplicità ed Eleganza: Nonostante la struttura ripetitiva, la progressione delle melodie sopra il basso continuo dà al brano una sensazione di crescendo e variazione, mantenendo l’ascoltatore coinvolto. Le frasi melodiche si arricchiscono e si complicano man mano che il brano prosegue, aggiungendo movimento e dinamismo.Atmosfera: Il Canon in D è conosciuto per la sua atmosfera calma e contemplativa grazie alla fluidità delle melodie che lo rendono perfetto per occasioni che richiedono un sottofondo musicale elegante e tranquillo.
$5.99
Um Pife pro Pai
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David Ganc
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David Ganc
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Um Pife pro Pai
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David Ganc
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SheetMusicPlus
Cello,Double Bass,Soprano Flute,Viola,Violin - Level 3 - SKU: A0.1489327 By David Ganc. By Daniel Ganc / David Ganc. Arranged by David Ganc. Multicultur...
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Cello,Double Bass,Soprano Flute,Viola,Violin - Level 3 - SKU: A0.1489327 By David Ganc. By Daniel Ganc / David Ganc. Arranged by David Ganc. Multicultural,World. 41 pages. David Ganc #1066187. Published by David Ganc (A0.1489327). Um Pife pro Pai. Original tune written by Daniel Ganc and David Ganc. Son and father composed together this music. Daniel gave a Pife - a bamboo flute typical from the northeast region from Brazil – as a present to me. I immediately improvised some phrases and sent them to Daniel, who harmonized it to complete and organize the song. After that I wrote this arrangement for 2 C Flutes and String Orchestra. The result is a very cheerful forró that we dedicated to the luthier of the pife, the virtuoso Alexandre Rodrigues. It was premiered in Manaus at the XX International Flute Festival by ABRAF - 2024, accompanied by the Amazonas Chamber Orchestra. The piece has an interactive improvisation section for the 2 soloists.Score and parts included (2 flutes, violin, viola, cello and double bass).
$25.99
Josquin: 22 Duets for French Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for French H
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jmsgu3
#
SheetMusicPlus
Bass Trombone,Horn,Instrumental Duet - Level 3 - SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructio...
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Bass Trombone,Horn,Instrumental Duet - Level 3 - SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trombone & Tuba
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Josquin des Prez
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James M
#
Josquin: 22 Duets for Trombone
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jmsgu3
#
SheetMusicPlus
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructi...
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Bassoon & Contrabassoon
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Josquin des Prez
#
James M
#
Josquin: 22 Duets for Bassoon
#
jmsgu3
#
SheetMusicPlus
Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,R...
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Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trumpet & Bass Trombone
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Josquin des Prez
#
James M
#
Josquin: 22 Duets for Trumpet
#
jmsgu3
#
SheetMusicPlus
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instr...
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Baritone Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Baritone
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festiva...
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Nocturne (Downloadable)
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Eric Tuan
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Nocturne
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano solo, SSAA choir (choir divisi) unaccompanied - Moderately Difficult - SKU: MQ.7856-E Composed by Eric Tuan. Advanced/Collegiate. Secular, 21st ...
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Soprano solo, SSAA choir (choir divisi) unaccompanied - Moderately Difficult - SKU: MQ.7856-E Composed by Eric Tuan. Advanced/Collegiate. Secular, 21st century. Octavo. 9 pages. Duration 5 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #7856-E. Published by E. C. Schirmer Music Company - Digital (MQ.7856-E). Spanish.Eric Tuan offers treble choirs a sumptuous, melancholy song of lost love based on Poem XX from Veinte poemas de amor y una canción desesperada by Pablo Neruda (1904–1973). Duration: 5:10.
$1.95
Piezas mexicanas de salón (bassoon part)
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Anónimo
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Juan Carlos Villaseñor
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Piezas mexicanas de saló
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Juan Carlos Villasenor
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1026623 Composed by Anónimo. Arranged by Juan Carlos Villaseñor. Concert,Graduation,Romantic Period,World. 7...
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Woodwind Ensemble - Level 4 - SKU: A0.1026623 Composed by Anónimo. Arranged by Juan Carlos Villaseñor. Concert,Graduation,Romantic Period,World. 7 pages. Juan Carlos Villasenor #6301887. Published by Juan Carlos Villasenor (A0.1026623). Canción de amor – Foxtrot, al fin solos – Schottische y quejas de amor – mazurka, son el tÃtulo de las obras que comprenden este volumen. Estas partituras, al igual que mucha música mexicana antigua son obras que quedaron en silencio debido al abandono de sus partituras, abandono ocasionado quizás porque eran música de ocasión o un espacio concreto, o festividades patronales, o por alguna circunstancia de su antiguo dueño, un cargo que dejó o posiblemente su propio descenso, o simplemente la llegada de las tecnologÃas como la radio, no se sabe. Lo que sà sabemos es que fueron músicas tocadas en el área de Guanajuato entre finales del siglo XIX y principios del siglo XX. Los manuscritos originales son para piano y de autores desconocidos, poco se sabe de estos más allá de que lo que ellas misma son y representan en su armonÃa y sus melodÃas, pues son ni más ni menos que danzas de salón, música que se bailó.
$1.99
Piezas Mexicanas de Salón (Piano part.)
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Anónimo
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Juan Carlos Villaseñor
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Piezas Mexicanas de Saló
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Juan Carlos Villasenor
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SheetMusicPlus
Small Ensemble Bassoon,Piano Accompaniment - SKU: A0.1026625 Composed by Anónimo. Arranged by Juan Carlos Villaseñor. Graduation,Holiday,Latin,Wed...
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Small Ensemble Bassoon,Piano Accompaniment - SKU: A0.1026625 Composed by Anónimo. Arranged by Juan Carlos Villaseñor. Graduation,Holiday,Latin,Wedding. Score and parts. 20 pages. Juan Carlos Villasenor #6355331. Published by Juan Carlos Villasenor (A0.1026625). Canción de amor – Foxtrot, al fin solos – Schottische y quejas de amor – mazurka, son el tÃtulo de las obras que comprenden este volumen. Estas partituras, al igual que mucha música mexicana antigua son obras que quedaron en silencio debido al abandono de sus partituras, abandono ocasionado quizás porque eran música de ocasión o un espacio concreto, o festividades patronales, o por alguna circunstancia de su antiguo dueño, un cargo que dejó o posiblemente su propio descenso, o simplemente la llegada de las tecnologÃas como la radio, no se sabe. Lo que sà sabemos es que fueron músicas tocadas en el área de Guanajuato entre finales del siglo XIX y principios del siglo XX. Los manuscritos originales son para piano y de autores desconocidos, poco se sabe de estos más allá de que lo que ellas misma son y representan en su armonÃa y sus melodÃas, pues son ni más ni menos que danzas de salón, música que se bailó.
$6.99
Josquin: 22 Duets for Oboe d'Amore & Bassoon
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Josquin des Prez
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James M
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Josquin: 22 Duets for Oboe d'A
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instruct...
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Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678267. Published by jmsgu3 (A0.1073999). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Silent Durations XX
Piano, Saxophone, Viola
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Contemporain
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Drake Mabry
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Silent Durations XX
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Drake Mabry Productions
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SheetMusicPlus
By Drake Mabry. For Piano, Saxophone, Viola. 21st Century. Intermediate. Score. Published by Drake Mabry Productions ...
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By Drake Mabry. For Piano, Saxophone, Viola. 21st Century. Intermediate. Score. Published by Drake Mabry Productions
$7.99
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