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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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John Henry Leslie | Praise Ye The Lord (arr. for Brass Quartet)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1345874 By…
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Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1345874 By John Henry Leslie. By John Henry Leslie. Arranged by Andrew Lamb. 19th Century,Religious. 29 pages. Andrew Lamb #930750. Published by Andrew Lamb (A0.1345874). 🎺 Elevate your brass quartet performance with this stunning adaptation of Praise Ye The Lord by English composer John Henry Leslie, meticulously crafted by Andrew Lamb! 🎶🎼 Immerse your audience in the rich harmonies and captivating melodies, skillfully arranged for a quartet of talented musicians:🎺 Part 1: Trumpet / Cornet / Flugel in Bb, Trumpet in C🎺 Part 2: Trumpet / Cornet / Flugel in Bb, Trumpet in C📯 Part 3: French Horn, Tenor Horn, Trombone / Euphonium / Baritone (B.C.), Trombone / Euphonium / Baritone (T.C.)📯 Part 4: Trombone / Euphonium / Baritone (B.C.), Trombone / Euphonium / Baritone (T.C.)🌟 With a medium difficulty level, this arrangement strikes the perfect balance between challenge and accessibility. Ideal for both seasoned performers and those looking to enhance their skills.🎉 Perfect for various occasions, this arrangement can be the highlight of your concert or recital. Its spiritual and uplifting tones also make it a fitting addition to any Church Service.🔥 This arrangement is not just another rendition—it's a musical journey waiting to be explored. Get ready to leave a lasting impression on your audience with Praise Ye The Lord Brass Quartet Adaptation by Andrew Lamb!
$8.00
7.37 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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John Henry Leslie
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Andrew Lamb
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John Henry Leslie | Praise Ye The Lord
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Andrew Lamb
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SheetMusicPlus
Under The Boardwalk
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.850003 By…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.850003 By Bette Midler. By Artie Resnick and Kenny Young. Arranged by Michael Dotterer. Contemporary. Score and parts. 16 pages. Michael Dotterer #6496841. Published by Michael Dotterer (A0.850003). Under The Boardwalk arranged for brass quartet. 2110. Parts include: score, trumpet 1, trumpet 2, horn in F, trombone, and an alternate trombone horn substitution part. Features the trumpet 1. Trumpet 1 on flugelhorn or cornet would be more colorful and preferable.
$16.00
14.73 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Bette Midler
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Michael Dotterer
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Under The Boardwalk
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Michael Dotterer
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SheetMusicPlus
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.15 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.15 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
Christus factus est
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Composed by Anton Bruckner (1824-1896). Arranged by Craig Garner. Romantic Period, Sacred,…
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Composed by Anton Bruckner (1824-1896). Arranged by Craig Garner. Romantic Period, Sacred, General Worship, Lent. Score, Set of Parts. 13 pages. Published by Dorm 40 Music (S0.167173). - Score,Set of Parts - Romantic Period,Sacred,General Worship,Lent - Dorm 40 Music
Known primarily through his Symphonies, Bruckner was a deeply religious man who also composed a wealth of sacred choral music. This motet, the text of which would be used during the three days before Easter Sunday, is mysterious, devotional and hauntingly beautiful. This arrangement also comes with alternate C Trumpets parts. However, some quintets have used Cornets and/or Flugelhorns, instead of Trumpets. Performance time, 3:45-4:45 (depending upon how slowly you wish to perform this work).
$10.00
9.21 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Anton Bruckner
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Craig Garner
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Christus factus est
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Dorm 40 Music
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SheetMusicPlus
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