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PIANO & CLAVIERS
Piano seul
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Piano, Voix et Guitare
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Orgue
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1 Piano, 4 mains
10
Piano Facile
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Accompagnement Piano
7
2 Pianos, 4 mains
4
Instruments en Do
3
Piano Trio: piano, violon, violoncelle
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Orgue, Trompette (duo)
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GUITARES
Piano, Guitare (duo)
72
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43
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15
Ligne De Mélodie, (Paroles) et Accords
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13
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5
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4
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3
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57
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28
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23
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22
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22
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21
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19
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17
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17
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16
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16
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16
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16
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16
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15
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15
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14
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13
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11
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10
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10
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9
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9
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6
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Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte à bec Soprano
5
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5
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4
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3
Quintette de Flûte : 5 flûtes
3
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3
Flûte traversière, Basse continue
2
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2
Flûte, Hautbois (duo)
2
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2
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2
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1
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Cor Anglais
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Flûte et Trio à cordes
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91
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63
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39
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38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trombone
12
2 Trompettes (duo)
11
Trompette, Saxophone (duo)
11
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10
2 Trombones (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor et Piano
7
Ensemble de Trombones
5
Tuba
5
Trompette (partie séparée)
4
Cor
4
2 Euphoniums et 2 Tubas
3
2 Euphoniums (duo)
3
2 Cors (duo)
3
2 Tubas (duo)
3
Cor anglais, Piano
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Quatuor de Cuivres
2
Ensemble de Tubas
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Trompette, Tuba (duo)
1
4 Tubas
1
Trombone basse
1
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium, Piano (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
216
Violon, Violoncelle (duo)
157
Violon
144
Trio à Cordes: violon, alto, violoncelle
128
Alto, Piano
115
Violon et Piano
109
Violoncelle, Piano
92
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violon, Alto (duo)
18
Harpe
17
2 Violons (duo)
17
2 Altos (duo)
16
Violoncelle
15
2 Violoncelles (duo)
14
Alto seul
11
Alto (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Harpes (duo)
6
Flûte, Contrebasse (duo)
4
Ensemble de Violons
3
Violon, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Contre Basse
2
4 Violoncelles
2
Ensemble d'Altos
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
115
Orchestre d'harmonie
41
Orchestre
29
Ensemble Jazz
27
Cloches
17
Ensemble de cuivres
12
Orchestre de chambre
9
Fanfare
6
Jazz combo
6
Ensemble de Percussions
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Vibraphone
2
Batterie
2
Marimba
1
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AUTRES
Théorie de la musique
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Giovanni Gabrieli
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James M
#
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
They Can't Take That Away From Me
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1380165 By…
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Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1380165 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Kayleigh Huelin. Jazz,Standards. Score and parts. 8 pages. Kayleigh Huelin #964945. Published by Kayleigh Huelin (A0.1380165). George and Ira Gershwin's classic tune from Shall We Dance, made famous by Frank Sinatra, Ella Fitzgerald and many others, this new arrangement is fun to play and will bring a bit of Hollywood sparkle to your setlist!Arranged for brass quartet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$19.99
18.2 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Frank Sinatra
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Kayleigh Huelin
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They Can't Take That Away From Me
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Kayleigh Huelin
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SheetMusicPlus
Silent Night (Bb) (Brass Octet - 4 Trp, 2 Hrn, 2 Trb)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814532 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814532 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636621. Published by Regis Bookshar (A0.814532). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 4 Trumpets, 2 French Horns and 2 Trombones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.28 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Silent Night (Bb) (Brass Octet - 3 Trp, 2 Hrn, 3 Trb)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814531 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814531 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636613. Published by Regis Bookshar (A0.814531). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 3 Trumpets, 2 French Horns and 3 Trombones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.28 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Silent Night (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814530 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814530 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6632969. Published by Regis Bookshar (A0.814530). Brass Quintet Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Quinet, consisting of 2 Trumpets, 1 French Horn and 2 Trombones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
4.55 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
9 Popular Hymn Tunes with descants for brass quintet or ensemble
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Composed by Various. Arranged by Austin Ralphson. Christian, Praise and Worship, General W…
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Composed by Various. Arranged by Austin Ralphson. Christian, Praise and Worship, General Worship, Wedding. Score. 12 pages. Published by Austin Ralphson (S0.168729). - Score - Christian,Praise and Worship,General Worship,Wedding - Austin Ralphson
This is a collection of 9 popular hymn tunes arranged for brass quintet, with descants for most as well. They are very handy for weddings or other times when a quick hymn arrangement is needed. This pack includes: All Things Bright and Beautiful (W. Monk) Be Thou My Vision (Irish trad.) For The Beauty of the Earth (C. Kocher) God Save The Queen / King (T. Arne) Love Divine (J. Stainer) Love Divine (Hyfrydol) Morning Has Broken (Scottish trad.) Praise, My Soul, The King of Heaven (J. Goss) The King of Love My Shepherd Is (J. B. Dykes)This is a collection of 9 popular hymn tunes arranged for brass quintet, with descants for most as well. They are very handy for weddings or other times when a quick hymn arrangement is needed. This pack includes: All Things Bright and Beautiful (W. Monk) Be Thou My Vision (Irish trad.) For The Beauty of the Earth (C. Kocher) God Save The Queen / King (T. Arne) Love Divine (J. Stainer) Love Divine (Hyfrydol) Morning Has Broken (Scottish trad.) Praise, My Soul, The King of Heaven (J. Goss) The King of Love My Shepherd Is (J. B. Dykes)
$6.99
6.36 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Various
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Austin Ralphson
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9 Popular Hymn Tunes with descants for brass quintet or ensemble
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Austin Ralphson
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SheetMusicPlus
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