Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Above All
Non classifié
511
Piano & claviers
Piano seul
79
Piano, Voix et Guitare
22
Piano, Voix
18
Orgue
16
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
Piano Facile
2
Accompagnement Piano
2
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
4
Dulcimer
4
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
3
Basse electrique
2
Ukulele
2
Ensemble de guitares
2
3 Guitares (trio)
1
Mandoline
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
67
Chorale 3 parties
17
Chorale TTBB
11
Chorale 2 parties
6
Chorale
5
Chorale Unison
4
Voix haute
3
Voix duo
3
Chorale SSAA
2
Voix duo, Piano
1
Voix Soprano, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
347
Saxophone, Clarinette (duo)
196
2 Clarinettes (duo)
134
Clarinette, Violon (duo)
123
2 Flûtes traversières (duo)
114
Clarinette, Trompette (duo)
101
Flûte, Clarinette (duo)
70
Hautbois, Clarinette (duo)
68
2 Hautbois (duo)
67
Flûte, Saxophone (duo)
64
Hautbois, Basson (duo)
62
Flûte, Violon
61
Clarinette et Alto
60
Hautbois, Flûte
57
Flûte, Trompette (duo)
54
Flûte traversière et Piano
42
Flûte, Alto (duo)
40
Hautbois, Piano (duo)
34
Clarinette et Piano
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Clarinette
27
Saxophone Tenor et Piano
26
Saxophone Alto et Piano
24
Saxophone Soprano et Piano
23
Flûte traversière
18
Flûte, Hautbois, Clarinette (trio)
17
Saxophone Alto
17
Clarinette Basse, Piano
11
Cor anglais, Piano
11
Flûte à bec Soprano
10
Saxophone Baryton, Piano
10
Quatuor de Saxophones: 4 saxophones
9
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone (partie séparée)
9
Saxophone Tenor
8
Cor Anglais
8
Ensemble de Flûtes
8
Flûte, Hautbois, Clarinette, Basson
7
Hautbois (partie séparée)
6
Ensemble de Clarinettes
4
Clarinette, Guitare (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Clarinette, Violoncelle (duo)
3
Flûte et Guitare
3
Saxophone
3
Flûte, Hautbois, Basson
3
Ensemble à vent
2
Flûte, Violon, Piano
2
Flûte, Violon et Violoncelle
2
Clarinette, Violoncelle, Piano (trio)
2
Flute, harpe et violon
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Guitare
2
Clarinette Basse
2
Flûte, Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
2 Flûte à bec (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Tuba
1
2 Clarinettes, Basson
1
Clarinette, Basson (duo)
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Alto et Piano
1
Flûte, trombone et piano
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
+ 68 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
136
2 Trombones (duo)
63
Trompette, Trombone (duo)
63
2 Trompettes (duo)
62
Trombone et Piano
23
Trompette, Piano
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Cor et Piano
18
Euphonium, Piano (duo)
17
Trompette
17
Trombone
17
Cor anglais, Piano
11
Cor Anglais
8
Trompette (partie séparée)
7
Cor
6
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
5
Euphonium
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
3 Trompettes (trio)
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
Cor anglais, Guitare (duo)
1
Trombone basse
1
Tuba
1
2 Cors (duo)
1
+ 22 instrumentations
Retracter
Cordes
2 Altos (duo)
73
2 Violons (duo)
65
Violon, Alto (duo)
64
Violon, Violoncelle (duo)
63
2 Violoncelles (duo)
60
Violon et Piano
53
Harpe
33
Alto, Piano
33
Violoncelle, Piano
29
Violon
20
Violoncelle
19
Quatuor à cordes: 2 violons, alto, violoncelle
16
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
5
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
2
4 Violoncelles
2
Contrebasse, Piano (duo)
1
2 Harpes (duo)
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Contrebasses (duo)
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Orchestre
19
Ensemble de cuivres
16
Ensemble Jazz
12
Cloches
9
Orchestre à Cordes
5
Jazz combo
3
Orchestre de chambre
1
Batterie
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
2
Partitions Numériques
3
Librairie Musicale
0
Matériel de Musique
323
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Above All
intermédiaire
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Partitions à imprimer
3 partitions trouvées
<
1
Three Christmas Ballads from the British Isles for Brass Quartet
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Noël
#
English, Irish Melodies, and T
#
Cheryl Bray Jackson
#
Three Christmas Ballads from t
#
Cheryl Bray Jackson
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.971196 Composed by English, Irish Melodies, and Traditional Scottish. Arranged by Cheryl Bray J...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.971196 Composed by English, Irish Melodies, and Traditional Scottish. Arranged by Cheryl Bray Jackson. Celtic,Christian,Christmas,Sacred. Score and parts. 14 pages. Cheryl Bray Jackson #6663763. Published by Cheryl Bray Jackson (A0.971196). These beautiful melodies present themselves in characteristic traditional style. The arrangement is suited to the intermediate level for church, school or community ensemble. The range of each of the instruments are accessible. However, the first trumpet part does go above the staff in a couple of spots. Be Thou My Vision is in canon form. To perform it with ease, the quartet may rehearse the melody all together first before playing as written. .
$12.99
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon in Echo a 12
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Above All
