Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
CORNET
Non classifié
1 182
Piano & claviers
Orgue
10
Piano, Voix et Guitare
9
Piano seul
5
Orgue, Trompette (duo)
3
Instruments en Do
3
Accompagnement Piano
2
Piano Facile
1
Piano, Voix
1
+ 3 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
3
Voix
Chorale SATB
4
Chorale TTBB
3
Vents
Flûte, Hautbois, Clarinette, Basson
9
Clarinette et Piano
3
Saxophone Alto et Piano
3
Saxophone Tenor
2
Hautbois, Piano (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte traversière et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 3 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
94
Trompette, Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Trompette
13
2 Trompettes, Clavier (piano ou orgue)
9
Quatuor de cuivres: 4 trombones
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Trompettes (duo)
3
Cornet et Piano
2
3 Trompettes (trio)
2
Quatuor de Cuivres
1
2 Euphoniums (duo)
1
Cor et Piano
1
Cornet et orchestre
1
Trompette (partie séparée)
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cornet A Pistons
1
Trombone et Piano
1
+ 15 instrumentations
Retracter
Cordes
Violon et Piano
2
Alto, Piano
1
Orchestre & Percussions
Ensemble de cuivres
194
Orchestre d'harmonie
83
Fanfare
12
Ensemble Jazz
2
Orchestre
2
Quintette de Cuivres: autres combinaisons
1
Jazz combo
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
6
Partitions Numériques
5
Librairie Musicale
0
Matériel de Musique
1 120
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
CORNET
intermédiaire
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Partitions à imprimer
5 partitions trouvées
<
1
John Henry Leslie | Praise Ye The Lord (arr. for Brass Quartet)
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Classique
#
John Henry Leslie
#
Andrew Lamb
#
John Henry Leslie | Praise Ye
#
Andrew Lamb
#
SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1345874 By John Henry Leslie. By John Henry Leslie. Arranged by Andrew Lamb. 19th Century,Religi...
(+)
Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1345874 By John Henry Leslie. By John Henry Leslie. Arranged by Andrew Lamb. 19th Century,Religious. 29 pages. Andrew Lamb #930750. Published by Andrew Lamb (A0.1345874). 🎺 Elevate your brass quartet performance with this stunning adaptation of Praise Ye The Lord by English composer John Henry Leslie, meticulously crafted by Andrew Lamb! 🎶🎼 Immerse your audience in the rich harmonies and captivating melodies, skillfully arranged for a quartet of talented musicians:🎺 Part 1: Trumpet / Cornet / Flugel in Bb, Trumpet in C🎺 Part 2: Trumpet / Cornet / Flugel in Bb, Trumpet in C📯 Part 3: French Horn, Tenor Horn, Trombone / Euphonium / Baritone (B.C.), Trombone / Euphonium / Baritone (T.C.)📯 Part 4: Trombone / Euphonium / Baritone (B.C.), Trombone / Euphonium / Baritone (T.C.)🌟 With a medium difficulty level, this arrangement strikes the perfect balance between challenge and accessibility. Ideal for both seasoned performers and those looking to enhance their skills.🎉 Perfect for various occasions, this arrangement can be the highlight of your concert or recital. Its spiritual and uplifting tones also make it a fitting addition to any Church Service.🔥 This arrangement is not just another rendition—it's a musical journey waiting to be explored. Get ready to leave a lasting impression on your audience with Praise Ye The Lord Brass Quartet Adaptation by Andrew Lamb!
$8.00
Under The Boardwalk
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Contemporain
#
Bette Midler
#
Michael Dotterer
#
Under The Boardwalk
#
Michael Dotterer
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.850003 By Bette Midler. By Artie Resnick and Kenny Young. Arranged by Michael Dotterer. Contemp...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.850003 By Bette Midler. By Artie Resnick and Kenny Young. Arranged by Michael Dotterer. Contemporary. Score and parts. 16 pages. Michael Dotterer #6496841. Published by Michael Dotterer (A0.850003). Under The Boardwalk arranged for brass quartet. 2110. Parts include: score, trumpet 1, trumpet 2, horn in F, trombone, and an alternate trombone horn substitution part. Features the trumpet 1. Trumpet 1 on flugelhorn or cornet would be more colorful and preferable.
$16.00
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon in Echo a 12
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Christus factus est
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Anton Bruckner
#
Craig Garner
#
Christus factus est
#
Dorm 40 Music
#
SheetMusicPlus
Composed by Anton Bruckner (1824-1896). Arranged by Craig Garner. Romantic Period, Sacred, General Worship, Lent. Score, Set of Parts. 13 pages. Published by Do...
(+)
Composed by Anton Bruckner (1824-1896). Arranged by Craig Garner. Romantic Period, Sacred, General Worship, Lent. Score, Set of Parts. 13 pages. Published by Dorm 40 Music (S0.167173). - Score,Set of Parts - Romantic Period,Sacred,General Worship,Lent - Dorm 40 Music
Known primarily through his Symphonies, Bruckner was a deeply religious man who also composed a wealth of sacred choral music. This motet, the text of which would be used during the three days before Easter Sunday, is mysterious, devotional and hauntingly beautiful. This arrangement also comes with alternate C Trumpets parts. However, some quintets have used Cornets and/or Flugelhorns, instead of Trumpets. Performance time, 3:45-4:45 (depending upon how slowly you wish to perform this work).
$10.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
CORNET
