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ALTO
AUTOHARPE
BANJO
BASSE
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MANDOLINE
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ORGUE
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Now And Then
Non classifié
42
Piano & claviers
Piano seul
35
Piano, Voix
3
Piano, Voix et Guitare
2
1 Piano, 4 mains
2
Orgue
1
2 Pianos, 4 mains
1
Instruments en Do
1
+ 2 instrumentations
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Guitare
5
2 Guitares (duo)
2
Voix
Chorale SATB
11
Chorale TTBB
1
Voix Baryton
1
Voix haute
1
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1
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1
Voix Soprano, Piano
1
+ 2 instrumentations
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6
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4
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4
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3
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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6
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
Cor Anglais
1
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1
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1
2 Violoncelles (duo)
1
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1
Violoncelle
1
+ 9 instrumentations
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24
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6
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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Now And Then
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2 Violoncelles (duo)
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Centre - Two Cellos.
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2 Violoncelles (duo)
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AVANCÉ
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Contemporain
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Sophia Mackson
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Centre - Two Cellos.
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Sophia Mackson
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SheetMusicPlus
Cello Duet Cello - Level 5 - SKU: A0.1372278 Composed by Sophia Mackson. Classical,Contemporary. Score. 6 pages. Sophia Mackson #956559. Published by So...
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Cello Duet Cello - Level 5 - SKU: A0.1372278 Composed by Sophia Mackson. Classical,Contemporary. Score. 6 pages. Sophia Mackson #956559. Published by Sophia Mackson (A0.1372278). This work was originally written for two violas. The composer has now arranged it for two cellos.This work features soaring melodic lines and fast demisemiquaver passages. It is an ideal work for advanced players to use in their repetoire or in a concert program.A foreword by the composer:“First and foremost, this work is dedicated to Kristen Scott. It stands as a reminder of a lifelong friendship, and how strong that friendship is. Thank you for supporting me and being so wonderful.This work I began writing in May of this year, and initially it was just an improvisation for one viola. I had then realised after trying to write for Solo Viola how difficult it was, since it is such a unique instrument. I wanted to make the most of the technical and musical capabilities of the instrument, so I added another Viola. With that addition, each motif seemed to make more sense and the music just flowed. Centre is based on the concept of centring oneself, but also the beauty in being surrounded by motion; by seeing things happening around you and being able to observe. Just being allowed to exist, in a way.I’ve always been inspired by Australian composers, especially since I have been lucky enough to be surrounded by their music at different points in my life. My teacher Patricia Pollett, has been actively involved in advocating for Australian composition for the viola, including commissions, recording and performances. So, being able to take my work to our lessons was hugely thought provoking and inspiring. The insights she gave helped to access more depth and meaning within the work.â€.
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Now And Then
