Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ASCAP.
Non classifié
642
Piano & claviers
Piano seul
1 641
Orgue
431
Piano, Voix et Guitare
374
Piano, Voix
95
Piano Facile
18
Orgue, Piano (duo)
15
Instruments en Do
11
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
85
Guitare
24
Piano, Guitare (duo)
7
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
5
Voix
Chorale SATB
204
Chorale Unison
33
Chorale 3 parties
31
Chorale TTBB
21
Chorale SSAA
12
Chorale 2 parties
12
Voix Alto, Piano
10
Voix Soprano, Piano
5
Voix haute
3
Voix duo
2
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix seule
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
428
Hautbois, Piano (duo)
291
Clarinette et Piano
155
Saxophone Alto et Piano
113
Cor anglais, Piano
85
Saxophone Soprano et Piano
65
Saxophone Tenor et Piano
60
Saxophone Baryton, Piano
59
Clarinette Basse, Piano
45
Flûte et Guitare
40
2 Saxophones (duo)
36
2 Clarinettes (duo)
33
Clarinette
33
2 Flûtes traversières (duo)
30
Quatuor de Saxophones: 4 saxophones
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Ensemble de Flûtes
15
Quatuor de Clarinettes: 4 clarinettes
14
Flûte, Hautbois, Clarinette, Basson
10
3 Clarinettes (trio)
9
Flûte traversière
9
Hautbois, Basson (duo)
9
Clarinette, Violoncelle (duo)
7
Ensemble de Clarinettes
7
2 Hautbois (duo)
7
Clarinette, Guitare (duo)
7
3 Saxophones (trio)
7
Quatuor de Flûtes : 4 flûtes
6
Flûte, Violoncelle
5
2 Cors Anglais Et Pianoforte
5
Hautbois, Violoncelle
4
Flûte, Violoncelle, Piano (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Basson (duo)
3
Saxophone et Guitare
2
Saxophone et violoncelle
2
Quintette de Saxophone: 5 saxophones
2
Piccolo, Piano
2
2 Flûtes traversières, Piano
2
Flûte, Clarinette (duo)
2
Clarinette et Alto
2
Flûte, Violon
2
2 Flûte à bec (duo)
1
Flûte, Violon, Piano
1
Saxophone Tenor
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Hautbois (partie séparée)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Clarinette, Orgue
1
Flûte, Trompette (duo)
1
Flûte, Guitare, Piano
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto
1
Saxophone, Clarinette (duo)
1
Saxophone, Basson (duo)
1
Flute, harpe et violon
1
+ 58 instrumentations
Retracter
Cuivres
Cor et Piano
90
Cor anglais, Piano
85
Trombone et Piano
72
Euphonium, Piano (duo)
67
Trompette, Piano
67
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trompette
28
2 Trompettes (duo)
14
Tuba et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
2 Trombones (duo)
8
2 Cors (duo)
7
3 Trombones (trio)
7
2 Cors Anglais Et Pianoforte
5
2 Euphoniums (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
4
Trombone
4
Cor, Violoncelle (duo)
3
Ensemble de Trombones
3
Trombone, violoncelle (duo)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums et 2 Tubas
1
Tuba
1
Quatuor de Cuivres
1
Trompette, Violoncelle (duo)
1
Trio de Cuivres
1
Euphonium
1
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
1
Trompette, Cor (duo)
1
+ 28 instrumentations
Retracter
Cordes
Violon et Piano
390
Violoncelle, Piano
108
Alto, Piano
103
Quatuor à cordes: 2 violons, alto, violoncelle
94
Trio à Cordes: violon, alto, violoncelle
54
Violoncelle , Guitare (duo)
24
Violon, Violoncelle (duo)
23
Harpe
18
Violon, Alto (duo)
12
2 Violons (duo)
12
2 Violoncelles (duo)
12
Violoncelle
10
Alto, Violoncelle (duo)
8
2 Altos (duo)
7
Alto seul
4
4 Violoncelles
4
Alto, Guitare (duo)
4
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
Contrebasse, Piano (duo)
1
Violon
1
Flûte, Contrebasse (duo)
1
Alto et Basson
1
Harpe, Violon (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
76
Orchestre à Cordes
45
Orchestre d'harmonie
30
Ensemble Jazz
28
Cloches
26
Orchestre
20
Jazz combo
16
Orchestre de chambre
8
Fanfare
6
Marimba et Orgue
2
Marimba
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
4
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
ASCAP.
intermédiaire
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Partitions à imprimer
4 partitions trouvées
<
1
Je ne l'ose dire (for Brass Quartet)
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Pierre Certon
#
Kenneth Pasciak
#
Je ne l'ose dire
#
Kenneth Pasciak
#
SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1452137 Composed by Pierre Certon. Arranged by Kenneth Pasciak. Classical,Renaissance,Romantic P...
(+)
Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1452137 Composed by Pierre Certon. Arranged by Kenneth Pasciak. Classical,Renaissance,Romantic Period. 9 pages. Kenneth Pasciak #1031456. Published by Kenneth Pasciak (A0.1452137). ....................Je ne l'ose dire by French composer Pierre Certon (1515-1572) arranged for brass quartet in concert Bb minor. Includes 3-page score plus individual parts.Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/....................
$4.99
Three Christmas Duos for Trumpet and Trombone
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Noël
#
Various
#
John Jay Hilfiger
#
Three Christmas Duos for Trump
#
John Jay Hilfiger
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.736896 Composed by Various. Arranged by John Jay Hilfiger. Christian,Christmas,Sacred. Score an...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.736896 Composed by Various. Arranged by John Jay Hilfiger. Christian,Christmas,Sacred. Score and parts. 18 pages. John Jay Hilfiger #3375469. Published by John Jay Hilfiger (A0.736896). Three Christmas favorites: 1. O Come, O Come, Emmanuel 2. Silent Night 3. Angels We Have Heard on High arranged for Trumpet and Trombone (with substitute part for Horn in F). Fun to play. Suitable for recital or church use. ASCAP arranger.
$8.00
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon in Echo a 12
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
ASCAP.
